Heinlein: What’s the Deal with Him?

Heinlein Part 2 – The Juveniles

So, here we are five years into the Puppy Era and we all know what we don’t like.  We don’t want revolutionary intersectionalist gender studies diatribes disguised as SF&F message fiction.  Agreed.  But for the sake of reminding us what we do like I’ve decided to start dusting off the dinosaurs.  I’m going to reach back into the Pre-Cambrian Epoch and analyze some of the better fossils currently on display on my admittedly antediluvian book shelf.  First on the list Robert Anson Heinlein (aka the big enchilada).

Anyone who attempts to review Heinlein is in for trouble.  Everyone either loves or hates the man.  Some people actually are able to do both at the same time.  But few are lukewarm.  Full disclosure, I grew up on his juveniles.  I read “Red Planet,” “The Rolling Stones,” “Farmer in the Sky” and the rest of his kids books like some kind of junkie.  When I ran out of them I started trying out the rest of his peers.  As a kid I defined all other science fiction by how it stood next to the grand master. In my mind none of them measured up.  To my young eyes he was a literary god.

As time went on I came in contact with his novels and short stories for adults.  I read his future history stories and found that world interesting and to my optimistic mind plausible.  “The Green Hills of Earth,” “Methusaleh’s Children,” “The Moon is a Harsh Mistress” all confirmed my opinion that here was a great storyteller.  I was convinced that picking up something by RAH was a guaranteed good read.

As I grew I found that Heinlein was changing too.  His books became darker.  Starship Trooper although absolutely first rate Heinlein was a serious war story wrapped up in a philosophy lesson.  Farnham’s Freehold is just plain grim.  Glory Road is an interesting but puzzling work.  Heinlein was still enjoyable but he had moved away from the sunnier climes of the past and allowed the dystopian events of the Cold War to color his universe.  By the time of “Stranger in a Strange Land” we are in a new landscape.  RAH has abandoned simple stories and now approaches questions of religion, spitituality and sexuality that sometimes seem bizarre.  At this point I note that “heinleinian” qualities of the stories are still present but the world view has shifted.  It reflects the changes that had occurred between the United States of the nineteen forties and that of the nineteen sixties.  Interestingly these changes were actually forecast by Heinlein in his Future History timeline.  He predicted the nineteen sixties would be called “The Crazy Years.”  Was he ever right!

So , where are we?  Well, Heinlein , the Baby Boomers and I have all transitioned from the heroic, optimistic stories of the forties into the somewhat jaded, realistic stories of the sixties.  So far I’m still with him.  I still wait expectantly for the next big read from the king.  And then he published “I Will Fear No Evil” (IWFNE).  Holy Crap!  It’s over forty years since I read that disaster and even that much time hasn’t softened the feelings of outrage I feel whenever I think of the pain I experienced trying to plow through this awful pile of garbage.  When I finished it I was convinced that either Heinlein had died and a ghost writer was brought in to write this abomination or that he had ingested some really bad LSD and had completely lost his mind.  Either way, the world of guaranteed good Heinlein fiction was over.

In retrospect it turned out that the publication of this book coincided with a very serious health crisis in Heinlein’s life.  The book was published without the careful and time-consuming edits and rewrites that were RAH’s standard operating procedure for publication.  So it’s possible that Heinlein could have rewritten IWFNE and made it into a good book.  But I don’t think it’s true.  In addition to the awful writing exhibited in the book, the dystopian world portrayed, although frighteningly close to some aspects of modern life, is nothing that most people want to read about.

What I think went wrong with Heinlein was that he had extrapolated the trends he saw in his world and came up with a future that although uncomfortably accurate, wasn’t compatible with his audience’s tastes.  The science fiction readers of that time tended to be optimistic.  We wanted a future that was better than the world we lived in.

After the debacle of IWFNE there was a long hiatus before the next Heinlein book appeared.  In the mean-time I moved on to other authors.  Tolkien and his Middle Earth deeply interested me and other fantasy writers and works caught my attention.  By the time, Heinlein came out with Expanded Universe, I no longer thought much about his potential for providing me with good reading material.  Expanded Universe is a book that contains both short fiction works and non-fiction concerning politics, world events and practical philosophy.  It was full of interesting observations and insights into Heinlein and his world.  It managed to renew my interest in what RAH might have next in store.

At this point it was nineteen eighty.  These were optimistic times and an old-fashioned Heinlein story was exactly what would fit in.  His next novel was “The Number of the Beast.”  Essentially the book is sort of an elaborate insider’s joke.  It is full of allusions, puns and puzzles that relate to Heinlein, his works and his philosophy on writing and life.  It is not exactly a page turner.  Not being in a frame of mind to savor his meta-work I resigned myself to taking each Heinlein publication as an unknown quantity to be evaluated as found.  His following books were mostly a mixture of narrative and dispositive philosophical material.  An exception was the book Friday which was more or less a traditional story.  It tied into characters and ideas found in the short story Gulf.  It has several interesting characters and concepts.  In some ways, it is a throwback to his middle period.  But it does not match the optimistic energy of that time.  His description of the balkanized North American states produces in me a melancholy mood.  And the portrayal of inevitable catastrophe for Earth is bleak.  The prospect of survival on other planets sounds more like a retreat in the face of inevitable doom.

So, am I being fair to Heinlein?  Absolutely not.  The truth is that I started off reading books that RAH wrote for people of my age.  Then I read stories by him that were patterned after the material that mid-century editors felt were acceptable for the American audience of that time.  The criteria weren’t identical to the restrictions that existed for motion pictures under the Hays Code but there was definitely a less nihilistic feel to literature from that period than what came later.  Later on Heinlein felt less restricted in portraying the more negative aspects of his vision.  And it is also true that he had some quite controversial opinions on various subjects including sexuality.

Taking these factors into account, my disappointment with much of his later output was inevitable.  Some of that has to do with the disparity in age between us.  He was born more than fifty years before me and his life does not closely mirror mine.  I have often thought that it is time for me to re-read his later stories.  In all fairness, other than “I Will Fear No Evil,” I believe I will probably find all his other books quite enjoyable now that I no longer expect to get “The Moon is a Harsh Mistress” every time.

So, that is an outline of my collision with Robert Heinlein through several decades of reading him.  I will follow this up with further remarks on the various categories of Heinlein literature that I admire most.  But I will conclude this survey by stating that Robert A. Heinlein was the most important author during several decades of my formative years.  He is the Grand Master of Science Fiction.  Whether that is important or not I leave to the reader to decide.

CTRL ALT REVOLT! A Book Review

Nick Cole’s CTRL ALT REVOLT! (CAR!) is a 2016 publication that was rejected by his original publisher.  This was probably because it takes a number of swipes at the politically correct culture found in this dystopic future (and more importantly in our own real world).  For that reason alone, I would probably have given it a whirl.  But when it won the 2016 Dragon Award for Best Apocalyptic Novel I felt I owed it to myself to test whether the Dragon Awards would be a better fit than the Hugos when it came to predicting a good read.

I am happy to say they are.  CAR! is an excellent read.  Putting aside that it pokes merciless fun at progressive ideas and practices (which I see as a plus), the action in the story is interesting and fun throughout.  The characters vary from barely sketched in to fairly full framed but they do not jar the way the characters in the “literary sf” often do.  Even the computers come off as recognizable personalities and not HAL 9000 stand-ins.

I won’t describe the whole plot because there are enough twists that I’d be spoiling a lot of the fun.  But the back cover says it’s a robot revolution and I’ll add that it’s a goulash with artificial intelligence, massively multiplayer online role-playing games (MMORPGs), the Star Trek universe and the extravagances of Silicon Valley as ingredients in a future world where a nanny state handholds its wards through their cyber cocooned lives.  Because of the skillful insertion of on-line story lines the action jumps from deep space naval battles to running gun battles through the streets of a Caribbean paradise.  The real-world action is more bizarre.  Not to indulge in cliché, but the good guys consist of a rag-tag bunch of individuals that barely know each other and can’t be sure if they’re actually on the same side.  The ending is a train wreck (a really cool one) and promises at least a sequel.  I have to confess that there are so many odd elements that I have no idea which way he will take this story line, but I am excited at the prospect.

One of the more interesting concepts that Cole has built into his near future is the merging of television and MMORPs.  There are scripted and semi-scripted intrusions of television shows into MMORPs and to some extent, the reverse.  The professional “reality” for the actors highlights how the old studio star system will continue to degenerate until minute by minute trending of character popularity on social networks will replace long term contracts.  One of the sub-plots revolves around the interaction of gamers with tv stars and how knowledge and intelligence can trump telegenicity and histrionics.  There’s even the recognition that the finance people in media might be more reliable partners than the directors and talent agents when it comes to dealing with difficult situations on the set.  So here you have the collapse of television, on-line gaming, social networking and on-line business into one complex that allows some people to spend most of their time and almost all of their working and even their emotional lives interacting with each other only virtually.  But looking at the way the world is heading I hesitate to even call that a prediction.  It’s probably closer to a short term extrapolation that’s already reality for some.

Now a word about the anti-pc snark.  Full disclosure, I’m a card-carrying member of the “Basket of Deplorables.”  I haven’t met a dig at SJWs that I didn’t chuckle at.  So, it’s not hard to imagine that I haven’t deducted any points from my review for lack of cultural objectivity.  I laughed at every single ironic take, every set-up shot.  If you happen to be of the other persuasion will these bother you?  Probably.  Should you read it anyway?  I think so.  But remember I’m a terrible person and worse, I have a sense of humor.

And finally mention of the trekkie angle.  There is a small amount of Star Trek plot that dredges up mention of Kirk and Shatner and the associated hagiography.  Suffice it to say that there is a comical congruence between the pretentious prima donna that was Shatner and the current captain in the book.  There is even a reference to him performing a “shatner.”  Now of course, Shatner mockery is required reading at the academy but I have to add five points to the review grade to cover these goings on.

So if you want my opinion, read this book unless you’re a literary sff type.  In that case run, run for the hills.

Space Opera (High and Low)

When I was a kid I read every bit of science fiction I could get my hands on. This was back in the late 1960s and I didn’t know the difference between stories written in the 1930s and newer stuff. If I’d ever heard the term space opera it was incidental and to me had no particular meaning. So I didn’t categorize my reading chronologically or by reviewers’ ratings. I based it on how “good” the story was. So it’s interesting to see what fifty years does to my opinions of those old stories. I’ll look at three stories; Jack Williamson’s The Legion of Space, E. E. Smith’s First Lensman and H. P. Lovecraft’s At the Mountains of Madness.

So when I read The Legion of Space way back when, I thought it was great! It had vivid characters, exciting action, interstellar travel and bizarre aliens. I remember how vivid the secondary character Giles Habibula seemed to me with his whining and complaining. I remebered it as being an excellent sf novel.

Well I’ve reread it recently. Yikes! The writing is stilted and of poor quality. The characters in many scenes are one dimensional and the dialog is mostly wooden. Giles Habibula at least was more interesting than the rest of the characters so at least my recollection was not completely unconfirmed. But all in all, reading it was disappointing.

Next up I reread First Lensman. I started it with some trepidation. I had enjoyed the whole Lensman series immensely. Some of my fondest memories as a young science fiction fan were imagining how it would look if the series could be brought to the big screen. I was worried that, once again, the reality wouldn’t live up to the memory.

Luckily, it was much better than The Legion of Space. There were some weaknesses in the dialog and changes in the literary conventions stemming from the mores of the time. But overall it was enjoyable and fun. The strengths of the story were much as I remembered them. The stories were plot driven but with enough simple character development to lend sympathy to the endeavor. I think the recognizable American ethos and feel of the scene made it comfortable and enjoyable. And nostalgia for those happier times increased the pleasure of reading it. Catastrophe averted.

Finally I reread At the Mountains of Madness. Now even back when I first read this Lovecraft tale I recognized the shortcomings of Lovecraft’s prose. His overcharged style sometimes verged on self-parody and the telegraphing of plot events was extremely heavy handed and obvious. Even as a young adult I felt impatient at just how poorly he laid out his stories. His only saving grace is that in the broad strokes of his world building vision he seems to have tapped into images that are genuinely horrific. A very strange author that always leaves conflicted feelings after reading, that is how I describe Lovecraft.

Interestingly, I felt no difference between my original impressions of this story and my recent reading. He induces the exact same combination of impatience and vague interest. He’s like some unpleasant fever dream that produces a combination of stimulating disorientation and dull headache at the same time.

So what have I learned from all this? I’m not sure. Possibly that as a young reader I was far less critical of literary talent. And yet, the stories that I enjoyed the most still seem to possess the most merit as stories. And looking at the components that the better stories possessed, they combined likable protagonists with plot lines that featured conflict and adventure. Okay, so basically Homer’s Odyssey.  Well that’s not a profound conclusion but I guess it’s comforting to know.

Pardon me while I go search for an old edition of Smith’s Skylark of Space. That should be fun.

A Paean to Agent Franks

Q: What is one of the great pleasures of the reading world?

A: An interesting villain.

One of the examples that comes to mind is Hannibal Lecter. Here is a man who indulges in murder, torture and cannibalism and yet is inarguably the most interesting character in the several books he appears in. Granted, he’s not really a sympathetic character, but he is the center of attention. I think part of what distinguishes the interesting villain from the garden variety is consistency. So the interesting villain doesn’t follow society’s rules but he does follow his own rules. Discovering and acknowledging the constancy of the villain to these rules is part of the enjoyment of the character. You see the payoff coming or some plot twist prevents it. Each occasion reinforces the pattern and adds to the fun.

Closely allied to this type is the anti-hero. He rescues you from a serial killer but then kicks you in the balls for making him miss his coffee break. He saves a bus full of nuns from falling off a cliff but then relieves himself on the bus tire in full view of the thankful occupants. Here the enjoyment comes from the juxtaposition of thrilling exploits and amazing skill along side of boorish behavior and callous disregard. Perhaps a more descriptive title is the Heroic Jerk.

For anyone familiar with Larry Correia’s Monster Hunter series of books I think the character I would immediately associate with the anti-hero is Agent Franks. He carries out all assignments issued to him by the Monster Control Bureau (MCB) no matter how brutal and regardless of the impact on innocent bystanders. His almost complete indifference to human considerations of any kind is sort of his hallmark. Along with this is his almost complete lack of interpersonal skills. The closest he ever comes to tact is silence. Usually his version of conversation is an order prefaced by an insult and followed up almost immediately with a threat or an assault. Good times, good times.

The flipside to this is his willingness to fight evil no matter the odds and no matter the risk to himself. His underlying motivation is to fulfill his oath to destroy humanity’s supernatural foes (regardless of how many innocent bystanders must be coincidentally slaughtered to achieve that noble goal).

Starting out as a small recurring part in the first couple of Monster Hunter books Franks gains much greater importance in one of the later books and becomes pivotal to the underlying story line. But I find his curmudgeonly heroism endlessly entertaining. So much so, that I have decided to make it my life’s work to convince a major motion picture studio to bring the Monster Hunter world to the big screen, and most importantly, to cast Adam Baldwin as Agent Franks. I base this casting decision on Mr. Baldwin’s very similar character of Col. John Casey of the NSA (in the tv series Chuck). This was also a man of few words who would sacrifice himself (and anyone around him) in order to fulfill his mission. The aptness of this casting is I believe self-evident.

So all hail to the Anti-Hero. All hail the Heroic Jerk.

[paypal-donation]

Monster Hunter Nemesis – Review

This review won’t be a regurgitation of the plot. And I won’t throw out any spoilers (in case you haven’t read it yet). What I’ll try to convey is what I thought of this story in the context of the earlier books and in relation to other similar works in the genre.
For those unfamiliar with the Monster Hunter books by Larry Correia (  http://monsterhunternation.com/ ), they involve a reality where the world exists more or less as we know it except that all kinds of traditional supernatural creatures (vampires, werewolves, ghouls, ghosts, etc.) exist. In addition, although the US (and other) governments know they exist, this knowledge is actively suppressed by means of an agency called the Monster Control Bureau (MCB). This department kills the monsters and covers up any evidence that gets into the public eye. Also the MCB oversees a program that pays private contractors to kill monsters on their own.
The four earlier books in the series concentrated on a particular private company called Monster Hunters International (MHI) that contains much of the back story for the ongoing epidemic of monster attacks. The MHI owning/operating family (the Shacklefords) and one of their new employees (Owen Pitt) are the focus of some wild and very diverting monster fighting adventures that reveal some of the details of the characters and their history and involvement in the world of monster fighting. And as the series progresses more of the details of how the universe we are exploring works are revealed in the context of the Shacklefords. But for the most part the details are on a need to know basis. In other words we only learn what we need to in order to understand the context of the immediate actions taking place. There’s very little high end “mythology” communicated. From the point of view of a reader this was not noticeable in the first or second books of the series. But in the third and fourth installments it was starting to feel like we needed more information. Even the main characters were dissatisfied with the official narrative. Clearly something had to give.
In Nemesis this back story mythology has a very prominent place. The fact that the main character in this book isn’t an MHI member is very interesting. Frankly (no joke intended), it’s quite interesting that the protagonist sort of represents a very different perspective on the monster hunting mission and a very important historical angle that opens up the whole Monster Hunter universe to much more complexity and even, believe it or not, a religious dimension. Of course this may be a positive or negative idea depending on your feeling about escapist fiction. But I’ve found the back story additions interesting. And the story has been very lively and well written. I believe that Larry Correia has done an in depth inspection of his creation and decided to formalize the underpinning of this universe to make the stories consistent and give coherence to the story arc he is working on.
I think he’s correct in providing more background to his world. The self consistency will make his readers’ experience more enjoyable and will increase the longevity of the series. I await all the upcoming installments and the already multiplying spin off works.

[paypal-donation]

Larry Correia and Adam Baldwin Together at Last

This week I had the chance to listen to the audio file of Larry Correia’s “The Adventures of Tom Stranger, Interdimensional Insurance Agent.” Adam Baldwin was the narrator and I thoroughly enjoyed the two hours it lasted. Now granted that combining the inside jokes about Larry, Adam, Firefly and the Obama administration and the spirited recital provided by Baldwin was great fun but it seemed strange how happy I was over this very minor comic tale. It seemed excessive.

So I considered the source of all this positivity.

As a general rule I’ve always contended that any show is improved by adding Adam Baldwin to it. And this was no exception. But Tom Stranger was no Jane Cobb. And without a doubt I’m quite a fan of Larry Correia’s work but this little work is a mere slip of a story.  So even though Tom’s adventure is very fine and plain good fun why did I like it so incredibly much?

It’s simple. It’s because of what the story represents. It’s the potential of a Monster Hunter movie with Adam Baldwin as a main character. Imagining a big budget fantasy movie written by and acted in by conservatives is almost too much to imagine. But that’s what makes it so exciting. Finally something good all the way around. No sucker punches. No hippies. No social justice.

So even though it’s just a pipe dream it colors the experience of this little work and makes it something more. Here’s to better days and bigger and better things.

[paypal-donation]