05MAY2018 – Quote of the Day

A Study in Scarlet is where we first meet Mr. Sherlock Holmes.  And Watson is hardly a fan at first.

 

A Study in Scarlet

Sir Arthur Conan Doyle

It was upon the 4th of March, as I have good reason to remember, that I

rose somewhat earlier than usual, and found that Sherlock Holmes had not

yet finished his breakfast. The landlady had become so accustomed to my

late habits that my place had not been laid nor my coffee prepared. With

the unreasonable petulance of mankind I rang the bell and gave a curt

intimation that I was ready. Then I picked up a magazine from the table

and attempted to while away the time with it, while my companion munched

silently at his toast. One of the articles had a pencil mark at the

heading, and I naturally began to run my eye through it.

 

Its somewhat ambitious title was “The Book of Life,” and it attempted to

show how much an observant man might learn by an accurate and systematic

examination of all that came in his way. It struck me as being a

remarkable mixture of shrewdness and of absurdity. The reasoning was

close and intense, but the deductions appeared to me to be far-fetched

and exaggerated. The writer claimed by a momentary expression, a twitch

of a muscle or a glance of an eye, to fathom a man’s inmost thoughts.

Deceit, according to him, was an impossibility in the case of one

trained to observation and analysis. His conclusions were as infallible

as so many propositions of Euclid. So startling would his results appear

to the uninitiated that until they learned the processes by which he had

arrived at them they might well consider him as a necromancer.

 

“From a drop of water,” said the writer, “a logician could infer the

possibility of an Atlantic or a Niagara without having seen or heard of

one or the other. So all life is a great chain, the nature of which is

known whenever we are shown a single link of it. Like all other arts,

the Science of Deduction and Analysis is one which can only be acquired

by long and patient study nor is life long enough to allow any mortal

to attain the highest possible perfection in it. Before turning to

those moral and mental aspects of the matter which present the greatest

difficulties, let the enquirer begin by mastering more elementary

problems. Let him, on meeting a fellow-mortal, learn at a glance to

distinguish the history of the man, and the trade or profession to

which he belongs. Puerile as such an exercise may seem, it sharpens the

faculties of observation, and teaches one where to look and what to look

for. By a man’s finger nails, by his coat-sleeve, by his boot, by his

trouser knees, by the callosities of his forefinger and thumb, by his

expression, by his shirt cuffs–by each of these things a man’s calling

is plainly revealed. That all united should fail to enlighten the

competent enquirer in any case is almost inconceivable.”

 

“What ineffable twaddle!” I cried, slapping the magazine down on the

table, “I never read such rubbish in my life.”

 

“What is it?” asked Sherlock Holmes.

 

“Why, this article,” I said, pointing at it with my egg spoon as I sat

down to my breakfast. “I see that you have read it since you have marked

  1. I don’t deny that it is smartly written. It irritates me though. It

is evidently the theory of some arm-chair lounger who evolves all these

neat little paradoxes in the seclusion of his own study. It is not

practical. I should like to see him clapped down in a third class

carriage on the Underground, and asked to give the trades of all his

fellow-travellers. I would lay a thousand to one against him.”

 

“You would lose your money,” Sherlock Holmes remarked calmly. “As for

the article I wrote it myself.”

 

“You!”

 

“Yes, I have a turn both for observation and for deduction. The

theories which I have expressed there, and which appear to you to be so

chimerical are really extremely practical–so practical that I depend

upon them for my bread and cheese.”

 

“And how?” I asked involuntarily.

 

“Well, I have a trade of my own. I suppose I am the only one in the

world. I’m a consulting detective, if you can understand what that is.

Here in London we have lots of Government detectives and lots of private

ones. When these fellows are at fault they come to me, and I manage to

put them on the right scent. They lay all the evidence before me, and I

am generally able, by the help of my knowledge of the history of

crime, to set them straight. There is a strong family resemblance about

misdeeds, and if you have all the details of a thousand at your finger

ends, it is odd if you can’t unravel the thousand and first. Lestrade

is a well-known detective. He got himself into a fog recently over a

forgery case, and that was what brought him here.”

 

“And these other people?”

 

“They are mostly sent on by private inquiry agencies. They are

all people who are in trouble about something, and want a little

enlightening. I listen to their story, they listen to my comments, and

then I pocket my fee.”

 

“But do you mean to say,” I said, “that without leaving your room you

can unravel some knot which other men can make nothing of, although they

have seen every detail for themselves?”

 

“Quite so. I have a kind of intuition that way. Now and again a case

turns up which is a little more complex. Then I have to bustle about and

see things with my own eyes. You see I have a lot of special knowledge

which I apply to the problem, and which facilitates matters wonderfully.

Those rules of deduction laid down in that article which aroused your

scorn, are invaluable to me in practical work. Observation with me is

second nature. You appeared to be surprised when I told you, on our

first meeting, that you had come from Afghanistan.”

 

“You were told, no doubt.”

 

“Nothing of the sort. I _knew_ you came from Afghanistan. From long

habit the train of thoughts ran so swiftly through my mind, that I

arrived at the conclusion without being conscious of intermediate steps.

There were such steps, however. The train of reasoning ran, ‘Here is a

gentleman of a medical type, but with the air of a military man. Clearly

an army doctor, then. He has just come from the tropics, for his face is

dark, and that is not the natural tint of his skin, for his wrists are

fair. He has undergone hardship and sickness, as his haggard face says

clearly. His left arm has been injured. He holds it in a stiff and

unnatural manner. Where in the tropics could an English army doctor have

seen much hardship and got his arm wounded? Clearly in Afghanistan.’ The

whole train of thought did not occupy a second. I then remarked that you

came from Afghanistan, and you were astonished.”

 

“It is simple enough as you explain it,” I said, smiling. “You remind

me of Edgar Allen Poe’s Dupin. I had no idea that such individuals did

exist outside of stories.”

 

Sherlock Holmes rose and lit his pipe. “No doubt you think that you are

complimenting me in comparing me to Dupin,” he observed. “Now, in my

opinion, Dupin was a very inferior fellow. That trick of his of breaking

in on his friends’ thoughts with an apropos remark after a quarter of

an hour’s silence is really very showy and superficial. He had some

analytical genius, no doubt; but he was by no means such a phenomenon as

Poe appeared to imagine.”

 

“Have you read Gaboriau’s works?” I asked. “Does Lecoq come up to your

idea of a detective?”

 

Sherlock Holmes sniffed sardonically. “Lecoq was a miserable bungler,”

he said, in an angry voice; “he had only one thing to recommend him, and

that was his energy. That book made me positively ill. The question was

how to identify an unknown prisoner. I could have done it in twenty-four

hours. Lecoq took six months or so. It might be made a text-book for

detectives to teach them what to avoid.”

 

I felt rather indignant at having two characters whom I had admired

treated in this cavalier style. I walked over to the window, and stood

looking out into the busy street. “This fellow may be very clever,” I

said to myself, “but he is certainly very conceited.”

 

“There are no crimes and no criminals in these days,” he said,

querulously. “What is the use of having brains in our profession. I know

well that I have it in me to make my name famous. No man lives or has

ever lived who has brought the same amount of study and of natural

talent to the detection of crime which I have done. And what is the

result? There is no crime to detect, or, at most, some bungling villainy

with a motive so transparent that even a Scotland Yard official can see

through it.”

04MAY2018 – Quote of the Day

Enter Joel Cairo, Hammett could draw a word picture.

 

The Maltese Falcon

by Dashiell Hammett

Chapter 4 – The Black Bird

Spade returned to his office at ten minutes past five that evening. Effie Perine was sitting at his desk reading Time. Spade sat on the desk and asked: “Anything stirring?”

“Not here. You look like you’d swallowed the canary.”

He grinned contentedly. “I think we’ve got a future. I always had an idea that if Miles would go off and die somewhere we’d stand a better chance of thriving. Will you take care of sending flowers for me?”

“I did.”

“You’re an invaluable angel. How’s your woman’s intuition today?”

“Why?”

“What do you think of Wonderly?”

“I’m for her,” the girl replied without hesitation.

“She’s got too many names,” Spade mused, “Wonderly, Leblanc, and she says the right one’s O’Shaughnessy.”

“I don’t care if she’s got all the names in the phone-book. That girl is all right, and you know it.”

“I wonder.” Spade blinked sleepily at Effie Perine. He chuckled. “Anyway she’s given up seven hundred smacks in two days, and that’s all right.”

Effie Perine sat up straight and said: “Sam, if that girl’s in trouble and you let her down, or take advantage of it to bleed her, I’ll never forgive you, never have any respect for you, as long as I live.”

Spade smiled unnaturally. Then he frowned. The frown was unnatural. He opened his mouth to speak, but the sound of someone’s entrance through the corridor-door stopped him.

Effie Perine rose and went into the outer office. Spade took off his hat and sat in his chair. The girl returned with an engraved card–Mr. Joel Cairo.

“This guy is queer,” she said.

“In with him, then, darling,” said Spade.

Mr. Joel Cairo was a small-boned dark man of medium height. His hair was black and smooth and very glossy. His features were Levantine. A square-cut ruby, its sides paralleled by four baguette diamonds, gleamed against the deep green of his cravat. His black coat, cut tight to narrow shoulders, flared a little over slightly plump hips. His trousers fitted his round legs more snugly than was the current fashion. The uppers of his patent-leather shoes were hidden by fawn spats. He held a black derby hat in a chamois-gloved hand and came towards Spade with short, mincing, bobbing steps. The fragrance of chypre came with him.

Spade inclined his head at his visitor and then at a chair, saying: “Sit down, Mr. Cairo.”

Cairo bowed elaborately over his hat, said, “I thank you,” in a high-pitched thin voice and sat down. He sat down primly, crossing his ankles, placing his hat on his knees, and began to draw off his yellow gloves.

Spade rocked back in his chair and asked: “Now what can I do for you, Mr. Cairo?” The amiable negligence of his tone, his motion in the chair, were precisely as they had been when he had addressed the same question to Brigid O’Shaughnessy on the previous day.

Cairo turned his hat over, dropping his gloves into it, and placed it bottom-up on the corner of the desk nearest him. Diamonds twinkled on the second and fourth fingers of his left hand, a ruby that matched the one in his tie even to the surrounding diamonds on the third finger of his right hand. His hands were soft and well cared for. Though they were not large their flaccid bluntness made them seem clumsy. He rubbed his palms together and said over the whispering sound they made: “May a stranger offer condolences for your partner’s unfortunate death?”

“Thanks.”

“May I ask, Mr. Spade, if there was, as the newspapers inferred, a certain–ah–relationship between that unfortunate happening and the death a little later of the man Thursby?”

Spade said nothing in a blank-faced definite way.

Cairo rose and bowed. “I beg your pardon.” He sat down and placed his hands side by side, palms down, on the corner of the desk. “More than idle curiosity made me ask that, Mr. Spade. I am trying to recover an–ah–ornament that has been–shall we say?–mislaid. I thought, and hoped, you could assist me.”

Spade nodded with eyebrows lifted to indicate attentiveness.

“The ornament is a statuette,” Cairo went on, selecting and mouthing his words carefully, “the black figure of a bird.”

Spade nodded again, with courteous interest.

“I am prepared to pay, on behalf of the figure’s rightful owner, the sum of five thousand dollars for its recovery.” Cairo raised one hand from the desk-corner and touched a spot in the air with the broad-nailed tip of an ugly forefinger. “I am prepared to promise that–what is the phrase?–no questions will be asked.” He put his hand on the desk again beside the other and smiled blandly over them at the private detective.

“Five thousand is a lot of money,” Spade commented, looking thoughtfully at Cairo. “It–”

Fingers drummed lightly on the door.

When Spade had called, “Come in,” the door opened far enough to admit Effie Perine’s head and shoulders. She had put on a small dark felt hat and a dark coat with a grey fur collar.

“Is there anything else?” she asked.

“No. Good night. Lock the door when you go, will you?”

Spade turned in his chair to face Cairo again, saying: “It’s an interesting figure.”

The sound of the corridor-door’s closing behind Effie Perine came to them.

Cairo smiled and took a short compact flat black pistol out of an inner pocket. “You will please,” he said, “clasp your hands together at the back of your neck.”

03MAY2018 – Quote of the Day

It’s so short (and in the public domain!) how could I abridge this magnificent malignancy?

THE TELL-TALE HEART by Edgar Allan Poe
TRUE!--nervous--very, very dreadfully nervous I had been and am; but
why will you say that I am mad? The disease had sharpened my senses--not
destroyed--not dulled them. Above all was the sense of hearing acute. I
heard all things in the heaven and in the earth. I heard many things
in hell. How, then, am I mad? Hearken! and observe how healthily--how
calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once
conceived, it haunted me day and night. Object there was none. Passion
there was none. I loved the old man. He had never wronged me. He had
never given me insult. For his gold I had no desire. I think it was his
eye! yes, it was this! He had the eye of a vulture--a pale blue eye,
with a film over it. Whenever it fell upon me, my blood ran cold; and
so by degrees--very gradually--I made up my mind to take the life of the
old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you
should have seen me. You should have seen how wisely I proceeded--with
what caution--with what foresight--with what dissimulation I went to
work! I was never kinder to the old man than during the whole week
before I killed him. And every night, about midnight, I turned the latch
of his door and opened it--oh so gently! And then, when I had made an
opening sufficient for my head, I put in a dark lantern, all closed,
closed, that no light shone out, and then I thrust in my head. Oh,
you would have laughed to see how cunningly I thrust it in! I moved it
slowly--very, very slowly, so that I might not disturb the old man’s
sleep. It took me an hour to place my whole head within the opening so
far that I could see him as he lay upon his bed. Ha! would a madman have
been so wise as this? And then, when my head was well in the room, I
undid the lantern cautiously--oh, so cautiously--cautiously (for the
hinges creaked)--I undid it just so much that a single thin ray fell
upon the vulture eye. And this I did for seven long nights--every night
just at midnight--but I found the eye always closed; and so it was
impossible to do the work; for it was not the old man who vexed me, but
his Evil Eye. And every morning, when the day broke, I went boldly into
the chamber, and spoke courageously to him, calling him by name in a
hearty tone, and inquiring how he has passed the night. So you see he
would have been a very profound old man, indeed, to suspect that every
night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the
door. A watch’s minute hand moves more quickly than did mine. Never
before that night had I felt the extent of my own powers--of my
sagacity. I could scarcely contain my feelings of triumph. To think
that there I was, opening the door, little by little, and he not even to
dream of my secret deeds or thoughts. I fairly chuckled at the idea; and
perhaps he heard me; for he moved on the bed suddenly, as if startled.
Now you may think that I drew back--but no. His room was as black as
pitch with the thick darkness, (for the shutters were close fastened,
through fear of robbers,) and so I knew that he could not see the
opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb
slipped upon the tin fastening, and the old man sprang up in bed, crying
out--“Who’s there?”

I kept quite still and said nothing. For a whole hour I did not move a
muscle, and in the meantime I did not hear him lie down. He was still
sitting up in the bed listening;--just as I have done, night after
night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal
terror. It was not a groan of pain or of grief--oh, no!--it was the low
stifled sound that arises from the bottom of the soul when overcharged
with awe. I knew the sound well. Many a night, just at midnight, when
all the world slept, it has welled up from my own bosom, deepening, with
its dreadful echo, the terrors that distracted me. I say I knew it well.
I knew what the old man felt, and pitied him, although I chuckled at
heart. I knew that he had been lying awake ever since the first slight
noise, when he had turned in the bed. His fears had been ever since
growing upon him. He had been trying to fancy them causeless, but could
not. He had been saying to himself--“It is nothing but the wind in the
chimney--it is only a mouse crossing the floor,” or “It is merely a
cricket which has made a single chirp.” Yes, he had been trying to
comfort himself with these suppositions: but he had found all in vain.
All in vain; because Death, in approaching him had stalked with his
black shadow before him, and enveloped the victim. And it was the
mournful influence of the unperceived shadow that caused him to
feel--although he neither saw nor heard--to feel the presence of my head
within the room.

When I had waited a long time, very patiently, without hearing him lie
down, I resolved to open a little--a very, very little crevice in
the lantern. So I opened it--you cannot imagine how stealthily,
stealthily--until, at length a simple dim ray, like the thread of the
spider, shot from out the crevice and fell full upon the vulture eye.

It was open--wide, wide open--and I grew furious as I gazed upon it. I
saw it with perfect distinctness--all a dull blue, with a hideous
veil over it that chilled the very marrow in my bones; but I could see
nothing else of the old man’s face or person: for I had directed the ray
as if by instinct, precisely upon the damned spot.

And have I not told you that what you mistake for madness is but
over-acuteness of the sense?--now, I say, there came to my ears a low,
dull, quick sound, such as a watch makes when enveloped in cotton. I
knew that sound well, too. It was the beating of the old man’s heart. It
increased my fury, as the beating of a drum stimulates the soldier into
courage.

But even yet I refrained and kept still. I scarcely breathed. I held the
lantern motionless. I tried how steadily I could maintain the ray upon
the eve. Meantime the hellish tattoo of the heart increased. It grew
quicker and quicker, and louder and louder every instant. The old man’s
terror must have been extreme! It grew louder, I say, louder every
moment!--do you mark me well I have told you that I am nervous: so I am.
And now at the dead hour of the night, amid the dreadful silence of
that old house, so strange a noise as this excited me to uncontrollable
terror. Yet, for some minutes longer I refrained and stood still. But
the beating grew louder, louder! I thought the heart must burst. And now
a new anxiety seized me--the sound would be heard by a neighbour! The
old man’s hour had come! With a loud yell, I threw open the lantern
and leaped into the room. He shrieked once--once only. In an instant
I dragged him to the floor, and pulled the heavy bed over him. I then
smiled gaily, to find the deed so far done. But, for many minutes, the
heart beat on with a muffled sound. This, however, did not vex me; it
would not be heard through the wall. At length it ceased. The old man
was dead. I removed the bed and examined the corpse. Yes, he was stone,
stone dead. I placed my hand upon the heart and held it there many
minutes. There was no pulsation. He was stone dead. His eye would
trouble me no more.

If still you think me mad, you will think so no longer when I describe
the wise precautions I took for the concealment of the body. The night
waned, and I worked hastily, but in silence. First of all I dismembered
the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and
deposited all between the scantlings. I then replaced the boards so
cleverly, so cunningly, that no human eye--not even his--could have
detected any thing wrong. There was nothing to wash out--no stain of any
kind--no blood-spot whatever. I had been too wary for that. A tub had
caught all--ha! ha!

When I had made an end of these labors, it was four o’clock--still dark
as midnight. As the bell sounded the hour, there came a knocking at the
street door. I went down to open it with a light heart,--for what had
I now to fear? There entered three men, who introduced themselves, with
perfect suavity, as officers of the police. A shriek had been heard by
a neighbour during the night; suspicion of foul play had been aroused;
information had been lodged at the police office, and they (the
officers) had been deputed to search the premises.

I smiled,--for what had I to fear? I bade the gentlemen welcome. The
shriek, I said, was my own in a dream. The old man, I mentioned, was
absent in the country. I took my visitors all over the house. I bade
them search--search well. I led them, at length, to his chamber. I
showed them his treasures, secure, undisturbed. In the enthusiasm of
my confidence, I brought chairs into the room, and desired them here
to rest from their fatigues, while I myself, in the wild audacity of
my perfect triumph, placed my own seat upon the very spot beneath which
reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was
singularly at ease. They sat, and while I answered cheerily, they
chatted of familiar things. But, ere long, I felt myself getting pale
and wished them gone. My head ached, and I fancied a ringing in my
ears: but still they sat and still chatted. The ringing became more
distinct:--It continued and became more distinct: I talked more
freely to get rid of the feeling: but it continued and gained
definiteness--until, at length, I found that the noise was not within my
ears.

No doubt I now grew _very_ pale;--but I talked more fluently, and with a
heightened voice. Yet the sound increased--and what could I do? It was
a low, dull, quick sound--much such a sound as a watch makes when
enveloped in cotton. I gasped for breath--and yet the officers heard
it not. I talked more quickly--more vehemently; but the noise steadily
increased. I arose and argued about trifles, in a high key and with
violent gesticulations; but the noise steadily increased. Why would
they not be gone? I paced the floor to and fro with heavy strides, as if
excited to fury by the observations of the men--but the noise steadily
increased. Oh God! what could I do? I foamed--I raved--I swore! I swung
the chair upon which I had been sitting, and grated it upon the
boards, but the noise arose over all and continually increased. It
grew louder--louder--louder! And still the men chatted pleasantly, and
smiled. Was it possible they heard not? Almighty God!--no, no! They
heard!--they suspected!--they knew!--they were making a mockery of my
horror!-this I thought, and this I think. But anything was better than
this agony! Anything was more tolerable than this derision! I could bear
those hypocritical smiles no longer! I felt that I must scream or die!
and now--again!--hark! louder! louder! louder! louder!

“Villains!” I shrieked, “dissemble no more! I admit the deed!--tear up
the planks! here, here!--It is the beating of his hideous heart!”

 


   

02MAY2018 – Quote of the Day

As a kid I had a copy of Fabre’s Book of Insects that had been my father’s when he was a little boy. I always loved the pictures and the literary writing style.

 

Fabre’s Book of Insects

THE MANTIS.—COURTSHIP

The little we have seen of the customs of the Mantis does not square very well with the popular name for the insect. From the term Prègo-Diéu we should expect a peaceful placid creature, devoutly self-absorbed; and we find a cannibal, a ferocious spectre, biting open the heads of its captives after demoralising them with terror. But we have yet to learn the worst. The customs of the Mantis in connection with its own kin are more atrocious even than those of the spiders, who bear an ill repute in this respect.

To reduce the number of cages on my big laboratory table, to give myself a little more room, while still maintaining a respectable menagerie, I installed several females under one cover. There was sufficient space in the common lodging and room for the captives to move about, though for that matter they are not fond of movement, being heavy in the abdomen. Crouching motionless against the wire work of the cover, they will digest their food or await a passing victim. They lived, in short, just as they lived on their native bushes.

Communal life has its dangers. When the hay is low in the manger donkeys grow quarrelsome, although usually so pacific. My guests might well, in a season of dearth, have lost their tempers and begun to fight one another; but I was careful to keep the cages well provided with crickets, which were renewed twice a day. If civil war broke out famine could not be urged in excuse.

At the outset matters did not go badly. The company lived in peace, each Mantis pouncing upon and eating whatever came her way, without interfering with her neighbours. But this period of concord was of brief duration. The bellies of the insects grew fuller: the eggs ripened in their ovaries: the time of courtship and the laying season was approaching. Then a kind of jealous rage seized the females, although no male was present to arouse such feminine rivalry. The swelling of the ovaries perverted my flock, and infected them with an insane desire to devour one another. There were threats, horrid encounters, and cannibal feasts. Once more the spectral pose was seen, the hissing of the wings, and the terrible gesture of the talons outstretched and raised above the head. The females could not have looked more terrible before a grey cricket or a Decticus. Without any motives that I could see, two neighbours suddenly arose in the attitude of conflict. They turned their heads to the right and the left, provoking one another, insulting one another. The pouf! pouf! of the wings rubbed by the abdomen sounded the charge. Although the duel was to terminate at the first scratch, without any more serious consequence, the murderous talons, at first folded, open like the leaves of a book, and are extended laterally to protect the long waist and abdomen. The pose is superb, but less terrific than that assumed when the fight is to be to the death.

Then one of the grappling-hooks with a sudden spring flies out and strikes the rival; with the same suddenness it flies back and assumes a position of guard. The adversary replies with a riposte. The fencing reminds one not a little of two cats boxing one another’s ears. At the first sign of blood on the soft abdomen, or even at the slightest wound, one admits herself to be conquered and retires. The other refurls her battle standard and goes elsewhere to meditate the capture of a cricket, apparently calm, but in reality ready to recommence the quarrel.

Very often the matter turns out more tragically. In duels to the death the pose of attack is assumed in all its beauty. The murderous talons unfold and rise in the air. Woe to the vanquished! for the victor seizes her in her vice-like grip and at once commences to eat her; beginning, needless to say, at the back of the neck. The odious meal proceeds as calmly as if it were merely a matter of munching a grasshopper; and the survivor enjoys her sister quite as much as lawful game. The spectators do not protest, being only too willing to do the like on the first occasion.

Ferocious creatures! It is said that even wolves do not eat one another. The Mantis is not so scrupulous; she will eat her fellows when her favourite quarry, the cricket, is attainable and abundant.

These observations reach a yet more revolting extreme. Let us inquire into the habits of the insect at breeding time, and to avoid the confusion of a crowd let us isolate the couples under different covers. Thus each pair will have their own dwelling, where nothing can trouble their honeymoon. We will not forget to provide them with abundant food; there shall not be the excuse of hunger for what is to follow.

We are near the end of August. The male Mantis, a slender and elegant lover, judges the time to be propitious. He makes eyes at his powerful companion; he turns his head towards her; he bows his neck and raises his thorax. His little pointed face almost seems to wear an expression. For a long time he stands thus motionless, in contemplation of the desired one. The latter, as though indifferent, does not stir. Yet the lover has seized upon a sign of consent: a sign of which I do not know the secret. He approaches: suddenly he erects his wings, which are shaken with a convulsive tremor.

This is his declaration. He throws himself timidly on the back of his corpulent companion; he clings to her desperately, and steadies himself. The prelude to the embrace is generally lengthy, and the embrace will sometimes last for five or six hours.

Nothing worthy of notice occurs during this time. Finally the two separate, but they are soon to be made one flesh in a much more intimate fashion. If the poor lover is loved by his mistress as the giver of fertility, she also loves him as the choicest of game. During the day, or at latest on the morrow, he is seized by his companion, who first gnaws through the back of his neck, according to use and wont, and then methodically devours him, mouthful by mouthful, leaving only the wings. Here we have no case of jealousy, but simply a depraved taste.

I had the curiosity to wonder how a second male would be received by a newly fecundated female. The result of my inquiry was scandalous. The Mantis in only too many cases is never sated with embraces and conjugal feasts. After a rest, of variable duration, whether the eggs have been laid or not, a second male is welcomed and devoured like the first. A third succeeds him, does his duty, and affords yet another meal. A fourth suffers a like fate. In the course of two weeks I have seen the same Mantis treat seven husbands in this fashion. She admitted all to her embraces, and all paid for the nuptial ecstasy with their lives.

There are exceptions, but such orgies are frequent. On very hot days, when the atmospheric tension is high, they are almost the general rule. At such times the Mantis is all nerves. Under covers which contain large households the females devour one another more frequently than ever; under the covers which contain isolated couples the males are devoured more eagerly than usual when their office has been fulfilled.

I might urge, in mitigation of these conjugal atrocities, that the Mantis does not commit them when at liberty. The male, his function once fulfilled, surely has time to wander off, to escape far away, to flee the terrible spouse, for in my cages he is given a respite, often of a whole day. What really happens by the roadside and in the thickets I do not know; chance, a poor schoolmistress, has never instructed me concerning the love-affairs of the Mantis when at liberty. I am obliged to watch events in my laboratory, where the captives, enjoying plenty of sunshine, well nourished, and comfortably lodged, do not seem in any way to suffer from nostalgia. They should behave there as they behave under normal conditions.

Alas! the facts force me to reject the statement that the males have time to escape; for I once surprised a male, apparently in the performance of his vital functions, holding the female tightly embraced—but he had no head, no neck, scarcely any thorax! The female, her head turned over her shoulder, was peacefully browsing on the remains of her lover! And the masculine remnant, firmly anchored, continued its duty!

Love, it is said, is stronger than death! Taken literally, never has an aphorism received a more striking confirmation. Here was a creature decapitated, amputated as far as the middle of the thorax; a corpse which still struggled to give life. It would not relax its hold until the abdomen itself, the seat of the organs of procreation, was attacked.

The custom of eating the lover after the consummation of the nuptials, of making a meal of the exhausted pigmy, who is henceforth good for nothing, is not so difficult to understand, since insects can hardly be accused of sentimentality; but to devour him during the act surpasses anything that the most morbid mind could imagine. I have seen the thing with my own eyes, and I have not yet recovered from my surprise.

Could this unfortunate creature have fled and saved himself, being thus attacked in the performance of his functions? No. We must conclude that the loves of the Mantis are fully as tragic, perhaps even more so, than those of the spider. I do not deny that the limited area of the cage may favour the massacre of the males; but the cause of such butchering must be sought elsewhere. It is perhaps a reminiscence of the carboniferous period when the insect world gradually took shape through prodigious procreation. The Orthoptera, of which the Mantes form a branch, are the first-born of the insect world.

Uncouth, incomplete in their transformation, they wandered amidst the arborescent foliage, already flourishing when none of the insects sprung of more complex forms of metamorphosis were as yet in existence: neither butterflies, beetles, flies, nor bees. Manners were not gentle in those epochs, which were full of the lust to destroy in order to produce; and the Mantis, a feeble memory of those ancient ghosts, might well preserve the customs of an earlier age. The utilisation of the males as food is a custom in the case of other members of the Mantis family. It is, I must admit, a general habit. The little grey Mantis, so small and looking so harmless in her cage, which never seeks to harm her neighbours in spite of her crowded quarters, falls upon her male and devours him as ferociously as the Praying Mantis. I have worn myself out in trying to procure the indispensable complements to my female specimens. No sooner is my capture, strongly winged, vigorous and alert, introduced into the cage than he is seized, more often than not, by one of the females who no longer have need of his assistance and devoured. Once the ovaries are satisfied the two species of Mantis conceive an antipathy for the male; or rather they regard him merely as a particularly tasty species of game

01MAY2018 – Quote of the Day

Yo, Poe!  My father had a very old illustrated edition of Poe’s stories that is still one of my favorite possessions.  I always liked this short story.  It must be my vengeful spirit.

 

The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitely settled—but the very definitiveness with which it was resolved, precluded the idea of risk. I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.

He had a weak point—this Fortunato—although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity—to practise imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack—but in the matter of old wines he was sincere. In this respect I did not differ from him materially: I was skillful in the Italian vintages myself, and bought largely whenever I could.

………………………

“Enough,” he said; “the cough is a mere nothing; it will not kill me. I shall not die of a cough.”

“True—true,” I replied; “and, indeed, I had no intention of alarming you unnecessarily—but you should use all proper caution. A draught of this Medoc will defend us from the damps.”

Here I knocked off the neck of a bottle which I drew from a long row of its fellows that lay upon the mould.

“Drink,” I said, presenting him the wine.

He raised it to his lips with a leer. He paused and nodded to me familiarly, while his bells jingled.

“I drink,” he said, “to the buried that repose around us.”

“And I to your long life.”

He again took my arm, and we proceeded.

“These vaults,” he said, “are extensive.”

“The Montresors,” I replied, “were a great and numerous family.”

“I forget your arms.”

“A huge human foot d’or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel.”

“And the motto?”

Nemo me impune lacessit.”

“Good!” he said.

………………………..

It was now midnight, and my task was drawing to a close. I had completed the eighth, the ninth, and the tenth tier. I had finished a portion of the last and the eleventh; there remained but a single stone to be fitted and plastered in. I struggled with its weight; I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in recognizing as that of the noble Fortunato. The voice said—

“Ha! ha! ha!—he! he! he!—a very good joke indeed—an excellent jest. We shall have many a rich laugh about it at the palazzo—he! he! he!—over our wine—he! he! he!”

“The Amontillado!” I said.

“He! he! he!—he! he! he!—yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone.”

“Yes,” I said, “let us be gone.”

For the love of God, Montresor!

“Yes,” I said, “for the love of God!”

But to these words I hearkened in vain for a reply. I grew impatient. I called aloud—

“Fortunato!”

No answer. I called again—

“Fortunato—”

No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in reply only a jingling of the bells. My heart grew sick on account of the dampness of the catacombs. I hastened to make an end of my labour. I forced the last stone into its position; I plastered it up. Against the new masonry I re-erected the old rampart of bones. For the half of a century no mortal has disturbed them. In pace requiescat!

Title: The Cask of Amontillado

Author: Edgar Allan Poe

 

 

30APR2018 – Quote of the Day

I know, I know.  It’s almost May, but enjoy it anyway.

 

STAVE II:  THE FIRST OF THE THREE SPIRITS

“The school is not quite deserted,” said the Ghost. “A
solitary child, neglected by his friends, is left there still.”

Scrooge said he knew it. And he sobbed.

They left the high-road, by a well-remembered lane, and
soon approached a mansion of dull red brick, with a little
weathercock-surmounted cupola, on the roof, and a bell
hanging in it. It was a large house, but one of broken
fortunes; for the spacious offices were little used, their walls
were damp and mossy, their windows broken, and their
gates decayed. Fowls clucked and strutted in the stables;
and the coach-houses and sheds were over-run with grass.
Nor was it more retentive of its ancient state, within; for
entering the dreary hall, and glancing through the open
doors of many rooms, they found them poorly furnished,
cold, and vast. There was an earthy savour in the air, a
chilly bareness in the place, which associated itself somehow
with too much getting up by candle-light, and not too
much to eat.

They went, the Ghost and Scrooge, across the hall, to a
door at the back of the house. It opened before them, and
disclosed a long, bare, melancholy room, made barer still by
lines of plain deal forms and desks. At one of these a lonely
boy was reading near a feeble fire; and Scrooge sat down
upon a form, and wept to see his poor forgotten self as he
used to be.

Not a latent echo in the house, not a squeak and scuffle
from the mice behind the panelling, not a drip from the
half-thawed water-spout in the dull yard behind, not a sigh among
the leafless boughs of one despondent poplar, not the idle
swinging of an empty store-house door, no, not a clicking in
the fire, but fell upon the heart of Scrooge with a softening
influence, and gave a freer passage to his tears.

The Spirit touched him on the arm, and pointed to his
younger self, intent upon his reading. Suddenly a man, in
foreign garments: wonderfully real and distinct to look at:
stood outside the window, with an axe stuck in his belt, and
leading by the bridle an ass laden with wood.

“Why, it’s Ali Baba!” Scrooge exclaimed in ecstasy. “It’s
dear old honest Ali Baba! Yes, yes, I know! One Christmas
time, when yonder solitary child was left here all alone,
he did come, for the first time, just like that. Poor boy! And
Valentine,” said Scrooge, “and his wild brother, Orson; there
they go! And what’s his name, who was put down in his
drawers, asleep, at the Gate of Damascus; don’t you see him!
And the Sultan’s Groom turned upside down by the Genii;
there he is upon his head! Serve him right. I’m glad of it.
What business had he to be married to the Princess!”

To hear Scrooge expending all the earnestness of his nature
on such subjects, in a most extraordinary voice between
laughing and crying; and to see his heightened and excited
face; would have been a surprise to his business friends in
the city, indeed.

“There’s the Parrot!” cried Scrooge. “Green body and
yellow tail, with a thing like a lettuce growing out of the
top of his head; there he is! Poor Robin Crusoe, he called
him, when he came home again after sailing round the
island. ‘Poor Robin Crusoe, where have you been, Robin
Crusoe?’  The man thought he was dreaming, but he wasn’t.
It was the Parrot, you know. There goes Friday, running
for his life to the little creek! Halloa! Hoop! Halloo!”

Then, with a rapidity of transition very foreign to his
usual character, he said, in pity for his former self, “Poor
boy!” and cried again.

“I wish,” Scrooge muttered, putting his hand in his
pocket, and looking about him, after drying his eyes with his
cuff: “but it’s too late now.”

“What is the matter?” asked the Spirit.

“Nothing,” said Scrooge. “Nothing. There was a boy
singing a Christmas Carol at my door last night. I should
like to have given him something: that’s all.”

The Ghost smiled thoughtfully, and waved its hand:
saying as it did so, “Let us see another Christmas!”

A CHRISTMAS CAROL

IN PROSE
BEING
A Ghost Story of Christmas

by Charles Dickens

 

 

 

29APR2018 – Quote of the Day

I have always thought Treasure Island is the quintessential adventure story for boys.  The film versions  are also good fun but reading the story I find can almost make me feel twelve years old again.  Well maybe fourteen anyway.  Yo ho ho and a bottle of rum.

3

The Black Spot

ABOUT noon I stopped at the captain's door with some cooling drinks
and medicines. He was lying very much as we had left him, only a little
higher, and he seemed both weak and excited.

“Jim,” he said, “you're the only one here that's worth anything, and you
know I've been always good to you. Never a month but I've given you a
silver fourpenny for yourself. And now you see, mate, I'm pretty low,
and deserted by all; and Jim, you'll bring me one noggin of rum, now,
won't you, matey?”

“The doctor--” I began.

But he broke in cursing the doctor, in a feeble voice but heartily.
“Doctors is all swabs,” he said; “and that doctor there, why, what do
he know about seafaring men? I been in places hot as pitch, and mates
dropping round with Yellow Jack, and the blessed land a-heaving like the
sea with earthquakes--what to the doctor know of lands like that?--and I
lived on rum, I tell you. It's been meat and drink, and man and wife,
to me; and if I'm not to have my rum now I'm a poor old hulk on a lee
shore, my blood'll be on you, Jim, and that doctor swab”; and he ran on
again for a while with curses. “Look, Jim, how my fingers fidges,”
 he continued in the pleading tone. “I can't keep 'em still, not I. I
haven't had a drop this blessed day. That doctor's a fool, I tell you.
If I don't have a drain o' rum, Jim, I'll have the horrors; I seen some
on 'em already. I seen old Flint in the corner there, behind you; as
plain as print, I seen him; and if I get the horrors, I'm a man that
has lived rough, and I'll raise Cain. Your doctor hisself said one glass
wouldn't hurt me. I'll give you a golden guinea for a noggin, Jim.”

He was growing more and more excited, and this alarmed me for my father,
who was very low that day and needed quiet; besides, I was reassured by
the doctor's words, now quoted to me, and rather offended by the offer
of a bribe.

“I want none of your money,” said I, “but what you owe my father. I'll
get you one glass, and no more.”

When I brought it to him, he seized it greedily and drank it out.

“Aye, aye,” said he, “that's some better, sure enough. And now, matey,
did that doctor say how long I was to lie here in this old berth?”

“A week at least,” said I.

“Thunder!” he cried. “A week! I can't do that; they'd have the black
spot on me by then. The lubbers is going about to get the wind of me
this blessed moment; lubbers as couldn't keep what they got, and want to
nail what is another's. Is that seamanly behaviour, now, I want to know?
But I'm a saving soul. I never wasted good money of mine, nor lost it
neither; and I'll trick 'em again. I'm not afraid on 'em. I'll shake out
another reef, matey, and daddle 'em again.”

As he was thus speaking, he had risen from bed with great difficulty,
holding to my shoulder with a grip that almost made me cry out, and
moving his legs like so much dead weight. His words, spirited as they
were in meaning, contrasted sadly with the weakness of the voice in
which they were uttered. He paused when he had got into a sitting
position on the edge.

“That doctor's done me,” he murmured. “My ears is singing. Lay me back.”

Before I could do much to help him he had fallen back again to his
former place, where he lay for a while silent.

“Jim,” he said at length, “you saw that seafaring man today?”

“Black Dog?” I asked.

“Ah! Black Dog,” says he. “HE'S a bad un; but there's worse that put him
on. Now, if I can't get away nohow, and they tip me the black spot, mind
you, it's my old sea-chest they're after; you get on a horse--you can,
can't you? Well, then, you get on a horse, and go to--well, yes,
I will!--to that eternal doctor swab, and tell him to pipe all
hands--magistrates and sich--and he'll lay 'em aboard at the Admiral
Benbow--all old Flint's crew, man and boy, all on 'em that's left. I was
first mate, I was, old Flint's first mate, and I'm the on'y one as knows
the place. He gave it me at Savannah, when he lay a-dying, like as if I
was to now, you see. But you won't peach unless they get the black spot
on me, or unless you see that Black Dog again or a seafaring man with
one leg, Jim--him above all.”

“But what is the black spot, captain?” I asked.

“That's a summons, mate. I'll tell you if they get that. But you keep
your weather-eye open, Jim, and I'll share with you equals, upon my
honour.”

Majipoor Chronicles by Robert Silverberg – A Science Fiction Review

Previously I reviewed the first book of this series Lord Valentine’s Castle.  And since I liked that volume I went ahead and bought the other two volumes.  Majipoor Chronicles is constructed as a bridge between the first and third volumes and also serves to fill in as much of the backstory of Majipoor as it can.  One of the minor characters from the first book uses a machine that can record and replay the experiences of a person’s life so that another can virtually relive them as if it were his own life unfolding.  Using this plot device, we are served up a series of short stories varying between twenty and fifty pages in length.  Themes and characters vary.  Some are personal accounts of ordinary people living through the history of this planet.  All the primary characters are humans but the stories sometimes are primarily concerning human/non-human interaction.  Some of the stories involve characters who are major historical figures in the Majipoor world.  And some of the stories shed a light on the unusual place that dreams play in Majipoor life.  And finally, the last story is directly about the hero of the first book, Lord Valentine.

My first comment on the book is that it absolutely cannot be read with first reading Lord Valentine’s Castle.  Without first walking through Majipoor with Valentine on his journey of discovery I think the details and logic of Majipoor life would seem random and confusing.  Without some grounding in the structure of their ruling system and the relations between the sentient species some of the stories would be especially confusing.

The second thing that I want to discuss is the vintage of these books.  They were written at the end of the nineteen seventies and into the nineteen eighties.  During that period science fiction authors were heavily invested in introducing sex as a major component of their stories.  Silverberg was no exception.  So, in addition to normal sexual matters he highlights the oddity of the male protagonist who experiences these mind recordings experiencing sex from the point of view of one of his female subjects.  And in one story at an all woman’s school the fact that two of the women were in an intimate setting has one character wondering if it was an attempted sexual advance.  I think the character more or less says the “Seinfeldian” line, “not that there’s anything wrong with that.”  And later on, there is a sex scene involving a woman and two brothers.  Of course, by today’s standards these are extremely tame but at the time these were boundary testing.  The more bizarre sexual situation involves two human characters in separate stories that engage in sex with non-humans.  In fact, the really odd one has a young woman actually initiating sex with an unemotional, fairly uninterested but polite lizard man who the female character is nursing back to health from a leg injury.  This one was a bit much for me.  I have to admit that my tolerance human woman / lizard man sex is extremely limited.  So that facet of the stories is not entirely to my satisfaction.  As far as his description of normal male female sexuality I thought that was fairly done.  And of course, the adult nature of the books would exclude recommending them to very young people.

Putting aside this second point, which is restricted to a small part of the overall book, I enjoyed the writing and I found several of the stories very original.  Silverberg has a fertile imagination and writes his characters in an interesting and sympathetic manner.  I especially liked the stories that advanced the historical knowledge of Majipoor.  My favorite was the war story, “The Time of the Burning.”  It directly addresses the human colonization of Majipoor and the impact this had on the aboriginal population.  But overall I see Majipoor Chronicles as an interlude between Lord Valentine’s Castle and Valentine Pontifex, the third book of the series.  It’s merely a snack between the main courses.  If you’re reading the series then you must read it because there are a few plot points that would be missed with out it but overall it is more of a background enhancer for the Majipoor world building effort.  Now on to Valentine Pontifex!

 

Valentine Pontifex – Volume Three of the Majipoor Cycle by Robert Silverberg – A Science Fiction-Fantasy Book Review

Heinlein – What Was He?

I’m a Heinlein fan.  That’s not to say I like everything he wrote.  I believe “I Will Fear No Evil” is remarkably bad.  I know of several other of his books that I don’t think very highly of.  But a lot of what he wrote, especially during his heyday was very good.  And comparing him to those writing at the time when he came on the scene it is striking how much better he was.

So why was that?  What made him so good?  First of all, I think Heinlein happened to be a very intelligent man.  Secondly, he was well educated and this included the fact that he had an upper middle-class upbringing that included good literature.  Thirdly, he had a decent work ethic.  Between these things he probably brought much more to the table than most of his peers.  And finally, I think he modelled his stories not on other science fiction authors but rather on successful authors in the wider literary world.  And I think this has been recognized for a long time.  Many years ago, I read some literary criticism that posited that Heinlein had taken Kipling’s British Raj and mapped it onto the Solar System or some such thing.  Another critic said that Heinlein created America as Science Fiction.  While I don’t think either of these premises are completely true I think they hint at the fact that Heinlein wanted to take science fiction out of its ghetto and make it interesting to the grown-ups.

And to a great extent, he succeeded.  Especially in his early future history stories, the feel is very much of a mid-twentieth-century American dynamism.  It combines wit, enthusiasm and confidence.  It belongs with such other products of the time as John Houston’s motion pictures The Maltese Falcon and Treasure of the Sierra Madre.  He has turned the American Century into the source for his characters and their ethos.  And in some of his stories like Citizen of the Galaxy and Double Star, Heinlein did borrow some of the flavor of Kipling’s British Empire.

But really all this shows is that Heinlein wanted his stories to belong to the Anglo-American tradition of storytelling.  He recognized good work and he incorporated the spirit of the best works from his time and of the literary past that he enjoyed and projected them on the future.

Some might say that he thereby lacked originality.  This may be somewhat true.  But it is also universal.  Even James Joyce when he wrote his stream of consciousness in Ulysses is using Homer for his plot basis.  And to the extent that Ulysses is original it is also a failure as literature.  Every writer borrows from the past.  He has to.  As Solomon said, there is nothing new under the sun.  The trick is making it new and making it your own.  I think Heinlein was well within fair usage.

Coming back to the question of what Heinlein was, I believe he was the right man at the right time.  He was an intelligent, literate American at just the moment in the American Century when science fiction was becoming mainstream and relevant to the culture.  Atomic bombs and space craft were crossing over from science fiction to front page headlines.  Science fiction readers were seeing their stories become respectable and even literary.  Legitimate periodicals included some of the more refined writers between the glossy covers.

Will we see his like again?  I would have to say no.  Not so much because he was some towering genius, but because the times have changed.  No one would mistake our present culture for 1930s America.  Even in the depths of the Great Depression there was an optimism and solidarity that just doesn’t exist anymore.  Authors today reflect that despair.  And maybe that is interesting to some, a sort of decline of the Roman Empire sensibility, but I don’t think it lends itself to good storytelling.  Even in the most realistic story I think you need something beyond fatalism and ennui.  Otherwise it feels like the story is not even worth your time to read.

But, of course, maybe a change is just around the corner and an American renaissance is on the horizon.  Well, if that’s the case, I better reread Green Hills of Earth.  Delilah and the Space Riggers?  Sure why not?