Tag: Christopher Nolan

The Library is Full of Them

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As I mentioned in an earlier post Disney (and by extension Hollywood) realizes that they’ve alienated the male half of the human race.  And as I gleefully mentioned this is all their own fault and it’s hilarious that it’s a surprise for them.  And after torching two of the most valuable male-oriented intellectual properties (Star Wars and the Marvel Cinematic Universe), instead of trying to fix the problems and repair the damage to these brands they’ve decided to bury their losses and start from scratch with brand new franchises.

Well, you’ve got to admire their optimism.  Maybe they haven’t heard the old saying about the definition of insanity being doing the same thing over and over again and expecting a different result.  But it’s their money (or their stockholders anyway).

But in a sense, they’ve got it half right.  Half of their problem is that sequel after sequel has drained all the life out of their franchises.  So new stories and characters is a good direction to go in.  People like to be entertained and meeting new characters is part of that entertainment.  And even though there are only a few overarching plots to an adventure story it helps to change the names of the heroes, villains, magic rings, super-weapons and princesses from story to story.

So far, so good.  But now comes the tricky part.  Listen up Disney:

DON’T MAKE THE HERO A GIRL-BOSS.  THE GIRL IN THE STORY IS THE LOVE INTEREST OF THE HERO.  SHE IS THE REWARD FOR THE HERO SAVING THE DAY.  SHE MAY TAKE UP A BOW OR A DAGGER IN A PINCH BUT SHE’S NOT THERE TO SAVE THE HERO AND SHE’S NOT SUPPOSED TO BE IN CHARGE.

I hope I was clear there.  Use the traditional hero saga as the backbone of the story and find a writer and a director who can work with such a story in a creative and entertaining fashion and you will make billions of dollars.  Just as a for instance Joss Whedon directed the first Avengers movie.  It made $1.52 billion worldwide at the box office.  That’s a lot of money.  And part of the reason for that enormous sum is because Whedon knows how to make likable characters in a movie.  He blends humor, action and drama in the correct proportions and at the right moments.  In other words, he’s not a hack like all of the DEI directors that have bungled the last several years of your franchise flops.

Now, granted he is demanding and sometimes slightly abusive toward the “talent.”  But they’re getting paid millions of dollars to dress up in spandex and fool around in front of a green screen.  The least they could do is take a little hectoring from a prima donna director to earn those millions.  So anyway, my advice for Hollywood is to find the few creative talents out there; directors like Whedon and Christopher Nolan.  And purchase the film rights to books that millions of people love.  And don’t mess with the stories and characters.  Put them faithfully on the big screen and then instead of trying to recreate success with endless sequels move onto another story!  Did you know there is more than one book in the library?  There are several.

I know it’s a radical departure. But it’s just so crazy it just might work!

And Through Me Tell the Story

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Christopher Nolan is filming the Odyssey.  And, of all people, Matt Damn will be Odysseus.  And his son Telemachus will be played by Spiderman (Tom Holland) and Charlize Theron will be Circe.  Anne Hathaway is listed high in the credits so I fear she will be Penelope.  And most frightening of all, John Leguizamo is in the cast.  I guess I should be grateful that Pee Wee Herman is dead or maybe he would be cast as Achilles or Zeus.

Christopher Nolan is a talented director.  Could the movie turn out to be an entertaining and well-made film?  Sure.  But based on the cast I’m pretty sure it will have only the most tangential connection to Homer’s poem.  I’m guessing Damon will channel his character in the Bourne Identity and kill the suitors in a blur of shaky cam footage.  Maybe he can use his character development from “The Martian” to recreate Odysseus’s sense of abandonment on Ogygia with Calypso.  And come to think of it, Calypso can be played by RuPaul in drag.

No kidding, we’ve finally reached a point where special effects are good enough to show the scene in Polyphemus’s cave believably and what will render the story unfilmable will be the ethnicity of the characters.  In order to be eligible for Academy Awards, there will need to be a certain number of non-white and non-straight actors distributed among the most important roles.  I’m guessing that blonde Helen and specifically red-haired Menelaus will have to be portrayed by Australian aborigines and the Sirens will be transgender creatures.  Who knows, just to win Best Picture he’ll have to make several of Sylla’s heads look like prominent Republicans.

I’m probably painting this thing impossibly more negative than it needs to be.  But I think that Christopher Nolan is the closest thing to a good director left in Hollywood and the fact that he’s casting the movie with woke actors and following the DEI guidelines reinforces my worst premonitions for what this will end up being.  Well, why not?  Instead of Odysseus, the Sacker of Cities, we’ll get Matt Damon, Keeper of Safe Spaces.  I’m sure that instead of putting the hundred plus Suitors of Penelope to the sword, he’ll sue them in the court of public opinion and then realize that fighting for his wife’s honor is a toxic patriarchal practice that assumes that Penelope needs him to return when instead she could have shacked-up with Clytemnestra and ruled Ithaca as the first lesbian power couple of the Bronze Age.

And obviously, his son Telemachus would have discovered that he was born in the wrong body and want to be called Telemacha from then on.  And all of Odysseus’s slaves will have read Ibram X. Kendi and will rise up and decolonize Ithaca.

Well, I guess everything in the world is backwards at the moment and we’ll have to wait for a different motion picture environment before something like an authentic Odyssey is possible.  I guess the good news is that the book is still there to read.

The Odyssey

Sing in me, Muse, and through me tell the story

of that man skilled in all ways of contending,

the wanderer, harried for years on end,

after he plundered the stronghold

on the proud height of Troy.

He saw the townlands

and learned the minds of many distant men,

and weathered many bitter nights and days

in his deep heart at sea, while he fought only

to save his life, to bring his shipmates home.

But not by will nor valor could he save them,

for their own recklessness destroyed them all —

children and fools, they killed and feasted on

the cattle of Lord Hêlios, the Sun,

and he who moves all day through the heaven

took from their eyes the dawn of their return

(Translated by Robert Fitzgerald (1961))

 

ἄνδρα μοι ἔννεπε, μοῦσα, πολύτροπον, ὃς μάλα πολλὰ

πλάγχθη, ἐπεὶ Τροίης ἱερὸν πτολίεθρον ἔπερσεν:

πολλῶν δ᾽ ἀνθρώπων ἴδεν ἄστεα καὶ νόον ἔγνω,

πολλὰ δ᾽ ὅ γ᾽ ἐν πόντῳ πάθεν ἄλγεα ὃν κατὰ θυμόν,

ἀρνύμενος ἥν τε ψυχὴν καὶ νόστον ἑταίρων.

ἀλλ᾽ οὐδ᾽ ὣς ἑτάρους ἐρρύσατο, ἱέμενός περ:

αὐτῶν γὰρ σφετέρῃσιν ἀτασθαλίῃσιν ὄλοντο,

νήπιοι, οἳ κατὰ βοῦς Ὑπερίονος Ἠελίοιο

ἤσθιον: αὐτὰρ ὁ τοῖσιν ἀφείλετο νόστιμον ἦμαρ.

τῶν ἁμόθεν γε, θεά, θύγατερ Διός, εἰπὲ καὶ ἡμῖν.

(Homer circa 1,000 BC)

Oppenheimer (2023) – A Movie Review

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I finally got around to watching this movie.  This won’t be a full review because I don’t think I can be completely fair to the movie.  Christopher Nolan has been a big-time director for a good long while.  His Batman trilogy earned gazillions of dollars and was actually very good.  Now this movie is a very different animal.  I don’t think it is supposed to be entertainment in the same way.  It’s a biopic and a historical recreation of a very important event, the Manhattan Project; the invention of the atomic bomb.

As the story of the Manhattan Project, it is fascinating and compelling.  The biopic is a combination of experiences.  Oppenheimer himself is very odd duck.  From his own admission he was not a great physicist like Fermi, Einstein or Bohr.  He was a dilettante who found himself surrounded by the generation that invented quantum mechanics and became their interpreter and project manager in shepherding all the pieces needed to allow the US military to get the a-bomb in 1945.

And we hear his history as a retrospective because the movie is really the story of how Oppenheimer; this critical individual in the ushering in of the nuclear era, loses his US government security clearance due to his former association with communists and other less reputable individuals in his circle of friends.  We are also led through the less than honorable path of his love life.  And we see how his concerns about the dangers of nuclear weapons seem somewhat inconsistent depending upon where his role in producing the bomb stands.  While ensconced in the project he seems not at all conflicted.  But once he and his colleagues have handed over the bombs to the Army and the spotlight is no longer on him, his qualms grow exponentially.  As a viewer of the story, this seems clear.

The movie is populated with famous names and faces, some of them very hard to recognize.  Robert Downey Jr. is Lewis Strauss, Oppenheimer’s implacable foe who hounds him out of the government circle of influence.  Emily Blunt is Kitty Oppenheimer, his wife.  Matt Damon is Gen. Leslie Groves, director of the Manhattan Project.  Josh Hartnett is Ernest Lawrence, a Nobel-winning nuclear physicist.  Kenneth Branagh is the brilliant physicist Niels Bohr.  Tom Conti is Albert Einstein and weirdest of all Gary Oldman is Harry S. Truman.

And there’s all kinds of good acting.  I especially enjoyed the “physicists seemingly engrossed in the endless details of making a weapon out of their incomprehensible mathematical equations.  There is a critical scene where Edward Teller, the father of the H-Bomb stops the project when his calculations seem to indicate that there is a very high probability that setting off a fission bomb could ignite the whole atmosphere of Earth and end all life on the planet.  That is a pivotal scene where eventually even Einstein is consulted.

And the climactic Trinity test scene in the desert is very effective.

But it’s a three-hour movie and that means we see quite a bit of J. Robert Oppenheimer and I have to admit I didn’t find him the most sympathetic character to follow for that three-hours.  It’s a good movie.  But I ended it wishing it had been more about Matt Damon’s character and that’s an odd feeling for me.