21SEP2017 Update

So today is the last full day of summer.  Gahhh!  The horror begins soon so it’s time to have fun while we can.  Saturday I’ll have my two older grandsons over for a Lord of the Rings marathon.  I think the extended version comes to about eleven hours.  Breaking it up with grilled cheese sandwiches for them and corned beef and swiss for me, it will be a full day.  Dinner will be another fan favorite spaghetti and meat balls.  Camera Girl will do the cooking but abstain from the cinema.  She’s a Tolkien agnostic, heaven help her.

As anyone who faithfully reads my reviews knows I consider Justified the most consistently well written and actualized tv drama I’ve ever seen.  I have a theory that it’s because the source material is much better than that of the typical (or even superior) tv-show.  So, I’m putting it to the test.

Right now, I’m reading Elmore Leonard’s Raylan Givens novels and short stories.  I read the short story “Fire in the Hole” that was the basis for the first episode of Justified.  The other stories in the collection (of the same name) were all very good too.  Leonard has an enormous reputation as one of the most popular crime writers.  And he has had over twenty of his books made into movies (not counting the tv series Justified).  Based on all that I figure I’ll find out what all the hype is about.  So, I want to see how I like his stuff.  So far, I’m impressed.

The political scene continues to boil like the spaghetti pot I’ll be involved with on Saturday.  Trump continues to engage all important events in his typical iconic and bombastic style.  Of course, you’d have to be made of stone not to be nervous about all the various balls in the air.  But I’ve learned to give Trump some time to get things done in his own way.  After all he is herding particularly annoying cats (and rats).  The right-wing folks are going through some growing pains on the various sites.  Hopefully it’ll sort itself out sooner than later.  I take a sort of neutral position on these things and wait to see how things are settled.

On the photography front I’ve added the ability to embed photos in the comments so go ahead if something in a post inspires a photo of your own.  The plug-in that makes this possible has the following instructions:

This plugin embeds image links in comments with the img tag so the images are visible in your comment timeline.

Image formats supported:

  1. .jpg
  2. .gif
  3. .png

 

I’m not an expert on this computer stuff so I’ll do my best to get things to work but have patience if there are problems.

On the review front, I’m going to write something on my recent toe-dip into anime.  In addition to my recent viewing of Cowboy Bebop I watched Ghost in the Shell 2.0.  I’ll share my thoughts.

Other film ideas, I rented the second John Wick film and I’ll put together my thoughts on both films after watching it, maybe this weekend.

I haven’t decided what sf&f book to read next.  Suggestions are always welcome.

Cowboy Bebop – A Sci-Fi TV Review – Part 3

I have now finished off all the Cowboy Bebop (CB) available as DVDs on Netflix (Discs 4 and 6 are permanently unavailable).  This includes the 2-hour movie which I watched last night.  And I think that’s sufficient to allow me to make a definitive judgement on the series vis-à-vis my taste.

It’s good.

It has some weaknesses from my point of view.  There is a silliness that can be annoying for me.  The crazy adolescent girl Edward can be a bit much.  Some of the episodes are pretty thin on plot.  And some of the space battle scenes seem (not surprisingly) cartoonish.  I think most of this can be chalked up to the standard cartoon sci-fi conventions.  Things are simplified and standardized to allow economic production of the animation product.  And to be fair, since I have never been a comic book or movie consumer, I’m not their primary audience.  To an anime consume, CB is probably well to the right side of the standard deviation curve with respect to production values, plot and characterization.

I like the quality of the animation especially the scenes in outer space.  Some of it is strikingly well done.  I liked the scenario of independent contractors moving in and out of the legitimate world acting as bounty hunters while they themselves are not without a certain air of criminality.  And obviously here are the similarities with Firefly.  After viewing the majority of CB I’ll state that I’m convinced that Whedon borrowed heavily from it when making Firefly.  But I’m sure CB borrowed from earlier anime for some of its ideas so I don’t think it’s a big deal.  But I will say that at this point I’d much prefer a big screen (or big budget tv) version of CB were made rather than of Firefly.  Whedon is such an SJW that he’d probably have Serenity going back in time just to battle Donald Trump.   My only hedge on having CB instead of Firefly is that is I’d like to see Jet Black played by Adam Baldwin.  He would be damn near perfect for the part.

Anyway, I would say that the CB movie demonstrates how a longer treatment of the material improves it.  More characterization shows through and there is more scope for interesting story telling.  Also, the animation of the city in the movie was extremely well done.  It looked like whole sections of New York City were digitized to make the action possible in the chase scenes.  And speaking of the chase scenes, one of the flying chases was a little too long.  Although intricate and well laid out it eventually started to drag on.  The fight scenes between the protagonist Spike and his nemesis were very good and enjoyable.  Most of the minor characters were fairly well utilized.  Surprisingly, the seemingly superfluous presence of the welsh corgi dog on the space ship actually felt like a positive addition to me.  But maybe I just like dogs.

So, bottom line, Cowboy Bebop is good sci-fi anime.  If you don’t particularly like anime you still might enjoy it.  It has piqued my interest in the genre enough that I’m going to give another anime movie (Ghosts in the Shell 2.0) a look-see and find out if this was just a one off or not.

See you Space Cowboy!

Cowboy Bebop – A Sci-Fi TV Review – Part 2

Cowboy Bebop – A Sci-Fi TV Review – Part 1

So I’ve watched two and a half of the discs.  Interestingly Netflix says there is “Unknown Availability” for Discs 3 and 6.  How’s that for the customer is always right?  I’m liking the show.  The episodes vary.  Some are back story.  Some introduce new characters.  There’s usually at least a little bounty hunting involved.  The ratio of comedy to drama is high.  The visuals are a mixture of standard cartoon and high-end graphics.  Some of the space scenes are especially well done and interesting.

I’ve been trying to think of what I can compare the viewing experience to.  As I said in my last post, there is a decidedly close resemblance to the look and atmosphere of Firefly.  But because it’s animated it’s obviously not identical.  And in a related sense it is reminiscent of Westerns.

Not being a recent consumer of Japanese cartoons, I guess another thing it reminds me of are the Japanese cartoons that were on when I was a kid back in the sixties.  One that has a little relevance was “Eighth Man.”  The story was completely unrelated.  But just something about the pacing makes it seem akin in my mind.

With respect to back story, the protagonist, Spike, has a history involved with a crime family.  There is an evil brother figure lurking in his past.  Down the road there is sure to be a reckoning for past sins.

I still don’t know what the relevance of the welsh corgi will be.  Maybe he’ll turn out to be super intelligent.  Right now he’s just sort of annoying.  They’ve also added a young girl who is also (of course) a world class hacker to the crew.  I’m guessing she’s the River Tam of the crew.

So, just to update, not sure where it’s going, still liking it.

Summer 2017 – When the Blockbuster Formula Ran Out of Gas

What do most of the Twilight Zone episodes, the third season of Star Trek and Transformers VI (or whatever number they’re up to this year) have in common? They were no good, nobody wanted to see them and they were written by hacks. Sure, there were a few good Zone episodes and also a few of the Trek episodes were fun or interesting. What I think you’ll notice with these is that the episode was written by somebody creative. The rest of the dreck in these categories was ground out by talentless hacks who couldn’t even spell the word plot let alone write one. And that brings us back to Transformers XX or whatever it is. Great Caesar’s Ghost!

Is the business really that bad? Is there no other way to fund and produce movies than to pile sequel onto sequel? How many times can Sylvester Stallone climb into the ring or jump out of a crashing helicopter? How many times can that stupid alien ravage human colonies before somebody gets around to inventing industrial strength Raid for aliens and drop it on their ugly butts?

As even Deadpool himself said (before his upcoming sequel of course), and I paraphrase, how many times can Liam Neeson let his daughter be Taken before we assume he’s just a not a very good father. Wasn’t Godfather III enough to prove that even the best stories can’t be endlessly resuscitated without being turned into crap?

But you notice, TV is able to make some pretty good stuff. I’ve just finished Justified and I’d put that up against anything I’ve seen in the theater in the last five years. Why the disparity? First of all, Justified was adapted from the works of Elmore Leonard whose stories have time and again translated well into movies. Whereas with these endless sequel franchises, I assume they are assembled from some formula that is somehow supposed to capture the original flavor of the first episode but without the high price of the original screenwriter. Apparently, they’ll pay tens of millions to get Bruce Willis or Jamie Foxx and millions more to CGI the explosions but they’ll settle for the story line to be written by the corporate lawyers who put the financial deal together for the studios.

I think I read that because of the cable fees TV is actually able to monetize their quality shows pretty successfully whereas on the big screen only a giant blockbuster success is lucrative enough to even attract sufficient funding to get made. And that means Terminator 30 gets made before something well written and entertaining like possibly a faithful version of one of Heinlein’s juveniles. I imagine that Citizen of the Galaxy or Farmer in the Sky in the hands of a good screenwriter and director would be very entertaining and very commercial.

Okay, I know what you’re thinking, “Focus Photog, focus. What’s your point? Bring this back around to the title. Bring it home.”
Fine, I will. Hollywood is dead. Long live TV. Except for some extraordinary slam dunks like “The Lord of the Rings” or “Harry Potter” Hollywood is too paralyzed by the fear of losing gobs of money to try and put a quality product together from quality components. And that’s why I don’t feel deprived when I skip whole decades at the theater. There’s nothing there. Even the occasional stand out ends up being barely acceptable. I remember hearing raves about Gravity. When I finally rented it, I was puzzled what all the fuss was about. Okay would be a generous appraisal. The same with “The Martian.” Adequate would cover it.
And it couldn’t happen to a nicer set of people. If DiCaprio and Depp start only making seven figures instead of eight I certainly won’t cry. When they’re replaced by AI – CGI maybe the stories won’t be as insulting to the dirt people. What a concept!

Cowboy Bebop – A Sci-Fi TV Review – Part 1

Years ago, I had read that Cowboy Bebop might have been one of the influences on the making of the TV show Firefly.  Being a big fan of Firefly, you would have thought that I would have tracked it down and watched Cowboy Bebop long ago.  And you would have been wrong.  I never did.  Now this might have been because it was an animated series.  Or maybe because it wasn’t originally an English language show.  Or maybe because I figured it wasn’t as good as Firefly.  Who knows?  Anyway, I started watching the first few episodes last week.  My first conclusion is that Joss Whedon definitely borrowed heavily from the look and feel of Cowboy Bebop.  Secondly, it is an enjoyable show and stands on its own merits.  Now let me qualify that second statement.  It’s a cartoon.  The characters and the action are larger than life.  When a gun fight breaks out bullets saturate every last square inch of wall space around the protagonist.  Every fight has fists and feet flying in all directions and every facial close up has clenched jaw muscles and popping eyes.  Basically, everything is exaggerated to cartoon level.  Oh, and there’s a Welsh Corgi as part of the crew of a space travelling bounty hunters.  Suffice it to say that reality is in no way a condition for something showing up in this show.  But the characters have consistent personalities, the look of the show is very well done, there’s a fascinating backstory with terrible enemies and mysterious women and the plots although wildly unrealistic are (in my opinion) enjoyable.  As I’ve said, I’ve only watched the first five episodes but I like it well enough to want to keep watching it.

 

Alright, now what’s it about?  Cowboy Bebop is a space ship that so far has a crew of three humans and one Welsh Corgi.  They are bounty hunters who work for whatever government (or other organization) that can provide a large enough pay day.  Like on Firefly the culture seems to be a combination of American and Chinese culture.  Also, as on Firefly, humans inhabit a number on moons and planets (but this time within our own solar system).  Cowboy Bebop seems to work on both sides of the interface between the criminal and legal spheres.  Their biggest problems seem to be monetary.  They are chronically short of funds.  The protagonist is named Spike and seems to be a young man in his thirties who enjoys his job as much for the fighting as for the rewards.  In his past, he worked for a very high-level mob boss.  Spike’s partner is an older man with a much angrier façade but can also be depended on in a fight.  The similarities to Mal and Jane Cobb in Firefly are pretty strong.  The regularity with which the ship comes up empty handed after a mission is also a point of similarity to Firefly.

I consider that I prefer live action movies to animation but I’ll go on record as saying that Cowboy Bebop seems a highly creative show and has many features that make it interesting and entertaining.  I look forward to seeing the remainder of the series and will report back on its qualities.

 

So now I know where Whedon got his inspiration.  And maybe his own effort may not have been the superior to the model.

Justified – A TV Series Review – Part 5 – Season 5 & 6 (Conclusion)

Justified – A TV Series Review – Part 4 – Season 3 & 4

 

Wow!

That’s some damn show.  I won’t drop any spoilers.  Suffice it to say that in the last four episodes everything seemed to be going to hell and I was incensed at the trajectory I saw for the plot.  But by the conclusion I was satisfied that there wasn’t a better possible ending.  I’ll take a while to digest the whole story.  There’s a lot there.  Criminals and cops and their girls.  But at the end Raylin and Boyd together are the motor that runs the show.  They are like the two poles of a magnet.  Opposite and linked.  And then there’s Ava.  Who’s responsible for that disaster?  And then there’s just the sheer scope of the mayhem. By the end of the show the killing becomes like a steady rain.  I seriously wondered if the last episode would close on nothing left of the cast but body bags in the morgue.

Justified is a very well-made crime drama.  The main characters are interesting and in some ways sympathetic.  The run of the show is neither too short nor too long to provide a solid entertainment experience.  The story runs its course and the potential of the situation like the coal in one of the Harlan County mines is extracted and exhausted.

In a crime story that has both, it’s sometimes difficult to strike the correct balance between drama and comedy.  In my opinion Justified manages that balance unusually well.  With the large and shifting parade of criminals and lawmen, victims and friends, there were many colorful characters that provided ample opportunities for laughs.  But often that laughter was tinged with disgust at the ignorance, greed or stupidity that was the source.  And the laughs were often at the expense of the lawmen too.  Trying to outsmart idiots sometimes ended up poorly.  And Raylin consistently had troubles with his love life.  Too often it intersected with his work.  And when that happened, his boss Art would call out, “Raylin, would you come in my office and close the door?”

Critiquing entertainment is far from an exact science.  Objectivity is not even a theoretical consideration.  Why I like Justified so much probably has more to do with me than with the show.  And if your tastes are at all different from mine then we could completely disagree on the quality of this TV show.  With all of that said, I highly recommend Justified to anyone who likes well written and acted drama with a healthy dose of ironic humor thrown in for leavening.  Everything about the show is well done and enjoyable.  And probably best of all it has the correct balance.  There is a beginning, middle and end.  At the end, it was enough.  Anymore extracted from these characters will need to be a different chapter in a different place and with a different flavor.  Harlan County, Kentucky has been successfully mined and the treasure collected and sold to the consumers.  Amen.

Justified – A TV Series Review – Part 4 – Season 3 & 4

Justified – Part 3

Camera Girl and I have polished off the first four seasons of Justified and only have seasons 5 and 6 left.  Although a sort of pattern has emerged vis-à-vis the season finale we remain extremely satisfied with the quality of the show and the progression of the story line.  Over the course of the first four seasons we’ve really gotten to know Raylin Givens and his friends and family and enemies and their families.  We’ve seen some major characters come and go (mostly to the great beyond courtesy of Raylin’s pistol) and we’ve seen Raylin’s personal life undergo several painful dislocations.

And we’ve watched Boyd and Ava Crowder move steadily to the dark side.  When I say this, I don’t mean that the shows have gotten a lot more more violent.  It’s already at intermittent gang war levels.  But what the show is doing is chronicling Boyd’s ascent from small-time gangster to Appalachian mob-boss.  Along the way his scruples and humanity are peeled away crime by crime.  At each step he’s only doing what he has to to avoid the law or his rivals but eventually you see that nothing good remains.  Now I think this is similar to what was done in the series “Breaking Bad.”  There a man was driven by circumstance to adopt crime to help his family and finds himself and those around him consumed.  The difference being Boyd’s family already was criminal and his only attempt at honest life is pretty much extinguished in season two.  The Good/Evil dynamic is more represented by Boyd’s earlier friendship with Raylin.  As I mentioned in an earlier post, Raylin and Boyd are two sides of a coin flip.  Either might have ended as the other.  Probably the show itself is a meditation on why they’ve so far ended up on opposite sides of that very narrow line.

And I don’t want to claim any dramatic depth to the show.  It’s entertainment pure and simple.  But the characters are engaging and the mixture of action, drama, comedy and suspense is very nicely prepared.  What I’m not sure about is whether Raylin Givens will end the show better, worse or the same as he started.  He straddles a lot of lines and he seems to be willing to cross those lines when he thinks he has to.  I can see that may bring him to a bad end.  It’ll be interesting to see where the arc of this story lands him.

For my part I’m interested to see where the relationship between Art and Raylin heads.  Art is sort of a surrogate father figure for Raylin.  But whether he’ll end up a stern old testament type father who has to sacrifice his son on the altar of the law or the father of the prodigal who is able to welcome him back into the fold, I don’t know.  But either way I do hope he gets more time in front of the camera.  He’s been limited lately and I want to see him assert some order over the wild west atmosphere of the Harlan County Marshall’s office.

Oh, and for the record, although Raylin has an assortment of fine looking women jumping into bed with him, he certainly has no instinct for avoiding criminals.  Then again maybe he isn’t trying.  Maybe he thinks they’re more fun and he can always arrest or shoot them if he has to.

Currently we’ve received the first two DVDs for season five.  We usually restrict ourselves to two episodes at a sitting.  But we’ve been waiting for these disks for several days now and I suspect we’ll binge through both disks by Saturday.  Patience is definitely not a virtue when Justified is in your DVD player.

Justified – A TV Series Review – Part 3 – Season 2

Justified – A TV Series Review – Part 2 – Season 1

Thanks to the magic of Netflix’ DVD service, I and Mrs. Photog (aka Camera Girl) have been burning through Justified at a goodly clip.  We finished Season 2 last Friday and are now barreling along through Season 3 like a meth-head racing to a pawn shop with an ill-gotten Rolex.  But that’s a story for another post.  Right now, I’m reporting on Season 2 and I’m happy to report that it lives up to Season 1 and maybe even surpasses it too.  In Season 1 we met Raylin Givens and his kin and spent the season getting to know the Crowder clan.  That was fun.

In Season 2 we meet the Bennetts.  The matriarch is Mags Bennett and she has three sons.  One of them is the sheriff of Bennett, Kentucky.  The other two help Mags run the Bennett store and their thriving weed business.  It goes without saying that Raylin has history with the Bennetts and the season builds up to a climactic encounter.  Along the way Ray becomes more formally involved with his ex-wife Wynona and Ava becomes Boyd’s girl.  Many sub-plots involve all manner of exciting and amusing scenes.  Probably the outright funniest is Ray’s boss Art trying to apprehend a geriatric outlaw trying to escape onto a private plane at the airport.  Having reached a certain maturity myself I could see the humor of two old men in a foot race that neither can possibly finish.  By the finish both are gasping on the ground recovering their breath for the slow stroll back to Art’s waiting car.

Just as an aside, a recurring role, Loretta, is played by 14 year old Kaitlyn Dever, who played youngest daughter Eve to Tim Allen on “Last Man Standing,” another show that I enjoyed until its recent untimely cancellation by social justice network jerks.

Justified is fast becoming my favorite series of all time.  And that is saying something.  I’ll always have a soft spot for Firefly but if Justified can continue to be as good as it’s been for another season or so I don’t rightly see how I can deny it a place of preference if for no other reason than more hours of enjoyment.  It’s really a show that does not disappoint.  I know I’m beginning to sound like a paid shill for the network that produced the show but I must say I highly recommend it to anyone who likes crime drama with a heapin’ helpin’ of humor thrown in on top.

Stay tuned for Season 3.  It’s already looking very good.

Justified – A TV Series Review – Part 2 – Season 1

Justified – A TV Series Review – Part 1

I just finished watching the last two episodes of Season 1.  This is some kind of crazy show.

I guess I better preface my opinions by saying I haven’t been a member of the audience during the much touted “golden age of cable television” that’s been going on for the last decade or so.  I never cared about “The Sopranos” and I didn’t care about “Madmen” although I watched a few episodes a while back.  Likewise, I started watching the “Breaking Bad” episode where he is burning his money on the barbecue and then throws it into the swimming pool.  All I saw was Hal from “Malcom in the Middle” in his underwear making funny noises that weren’t particularly funny.

So maybe I’m not up on what’s current in TV Land.  Take that as given.

This is some kind of crazy show.  Apparently, Kentucky is located in the Twilight Zone where endless criminal activity and gun play is completely routine.  Timothy Olyphant’s character (Raylan Givens) is literally submerged in family, friends and strangers who all seem to be at each other’s throats twenty-four, seven.  Over the course of those two episodes at least sixteen people were shot dead.  And this is ignoring beatdowns, kidnappings, arson, non-lethal shootings, and even shoulder mounted rocket attacks.  And the cast of characters are almost exclusively highly conflicted and dangerous individuals.  Perhaps the only exception (and it’s a little early for me to be sure of this) is Ray’s boss, Art Mullen, the Chief Deputy U.S. Marshal (played by Nick Searcy).  He is, of course, surrounded by the insane happenings but so far seems to be operating as a sane law enforcement agent trying to manage his team and stay within the law.  But I’m sure in the course of the show’s six-year run he must crack.

Season One documents Ray’s return to Kentucky.  And the circumstances highlight Ray’s already unorthodox perspective on law enforcement.  He has a code of behavior that allows him to supersede normal legal protocol when he determines that someone isn’t just a normal criminal.  In other words, if someone has figured out how to game the system to commit acts that Ray cannot allow to occur he is determined to use extra-legal activities to curtail them.  He takes the law into his own hands.  That’s the premise of the show.  In his mind, he’s justified.  I guess we’ll find out if the world confirms this or changes his mind.

So as of the end of season 1 I am enthusiastically a fan of the show.  As I said the character are conflicted and most of them are not good people by any definition of the word.  But several of them have been shown to be interesting.  Of special importance seems to be Boyd Crowder, played by Walton Goggins.  Boyd’s criminal family is the focus of much of season one’s action.  Boyd is both a career criminal and Ray’s boyhood friend.  They worked together in the Kentucky coal mines.  And it seems apparent they are meant to be two sides of a coin throw.

The show maintains a very active pace with rarely a dull moment.  Ray’s romantic life is, so far, the least interesting part of the show but perhaps with additional insight into the motivations and back story of the main women in his life we’ll get a better understanding of why we should care which of them is his leading lady.  Of course, that is assuming any of them lives long enough to develop a domestic back story.

And as a point of information on the female reaction to Justified, Camera Girl (or more formally, Mrs. Photog) is also enthusiastically a fan of the show.  But she is more blood thirsty than I and less philosophical.  So that makes it less surprising to me.  Stay tuned and I will update this as I view the succeeding seasons in the coming weeks.

Justified – A TV Series Review – Part 3 – Season 2

Justified – A TV Series Review – Part 1

There’s not much left on TV for me to watch anymore.  I remembered hearing over the last few years from several reviewers who were not progressives that “Justified” was pretty good.  Well, last week my Netflix queue was completely empty so I added season one of Justified to my queue. With some trepidation, photog and camera-girl settled in this week and watched the first two disks.  And eight or nine episodes into the season we still haven’t seen a bad show.  It’s actually very good.  Timothy Olyphant is the protagonist playing a US Marshall named Raylan Givens.  He’s been sent back to his home state of Kentucky after shooting a drug lord in Miami under questionable circumstances.  This puts him in contact with his family, friends, associates and enemies.  And the amount of overlap between all of these categories in the episodes I’ve seen is quite remarkable.  And here we run into the expected stereotyping of the Appalachians.  For instance, Ray’s father is married to Aunt Helen.  I’m not far enough into the story yet but it appears she was Aunt Helen before she was married to Ray’s father Arlo.  So, the incest and inbreeding jokes can’t be far off.  Also, one of Ray’s old friends from his time as a coal miner is now a bank robber who dabbles in white supremacy and shoulder launched rockets.

Needless to say, Ray’s personal and professional lives become extremely entangled and pretty early on he finds himself sleeping with a woman he shouldn’t be.  He had been investigating her for shooting and killing her husband.  Subsequently she is his witness in his shooting of her brother in law.  Add into the mix that the brother in law is also that coal miner / bank robber friend of Ray’s and it starts getting extremely complicated and confusing.  Also, Ray’s father is a criminal.  Ray’s ex-wife is married to a man in hock to mobsters and Ray’s boss is starting to think he’s unstable.  Oh, and the investigation into that drug lord he shot is getting complicated by all the other guys Ray’s been shooting since he got to Kentucky.  And finally, the drug lord’s friends really, really want Ray dead.  It’s a really fun show.

I’m only about half way through season one and so it’s hard to say where this will all be by season six but so far this is a crime drama that’s well written, filled with action and includes characters that while far from unconflicted are quite sympathetic for the audience.  Timothy Olyphant is the obvious star but the supporting cast is quite strong and fun to watch and listen to.  I especially enjoy Nick Searcy as Ray’s boss, Art Mullen.  He brings a dry wit and long suffering attitude to the job of overseeing Ray’s overcomplicated work-life balance.

So, that’s my first installment.  I will be watching a bunch more of these in the next few weeks and will give an update on my recommendation.  But so far, I’d have to say watching Justified is definitely justified.