{"id":1972,"date":"2017-12-28T19:53:24","date_gmt":"2017-12-29T00:53:24","guid":{"rendered":"http:\/\/orionscoldfire.com\/?p=1972"},"modified":"2017-12-28T19:53:24","modified_gmt":"2017-12-29T00:53:24","slug":"lenses-for-sony-part-2-wide-angle-lenses-for-full-frame-cameras","status":"publish","type":"post","link":"https:\/\/orionscoldfire.com\/index.php\/2017\/12\/28\/lenses-for-sony-part-2-wide-angle-lenses-for-full-frame-cameras\/","title":{"rendered":"Lenses for Sony \u2013 Part 2 \u2013 Wide Angle Lenses for Full Frame Cameras"},"content":{"rendered":"

A couple of years ago the lament among Sony A7 series users was that there were no lenses for their cameras.\u00a0 It would be hard to make such a claim about wide angle lenses for the A7 cameras today.\u00a0 If you set aside the cine lenses there are 25 e-mount full frame lenses from 10mm to 35mm.\u00a0 Looking only at what Sony manufactures themselves you would still have fifteen lenses.\u00a0 Adding in Rokinon, Tokina, Voigtlander and Zeiss, that number increases to 25.<\/p>\n

    \n
  1. Rokinon 14mm f\/2.8<\/li>\n
  2. Rokinon 14mm f\/2.8 AF FE<\/li>\n
  3. Rokinon 35mm f\/2.8 AF FE<\/li>\n
  4. Sony 16mm Fisheye Conversion Lens<\/li>\n
  5. Sony 21mm Ultra-Wide Conversion Lens<\/li>\n
  6. Sony FE 12-24mm f\/4 G<\/li>\n
  7. Sony FE 16-35mm f\/2.8 GM<\/li>\n
  8. Sony FE 16-35mm f\/4 ZA OSS<\/li>\n
  9. Sony FE 24-105mm f\/4 OSS<\/li>\n
  10. Sony FE 24-240mm f\/3.5-6.3 OSS<\/li>\n
  11. Sony FE 24-70mm f\/2.8 GM<\/li>\n
  12. Sony FE 24-70mm f\/4 ZA OSS<\/li>\n
  13. Sony FE 28-135mm f\/4 G PZ OSS<\/li>\n
  14. Sony FE 28-70mm f\/3.5-5.6 OSS<\/li>\n
  15. Sony FE 28mm f\/2<\/li>\n
  16. Sony FE 35mm f\/1.4 ZA<\/li>\n
  17. Sony FE 35mm f\/2.8 ZA Sonnar<\/li>\n
  18. Tokina FiRIN 20mm f\/2 FE MF<\/li>\n
  19. Voigtlander 10mm f\/5.6 Hyper-Wide Heliar<\/li>\n
  20. Voigtlander 12mm f\/5.6 Ultra-Wide Heliar III<\/li>\n
  21. Voigtlander 15mm f\/4.5 Super-Wide Heliar III<\/li>\n
  22. Zeiss Batis 18mm f\/2.8<\/li>\n
  23. Zeiss Batis 25mm f\/2<\/li>\n
  24. Zeiss Loxia 21mm f\/2.8<\/li>\n
  25. Zeiss Loxia E 35mm f\/2 Biogon<\/li>\n<\/ol>\n

    As mentioned above, this does not count the specialized lenses used for motion picture shoots called cine lenses.\u00a0 Counting all the models from Rokinon, Sigma and Zeiss this adds up to 18 wide angle cine lenses available for full-frame e-mount cameras.<\/p>\n

      \n
    1. Rokinon 20mm T1.9 Cine DS<\/li>\n
    2. Rokinon 24mm T1.5 Cine DS<\/li>\n
    3. Rokinon 35mm T1.5 Cine DS<\/li>\n
    4. Rokinon Xeen 14mm T3.1<\/li>\n
    5. Rokinon Xeen 16mm T2.6<\/li>\n
    6. Rokinon Xeen 35mm T1.5<\/li>\n
    7. Sigma Cine 35mm T1.5 FF Prime<\/li>\n
    8. Zeiss Compact Prime CP.2 18mm T3.6<\/li>\n
    9. Zeiss Compact Prime CP.2 21mm T2.9<\/li>\n
    10. Zeiss Compact Prime CP.2 25mm T2.1<\/li>\n
    11. Zeiss Compact Prime CP.2 35mm T2.1<\/li>\n
    12. Zeiss Compact Zoom CZ.2 28-80mm T2.9<\/li>\n
    13. Zeiss CP.3 15mm T2.9<\/li>\n
    14. Zeiss CP.3 18mm T2.9<\/li>\n
    15. Zeiss CP.3 21mm T2.9<\/li>\n
    16. Zeiss CP.3 25mm T2.1<\/li>\n
    17. Zeiss CP.3 28mm T2.1<\/li>\n
    18. Zeiss CP.3 35mm T2.1<\/li>\n<\/ol>\n

      Luckily for me I don\u2019t shoot motion pictures so I\u2019ll take that as an excuse not to say anything about cine lenses.\u00a0 Which is lucky for the reader since I don\u2019t know anything about these lenses and anything I said would be highly suspect.<\/p>\n

      The fifteen FE lenses manufactured by Sony are divided into several groupings.\u00a0 The supposedly highest quality are the G Master (GM) lenses.\u00a0 Next in quality are the G lenses.\u00a0 After that are the ZA lenses which are produced under quality standards provided by Zeiss.\u00a0 And finally, there are the just plain FE lenses.\u00a0 Honestly, I am of the opinion that the actual qualities of a lens should be determined on a case by case basis.\u00a0 Because of the higher prices for the highest quality classes it\u2019s reasonable to compare equivalent lenses and determine whether the more modestly priced lens gets the job done for you.\u00a0 In general, the biggest advantage of the Sony brand lenses is the alignment of firmware in the lenses and cameras to provide optimized autofocus.\u00a0 It\u2019s possible this also applies to the Zeiss Batis lenses since Zeiss and Sony are linked by cooperative agreements.\u00a0 But that is only speculation on my part.\u00a0 In general, the reputation of the Sony brand lenses is good.\u00a0 The only caveat is that none of the Sony lenses are warranted as water proof.\u00a0 There is mention of weather sealing but I do not believe they are as resistant to moisture as some of the professional grade Canon and Nikon lenses.\u00a0 If water proof ability is needed then check the manufacturer\u2019s warranty.<\/p>\n

      The next series of lenses I\u2019ll talk about are the Zeiss Loxia and Batis series.\u00a0 Zeiss is an old guard German lens manufacturer with a reputation for producing excellent lenses. \u00a0And the Zeiss lenses are known to be weather resistant. \u00a0Up until very recently all of Zeiss\u2019s lenses were manual focus.\u00a0 The Loxia lenses are manual focus lenses.\u00a0 I currently use the Zeiss Loxia 21mm f\/2.8 for landscape and general outdoors shooting.\u00a0 I can attest that it is extremely sharp and has an excellent look to it.\u00a0 I\u2019ve also tried the Loxia 35mm and 50mm focal lengths and found them equally excellent.\u00a0 So, if manual focusing is not a problem (landscape applications) then the Loxia lenses are highly recommended.\u00a0 The Batis are the first Zeiss autofocus lenses.\u00a0 They have the same excellent sharpness and look of Zeiss glass but they come with the advantages of autofocus. \u00a0They aren\u2019t cheap but they are actually less expensive than the Sony GM equivalents.\u00a0 If you have plenty of money then the Batis line provides another quality choice.<\/p>\n

      Voigtlander is another old German lens maker.\u00a0 However, I believe the current company is really a Japanese company using the name.\u00a0 Voigtlander provided some lenses for the Leica M-mount that were much less expensive than Leica glass.\u00a0 They weren\u2019t touted as highly as Leica lenses but they had a reputation of being very good.\u00a0 Also, some of their designs were extremely compact.\u00a0 For some types of shooting, like street shooting, this was an advantage.\u00a0 Two lenses that Voigtlander produced in the past were the 12mm and 15mm Heliar designs.\u00a0 These had a good reputation for compact size and low distortion in an extremely wide focal range.\u00a0 Recently Voigtlander re-issued these lenses in e-mount and added to the niche by designing a 10mm wide angle for e-mount.\u00a0 I have used the 12mm and found it to be an excellent lens for its kind.\u00a0 I own the 10mm and also think it\u2019s excellent.\u00a0 But let me give full warning, 10mm and even 12mm are very odd focal lengths.\u00a0 .\u00a0 Even a slight raising or lowering of the of the camera out of the horizontal will cause wild distortions of the objects in the field of view.\u00a0 So, don\u2019t expect to use these lenses for portraits unless you\u2019re in a fun house.\u00a0 I believe Voigtlander will be issuing their 35mm f\/1.2 lens in e-mount.\u00a0 That would be an interesting lens to experiment with at f\/1.2.<\/p>\n

      Rokinon makes extremely inexpensive lenses.\u00a0 In the past there were quality problems associated with poorly centered lens components.\u00a0 Lately I\u2019ve heard that the quality control has improved quite a bit.\u00a0 However, it is important to realize that the components and the construction techniques are not built to last forever.\u00a0 Taking that into account you can get excellent results from some of Rokinon\u2019s lenses for comparatively little cost.<\/p>\n

      Tokina currently has a 20mm e-mount lens.\u00a0 I have not seen it.\u00a0 However, Tokina makes very good lenses.\u00a0 It would be nice to see both Tokina and Sigma get into the full-frame e-mount lens business.\u00a0 It would be good for the competition and good for pricing.<\/p>\n

      So that\u2019s a rundown on what\u2019s out there.\u00a0 What does it mean?\u00a0 It means you have choices.\u00a0 Even if you have a limited budget you have choices.\u00a0 Because in addition to the lenses I\u2019ve mentioned, if you don\u2019t mind forgoing autofocus you can manually focus almost any lens in the world by using an adapter to put it on your A7 family camera.\u00a0 In addition to adapted manual focus lenses some of the more modestly priced Sony wide angle lenses are actually quite good.\u00a0 The Sony FE 28mm f\/2 is $423.\u00a0 I’ve used it and it’s actually extremely good.\u00a0 For another $477 you can add the Sony 16mm Fisheye Conversion Lens and Sony 21mm Ultra-Wide Conversion Lens to it and get three focal lengths for a total of $900.\u00a0 The Sony FE 35mm f\/2.8 ZA Sonnar is the kit lens that\u2019s usually included with the A7 camera.\u00a0 If you buy it separately it\u2019s $700.\u00a0 It\u2019s a good lens and very compact.\u00a0 And now that high ISO really works it\u2019s a perfectly useful lens for indoors too.\u00a0 The\u00a0\u00a0 Rokinon 14mm f\/2.8 is $300.\u00a0 The autofocus version $550.<\/p>\n

      If you have more money you have more choices.\u00a0 Voigtlander lenses are between $800 and $1,000.\u00a0 The Zeiss and pricier Sony selections run into the $1,200 to $2,200 range for the wide angle lenses.\u00a0 Are they worth the extra money?\u00a0 To some people.\u00a0 Landscape photographers want the sharpest lenses they can get and they want the nicest colors.\u00a0 They worry about chromatic aberration and distortion.\u00a0 They want a 3-D look where the details pop off the print.\u00a0 They will pay the extra money to get the look they want.<\/p>\n

      Bottom line, you can get the wide angle lenses you want for the A7 (or A9) cameras.\u00a0 If only the telephotos were so lucky.<\/p>\n","protected":false},"excerpt":{"rendered":"

      A couple of years ago the lament among Sony A7 series users was that there were no lenses for their cameras.\u00a0 It would be hard<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[21,33,20,32,619],"class_list":["post-1972","post","type-post","status-publish","format-standard","hentry","category-photography","tag-lenses","tag-mirrorless","tag-sony","tag-sony-a7-cameras","tag-wide-angle-lenses"],"yoast_head":"\nLenses for Sony \u2013 Part 2 \u2013 Wide Angle Lenses for Full Frame Cameras - Orion's Cold Fire<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/orionscoldfire.com\/index.php\/2017\/12\/28\/lenses-for-sony-part-2-wide-angle-lenses-for-full-frame-cameras\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lenses for Sony \u2013 Part 2 \u2013 Wide Angle Lenses for Full Frame Cameras - 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