Tag: movie review

What Are the Best Science Fiction Movies?

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Reviewing Aliens and hearing from folks who remembered it fondly got me thinking about what readers here consider the best sci-fi movies.  So, of course, I went to YouTube.  And here’s the list.

  1. The Empire Strikes Back (1980)
  2. 2001: A Space Odyssey (1968)
  3. Terminator 2: Judgement Day (1991)
  4. Aliens (1986)
  5. Jurassic Park (1993)
  6. The Day the Earth Stood Still (1951)
  7. The Matrix (1999)
  8. Children of Men (2006)
  9. Planet of the Apes (1968)
  10. The War of the Worlds (1953)

Now, right off the bat, I disagree with several of the picks.  Neither “Planet of the Apes” or “The Day the Earth Stood Still” would be on my top ten movies list.  Planet of the Apes isn’t my idea of a sci-fi movie.  And The Day the Earth Stood Still is commie propaganda.  So, there’s that.

Some of the other movies are pretty good ones.  Now as for the order and any additional movies to pad out the top ten I’ll have to give it some thought.  But I think it’s a good talking paper to inspire discussion of what each of us considers to be good sci-fi movies.

Now here’s another list (see below).  This is IMDB’s “TOP 100 Sci-Fi Movies of All Time.”  There are a few commonalities between the top ten of this list with the former list.  But one interesting thing I noticed is that once you get past the top of the list the sequels start piling up.  Between sequels to “Back to the Future,” “Planet of the Apes,” “Predator,” “Jurassic Park,” “Star Trek” “Alien,” “Terminator” and “Star Wars” we’re looking at a lot of retreads.

What it made me think was that there really aren’t that many really good science fiction movies.  There are definitely a lot more good science fiction books than there are good movies.  Which I guess is kind of hopeful if you’re an optimist.  For instance, I saw that they’ve made a movie out of Asimov’s Foundation stories.  I saw the coming attractions.  Honestly, I couldn’t tell anything about it at all.  It could be great.  It could be awful.  But at least it’s a new movie.  It’s not a sequel.

So, I guess being a science fiction movie fan is all about being an optimist.  And in the larger world of science fiction/fantasy movies we were rewarded in the early 2000s with the Lord of the Rings movies.  So that tells me miracles can happen.  Maybe one day a true fan of Heinlein will reboot “Starship Troopers” without the nazi iconography or might even film “Have Spacesuit Will Travel.”

So, this will be an open thread to get some comments.  If you’d like to give your top sci-fi movie list or what story you’d like to see filmed in the future put it in the comments.  Later on, I’ll add some more of my own thoughts on what is a proper science fiction movie and what isn’t.

A last question for the audience.  Is “Escape from New York” really science fiction?

 

  1. 2001: A Space Odyssey
  2. The Terminator
  3. Planet of the Apes
  4. Alien
  5. Blade Runner
  6. Terminator 2: Judgment Day
  7. The Matrix
  8. Back to the Future
  9. Aliens
  10. Interstellar
  11. Contact
  12. Star Wars: Episode V – The Empire Strikes Back
  13. The Road Warrior
  14. Predator
  15. The Thing
  16. The Man from Earth
  17. Edge of Tomorrow
  18. District 9
  19. Dark City
  20. Blade Runner 2049
  21. A Clockwork Orange
  22. Gattaca
  23. Jurassic Park
  24. Star Wars: Episode III – Revenge of the Sith
  25. Mad Max
  26. Starship Troopers
  27. Minority Report
  28. 12 Monkeys
  29. Inception
  30. Back to the Future Part II
  31. Star Wars: Episode IV – A New Hope
  32. The Abyss
  33. Looper
  34. T. the Extra-Terrestrial
  35. Star Trek: First Contact
  36. Stargate
  37. Ex Machina
  38. Dawn of the Planet of the Apes
  39. The Truman Show
  40. Children of Men
  41. The Martian
  42. Avatar
  43. Star Wars: Episode VI – Return of the Jedi
  44. The X Files
  45. Close Encounters of the Third Kind
  46. Rise of the Planet of the Apes
  47. Cube
  48. Star Trek
  49. RoboCop
  50. The Time Machine
  51. Invasion of the Body Snatchers
  52. War for the Planet of the Apes
  53. Prometheus
  54. Total Recall
  55. They Live
  56. Star Trek II: The Wrath of Khan
  57. Sunshine
  58. Moon
  59. Super 8
  60. I Am Legend
  61. Signs
  62. The Fly
  63. Escape from New York
  64. Pacific Rim
  65. Dredd
  66. Oblivion
  67. Cloverfield
  68. Pitch Black
  69. Godzilla
  70. Back to the Future Part III
  71. Limitless
  72. Deja Vu
  73. War of the Worlds
  74. The Matrix Reloaded
  75. Elysium
  76. Enemy Mine
  77. The Butterfly Effect
  78. Predestination
  79. I. Artificial Intelligence
  80. Logan’s Run
  81. Another Earth
  82. Independence Day
  83. The Arrival
  84. Terminator 3: Rise of the Machines
  85. Predators
  86. Outlander
  87. John Carter
  88. Alien³
  89. The Lost World: Jurassic Park
  90. Phenomenon
  91. Predator 2
  92. Star Wars: Episode II – Attack of the Clones
  93. Riddick
  94. Cloud Atlas
  95. Armageddon
  96. The Running Man
  97. The Fifth Element
  98. Waterworld
  99. The Day After Tomorrow
  100. Mimic

Aliens (1986) – A Science Fiction Movie Review

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It’s a funny thing I had never seen Aliens in its entirety until today.  Somehow, I missed the first half hour of the movie and only came in when the main action was beginning.  So finally, I have the correct basis on which to judge it.

I won’t synopsize the plot because it’s an Alien movie so the plot is for Sigourney Weaver to outlive the rest of her fellow humans battling the aliens before ultimately jettisoning a xenomorph into the vacuum of space.

As in the original “Alien” movie Sigourney Weaver is Ellen Ripley a commercial astronaut who works for the evil Weyland-Yutani Corporation.  Fifty-seven years after the first Alien attack Ripley is discovered still in suspended animation in the shuttle craft that she used to escape the destruction of her ship the Nostromo.

The evil Weyland-Yutani Corporation was very unhappy about her blowing up their ship but when they find out that their terra-forming colony on the planet that the alien was found on has gone silent they send “space marines” and Ripley to fix things.  They also send Paul Reiser playing smarmy corporate yes man, Carter Burke to provide the requisite “greedy corporation wants xenomorph for bioweapon” subplot.  And finally, they throw in an android to show that despite what happened in the first movie, androids can be pretty swell people too.

And finally, to soften up Ripley’s Rambo impression, they throw in an orphaned little girl named Newt that Ripley rescues a few times over the course of the movie, proving that a modern woman truly can have it all.

So, the producers pull out all the stops.  Aliens are popping up everywhere in the industrial complex that serves as the venue for this first-person shooter game.  Bits of aliens and “molecular acid” are sprayed everywhere and one by one the marine platoon is picked off by the monsters.  Until finally we’re down to Ripley, Newt, android and the pick of the Marine crew, Corporal Dwayne Hicks played by the ever-popular Michael Biehn.  But during the final rescue of Newt on the planet Hicks is wounded by molecular acid and from then on, all the heavy lifting is done by Ripley.  Which she performs with panache, culminating in the above mentioned obligatory spacing of the mother alien (of course there’s a mother alien).

So, what did I think?  Well, I have some quibbles.  The plot contrives it that the marines can’t use their heaviest weapons because the industrial plant is a “thermonuclear” power plant and if any of their explosive charges rupture a heat exchanger line the whole plant will detonate.  Since it’s a cinch that all the colonists (except Newt) are already dead why are they bothering to throw away their lives in this death trap.  As Ripley so astutely recommended, “I say we take off and nuke the entire site from orbit.  It’s the only way to be sure.”  Also, they overdid it with the strong female characters and weak male ones.  Yeah, I know, I know.  “There’s nothing wrong with that.”  But honestly it is insulting and stupid.

But taken all in all the movie does provide an exciting action-adventure/science fiction/horror experience.  I won’t claim it’s my favorite but it is a worthy representative of its genre.  I will give it a recommended status.

Ad Astra (2019) – A Science Fiction Movie Review

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(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Ad Astra (Latin for “to the stars”) is a science fiction movie starring Brad Pitt as astronaut Roy McBride whose father Clifford McBride (played by a decrepit looking Tommy Lee Jones) is inexplicably firing anti-matter particles back at Earth from the orbit of the planet Neptune.  The anti-matter will eventually destroy Earth so Roy is supposed to go to the Moon to catch a ride to Mars to broadcast a message to his father asking him not to destroy Earth, or something.  The why and how of all this is very odd.  Clifford has been MIA for twenty years on a mission called Lima that was somehow supposed to be looking for extraterrestrial intelligence (from somewhere near Neptune!).

Eventually we learn that Clifford murdered his crew long ago because they figured out, he was crazy.  When Roy gives his message on Mars Clifford doesn’t agree to cease and desist so the military outfits a mission to nuke Project Lima to erase the threat.  Somehow (but not believably) Roy stows aboard the rocket (after it blasts off) and without really trying he kills the whole crew that were trying to kill him.  Now he flies to Neptune and confronts his father who is completely nuts.  He sets the nuke and thinks he’s convinced Clifford to return to Earth with him.  But when push literally comes to shove, Clifford unshackles himself from Roy and heads off into empty, empty space.

Finally, Roy uses a hatch panel to protect himself while he takes a shortcut through the rings of Neptune and then somehow the nuclear blast that destroyed Project Lima was able to provide most of the kinetic energy to return him to Earth before Roy dies of old age.  And despite all the astronauts he killed getting out there the military decides to forgive and forget and so Roy finishes off by reciting some kind of humanistic spiritual affirmation statement of some kind or other and then gets back together with his ex-wife Liv Tyler.

Now maybe that sounds quite odd for a science fiction story.  And it is.  This is a somewhat confusing rigamarole.  So let me give my thoughts on it.  The visual effects are quite good.  Some scenes in low Earth orbit, the Moon, Mars and aboard spacecraft are a lot of fun to watch.  But there are (I kid you not) space monkeys!  Which I kinda/hafta frown upon.  So, two points off.  Brad Pitt’s character starts out as an apparently emotionless robot who always saves the world from disaster without getting his pulse above eighty.  By the end he’s crying about his crazy father being crazy.  Tommy Lee Jones’ character is crazy so there’s not much there.  Donald Sutherland has a small part and he’s always crazy.  So, this movie doesn’t make a lot of sense.  For instance, how is Tommy Lee Jones investigating other life in the universe from Neptune.  Neptune is too incredibly cold for anything to live there.  And it’s not like it’s any closer to the stars than Earth.  Alright, I’ll stop making fun of the movie.  It’s a crazy movie, but like “2001: A Space Odyssey” it’s a visually enjoyable movie if you don’t care too much about the plot.  I recommend it for hard-core sci-fi film lovers who can live with space monkeys.

The Dead Don’t Die (2019) – A Horror Movie Review

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Here is another movie for which I will not provide a spoiler alert.  This movie cannot be spoiled.  There’s nothing there to spoil.

For whatever reason, more than a few well-known actors and celebrities appeared in this ridiculous film.  The star is Bill Murray as Police Chief Cliff Robertson.   Adam Driver is Officer Ronnie Peterson, Robertson’s patrol partner.  Steve Buscemi is a farmer named Frank Miller.  Tilda Swinton is Zelda Winston, a samurai/funeral director/space alien.  Danny Glover is a hardware store owner.  Selena Gomez is Zoe, “a young traveler.”  Rosie Perez plays a tv reporter and Iggy Pop is a coffee guzzling zombie.  Carol Kane is a fat bloated drunken zombie who wants a drink.  And last but not least, Sturgill Simpson, who also sings the eponymous theme song of the movie (several times) is “Guitar Zombie.”  He is this by virtue of a guitar that is dragging behind his foot by the strings as he stumbles zombie-like through the night.

Most of the dialog is Murray and Driver speculating on the steadily increasing zombie body count in what I suppose is supposed to be the stoic tones of small-town cops.  They also break the fourth wall from time to time by mentioning what the script said would happen next.  And one strange character arc has Tilda Swinton interrupt her zombie slicing work to be picked up by an alien space ship and transported away.

The reason given for the appearance of the walking dead is that the Earth has “fallen off its axis” because of “polar fracking.”  Eventually, one by one, or in small groups all the townspeople are eaten by the zombies.  Finally Driver informs Murray that the movie ends with them dying while courageously fighting the zombies.  So, they get out of their squad car and get to it.  And not a moment too soon.

I’m not sure whether this movie had a script or whether the actors just extemporized.  There might have been a few moments that were mildly funny.  Steve Buscemi is funny even when he doesn’t mean to be.  But there aren’t many.  And by the middle of the movie, you’re just hoping it ends sooner than later.  But it doesn’t.  It goes on and on.  It’s a very long 103 minutes.

This movie must have an audience.  But that audience doesn’t include me.

OCF Goes to the Movies – Part 1 – Brainstorming

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That post I wrote a few days ago about Disney’s woke movies losing money at the box office and some of the comments I got have inspired me to spend some time looking back at some of the good movies that have been made over the years.  What I’ll start out doing is put together a list of categories like comedies, dramas, and genre films like film noir, sci-fi, fantasy, westerns, war movies, etc.  Then I’ll start getting people to give me their favorites.  We might even divide it by decades or at least eras (30s/40s/50s, 60s/70s, 80s/90s, 00s/10s/20s)

At some point we can get some polls up to find out what the popular favorites are on the site.  Now this is tricky.  With the exception of some of the regulars, most people are pretty uninterested in commenting.  What I was thinking is if you know any movie fans encourage them to show up and contribute movie titles and when we get to the voting to pick their favorites.

Feel free to leave comments on how to enhance the process to get a good list together.  I know there are some specialists in such sub-genres as “schlock science fiction” and of course these will not be neglected.

In the next installment Ill start the ball rolling with my own best of lists for the various categories.

 

OCF Goes to the Movies
Comedies Dramas Science Fiction Fantasies Westerns Film Noir Historical Drama
30s/40s/50s
60s/70s
80s/90s
00s/10s/20s

Nefarious (2023) – A Movie Review

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Here’s another film that I won’t have the spoiler alert attached because I won’t spoil any surprises.  My review will have more to do with the nature and the quality of the film than the plot synopsis.

The basic plot is that a psychiatrist, Dr. James Martin (played by Jordan Belfi) goes to a prison to interview a death row prisoner, Edward Wayne Brady (played by Sean Patrick Flanery) to determine if he’s sane enough to electrocute.  But when Martin enters the interrogation room, he discovers that the prisoner claims to be a demon from Hell possessing Brady’s body.  For the sake of convenience, he tells Martin to call him Nefarious.

And the great majority of the film is the interaction between Martin and Nefarious.  And that brings us to the question of what type of movie is this?  Is it a religious film?  Is it a horror movie?  Is it a suspense film.  I guess it’s little bit of each.  I’m not giving anything away by saying it’s not a gorefest.  The most visually disturbing scene is a prison electrocution.  But that’s hardly in the league of things like Saw.  I guess you call it a horror film in the same way that Dr. Jekyll and Mr. Hyde was a horror movie.  I would say that a psychological drama might more closely describe the atmosphere of the film.

And the film is definitely an attack on the lack of respect for human life that our civilization exhibits with respect to its attitude toward abortion and euthanasia.  And it was produced by a Christian production company, “Believe Entertainment.”  So, from these perspectives this is a religious film.

But whatever else it is, it’s also a well made and compelling film.  The characterizations by the two lead actors are highly entertaining.  Flanery’s Nefarious is mesmerizing.  He has all the best lines and he plays the part over the top and to the hilt.

Belfi does a very good job of portraying a somewhat smug member of the intelligentsia, an avowed atheist who comes up against a persona who tears away many of his comfortable assumptions about himself and his way of life.  And to the film’s credit it’s not a simplistic strawman exercise.  It’s done with skill and very effectively.

Now none of this is to say that Nefarious is a perfect film.  There are a couple of scenes that were less successful.  But overall, it was compelling and kept my interest throughout.  And now here is my recommendation.  I recommend this movie but with a caveat.  I paid twenty bucks to see this movie!  Camera Girl thinks I’m crazy and I kind of have to agree.  That’s an awful lot of money.

Ford v Ferrari (2019) – A Movie Review

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Since this is a true story, I’ll skip the spoiler alert but I also won’t give away any surprises.

Matt Damon and Christian Bale star in this dramatization of Ford’s grudge match with Ferrari to win the 24 Hours of Le Mans road race.  Damon plays Carroll Shelby, the legendary race car designer and Bale is Ken Miles a race driver who partners with Shelby to design a car that can give Ford the victory over the Ferrari in the race that they perennially win.

The movie highlights the contrast between the passionate individualism of Shelby and Miles and the hierarchical and bloodless conformity of the Ford upper management that looks to interfere with Shelby’s team at every turn.

I’m not a racing fan or a car connoisseur.  But the movie provides an infectious excitement that reminds me of that same feeling in movies about the American space program of the 1960s.  There’s a conquering spirit that strives for greatness and pushing the boundaries.  It captures the optimism that America still had in those times and it is exhilarating.

Both Bale and Damon provide excellent performances.  Bale especially disappears into the role.  I won’t elaborate much more except to say this is a surprisingly compelling movie and I recommend it highly.

A Meditation on Iron Man 3 – Or Why Sequels Suck

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I won’t frame this post as a movie review.  I won’t synopsize the plot or provide a detailed opinion on it as a movie.  Instead, I’ll use watching the movie as the launching pad for a rant.  Because rants are fun (for the writer).  Unloading on a movie that disappoints and especially one that trades on the good reputation of an earlier installment feels like a noble action.

I’ll start out by saying I really enjoyed the original Iron Man movie.  Robert Downey Jr., Jeff Bridges and the supporting cast; Terrence Howard and Gwyneth Paltrow, provided plenty of entertaining content to this comedy/adventure movie.  That movie was fun, exciting and highly entertaining.

Alternatively, Iron Man 3 is none of those things.  It’s a complete waste of time.  The plot is confusing and essentially meaningless.  All of the characters are annoying and uncompelling.  Even Downey’s Tony Stark is surprisingly uninteresting and poorly written.  He is suffering from anxiety attacks based on his experiences in the Avengers movie that occurred before this film.  He has several of them during the movie and they just seem so contrived and pathetic that it feels like really lazy writing.  So, by the end of this movie, I’m feeling fairly unhappy with the time I’ve wasted watching this crapfest.

So, this is what you get with these movie franchises.  The first one is probably very good.  There’s good writing, good acting and an original idea.  But two or even three sequels down the road you end up with a crappy director, hack writers and a much less talented supporting cast.  And voila, an awful movie.

Now it doesn’t have to be this way.  There have been movie series where the quality was more or less maintained.  Downey, himself for instance, was in one such.  His two Sherlock Holmes films were almost equally interesting and entertaining.  But in general, Hollywood has an equation where sequels are a money-making strategy where quality is abandoned after installment one.

So, what’s my point?  Well, there isn’t one.  Except that I was so annoyed watching this movie that I wanted to carp and moan about my outraged sensibilities.  Robert Downey Jr. is an amusing actor who can carry a picture to great effect if you give him a decent plot and some good lines to recite while he mugs for the camera.  It would have been entirely possible to allow his character to carry this movie without any expensive supporting cast if they had only invested in an actual story!

And so, the takeaway is “caveat emptor.”  Do your homework when it comes to sequels and make sure you don’t pay for a movie that is just a pale shadow of its predecessor.  Luckily, I watched this for free on my cable service.  But I did waste more than two hours of my, at this point, limited time left on this mortal coil.

And shame on you Robert Downey Jr.  You’re better than that.  Now go make the third Sherlock Holmes movie.  And don’t let them phone it in!

The End is in Sight

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Tuesday is the end of my ten-day ordeal.  A Chinese water torture of sorts.  Tomorrow will feel like being beaten for twelve hours with a bag full of oranges but knowing that only a single day stands between me and freedom makes me anxious to get it started.  I anticipate catastrophic failure, mob violence and accusations of mopery and dopery.  But it’s as if I can see the daylight shining through the hole punched through the Earth by the screaming asteroid of doom.  So, I am almost giddy with anticipation.  Bring it on, bring it on, bring it on.

I read most of the news today and other than that Miller Beer manifesto for sucking all the joy out of men drinking beer, I didn’t see anything all that exciting.  There were all the lefty rags admonishing Trump and DeSantis, “Let’s you and him fight!”  And there was that idiot Durham with his 300-page report confirming that the FBI started the Russia-gate investigation without any evidence and yet without any criminal or professional consequences for the conspirators.  There were all the economic warnings of the impending financial meltdown.  There was Biden claiming he was going to prevent the millions of immigrants that he invited to the border from coming in, somehow.  There was the ridiculous budget battle between McCarthy and Biden.

And all sorts of other apocalyptic headlines.  But none of them were ready for prime time quite yet.  I’m curious to see if McCarthy scares Biden into creating a budget.  That would be a major accomplishment.  But we’ll have to wait.

The rest of it is just stuffing to separate the beginning and end of these news sites.  It’s something to keep these journalists off the crack pipe.  Or is it fentanyl now?

I was getting Camera Girl some cold medicine at Wally-mart and I went past the $5 bin of DVDs.  And I spotted a copy of John Wick 1.  Now I saw it when it came out and kinda, sorta enjoyed it.  I mean, it’s so cartoonish that I enjoyed it as a cartoon.  And when the second one came out, I rented it.  And it was too cartoonish to enjoy.  The volume of bullets flying and the sheer numbers of people being shot is dizzying.  It almost gives you motion sickness.  I missed the third one.  And now there’s a fourth one coming out.  So, seeing that copy in the remainder bin of venerable old John Wick 1 made me feel nostalgic for the comfortable 5X speed that I remember from that classic.  After my ordeal is over tomorrow, I’m going to find two hours or whatever it was and watch Keanu Reeves do whatever it is that he does in motion pictures.  Sure, it’s stupid and sure it’s not acting but so what?  Where is there acting anymore?  Certainly not on tv.

Of late Camera Girl has been watching some of the innumerable and interchangeable cop and fireman series that are sprinkled across prime-time network tv.  Once in a while she’ll have one on while I’m in the room and recently I’ve discovered what these shows have become in the last ten years or so.  They’re soap operas.  The most important component of the plot is the girl cops or fire girls or NCIS girls emoting about their feeling to their male counterparts or talking to the other girls about which boy they’re in love with.  Honestly, this is what the women of America think a police precinct or firehouse or SWAT team is all about.  It’s completely unwatchable and I have chastised Camera Girl for her horrible taste in entertainment but being a girl herself she can’t see the problem.  So, I’ve asked her to find some time when I’m out of the house or in a coma to watch this sort of dreck.

So Wednesday I’ll resurface and try to have something somewhat clever to say.  But for now, it’s horror and anticipation that holds me in sway.  Enjoy your Tuesday.  We who are about to die salute you.