Gunga Din – An OCF Classic Movie Review

“…

So I’ll meet ’im later on

At the place where ’e is gone—

Where it’s always double drill and no canteen.

’E’ll be squattin’ on the coals

Givin’ drink to poor damned souls,

An’ I’ll get a swig in hell from Gunga Din!

Yes, Din! Din! Din!

You Lazarushian-leather Gunga Din!

Though I’ve belted you and flayed you,

By the livin’ Gawd that made you,

You’re a better man than I am, Gunga Din!”

(Gunga Din by Rudyard Kipling)

 

Kipling’s poem celebrates the courage and loyalty of Indian water bearer Gunga Din.  The 1939 film builds on the bare sketch of the poem and adds in the British soldiers from Kipling’s Soldiers Three stories.  Cary Grant, Victor McLaglen and Douglas Fairbanks Jr. portray Sergeants Cutter, MacChesney and Ballantine.  The three sergeants are comedic partners in crime constantly in trouble for their off-duty brawling and ridiculous escapades.  But they are also ferociously courageous and loyal to the British Army to their core.  And attached to the regiment that the sergeants serve in is the regimental bhisti (or water carrier), Gunga Din.  Gunga Din is also a minor partner in the sergeants’ syndicate.  He convinces Cutter that they can cart off a temple made of solid gold that’s just there for the taking.  Superimpose the sub-plot of Ballantine’s upcoming nuptials as a threat to the triumvirate and then top the whole thing off with a Thuggee Mutiny planning to drive the British out of India.

Sam Jaffe plays Gunga Din and along with the three co-stars they chew up the scenery and move the plot along smartly.  By the climax we find out why Gunga Din is a better man they are.  And we get to see the British Army (or the Hollywood version of it) unleashed on the Thugs.

The movie features a goodly amount of action adventure scenes but for me the stand out is the comedy.  The exchanges between Cary Grant (featuring his most over the cockney accent) and Victor McLaglen are very funny and make me wish they had co-starred in other action comedies.

It goes without saying that the movie could never be made today.  It features language and plot elements that would be labelled, racist, sexist, colonialist and white supremacist.  And if they got around to it, I’m sure the critics could come up with an angle that made it homophobic and transphobic too.  But it is solid entertainment that creates a comedy adventure out of the reality of the British Raj.  Of course, this is a Hollywood fantasy version of the Raj.  In this version, the British Army is powerful and the generals are competent and all the good Indians are loyal subjects of the Queen-Empress and all the bad Indians are disloyal, murderous followers of Kali, the goddess of death.  In this version the non-commissioned officers are anxious to re-enlist every 11 years without fail.  But it’s got fight scenes, battle scenes, comedy, pathos, dynamite tossing and even an elephant-based jail break.  What else could anybody ask for.

The Films of Alfred Hitchcock – Part 3 – Notorious – A Classic Movie Review

Of all the films made by Alfred Hitchcock, the one that most closely aligns with the feel of Hollywood’s Golden Era is Notorious.  The action of the characters and the look and feel of the scenes adheres to the conventions and formulas of that period’s filmmaking.  And I mean this in a positive sense.  The production values are excellent.  The actors are the finest.  The dialog and plot are very well done.  A good case can be made that this is the best movie made in Hitchcock’s long and successful career as a filmmaker.  The movie takes place in 1946.  World War II had just ended and Nazis were still topical.  Ingrid Bergman’s character, Alicia Huberman, is the daughter of a German spy recently convicted of espionage in the United States.  She is a loyal American and agrees to help the U.S. government in the person of T. R. “Dev” Devlin played in his typically winning way by Cary Grant.  Naturally they fall in love but the problem is the government wants Alicia to become romantically entangled with a German industrialist living in Rio de Janeiro named Alex Sebastian (played by the inimitable Claude Rains in his remarkably idiosyncratic way).  She is supposed to find out what dastardly plots these escaped Nazis are planning.  This of course leads to jealousy and spite in Devlin and pain and anger in Alicia.  When circumstances force her to marry Sebastian to maintain the espionage this further poisons the relationship between our two star crossed lovers (are there any other kind?).  The plot has twists and turns and uranium salts (which got Hitchcock in trouble with the real US Government) but throughout we root for the love story and hiss at the bad guys (in this case Nazis and the US Secret Service).  The remarkable thing in this movie is that although Claude Rains is the evil Nazi you kind of sympathize with his character at certain turns.  He is the unfortunate man in a house with two women, his new wife and his domineering mother.  And he is haunted by the ubiquitous Cary Grant popping up everywhere and presumably a rival for his wife’s affections.  Who wouldn’t want an atom bomb available under those difficult circumstances?

Hitchcock’s cinematic work began well before Hollywood’s Golden Era and in England.  He continued to create popular and original thrillers well into the 1960s, long after the studio system had disappeared.  Thus, Hitchcock is not defined by or limited to the Golden Era sensibilities.  But Notorious without a doubt possesses the “classic” look of that era and definitely deserves its reputation as a masterpiece.  Anyone interested in Hitchcock or the movies of the ‘30s and ‘40s should consider viewing this film.

Now put all that aside.  Notorious is a great story.  Hitchcock provides all kinds of suspense and intrigue.  Everyone on both sides is hiding something from everyone, including themselves.  So much deception even starts to trip up the deceivers and eventually it all starts to crumble.  The ending is a collapse all around and a fitting finale.  I highly recommend this movie and hope you’ll enjoy the performances not only by the three main characters but also from all those bit part Nazis doing their best to be wonderfully evil.

Topper – An OCF Classic Movie Review

The pre-Oscar TCM movie festival continues so I decided to re-watch Topper.  This is without a doubt one of the goofiest screwball comedies of the 1930s.  Cary Grant and Constance Bennett are George and Marion Kirby, a young married couple.  They’re rich and they live a wild life.  They stay up all night dancing and drinking and driving around in a crazy fin-backed whale of a roadster.  Their banker is a middle-aged mouse of a man named Cosmo Topper.  Topper has a proper wife who wants Topper to get up at 8am and go to bed by 11pm and have lamb on Sunday and steak on Tuesday and boiled vegetables on Wednesday.  She expects him to be the respectable banker so she can be part of high society.

When George and Marion show up at Topper’s bank one morning for a business meeting you can tell that all three of them think that Topper’s life is not much fun compared to the Kirbys.  Driving back from the meeting George is characteristically driving like a madman around some hairpin turns when he gets something in his eye and crashes them.  Staggering out of the wreck George and Marion gather their senses and realize that they have died in the crash and are now ghosts.  Taking stock of the situation they realize they don’t have any good deeds on their records to allow them to expect admission through the pearly gates.  The scene dissolves with the ghosts themselves dissolving into invisibility.

In the next scene Topper is at home with the missus.  We witness the boredom of his respectable existence.  At this point a mechanic shows up with the Kirby’s repaired sports car.  Both the mechanic and Mrs. Kirby remark on how mismatched this car would be for Topper.  His pride is stung and he takes off with the car.  The car gets the better of him and he crashes it at the same spot that the Kirbys crashed.  The Kirbys make their presence known and Topper eventually gets over his fright.  The rest of the film is the tale of the Kirbys trying to humanize Topper and make his life happier.  This is the good deed that they hope will get them into heaven.

With a plot this frothy everything depends on the characterizations of the stars.  Cary Grant and Constance Bennett are at their witty best bantering together while teaching Topper to be a man and not a mouse.  Roland Young brings his characteristic upper-class Englishman’s mumbling confused manner to his portrayal of Cosmo Topper and Billie Burke as Mrs. Topper is the outraged prim and proper wife who needs to learn that a husband still needs to be a man.  An uncredited part has Hoagy Carmichael playing the piano and singing for the happy couple.  All in all, I’d say this is a goofy comedy that from my point of view provides good entertainment.  The story sails along and even the minor characters are well done and add to the fun of the story.

I give this movie 4 out of 5 stars.