Edge of Tomorrow (2014) – A Science Fiction Movie Review

This is a time loop movie.  It’s Groundhog Day crossed with Starship Troopers.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Tom Cruise is Major William Cage.  He’s the US Army’s public relations man during a war against aliens called the mimics who have conquered mainland Europe and are about to be counter-attacked by humanity’s attempt at D-Day from a London staging area.  But instead of staying behind in an office to edit commercials his superiors have loaned him out to the Brits as a warrior.  He tries to desert but is handcuffed and handed over to Master Sargeant Farell (played by Bill Paxton) and put into powered body armor and dropped into battle in France.  And of course, since he’s not a real soldier, he’s killed in the first few minutes of the horrific battle.  But right before he dies, he manages to kill a special mimic called an “alpha.”  And because some of the alpha’s blood gets on him, he ends up in a time loop that always brings him back to the same day of the battle.  And as long as he’s always killed he’ll come back again.

And from starting out as a hopelessly incompetent soldier, by virtue of getting to endlessly re-live and re-die on that day, he becomes adept at fighting mimics.  During one of these replays, he meets Sergeant Rita Vrataski (played by Emily Blunt) and just before she dies, she tells him to find her the next time he wakes up.  In other words, she has had the same time loop ability.  Through endless additional replays, Cage and Vrataski figure out that the mimics are aware of all the humans’ plans and fighting them is futile.  But if Cage is exposed to a device that was made to read the mind of alphas he will discover where the head mimic (the omega) is hiding.  But in the effort Cage loses his ability to reset time and come back to life.

And so, there is a kamikaze mission with Cage, Vrataski and some comrades to storm the Louvre where the monster hides.  As it works out everyone but Cage is killed and he is mortally wounded just as he blows up the omega.  But somehow killing the omega (I think) resets his looping ability and he wakes up with all of them alive but the omega destroyed and the mimics basically defeated.

Alright, so what about all this.  This is a pretty good sci-fi war movie.  The special effects are good.  The acting is good and the plot is pretty well worked out.  And even Emily Blunt’s Rita Vrataski character isn’t a complete girl-boss super hero.  She is annoying from time to time but not hopelessly.  Cruise carries the movie with a decent amount of character acting from his “comrades” and with even a little humor thrown in to lighten the mood.  The endless live/die repetition is handled very well for most of the movie with only a couple of spots where they seemed to over do it.  I will say that in the final assault the image on the screen is sort of too dark and hard to really understand.  It’s at night in an underground vault and under water so maybe that’s realistic but it feels confusing and unhelpful to the viewer.  All in all, I recommend this movie to fans of sci-fi action movies.  It’s pretty good.

The Girl on the Train – A Movie Review

This week Camera Girl picked a Netflix movie.  She remembered seeing commercials for the movie back in 2016 and so she had the impression that it was a good mystery.  Well, we watched it tonight.  Camera Girl will not be recommending movies for a very long time.

To say that this movie was awful would be understating just how bad I found it.  The star is an actress named Emily Blunt.  Along with the seven other main characters I can’t remember feeling even a twinge of empathy for any of them.  Even in the extreme case of one character discussing the accidental drowning of her infant daughter all I could think of was that she should have been prosecuted for negligent manslaughter.  The movie seemed to be a vehicle for building one of the male characters into a monster.  Apparently, all the women were either too stupid or too beaten down by the evil patriarchy to recognize this man for the ogre he was.

But even putting aside the anti-male strawman plot line, the movie is just a train wreck of other problems.  The first and most annoying problem is that the action is constantly jumping back and forth between different scenes in the past and the present.  It’s today, then it’s two years ago, then back to today and then four months ago, then last Wednesday, then Bastille Day (okay, I made that one up but you get the picture).  Eventually you lose track and finally you lose interest and in my case consciousness.

In addition to the flash backs, two of the actresses are very close in appearance.  So much so that at certain critical points in the plot you’re not sure who you’re looking at.  And this is even before the characters have been identified.  Basically, you really don’t know what the hell is going on.  So, the plot unwinds and slowly and painfully all the other explanations are exhausted and you’re left with the most hackneyed setup since “the butler did it.”

I will go out on a limb and say that most people will find this movie to be poor.  The movie is intentionally tinged with misery and psychosis.  In this environment none of the characters displays endearing or attractive or even admirable traits.  Even the victims come off as unlikable zombies.  I know it’s a cliché to say you want that two hours back but in the case of The Girl on the Train it’s entirely accurate.

Verdict:  This movie sucks.  Don’t watch it.