Since nothing new has caught my attention in Country lately I’ve decided to do retrospectives on some of my favorite artists. I’ll start with Tobey Keith. I consider Tobey one of the most successful Country Music singers. He has quite a number of songs that are truly excellent. These are songs that you can play over any number of times without wearing them out. And Keith has a variety of song types. He has serious patriotic ones, comic ones and ones that sing about the vicissitudes of modern life. He has a strong pleasant voice and he uses both country and western melodies with occasional rock and other music types.
Another aspect of Tobey Keith is his unashamed patriotism and his well-known support for the military. Keith performed in Iraq during the war and embraced charities that helped the wounded soldiers and penned the song American Soldier as a tribute to the fighting men.
So, Tobey writes his own songs, has produced twenty-five albums, won numerous awards and is worth over five hundred million dollars. Not bad for a country boy from Oklahoma. But all that is beside the point. He has a boatload of good country music and if you go through his greatest hits, you’re bound to find several that you’ll enjoy. Well, at least, I think you will.
Here are a number of songs that I especially enjoy in the categories I’ve grouped them in.
Courtesy of The Red, White & Blue (The Angry American)
When I played Sturgill Simpson’s “Metamodern Sounds in Country Music” a while ago, I was struck by the fact that he could write an excellent and very genuine country song like Panbowl but didn’t really seem to belong to the genre on a consistent basis. Later I listened to “High Top Mountain” and noted that this was an album that followed the country music conventions but breathed an original and idiosyncratic life into them.
Recently I bought Simpson’s “A Sailor’s Guide to Earth” and “Sound & Fury” albums. I can officially declare that Sturgill Simpson’s days as a country musician have ended. A Sailor’s Guide is an album of personal songs, some to his young child, that might be characterized as some kind of combination of folk/pop and a smattering of everything else. Sound and Fury is what a musician I know described as techno-metal.
Whatever they are, they ain’t country. It seems that musicians wander into country via folk music origins, probably because it’s commercially viable and then can’t maintain the interest. I think many of them feel too constrained or long to add other sounds to the mix.
So unless someone tells me that Sturgill Simpson has become possessed by the spirit of Hank Williams Senior I won’t be checking out his subsequent releases.
I’m a fan of Tyler Childers’ music. He’s a singer songwriter with an interesting voice and talent for producing lively melodies. And he tells stories about modern Appalachia. Stories about country people and stories about himself. One of my favorites of his songs is a murder ballad on his Purgatory album called Banded Clovis. His lyrics paint an engaging picture of the murderer at the moment when greed and desperation over comes camaraderie and decency.
Childers’ new album Country Squire is in the same cast as Purgatory. It has songs that describe the life of every day folks in Appalachia and also has more autobiographical songs about his life on the road as a musician. For me these personal songs are not as compelling because that lifestyle doesn’t resonate with how I live. But the other songs are more interesting to me. So, unsurprisingly the three songs I like best on the album are of this type; Creeker, Peace of Mind and Matthew. They’re just stories of everyday people living everyday lives. But Childers is able to generate good country songs with it. The other six songs have a number of what I called above autobiographical songs and here it’s more hit or miss. “Country Squire” and “Bus Route” are pretty good. But “Ever Lovin’ Hand” I’ll take a pass on. The musicality is fine but the story is too odd for me.
So if you’re a Tyler Childers fan you’ll like Country Squire. If you’re a country music fan give it a try but I would start with his Purgatory album first. I think it’s a better introduction to his range of songs.
So this is the companion to my review of the movie “Hell or High Water” movie. The film brings up to the present day the Texas outlaw genre. The music is a mixture of evocative movie background instrumental and then songs from various artists that speak to the theme. The artists, Townes Van Zandt, Ray Wylie Hubbard, Waylon Jennings, Colter Wall, Scott H. Biram and Chris Stapleton are far from uniform in their styles or even genre. I believe Van Zandt is considered a folk music singer/songwriter but the songs fit the theme and even the instrumental pieces provided by Nick Cave & Warren Ellis fit together well and qualify as actual music and not just sound effects. I’ve listed the non-instrumental songs below. All in all, an enjoyable album of music. Recommended for when you’re feeling like an outlaw which for me lately is most of the time.
Here’s my retrospective on 2018, completely subjective of course and whenever I can’t make up my mind or I don’t want to leave something out I’ll cheat and provide more than one choice. And that’s one of the wonderful things about being the boss, you get to break the rules and do what you want.
Best Quotes of the Day
Some are political, some philosophical and some just human nature. The order is just chronological of their appearance on the site.
“In the many forms of government which have sprung up there has always been an acknowledgement of justice and proportionate equality, although mankind fail in attaining them, as indeed I have already explained. Democracy, for example, arises out of the notion that those who are equal in any respect are equal in all respects; because men are equally free, they claim to be absolutely equal.”
“No state will be well administered unless the middle class holds sway.”
“When there aren’t any smart decisions, I suppose you just have to pick the stupid decision you like best.”
Orson Scott Card
“No one likes the fellow who is all rogue, but we’ll forgive him almost anything if there is warmth of human sympathy underneath his rogueries. The immortal types of comedy are just such men.”
W. C. Fields
“Every normal man must be tempted, at times, to spit on his hands, hoist the black flag, and begin slitting throats.”
Carpe diem! Seize the day! Rejoice while you are alive; enjoy the day; live life to the fullest; make the most of what you have. It is later than you think.
“And this is the simple truth – that to live is to feel oneself lost. He who accepts it has already begun to find himself, to be on firm ground. Instinctively, as do the shipwrecked, he will look around for something to which to cling, and that tragic, ruthless glance, absolutely sincere, because it is a question of his salvation, will cause him to bring order into the chaos of his life. These are the only genuine ideas; the ideas of the shipwrecked. All the rest is rhetoric, posturing, farce.”
If civilization had been left in female hands we would still be living in grass huts.
Over the course of 2018 I read and reviewed all eight of the volumes in the main series (first volume linked above) and they only got better as the series went along. It was good old mil-sci-fi space opera. I assume I won’t live long enough to see the end of the series but so far that isn’t a problem. I look forward to the next installment soon and am in no way tired of this particular universe. Kudos to Anspach and Cole. Long may they stoke their dumpster fire at the Edge of the Galaxy!
Vega is an acquired taste for me and as I’ve written about him, “It’s for those who like gritty crime dramas with a staccato, post-modern, minimalist writing style.” Even though my tastes are a little more conventional I appreciate that there is an audience for the more unusual so I look around for interesting stuff. As I’ve said before, your call.
The two books listed below provide two different takes on the way to interpret the results of ancient DNA analysis.
“The 10,000 Year Explosion: How Civilization Accelerated Human Evolution” by Gregory Cochran and Henry Harpending
“Who We Are and How We Got Here; Ancient DNA and the New Science of the Past” by David Reich
David Reich being an academic embedded in the politically correct culture of the university system treads ever so gently around the edges of how the science of human genetic history should be interpreted. Cochran and Harpending are much more direct and sometimes possibly presumptuous in the conclusions they draw from the evidence. Both books together tell a fascinating story of how much we now know about the complex and diverse origins of the various human populations.
This is a kids’ movie but it far exceeds any of the other “superhero” movies for just plain entertainment value. I won’t say it was as original as the first installment but it mostly kept to the spirit of the original and provided a fun vehicle for parents (or grandparents) to enjoy a movie with their kids.
This is a twofer. For younger folks I’ll only recommend the new version by the Coen Brothers. For people who grew up on the John Wayne movies of old I recommend they view both movies back to back in chronological order. They each have facets to its advantage. Each differs slightly from the source material. But each is a fine movie. And I’ll also recommend the novel that is the source for the movies. It also has facets that aren’t available in either movie.
Album of the Year
Colter Wall by Colter Wall
Song of the Year
Pan Bowl by Sturgill Simpson
My music choices are very idiosyncratic so I won’t try to justify them. To paraphrase a recent annoying politician, they just reflect who I am Pan Bowl is an older song from Simpson’s 2014 album.
The only truly notable television I watched in 2018 was the State of the Union address by the president. Everything else was at best just okay.
On – Line Articles
Here are the articles that I thought were informative on our political situation. There were many others that were intersting but these seem to encapsulate the developments in the political thinking this year. Basically it’s the red-pilling of the normies.
My longtime readers may remember me mentioning my maternal grandfather. He was the one who took on the pseudonym Charlie Young and lied about his age in order to enlist for World War One. He was an extremely colorful character who was a cop in New York City during the first half of the twentieth century. Toward his own children he was the typical autocratic Italian American man. But toward his grandchildren he was like a big kid. He brought us out for hamburgers and ice cream and whatever else he could think of. He would tell us stories of the old days. Some of them quite remarkable. And whenever things got quiet, he’d sing some variation of a song that we thought he had just made up. It would usually go something like this,
“It was midnight on the ocean
Not a streetcar was in sight
Me and my old friend (fill in the name of a particular grandson)-boy
Were eating by the candle light
When along came a big whale
And washed us all away
Then grandma came along and saved the day.”
Now this song varied by the identity of the grandchild and the details of the trip we were on. But it was mostly along these lines. And to a little kid who was out on a fun car ride and getting fast food hamburgers and ice cream it was Beethoven’s Ode to Joy. Well my grandfather’s been gone about thirty five years and about ten years ago it occurred to me to try to find the lyrics to his little poem on the internet. And what do you know? It turns out it’s an old English nonsense poem. And more to the point a song was made out of it by an American country singer named Harry McClintock back in the 1920s called Ain’t We Crazy (catch the words at the 1:00 mark of the song).
Well, at the time the song was only available as part of an imported music collection that cost $600 so I couldn’t buy it then. But this week I found it on an inexpensive album on Amazon and got it. It turns out McClintock also has a song that ended up on the “O Brother Where Art Thou” soundtrack (Big Rock Candy Mountain). I guess he’s not as obscure as I thought.
I sent the above link to my siblings and cousins and many of them have the same fond memories that I have of this little ritual my grandfather had. I think I will adopt it with my grandchildren. Of course, I’ll have to personalize it for each of them but that’s half of the fun of it anyway. And while I’m at it I’ll tell them stories about their great-great-grandfather Charlie Young who went off to war as a very young doughboy and shot it out with 1920s gangsters from the running board of a speeding car. They’ll probably think it’s as crazy as the song.
Strictly speaking this isn’t purely a country music album. Johnny Cash does covers of popular music from from sources varying from modern musicians like Nine Inch Nails and Depeche Mode to Simon and Garfunkle to the Beatles. But Johnny Cash is a country singer and I liked some of the songs very much so…
I’m not an enormous Johnny Cash fan. I have several of his albums and like a number of his songs but I don’t love everything he’s done. This album was done in the last year of his life and his voice is frayed by his age and illness. But it is distinctively Johnny Cash and he is able to use the broken quality of his voice to great advantage on several of the more soulful songs. It is an interesting experience hearing a man who knows he’s dying singing songs that he has selected to sing before he’s gone.
The first cut and the subtitle for the album is “The Man Comes Around.” It’s a song Cash wrote and it’s about Judgement Day. Revelations is quoted at the beginning and end of the song and I find it extremely stirring. I’d say it’s the high point of the album.
I’ll confess I don’t particularly care for his interpretation of most of the recent songs he covered. “Hurt,” “Personal Jesus” and “First Time Ever I saw Your Face.” None of these renditions particularly appealed to me. Possibly because the songs themselves don’t particularly appeal to me. “Bridge Over Troubled Water” and “In My Life” were better but neither was extraordinary.
I enjoyed much more his take on the western songs, “I Hung My Head,” ”Sam Hall,” “Desperado,” and especially “I’m So Lonesome I Could Cry,” and “Streets Of Laredo.”
And the last song on the album is very interesting. It’s “We’ll Meet Again.” Older folks may remember it was a 1939 song and a 1943 movie linked to war-time Britain and the longing that the soldiers and loved ones left behind felt for each other. Johnny Cash is clearly talking about the afterlife and meeting up with loved ones (especially his departed wife). That song is quite effective.
I guess I would recommend this album to Johnny Cash fans and for fans of country and western music. And I think the song “When the Man Comes Around,” will resonate with anyone on the right, living in these apocalyptic times.
I only first heard of Jamey Johnson when he had his most commercial song on the Billboards back in 2008, “In Color.” I enjoyed that song and because at the time all my music was coming off the top 40 country radio stations I never heard anything else by him. By 2010 I was starting to look for better stuff than the radio provided so I bought his album “That Lonesome Song” (and a couple of his other albums) to see what he was all about. What I found out is he is a very good song writer and has an interesting singing voice.
Most of his songs are about the darker side of life and love. His characters are men suffering through loneliness, disfunction, addiction and loss. Even the couple of comical songs are about broken relationships. “In Color” is the exception. Although the song chronicles the fearful existence through the Great Depression and WW II it ends on a very high note. But there are several songs on the album that even though full of sadness and regret are undoubtedly very good. I’m sure in a group of songs this varied, there will be one or two that don’t click for every listener and that list will vary due to the variety in listeners. But my opinion is that this is an excellent country album. My favorites are
“High Cost of Living”
“Place Out on the Ocean
“The Last Cowboy”
“Dreaming My Dreams”
“Between Jennings and Jones”
I will also qualify my recommendation of this album by saying that if someone doesn’t like sad songs then this album won’t be for him. Not every song is sad but this is definitely an album from the less sunny side of the street.
Last November I reviewed Colter Wall’s self-titled album. To say I liked it would be a gross understatement. It had such stand outs as Kate McCannon, Bald Butte and Fraulein. But the whole album was worthy. Colter has a new album and I got my copy yesterday.
This is a theme album that can best be described as a country western celebration of the Great Plains. Colter is from the Canadian Plains and he concentrates on Canada but he does include a ballad to Wild Bill Hickock. I’ll list the tracks followed by a short comment or two.
In addition, I’ll summarize that as a whole the album is a good traditional country western collection. And it suits me. Hopefully I’ll provide enough information for the reader to make up his mind.
The full track list to Colter Wall’s Songs of the Plains:
“Plain to See Plainsman” (written by Colter Wall)
Straightforward acoustic guitar and harmonica western. An ode to home on the great plains.
“Saskatchewan In 1881” (written by Colter Wall)
Upbeat Canadian folk song with a touch of humor. Where else could you find a rhyme like, “Don’t pick no fights with Mennonites?”
“John Beyers (Camaro Song)” (written by Colter Wall)
This is a short little revenge song. Very catchy and fun.
“Wild Dogs” (written by Billy Don Burns)
This is a song by Billy Don Burns and it’s literally a song narrated by a wild dog about his life. The music has some good spots but it’s not something I care for.
“Calgary Round-Up” (written by Wilf Carter)
A western about a roundup jamboree. You could easily imagine the Sons of the Pioneers singing this song. It even has yodeling.
“Night Herding Song” (Cowboy Traditional)
It sounds like a spiritual mixed with a lullaby for the cows. Most of it is acapella. I like it.
“Wild Bill Hickok” (written by Colter Wall)
Western ballad chronicling Wild Bill’s life. Well done.
“The Trains are Gone” (written by Colter Wall)
A dirge to the changing world of the old west. Kinda downbeat.
“Thinkin’ on a Woman” (written by Colter Wall)
A song a bout a trucker brooding over a lost love. Amusing enough.
“Manitoba Man” (written by Colter Wall)
A cokehead bemoaning his fate and thinking about his next score. Not my thing.
“Tying Knots in the Devil’s Tail” (Cowboy Traditional)
This is an upbeat western about two drunk cowboys tying, branding and knotting the devil’s tail.