What Do I Think About James Gunn?

I’ve been catching up with the Gunn firing story.  Vox Day has several links, posts and a podcast about it.  http://voxday.blogspot.com/2018/07/darkstream-saint-chan-takes-on-hollywood.html

Aside from any consideration of tactical or strategic importance the ironic nature of Gunn’s position is worth considering.  The messages where he revels in Roseanne Barr’s firing are extremely comical in retrospect   https://www.thegatewaypundit.com/2018/07/ben-shapiro-loses-debate-defending-disgraced-perverted-disney-director-james-gunn/

But I guess what everyone wants to know is whether this is a one off or is it part of a larger campaign.  Disney has always been something of a special case.  Their link to children through their legacy and current products is so important to the company that any hint of pedophilia has to be handled by extreme measures.  But now that a precedent has been set it’s possible that it could affect Fox too.  After all, Disney is currently negotiating to buy Fox’s entertainment business.  This includes the X-Men and Deadpool franchises from Marvel.  Based on the vibe from these movies I wouldn’t be at all surprised to find out that several of the “creative types” behind these films have skeletons in their closets.  In order to satisfy Disney’s squeaky-clean image Fox might have to unload anyone who even approaches James Gunn’s level of unwholesomeness.  Is this the case?  Who knows?  But it’s certain that the folks working with Cernovich have archived a lot of tweets and are prepared to use them to embarrass and possibly un-employ people on the left.  Timing is probably being used strategically.  The next Guardians of the Galaxy movie was beginning production.  Forcing them to switch directors now would be least difficult and therefore least detrimental to Disney’s bottom line.  Possibly future attacks will be timed to coincide with business decisions by the other studios.  We’ll have to wait to find out.  But it is encouraging when the Left’s own tactics are used by the Right and used effectively.  The New Right is not the new Stupid Party.

The Incredibles 2 – A Science Fiction & Fantasy Movie Review

The trailer for this movie says it is fourteen years since the original Incredibles debuted.  That must be true but because at that time I had neither children nor grandchildren of an age to watch it I missed its appearance altogether.  Probably four or five years ago I read that it was probably the only Disney film of recent vintage without a truly ponderous social justice taint so I took it out and liked it.  I watched it with the grandkids and they really liked it too.  But when I saw the coming attractions for the sequel I was annoyed to find a bunch of blather about Mr. Incredible being relegated to Mr. Mom and Elasti-Girl (Mrs. Incredible) being the heroic superhero who earns the daily bread.  And so, it was with a certain amount of trepidation that I took Camera Girl and the two older grandsons to the dying local movie palace to see the film.

Well, my fears were unnecessary.  The movie is good.  By the necessity of a sequel being somewhat derivative by its very nature Incredibles 2 may not rate as highly by some measures and to some audiences.  I found it extremely enjoyable.  Aside from any measures of technical or visual excellence the story line is meager as expected for this genre but acceptable, the main characters retain their original charm and the interactions between the family members defines the heart of the movie.  It is a celebration of the traditional nuclear family.  Mr. Incredible is a 1950s Dad.  Elasti-Girl could be Donna Reed and the kids are the usual bundle of sibling rivalry, growing pains and mischief but whenever the chips are down the family pulls together to save the day and each other.

I’ll keep this short.  If you have kids or grandkids bring them to this movie.  And if you don’t, then go see it yourself.  You’ll have a good time.  My personal favorite scene in the movie is Mr. Incredible coming to terms with his kid’s “new math” homework.  His anguished cry of, “Why would they change math?”, brought back such memories of exactly the same scene in my home that I probably laughed out loud in the theater like an idiot.  Maybe there is still some hope for Disney.  I mean I doubt it, but at least they didn’t alter the characters.  They’re still who they were and still a lot of fun.

Vox Day Has a Good Link on the Star Wars Debacle

So, it seems Disney has realized that Kathleen Kennedy drove the Star Wars franchise into the ground by turning a boys’ adventure fantasy into a girl empowerment snoozefest.  And according to the source quoted nobody is willing to take over from her because the risk is too great.  http://voxday.blogspot.com/2018/06/will-no-one-rid-disney-of-this.html .

Oh, this is too much!  Can schadenfreude cause a stroke?  I laughed so hard I think I burst an aneurysm in my brain.  When you add up the ESPN, Star Wars and the Roseanne debacles SJWs must have cost Disney at least several billion dollars in lost revenue.  Can you imagine the heat that Iger must be feeling?  Oh, it’s marvelous.  And with the ninth movie of the Star Wars saga in production already and J.J. Abrams refusing to take more than directorial control over that pile of risk I wouldn’t be surprised if the House of Disney doesn’t have a major shake-up on the horizon.  It couldn’t have happened to a nicer bunch of progressives.

Read the whole thing including the info at the link and the comments at Vox Popoli, they’re hysterical.  It’s like a textbook case of feminism running a male based activity straight into the ditch.  Oh, my poor ribs, they ache.

Let’s review, Disney pays Lucas umpty-ump billions of dollars for a franchise that is basically a boomer/millennial male-bonding experience and they let a bitter feminist turn it into young Rosie O’Donnell with a light saber meets the First Wives’ Club.  With apologies to Count Rugen, I think that’s the worst thing I ever heard.  Is it possible that Disney is purposefully bankrupting itself to help tank the economy to spite Trump?  It seems plausible.  I mean no one could be this stupid right?

Full disclosure, I’m not the target audience for any of these movies.  I thought the first Star Wars movie was great fun when I saw it on the big screen back in the seventies.  But the second one was kind of disjointed and not as much fun.  The third one was a hot mess.  I mean, ewoks?  After that I was glad that it seemed to be over.  The newer editions are by most accounts terrible and I couldn’t imagine wasting time on them.  But I brought my grandsons to see the seventh one and I was amazed at how derivative it was from the first movie and how unpleasant it turned out.  Now, I’m far from disappointed that the series looks to be going down for the count.  What someone should do is start a new series based on an interesting and fun sci-fi or fantasy series that will draw kids and their parents in.  Hell, they could update the Lensman series and they’d get more mileage out of that than they’ve managed from Lucas’ anemic vision.  The same can be said for the Marvel and DC cinema series.  They’ve milked those characters and story arcs so strenuously that there’s nothing left but watery skim.

So, read the article and get a good laugh.  But honestly, we’re going to need to let these movie studios go broke.  They’re too stupid to live.

John Nolte at Breitbart Reviews the Box Office Performance of Solo and Adds a Little Snark

How the mighty have fallen.  When the big reveal came in the Last Jedi and we found out that the Force is just estrogen for a lot of fans it must have felt like that scene in Christmas Story where Ralphie is feverishly decoding a secret message and finds out the the secret is a commercial for Ovaltine.  Screw them.

 

Let the Schadenfreude flow.  Embrace the Dark Side of the Force which must therefore be testosterone!  Who knew?

 

http://www.breitbart.com/big-hollywood/2018/06/02/box-office-solo-officially-disaster-media-cover-why/

Deadpool 2 – A Very Warped Science Fiction and Fantasy Movie Review

Deadpool was my favorite movie of 2016.  I saw the movie on a recommendation and really didn’t know what to expect.  But from the first moment of the intro with Angel of the Morning playing over the comedic version of the credits revolving around a freeze-framed photo of a hyperkinetic centrifugal multi-villain murdering automobile rollover I knew it was gonna be great.  Now granted, Deadpool viewing does come with some penalties.  Deadpool is a fan of Wham and George Michael in general.  This is painful.  The end credits roles through an entire Wham song.    So, you take the good with the bad.

I went to see Deadpool 2 today.  I won’t put in any spoilers.  In the latest installment Deadpool puts together a team that he calls X-Force because he says X-Men is too sexist.  He faces off against Josh Brolin as a time travelling mercenary called Cable who sports a bionic arm.  And the scene where they first deploy as a team is hysterically funny.  Negasonic Teenage Warhead is back but this time with hair and a Japanese girlfriend.  Colossus is also back and even develops a little edge by the end of the movie.  And Morena Baccarin and Leslie Uggams and that doofus from Silicon Valley are back too.  And once again Wade Wilson is plunged into despair.  And that means he will be employing barrels full of ultra-violence and mayhem will rain down on his enemies and of course also hilariously on his unkillable self.  There is a scene where Deadpool is regenerating his lower body that is truly disturbing and symptomatic of some psychotic issues among the writers.  And there is plenty of truly horrendous schmaltzy music.  But Deadpool keeps the terrible sight gags and banter flowing throughout the show.  And there are even a few scenes of tenderness and love.  And unlike the terrible unhappy ending of Avengers: Infinity War, if you stick around during the credits there’s a bonus that sets some things straight.

Deadpool is a guilty pleasure.  He is obscene, sacrilegious, depraved and extremely gross.  But it cannot be denied that he is funny.  And in our increasingly humorless politically correct environment that alone should be enough to justify the time spent.

26MAY2018 – OCF Update

The thirty degree mornings have relented.  There is a break in the seemingly endless succession of torrential rain and wind storms.  I have a non-work day where I can cut the grass and put the yard in post-winter order.So today may be a bit slow.  What’s on tap and coming up soon:

  1. Photos from the South Rim of the Grand Canyon.
  2. Photo essay on the Sigma 150-600 Sports lens on the A7 III.
  3. Book Review on Robert Silverberg’s “Valentine Pontifex.”
  4. Book Review on “Kill Team (Galaxy’s Edge Book 3).”
  5. Book Review on “Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past.”
  6. Review of the Vanguard Alta GH-300T Grip Head for heavy lens shooting.
  7. Review of Deadpool 2.
  8. Review of Capture One 11 Photo Editing Software.
  9. President Trump’s summary firing of the intelligence agency conspirators.  Wait I’m not supposed to write that.  Let’s call that Trump Humor.

And some of these may not be in this order.  I am human after all and sometimes the mood strikes me to switch stuff up.  So stay tuned.

Avengers: Infinity War – A Science Fiction and Fantasy Movie Review

Spoiler alert.  If you don’t want to know how this movie ends don’t read this.  But just know that I don’t recommend this movie.

Last week was a birthday party for one of my grandsons.  I was talking to my two older grandsons (13 and 10 years old) and told them I’d seen a commercial for The Incredibles Part 2.  They told me it was already out so I told them I’d take them to see it Saturday. (May 19th).  Well I checked the theater listings on Friday and it turns out The Incredibles doesn’t start playing until June.  Not wanting to disappoint the kids I asked them if there was anything else out they wanted to see.  Well, they said The Avengers.  I’d brought them to see the first two and they were pretty good.  But I’d heard that the third one (Civil War) was starting to get lefty preachy so I skipped it.  So, I went to Infinity War with some trepidation.  And I had good cause.

This movie is a hot mess.  They threw everything and the kitchen sink into it.  There’s all the Avenger characters, then they added in the Guardians of the Galaxy crew for good measure.  Then there was someone called Doctor Strange and some stray characters with him.  He seemed to be some kind of imitation Dr. Who – Time Lord character.  Then they threw in the Black Panther characters.  And just in case there was anyone who wanted more, they threw in Spiderman.  All these various characters are working together to defeat Thanos.  He’s collecting the Infinity Stones and if he gets all six of them he’ll be able to perform his plan which is to kill half of all the intelligent beings in the Universe.  There’s all kinds of battles and fights and at the end Thanos wins and his power kills half of the world.  You see half of the Avengers and the other super heroes evaporating into dust.

Now, what the hell kind of Super Hero movie is that to bring kids to?  The good guys lose and half of everyone in the world dies.  Of course, in the next movie they’ll bring them all back to life but what a depressing stupid mess!  Thanks Marvel.  Well I sure hope they don’t ruin the Incredibles too.  Honestly, I’m starting to wonder if the only movies worth watching are from a generation ago.  I’m going to start making a list of the movies that we watched as kids and renting or buying them so the grandkids have stuff worth watching.

A Few Thoughts About Space Opera

After finishing up my review of Galaxy’s Edge – Galactic Outlaws, it occurred to me that there was more to say about the category of Space Opera.  Some might say that I was a little unfair to social justice fiction fans.  After all there must be a significant audience of fans with blue hair and cats who really enjoy girl power super heroes and their adventures in space.  So, to say that these are automatically bad just because I heartily dislike them might seem arbitrary and unfair.  It might seem that way but it isn’t.  And that’s because I am the final arbiter of good and bad in science fiction.  I earned this coveted status by living long enough to see everything in the world.  So, once again, all Star Wars movies after Return of the Jedi (and even some parts of them before that point) are irredeemably bad and should be cast into the outer darkness where there is much wailing and gnashing of teeth.  And that lines us up for me to proclaim what does make a good space opera.  What follows is:

“photog’s RULE FOR WHAT MAKES GOOD SPACE OPERA” (patent pending).

It needs to appeal to the sense of wonder of the twelve-year-old boy in you.  Now mind you, it doesn’t have to only do that.  It can also be a brilliant philosophical treatise on the dualistic nature of the universe or a psychological study of the impact of technology on the human race, or even a deathless love story written across the stars of the galaxy.  But if it fails to inspire the twelve-year-old boy in you it’s not space opera.  It may be science fiction or anything else but it isn’t space opera.  And this isn’t even an exclusive precinct of science fiction.  Any adventure story has to satisfy that same basic requirement.  Take the literature of the late nineteenth century or early twentieth century.  A quintessential example that comes to mind is Treasure Island.  Here is a story that was tailor made for the sense of wonder of a twelve-year-old boy.  It has all the earmarks of the tale of wonder.  The boy who loses his father, the quest for riches, exotic locales, colorful and dangerous opponents, the revelation of secret knowledge, the coming of age experience of the world and the people in it.  An adventure story is a story for a boy that kindles his interest in the world around him.  It leads him to think there is more to life than school and chores.  It inspires him to strike out on his own and find his place in the world.

Now I can just hear the modern women and girly men screeching, “Girls want adventure too!”  To which I reply “Stop screeching, you’re hurting my ears.”  But also, I would say that what girls want is neither here nor there.  Boys need the adventure story because it fits their brains.  Girls have been told that they want adventure stories so they want them in order not to get left out in the modern #metoo world that they live in.  And in fact, I don’t really care if there are adventure stories for girls.  More power to them, I guess.  What I do mind is that for the sake of inclusiveness they are ruining all the adventure stories that are coming out of Hollywood.  And that is why I look for good old (and new) space opera and other adventure stories for my grandsons (and for me).

Attack of the Fifty Foot Woman – A Science Fiction Movie Review

(Reviewer’s Note:  I watched this movie almost three weeks ago and put it aside without finishing it because much better things were going on.  Now that I’ve decided to finish it, I find that I’ve forgotten some of the details.  Please forgive any vagueness or inaccuracies.  Merciful forgetfulness has shielded me from a vivid memory of this dreck.  But believe me when I say that this movie is as bad or worse than I represent it.  Enjoy.)

As a worthy successor to a recent review (One Million B.C.) I have another TCM .  Here is a movie that cries out for mockery.  It has a plot so weak that I believe the writer must have been either a heroin addict, a congenital idiot or a democrat.  This was a year after sputnik launched so the UFO is a big silver ball.  The alien is a giant and he more or less fills up the whole ball.  He’s a big bald-headed guy wearing a short dress that looks like it was stolen from the costume closet of the movie Spartacus.  For some reason that probably didn’t even make sense to the writer, the giant is searching for diamonds.  Alright, so much for the science fiction, such as it is.  Now for the human interest.  Harry and Nancy are a married couple with problems.  Nancy is rich and has problems involving drinking and mental instability and Harry has a wandering eye for the ladies.  When first we see him he’s at what looks like a diner with a blonde vixen named Honey wrapped around him complaining about how his rich wife won’t give him more money to spend on booze and trashy women.  Honey is sympathetic.  He has a plan to get Nancy’s money by having her committed to a mental institution.  Honey is sympathetic again.

Switch scenes to Nancy driving along the roads of some southwestern landscape, cactus, sage brush and sand in all directions.  She seems sad and drunk.  And as she sadly, drunkenly drives along she sees giant sputnik flying around in the sky in a completely unconvincing imitation of anything moving through the air.  Eventually it lands on the road in front of her.  Nancy brakes into the shoulder and witnesses a truly unconvincing special effects portrayal of a fifty-foot alien coming out of a forty-foot sputnik.  Most of the scene centers on Nancy screeching uncontrollably and trying to avoid the giant as he tries to paw her with his six-foot-long giant hand.  Later on, we’ll learn that he somehow knew she was wearing a big diamond on a necklace.  So, after a short encounter Nancy runs off leaving her car and stumbles into town.  Telling the sheriff about the giant increases her reputation for being nuts.  The sheriff tells his deputy to find Harry and tell him to bring Nancy home for a rest and a visit to the head shrinker.

Meanwhile Harry is now ensconced with Honey and bribes the deputy to say he couldn’t find him.  Hearing Nancy’s story from the deputy gets Harry and Honey thinking that their big chance to have Nancy permanently locked up in a rubber room is at hand.  They celebrate by going to Honey’s hotel room.

Eventually Harry goes to claim Nancy at the sheriff’s office.  She nags at him until he agrees to go back for her car and see if her story is true.  They find her car but the alien comes back.  Harry fires a few rounds at the alien then bolts in fear.  The alien catches Nancy and Harry drives off without her.  Harry returns home and discovers that the alien has returned Nancy.  She is lying unconscious on the roof of the pool house.  She has scratches around her neck and her diamond is gone.  Later on a doctor tells us that there are obvious signs of radioactivity.  Science!

Now the sheriff decides he must act.  He and the deputy agree to go out to where her car was and prove that there was nothing strange going on.  Unfortunately, when they find her car they also find the space ship.  The sheriff and the deputy go inside the space ship.  Here they walk through a few rooms that seem to be sized for normal humans.  And so, we have to ask ourselves how exactly does this giant fit in this space craft?  In rough dimensions it appears that he would have to be curled into a fetal position just to fit into the diameter of the ship.  And that is supposing that it was completely hollow.  How would that allow these walls and floors to exist?  And thus, my theory that the writer was a congenital idiot.

In one room they find a bunch of diamonds.  Nancy’s diamond is there.  They theorize on the scientific reasons why the giant wants diamonds.  Science!  When the giant returns they battle him with a pistol and a shot gun.  I think I remember they blow either him or his space ship up with the shot gun.  But I’m not sure.  I think I was starting to lose interest at this point.

Doctors are summoned and Nancy is sedated.  Harry plots putting poison in her IV drip but before he has a chance to she becomes a fifty-foot woman.  Of course, all we see is her giant hand inside a room in the house.  Eventually she goes berserk and breaks through the roof of the house and goes on a rampage looking for Harry.  Now she is dressed in an impromptu fifty-foot brassiere and mini-skirt supposedly fashioned out of bed sheets.  And all things considered she looks pretty good!  At this point I reflected on the comparison between pretty and gigantic Nancy and normal sized but skanky looking Honey.  Sure, the disparity in size might lead to marital difficulties but her huge size would guarantee that Harry would be pampered by his huge wife like some kind of rag doll, probably carried in her apron pocket and fed huge crumbs that collected on her clothes as she ate her huge meals.  Well, enough of this random speculation.

Nancy goes on a rampage through town looking for Harry.  Finally she pulls the roof off of the diner and finds Harry and Honey cowering in a corner.  Nancy crushes Honey and grabs Harry in one hand and walks away.  Finally the sheriff fires his shotgun at Nancy and hits an electric substation which explodes and kills Nancy.  And Harry is dead too, although it’s uncertain if he dies from the explosion, the fall or from being crushed by a death spasm in his wife’s hand.

I ask you, is there a more ridiculous movie?  Some will point to “Plan Nine From Outer Space” as a paragon of bad movie making and there is much justice in that.  But compare the budgets of these two movies.  “Attack of the Fifty Foot Woman” had a budget of $80,000.  Looking at Plan Nine it would surprise me if $500 was expended.  Unless you can claim that Plan Nine is one hundred and sixty times worse than Attack then you must admit that pound for pound, Plan Nine is a better movie.  So, let’s hail Attack of the Fifty-Foot Woman as the movie that provided least for the money expended.

 

2001: A Space Odyssey – A Science Fiction Movie Review

(Warning, this whole review is one long spoiler.  In my defense this movie is 49 years old.)

The only good thing about The Academy Awards is that for the whole month before, TCM plays many good (and not so good) old movies.  Last night I watched 2001.  As the exit music was finishing it occurred to me that this was the first time in almost fifty years that I had watched the movie from beginning to end.  Back in 1968 I attended the film in a large theater in Manhattan as part of a class trip.  At the time I was a sci-fi fan but I distinctly remember becoming incredibly bored during the “Infinity” sequence.  And sure enough, last night I found my eyes glazing over as I waited for Keir Dullea to stop making funny faces and show up in Versailles.  And then it also occurred to me that it was actually a very, very good movie.  So, let’s talk about it.  You already know I don’t like the “Infinity” sequence.  But I find the rest of the film is excellent.  Not everybody cares for Kubrick’s style in film-making.  There is a great deal of stylization and idiosyncratic imagery that bothers many people.  And without a doubt it is highly un-naturalistic.  In fact, the ape men were the most realistic as personalities.  The other characters are decidedly wooden.

But without a doubt this movie is an amazing spectacle.  The matching of images to the musical soundtrack is perfect.  The sequences of space ships landing and maneuvering are shown as if they were dancers in a ballet.  The “Dawn of Man” sequence is riveting.  I could believe that the actual event was very much like the portrayal (minus the monolith of course).  It captured the essence of human ingenuity.  The desperate and sordid circumstances of that ingenuity ring true.

And then there’s HAL.  I hate HAL.  I always have.  But he is the perfect Frankenstein Monster.  And the arc of his crime and punishment is, for me, a thing of hideous beauty.  His relations with the astronauts are as creepy and dishonest as some Dickens villain, something like Uriah Heep.  Some people feel sadness when Dave lobotomizes HAL and reduces him to the level of a two-year-old singing “Daisy.”  I never shared that sadness.  I guess I’m more Old-Testament.

So, that brings us back to the “Infinity” sequence which sucks.  But following it we have what I call the “Versailles” scene where I guess Dave lives his life out as a captive of the monolith makers.  This is weird and I guess necessary to set up the conclusion.  Dave dies and is reborn as the next stage of human evolution.  And he is returned to our solar system and the picture ends with him floating above earth to the sequence of “Thus Spake Zarathustra” and “The Blue Danube Waltz” playing us out.

In sum we have a fifty year old movie that is still visually stunning, that addresses the inexplicable advance of savage animals to the brink of interplanetary travel and the frightening prospect of facing our masters in artificial intelligence.  What’s not to like?  Well he could have added a few good-looking space babes but nobody’s perfect.