Watching All Three Extended Versions of the Lord of the Rings Movies in One Weekend – Part 1

 

As I mentioned last week, my two older grandsons (grammar school and middle school vintage) stayed over last Saturday to watch the trilogy in one sitting. We were gonna sit back and relax and be catered to by their grandmother (Camera Girl) while the War of the Ring unfolded on the big flat screen.

First observation, that’s a hell of a lot of movie watching time. Even breaking it up for snacks, bathroom breaks and meals, that’s a long time.  Even young people started to show the strain of sitting there and watching this epic.  It’s a solid eleven hours of Tolkienian viewing.  At one point I started to lose consciousness and was forced to splash cold water on my face (a la Sam Gamgee in Ithilien) and down a mug of strong coffee.  I think the roughest stretch was the Ents.  Their slow monotonous voices lulled me into a stupor.  But with caffeine and sugar we were able to persevere and win our way through.

Alright, how did the movies do on representing the main characters? Aragorn is excellent.  Boromir and Faramir are very, very good.  Theoden starts out a little weak but finishes off very strong.  The Charge of the Rohirrim is one of, if not the high point of the movie.  Eowyn and Eomer are very good.  I especially liked Eowyn’s Dirge for her cousin Theodred.  I read afterward that it was sung in Old English.  I found it a very stirring lament without even understanding a word of it.  Eowyn’s attraction to Aragorn was handled extremely well.  It was neither exaggerated nor played down.  It worked.  Gandalf was mostly very well done.  Only a few scenes weren’t spot on and those were still fine.  Legolas and Gimli were played for laughs quite a bit.  Maybe sometimes that was overdone.  But the characters were enjoyable and added a good deal to the action.  The overuse of Arwen (e.g., substituting her for Glorfindel in the Ride to the River) was sometimes annoying but the love story between her and Aragorn was on the whole a positive element of the plot.  Elrond was pretty good.  Galadriel and Celeborn were awful.  Treebeard was pretty good.  Denethor was a travesty.  They turned him into a crass vindictive petty man.  He was not that in the story.  Sam was good.  So were Merry and Pippin.  Saruman was pretty good.  But the substitution of his death at Orthanc to the Scouring of the Shire was disappointing.

And then there’s Frodo. Frodo was way too lame.  My recollection from reading the books is that his behavior was weak and subdued, especially after the Ring began to get a grip on him.  But in the movie he’s in a constant state of stupefied depression.  With the exception of the scene in Moria where he gets skewered fighting the Troll he is practically a basket case most of the time.  Also the scene of Frodo waking up in Minas Tirith after being rescued by the Eagles is embarrassing to watch.  The rest of the Hobbits and the Fellowship are reasonably emotional at the meeting but the expressions that Sam and Frodo exhibit when Sam enters the room are down-right creepy.  Granted the hobbits are somewhat childlike in their demeanor and behavior, but this bordered on feminine.  Not good.

In the next part of this review I’ll go into what I thought worked well in the movies and what didn’t.

Tolkien: A Very, Very Long Story – Part 1 – On the Screen vs. the Mind’s Eye

Okay, The Lord of the Rings, the big enchilada. Tolkien wrote about a half a million words about his war of the ring. His son Christopher has made a cottage industry of publishing every scrap of draft paper that his father ever scribbled and analyzing them as if they were papyrus palimpsests of the lost plays of Sophocles. In the last sixty plus years an unending stream of analysis both professional and personal has been generated about these books. Everything that could be said has been said and about a million times. So, what possible justification is there for me to add to the ocean?

Well, it’s my damn blog and I want to. So, without further ado…

I read the Lord of the Rings when I was about twelve. I was highly impressed. Obviously as I matured my opinion of the story was based on an evolving baseline of experience with fiction and personal experience of the world around me. Over the years my personal preferences among the various characters and scenes have altered somewhat. But my overall opinion of the work is still very high and very enthusiastic.
Over the course of the time I have been a fan of the Lord of the Rings, Hollywood has from time to time attempted to produce motion picture versions of it. Some of these were animated films. One was drawing superimposed over live action frames of film (Ralph Bakshi’s film). Recently a sophisticated live action and CGI combination was produced by Peter Jackson and managed to win the Academy Award for best picture. The relationship between these films and the text is the subject of this post.
I will state categorically that none of the film versions of the Lord of the Rings before Peter Jackson’s version ever succeeded (except in very small sections) in capturing the feeling of the book. The inability to draw the viewer into the reality of the story was always too strong. But in the Jackson version it succeeded.

Okay, here come the qualifiers. Do not confuse the above statement with an unconditional endorsement of every aspect of the movie. There are any number of things about the movie that I object to (some extremely strenuously). For instance, Denethor is rendered as a terrible man. I do not think that reflects Tolkien’s intent or description. Also, some aspects of the treatment of Frodo and Sam’s friendship is oddly portrayed and off-putting. The super human abilities of Legolas seem exaggerated and some of the silly treatment of Gimli is annoying. A hundred little and not so little problems exist.

Getting that out of the way I will say that Jackson’s movies bring the Lord of the Rings alive. In a certain sense these films will give Tolkien’s work a chance to become part of the mythology of the whole human race. Because although millions of people have read the books, billions of people will see the movies. Not every viewer will be impacted deeply by the story but enough of the books comes across in the films that the films will act as an amplifier of the story in the digital realm we now inhabit. So, on balance the Jackson films are a net positive for the Tolkien lovers of the world.

I’ll cut this first Tolkien post short here. After all this is an endless pursuit. Best not to drone on too much. But I’ll end with my opinion on the best scene in the Jackson films. And I’ll specify I’m talking about the extended versions. The best scene is the Ride of the Rohirrim at the Battle of Minas Tirith. It was stirring and well done. Feel free to leave your opinion on the best scene in the comments.