It difficult to take pictures that isolate your subject in an environment like that. Do you have a 16mm lens or wider? I’ve got a Sigma fixed 16mm f1.4 that is perfect or, failing that, a superb Zeiss 16 to 35, f 4 across the range. Speaking of lenses, we were talking about lenses, weren’t we? Ahh, I thought so—- Anyway, back in the days of my Sony A mount cameras, one of my most productive lenses in terms of the real “keeper” shots that it produced was a Sony G series 70-300. It was pretty slow with a maximum… Read more »
Tom,
I’m making a separate post from your comment. If you have additional photos for the essay, I guess use a separate comment on the original post of mine for each photo and I’ll attach them to the new post.
Mr. Coffee
4 years ago
Memories. My next door neighbor when I was growing up had a 68 AMX 390, not the Rebel paint, but real fast. He was shot by police trying to serve him a warrant. Put a hole in the car. You can’t make this stuff up…I was sad, I loved that car.
It difficult to take pictures that isolate your subject in an environment like that. Do you have a 16mm lens or wider? I’ve got a Sigma fixed 16mm f1.4 that is perfect or, failing that, a superb Zeiss 16 to 35, f 4 across the range. Speaking of lenses, we were talking about lenses, weren’t we? Ahh, I thought so—- Anyway, back in the days of my Sony A mount cameras, one of my most productive lenses in terms of the real “keeper” shots that it produced was a Sony G series 70-300. It was pretty slow with a maximum… Read more »
Tom,
I’m making a separate post from your comment. If you have additional photos for the essay, I guess use a separate comment on the original post of mine for each photo and I’ll attach them to the new post.
Memories. My next door neighbor when I was growing up had a 68 AMX 390, not the Rebel paint, but real fast. He was shot by police trying to serve him a warrant. Put a hole in the car. You can’t make this stuff up…I was sad, I loved that car.
Reckless disregard of a classic automobile.