This review is of the concluding volume of Jason Anspach’s and Nick Cole’s Galaxy’s Edge series. But to be totally accurate it is the last volume of “Season 1.” That’s right folks, science fiction series never die, they merely turn another page.
This episode carries forward where the previous volume, Message for the Dead,” left off. Goth Sullus has defeated the Republic, been declared Emperor by the House of Reason, captured the entities controlling the Cybar army and looks to be ready to consolidate his empire.
But things have changed by the beginning of this book. Because Sullus has thrown in with the House of Reason, the loyal and valuable core of his Black Fleet and Shock Troopers are disillusioned with him and are leaving in droves to join up with the small remnant of the Legion that has escaped destruction. The book has all the remaining cast of characters from the earlier books and centers on the activities of now General Chhun and Kill Team victory and Aeson Keel and his crew as they team up to stop Sullus before he can consolidate his hold on the galaxy.
A separate story line sets up the arc of the future Season 2. Prisma Maydoon is sheltering on a refuge planet supposedly safe from the war blanketing the rest of the galaxy. But danger finds her and she must save herself from a deadly attack. During this trail she decides that her fate is to find out what Goth Sullus is in order to destroy him. This leads her to escape from her refuge and head out of the galaxy to advance to the next stage in her development and face her destiny.
The war and battle scenes live up to the excellent past of the series. The characters are engaging. The Prisma Maydoon story is a little too adolescent girl with magical powers for me. I guess Buffy the Vampire Slayer, River Tam and all their spiritual sisters have used up all of my empathy for four foot ten inch super girls. But that is just a small part of the book and the story is great. There is plenty of revenge to enjoy and lots of action to relish. And the story is faithfully completed (for the most part). Highly recommended.
Here’s my retrospective on 2018, completely subjective of course and whenever I can’t make up my mind or I don’t want to leave something out I’ll cheat and provide more than one choice. And that’s one of the wonderful things about being the boss, you get to break the rules and do what you want.
Best Quotes of the Day
Some are political, some philosophical and some just human nature. The order is just chronological of their appearance on the site.
“In the many forms of government which have sprung up there has always been an acknowledgement of justice and proportionate equality, although mankind fail in attaining them, as indeed I have already explained. Democracy, for example, arises out of the notion that those who are equal in any respect are equal in all respects; because men are equally free, they claim to be absolutely equal.”
“No state will be well administered unless the middle class holds sway.”
“When there aren’t any smart decisions, I suppose you just have to pick the stupid decision you like best.”
Orson Scott Card
“No one likes the fellow who is all rogue, but we’ll forgive him almost anything if there is warmth of human sympathy underneath his rogueries. The immortal types of comedy are just such men.”
W. C. Fields
“Every normal man must be tempted, at times, to spit on his hands, hoist the black flag, and begin slitting throats.”
Carpe diem! Seize the day! Rejoice while you are alive; enjoy the day; live life to the fullest; make the most of what you have. It is later than you think.
“And this is the simple truth – that to live is to feel oneself lost. He who accepts it has already begun to find himself, to be on firm ground. Instinctively, as do the shipwrecked, he will look around for something to which to cling, and that tragic, ruthless glance, absolutely sincere, because it is a question of his salvation, will cause him to bring order into the chaos of his life. These are the only genuine ideas; the ideas of the shipwrecked. All the rest is rhetoric, posturing, farce.”
If civilization had been left in female hands we would still be living in grass huts.
Over the course of 2018 I read and reviewed all eight of the volumes in the main series (first volume linked above) and they only got better as the series went along. It was good old mil-sci-fi space opera. I assume I won’t live long enough to see the end of the series but so far that isn’t a problem. I look forward to the next installment soon and am in no way tired of this particular universe. Kudos to Anspach and Cole. Long may they stoke their dumpster fire at the Edge of the Galaxy!
Vega is an acquired taste for me and as I’ve written about him, “It’s for those who like gritty crime dramas with a staccato, post-modern, minimalist writing style.” Even though my tastes are a little more conventional I appreciate that there is an audience for the more unusual so I look around for interesting stuff. As I’ve said before, your call.
The two books listed below provide two different takes on the way to interpret the results of ancient DNA analysis.
“The 10,000 Year Explosion: How Civilization Accelerated Human Evolution” by Gregory Cochran and Henry Harpending
“Who We Are and How We Got Here; Ancient DNA and the New Science of the Past” by David Reich
David Reich being an academic embedded in the politically correct culture of the university system treads ever so gently around the edges of how the science of human genetic history should be interpreted. Cochran and Harpending are much more direct and sometimes possibly presumptuous in the conclusions they draw from the evidence. Both books together tell a fascinating story of how much we now know about the complex and diverse origins of the various human populations.
This is a kids’ movie but it far exceeds any of the other “superhero” movies for just plain entertainment value. I won’t say it was as original as the first installment but it mostly kept to the spirit of the original and provided a fun vehicle for parents (or grandparents) to enjoy a movie with their kids.
This is a twofer. For younger folks I’ll only recommend the new version by the Coen Brothers. For people who grew up on the John Wayne movies of old I recommend they view both movies back to back in chronological order. They each have facets to its advantage. Each differs slightly from the source material. But each is a fine movie. And I’ll also recommend the novel that is the source for the movies. It also has facets that aren’t available in either movie.
Album of the Year
Colter Wall by Colter Wall
Song of the Year
Pan Bowl by Sturgill Simpson
My music choices are very idiosyncratic so I won’t try to justify them. To paraphrase a recent annoying politician, they just reflect who I am Pan Bowl is an older song from Simpson’s 2014 album.
The only truly notable television I watched in 2018 was the State of the Union address by the president. Everything else was at best just okay.
On – Line Articles
Here are the articles that I thought were informative on our political situation. There were many others that were intersting but these seem to encapsulate the developments in the political thinking this year. Basically it’s the red-pilling of the normies.
Aldiss was a British science fiction author and “Who Can Replace A Man” is the name of a short story collection published in 1965. From my exposure to the English films and theater from that time period they seemed like a thoroughly unhappy bunch. A lot of that shows up in Aldiss’s stories. There’s a dreariness and an almost claustrophobic atmosphere to some of his work which I can’t enjoy. But mixed in with these will be a gem. Out of the fourteen stories in this collection two of them are excellent and highly recommended.
“Old Hundredth” is the story of a megatherium (giant sloth) riding on a baluchitherium (sort of like a prehistoric giant rhinoceros) in search of transubstantiation into a musicolumn. This piece of insane storytelling is remarkably enjoyable and feels like some kind of impressionistic water color of a beautiful landscape rather than a science fiction story. I’ve always greatly enjoyed rereading it.
The story “Who Can Replace a Man?” is more prosaic and recognizably science fiction in its content but it provides a self-consistent and believable vision of what a world of robots would be like after humans disappear. It’s fun even when it’s bleak.
After these two stories recommendations become qualified.
“Poor Little Warrior!” is the story of a time travelling brontosaurus big game hunt. It follows in the footsteps of Ray Bradbury’s “A Sound of Thunder,” but outdoes it in grimness. It has that British mid-century dreariness but has some cheerful horror at the end. To each his own on this one.
“The Impossible Star” is equally grim but does include and interesting imagining of how proximity to a black hole might affect the human animal. I’ll give it a passing grade.
Finally, “The New Father Christmas” is dreary enough but so odd that it gets points for holding my interest. I’ll give it a D+.
The rest of the stories, although they have interesting facets are just too downbeat for me to enjoy or recommend. If you do decide to read the New Father Christmas and enjoy it then maybe you can find value in the rest of the collection. Once again, to each his own.
Anyone who has been reading my posts on this site for more than a year knows that I am a Christmas Carol fanatic. So as a fair warning I’ll just say that this post is only for true Christmas Carol devotees. Every word of it is subjective and dedicated to minutiae. I have four versions of the film that I like and each has an aspect in which it excels the other three. Every year I re-evaluate the films and debate with myself on trivial points that would have exactly zero importance to the overwhelming majority of the human inhabitants of planet earth. Here goes.
Material that wasn’t in the book
A Christmas Carol was a novella. It is brief and in places lacks details about the characters and events.
For instance, the book never says why Scrooge’s father treated him so poorly. In the 1951 version it is stated that his father held it against him that his mother died in his childbirth. And in the same version a similar grudge exists as the reason why Scrooge dislikes his nephew Fred. It is shown that his sister Fan died giving birth to Fred. In the 1984 version the same reason for his father’s dislike for Scrooge is presented. But the death of Fan during Fred’s birth is not added. What is interesting about these additions is that based on the original story they would be impossible. In the book Fan is quite a bit younger than her brother Ebenezer. Therefore, their mother couldn’t have died at the birth of her older child. I suppose Fan could have been Ebenezer’s half-sister but I don’t imagine that a twice married man would still be holding his first wife’s death as a grudge against his son. So, this addition is spurious. But it is extremely dramatic and provides a timely reason for both father’s and son’s misanthropic behavior that could be somewhat excused and so leave room for deserved forgiveness. And it has a highly effective scene where the older Scrooge hears his dying sister ask for his promise to take care of her infant son Fred. We see that the younger Scrooge never heard the dying plea and the older Scrooge gets to belatedly beg his beloved deceased sister’s forgiveness for his heartless treatment of her only child.
And notice that the 1984 version borrows both the discrepancy of Fan’s age and the spurious grudge of Scrooge’s father but neglects the equally spurious grudge of Scrooge for his nephew. I guess they thought those additions gave resonance to the story.
In both the 1951 and 1984 versions Scrooge’s fiancée is introduced during the Fezziwig party scene and give a name (Alice in the earlier version, Belle in the later). Neither this early link to Scrooge’s life or the name show up in the book. In addition, in the 1951 version it skips the scene introducing this woman’s later life with husband and large family but instead substitutes a scene during the Ghost of Christmas Present section where Belle is volunteering at a shelter for the poor. Now whereas tying Scrooge’s love to the Fezziwig era of his life is fine and in fact better than the way the book presents it, I do not particularly favor the poor shelter addition. It seems unwarranted. I think the scene where she is surrounded by her family is dramatic enough in that it illustrates what happiness Scrooge has lost.
In the book the Ghost of Christmas Present visits the house of Scrooge’s nephew Fred. The dinner guests are presented enjoying games such as blindman buff and forfeits which I take to be word games such as twenty questions. One of the rounds determined that it was a disagreeable animal that growled and lived in London. And, of course, it turns out to be Uncle Scrooge. In the 1984 version the story is adapted so the dinner guests are playing a game called similes where they need to guess the end of a simile. When Fred asks his wife to complete “as tight as,” she replies “your Uncle Scrooge’s purse strings.” Scrooge hears this while in the presence of the Ghost of Christmas Present. After his repentance and on the actual Christmas Day he meets his niece and discussing the game of similes he advises her that the simile, in case it came up, was “as tight as a drum.” Nicely played.
From the book we know that Jacob Marley died seven years earlier on Christmas Eve. And we are informed that Scrooge inherited his house. What the 1951 version does is tie these facts together in a scene. We have Jacob Marley’s charwoman come to the office and interact with Bob Cratchit and Scrooge. Then we have Scrooge being warned by a dying Marley that their misanthropy would endanger their immortal souls. And this then links both the charwoman’s stealing of his bed curtains and bed clothing and her later spurious appearance after the last of the spirits depart and Scrooge wakes up on actual Christmas morning. In this scene the charwoman (identified incorrectly as Mrs. Dilber) is bringing in Scrooge’s breakfast and witnesses his reformation into a caring human being. His manic happiness frightens her and when he gives her a gold sovereign coin as a present, she assumes it’s a bribe to keep her quiet about his strange behavior. When he tells her it’s a Christmas present and he is quintupling her salary she is overcome with happiness and rushes off with her own characteristic version of a Merry Christmas greeting. I find this addition to the story especially apt. In the story the charwoman selling Scrooge’s bed curtains comes off very negatively. But humanizing her by including her positively in the scene about Marley’s death and allowing a rapprochement with a penitent Scrooge on Christmas morning improves the story and ties these aspects of the story together in a way that gives the story more depth. It reinforces that Scrooge’s repentance touches every aspect of the world we have been shown in a positive way.
Overall I’d say that the film additions to the plot have been acceptable and true to the spirit of the story.
One time I mentioned on the site that I wondered what a combination of science fiction and fantasy would be like. TomD, whose opinions on matters political, photographic and literary are always enlightening, immediately volunteered two examples, The Majipoor Cycle and the Rise and Fall of D.O.D.O. I have previously reviewed the Majipoor books. Here I will address D.O.D.O. and just to get it out of the way the acronym stands for Department of Diachronic Operatives, a government issue time travel story.
Neal Stephenson wrote this book with Nicole Galland. I’ve heard of Stephenson but never read him before. I’d never heard of Galland before this book. So, the book finally got to the top of the pile and I just finished it on Thursday past. The first thing I can say is that this is a hybrid creation. The outline of the story is a time-travel science fiction story of the giant government project category. On that framework is a story that combines historical fiction, fantasy and a satiric contemporary novel about day to day life in a government bureaucracy. The other fact about the story is that most of it is a first-person narrative by a modern female character. And this particular character is a college teaching assistant with expertise in linguistics. And I am intimately familiar with this subspecies. And I’m not greatly sympathetic to its idiosyncrasies. Also, the story takes place in Cambridge, MA. And I am also intimately familiar with the habits and foibles of the people who live there. And I am also not greatly sympathetic to their idiosyncrasies either. So, this starts me out in the wrong place as a reader and reviewer.
Moving on from there, the story ingeniously constructs a scenario where the present-day American military becomes worried about losing a global arms race in magic. Military intelligence has somehow detected anomalies in the present that lead them to believe that someone has figured out how to travel back in time. And based on a thorough computerized analysis of historical documents, they believe the method involves witchcraft. And since witchcraft doesn’t seem to exist anymore, they need to figure out how to revive it. And reviving it hinges on manipulating quantum states of matter and invokes Schrodinger’s Cat who literally shows up in the story (the cat, not the Schrodinger).
From there we meet a Japanese scientist/Mayflower descendant, husband/wife team, which is a category that believe it or not, I’m also personally familiar with. He’s a quantum physicist who has been investigating the mechanism that the story needs to restore magic and she is the descendant of a burned Salem witch. Mix in a surviving one hundred and eighty-year-old Hungarian witch, a dashing young army lieutenant colonel, a plucky and annoying female linguist (these last two being the love interests in the story) and assorted scientists, generals, computer geeks and bureaucrats both academic and military and you have the cast that becomes project D.O.D.O. Once they succeed, we add into the stew, witches from colonial Massachusetts, Elizabethan London, thirteenth century Constantinople and various times and places in medieval northern Europe. And the non-witch historical characters include Byzantine emperors and empresses, Varangian guards, Sir Francis Bacon, Christopher Marlowe, Richard Burbage and a raiding party of Vikings in a Walmart.
The text is a collection of Victorian era journal entries, Elizabethan era letters, some medieval vellum codices, U.S. military documents and a copious collection of e-mail messages from a variety of bureaucratic organizations. The story is in several voices modern and antique but as mentioned above is primarily the journal of the young woman linguist who is the protagonist and the focal point of several of the original plot elements.
Despite my obvious lack of sympathy for the protagonist and several other of the main characters, the story works on its own terms. The characters are self-consistent and wherever I am competent to compare them to their real-life exemplars highly accurate. Because of the details of the time travel mechanism, the action is of necessity episodic and sometimes repetitive. This situation is written pretty well and only results in a little slowness in the action at the beginning of the book. Toward the end the pacing picks up quite a bit and the book ends by resolving the latest crisis but the finish requires that there will be sequels.
My opinion on the book is that if you are like me and rather dislike bureaucrats and modern women then you will have limited sympathy for the protagonist and several of the main characters. There is a good amount of swashbuckling action by the military officer who is a main character and likable. The story line is extremely clever as a science fiction plot. So, I recommend it as a story with the proviso that men of my generation will be tempted occasionally to toss the book at the wall when modern New England feminist empowerment rears its ugly head.
Technically I guess this is a book series review. Jim Butcher has produced fifteen books in his Dresden Files series of urban fantasy novels. Starting in 2000 he published about one a year. The series follows the career of Harry Dresden, a Chicago wizard who consults with the Chicago PD whenever a vampire, werewolf or other evil magical being invades his territory. Butcher provides back story on Harry’s relation to the various hierarchies of supernatural beings starting in the first novel Storm Front but one of the very impressive aspects of the series is just how complex the interrelation between the various fantasy elements of Harry’s environment becomes. In addition to the wizards that he is nominally a member of, he has varied bad relations with the Three (Black, White and Red) Houses of vampires, the Summer and Winter Queen’s faerie realms, an assortment of demi-gods, several types of lycanthropes, zombies, ghosts, Christian Knights a Chicago Mafioso and any number of demons and devils.
And in addition to the growth of the fantasy landscape, Harry himself grows in the telling. He starts out as an almost ridiculous figure of fun who barely survives only because he heals very well. But across the series of stories he takes on the characteristics of a hero. He loses those he loves and sacrifices his own well being to protect his neighbors and innocents who are often thrust into the jaws of death by proximity to Harry’s homicidal enemies. And we see Harry’s relationship with Lieutenant Karrin Murphy of the Chicago PD evolve. They start out as uneasy allies. But owing to the impossibility of reconciling the requirements of human law enforcement with the reality of battling supernatural monsters they often found themselves as adversaries. Over time they become as close as family and Karrin ends up as probably Harry’s closest friend on earth.
We meet members of Harry’s bizarre extended family including a half brother who is part vampire and his god-mother who is a powerful faerie in the Winter Queen’s Court. And Harry even becomes a father although under very tragic circumstances.
This is all just a rambling miscellany of some of the elements of this series that come to mind. No new volume has come out since 2014 so my memory of it isn’t crystal clear. But what is certain is that this is a fantastic series of urban fantasy books that entertains on multiple levels. The story telling is compelling. The characters are memorable and interesting, the evil ones no less than the good, and Harry most of all. And Harry Dresden becomes a familiar and likable friend whose acquaintance you look forward to renewing in each book. The whole series is a first-person account in Harry’s voice. You laugh as his crappy Volkswagon Beetle gets smashed for the hundredth time by some monster and has to be repaired on the cheap again because Harry is always broke. You recoil in shock when Harry’s pathetic unheated basement apartment, so often attacked by supernatural forces, is finally burned to the ground.
I’ll cut this short here. I highly recommend the Dresden Files novels. I haven’t read any of the independent short stories that have been added to the corpus recently so I won’t vouch for those. I’m hoping someday Jim Butcher will give us more of the series. They are excellent.
Last year I reviewed the preceding volume in the series, “A Rambling Wreck,” and found it a good read. This year the author graciously provided me with an advanced copy so I have been able to enjoy the present work before the general public. Ah, behold the awesome power of the Press!
I will summarize the type of story it is and then give my opinion on the quality of the story. The narrative has science fiction elements that include alternate time lines, secret societies, possibly alien creatures and advanced technologies. It also has elements that would be found in a techno-thriller including conspiracy theories, secret government cabals and corrupt bureaucracies. But much of the story could just as easily be found in the pages of daily news sites. There are progressive organizations infiltrating government, university and industry hierarchies with the intent of implementing speech and thought codes and suppressing non-progressive ideas.
The story revolves around the ongoing attempt by the protagonists to infiltrate the Civic Circle, attack it and expose it for the evil cabal that it is. The Civic Circle is the hidden hand behind all the progressive and globalist initiatives going on around the world. They control enormous wealth and have members at the highest levels of government in the United States and elsewhere. They have control of the FBI, powerful judges, captains of industry and press, education and entertainment leaders. They also restrict research into areas that might threaten their stranglehold on advanced technology that is the basis for the “Hidden Truth” aspect of the series. This hidden truth is the misunderstood nature of electromagnetic phenomena and how it interacts with quantum effects and the basis of reality and time-space. This is how the alternate time-line aspect of the story relates to the techno-thriller elements. The technology allows the Civic Circle to know where a crucial event will occur and use force to steer the future the way they desire. That is why in this timeline there was a President Gore and the 9-11 attack destroyed the Capitol Building. And President Gore is assassinated and leads to a President Lieberman. Mixed in with all this is a subplot that is either some kind of occult activity or advanced technology masquerading as the occult. The good guys include a college engineering student (the hero), a pick-up artist, Vatican ninjas, a Chinese tong group and a Georgia paramilitary group. Without a doubt the sensibilities and allegiance of the good guys is right-wing. The Left is always characterized as the corrupt and generally evil side of the population. In general, the multi-culti progressive values and ideas are pounded on pretty relentlessly in the book. But since the plot identifies the progressive agenda as the method being used by the Civic Circle to gain complete control over all aspects of western society this characterization aligns with the plot of the story.
So how well did the story do its job? The plot is very intricate and the action moves back and forth as various characters and events influence it. The main characters have matured since the last book and are involved in all the responsibilities and danger facing their clandestine group. And in this book the outcome is much more substantial and critical to moving along the overall narrative. In other words, big stuff is going on. Being an installment in a series the pay-off is only partial and only some information is added to solving the mysteries of the “hidden truth.” But there is a satisfying ending to the episode.
Who will like this book and who won’t? First off, if you are big proponent of multi-culturalism or intersectionality you will consider this book an insult to your world view. In general, if you dislike the right wing you might not be sympathetic to the main character’s point of view and this could ruin the story for you. Those folks aside, this story will appeal to folks who like hard science fiction, techno-thrillers and anyone who really, really dislikes the Left.
I would say it would appeal to people who liked Heinlein’s story Revolt in 2100. In both stories you have a young protagonist who is mentored by an older character while fighting for the overthrow of a corrupt and totalitarian regime.
And finally I liked the story myself. This volume has definitely increased the interest by making the action much more significant and making the protagonist a more important actor in the drama. At several points there is excellent suspense when the character is being interrogated by the spymasters of the Civic Circle. Hans Schantz has crafted his story with loving details. Everything from the IT needed to infiltrate the Civic Circle’s information network to the architectural details of the lair of the evil Civic Circle. And for real science fans he goes on to tell us outside of the narrative that some of the Hidden Truth is actually scientific fact that he himself is documenting in peer reviewed papers.
Warning: What follows is profound. Extinguish all smiles and assume an air of philosophical introspection. It will probably help to slightly furrow your brow.
Polonius said that “brevity is the soul of wit.” And since Polonius was a windbag I feel that I am in good company praising it. Maybe it’s because of Amazon and the payouts on Kindle reads. But for whatever the reason we live in the age of the mega-novel. More than that, we live in the age of the endless book series. Sometimes that’s a not a terrible thing. I’ve been enjoying the Galaxy’s Edge series. They’re a lot of fun. But hand in hand with this emphasis on long novels, short stories have sort of disappeared. I freely admit that statement is an exaggeration. I’m currently reading a collection of short stories taking place in Larry Correia’s Monster Hunter universe. There are short stories to be found. But I can only imagine the meager income an author would earn if he limited his efforts to short stories. I mean, what does Amazon pay an author if someone reads a ten-page short story? Five cents? You could see how that would limit grocery purchases. So, I do not fault the authors who need to eat for gearing their output to the five hundred-page novel. And the same goes for the series. Characters that have proven popular are the obvious candidate for more success for an author.
But I want to throw my weight behind short stories. A good short story is like a good poem. It is concentrated creativity. Without a doubt, Dickens or Tolstoy can create an epic creation of many hundreds of pages with a huge cast of characters that are lovingly depicted in amazing detail. Reading this work is a feast of literary pleasures. Without a doubt. But if a master craftsman writes a short story barely two dozen pages long it can be a revelation. Like some kind of minimalist sketch, he can use a few brush strokes to bring life to a story or a character. And the effect can actually be more vivid than the grand epic. Carefully done, the few words can resonate with the soul where the hundreds of thousands merely numb.
I love short stories. Let me clarify. I love really well written short stories. Edgar Allen Poe, James Joyce, Jack London, Kipling. And in science fiction, Sturgeon, Ellison, Dick, Aldiss. These authors have produced short stories that stand out as original and memorable. They leave an impression on the mind that can be indelible. And of course, not every short story they did is in that category. But that’s okay. It’s the exception that proves the rule. After all it was Sturgeon’s Law that says that “90% of everything is crud.”
I’ll list a few of my favorite short stories. If you feel like playing leave a few of yours in the comments.
(Above is the review of the first book of the series)
Followers of my reviews of Jason Anspach’s and Nick Cole’s Galaxy’s Edge series know I am an avid fan. Each volume has expanded the scope and depth of the imaginary universe that Galaxy’s Edge inhabits. But “Turning Point” represents a sea change in the story. It literally represents the turning point of the war. For whereas each volume has included heroic resistance by the Legion to the enemies of the Republic, the corrupt regime of the House of Reason has always had free rein to sabotage every effort to save the Galaxy from its many enemies. But in this episode, the mask is off and the Legion is unleashed to fight war as war should be fought, on equal terms. To fight a treacherous foe without quarter and pay back sadistic evil with a merciless reckoning. How sweet it is.
The story revolves around the decision by the House of Reason to arm the barbaric zhee with cutting edge weaponry and ships. These fictional zhee are modelled after Islamic jihadis and they have a propensity for suicide bombings and decapitations that immediately reminds the reader of the Al Qaeda maniacs hiding out in the slums of Baghdad waiting for a chance to ambush any unlucky American soldiers guarding the Green Zone or manning a Forward Operating Base (FOB). The other bizarre touch is that the zhee have donkey heads. Now maybe this is the authors’ idea of political humor but it is truly a weird image for me.
The House of Reason is playing some kind of three-dimensional chess where they use the Black Fleet or the zhee to weaken the Legion so that the House can maintain control of the Galaxy even if it risks one of these enemies threatening to destroy the Republic itself.
In several of the earlier volumes there have been memorable battles portrayed, especially in Attack of Shadows and Legionnaire. But Turning Point brings it to a new level. Several new characters are very memorable but it’s the action that stays with you. The set up is dire and just to make sure things don’t get easier there is treachery at the highest levels. And the zhee are so despicable it’s hard to not enjoy every single gore-flinging kill. The struggles, reversals, heroic sacrifices and exhausted victories keep your attention right to the end of the book.
And finally, the end of the book is a catharsis that the readers have been waiting for since book one of the series. I won’t spoil it by giving details but I will say that the writers have given the readers what they needed and deserved, revenge.
Anspach and Cole have justified my loyalty through the whole series and now I’ll continue on to (!) Book Eight? Sure, why not? How many modern science fiction series not only provide fantastic mil-sci-fi action but also make fun of Progressives, the Deep State, Democrats and Al Qaeda all at the same time? Not many that I know of. So, in the words of the Legion, KTF and Ooah!
Dragon Award for Best Alternate History Novel went to “Uncharted” by Kevin J. Anderson, KJA and Sarah A. Hoyt.
As one of the Sad Puppies, Sarah sacrificed a great deal of her status and probably a good chunk of her friends in science fiction circles along with some significant measure of her peace of mind by bucking the CHORFs of the science fiction SJWs. Thanks to the Sad Puppies a goodly number of people were reintroduced to readable science fiction long after they believed it had all been reduced to boring unreadable marxist, intersectionalist, message fiction, drivel. Thanks to the Puppies and especially Larry Correia the Dragon Awards were founded and have provided a sane alternative to the self-parody that the Hugo Awards have devolved into. Requiescat in pace.
So good for them and if you are looking for good stuff to read check to see who was nominated for the Dragons http://awards.dragoncon.org/2018-ballot/ . But for pity’s sake don’t even glance at the list of Hugo nominees. No man can hope to look into the gorgon’s face and survive!