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The Tomorrow War (2021) – A Science Fiction Movie Review

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This movie is an alien invasion/time travel movie.  Wow, that’s complicated.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

This movie is a highly confusing science fiction story.  Chris Pratt plays Dan Forester a retired special forces soldier from Iraq who now works as a high school science teacher.  He has a wife Emmy and a young daughter Muri.  So far so good.  One day while watching soccer’s world cup game on tv they witness the beginning of the future war.  In the middle of the field a “wormhole” opens up and a bunch of humans dressed in military attire carrying weapons appear.

They explain that they are from the year 2051 and their world is fighting a war against aliens called the “whitespikes.”  They are about 8-10 feet long, have four running legs two grasping legs and two tentacles that can grab but also shoot “spikes.”  And they are always ravenously hungry for human flesh.  The aliens appeared in arctic Russia and quickly spread across the world and now the human population has been decimated (total world population down to 500,000) and they are begging people from 2021 to come through a portal and help fight the aliens.

Earth agrees to send its armies into the future but barely twenty percent return alive.  After that a draft is employed and all adults (men and women) are eligible.  Eventually Dan is drafted and is sent.  Enlistment involves surviving one week of combat after which the soldier is automatically returned to the present wherever he is.

Dan goes to the future and is immediately swept up in the “run for your life” action of fighting the whitespikes.  Eventually he meets his commanding officer Colonel Muri Forester (played by Yvonne Strahovski), in other words, his daughter now grown up and become a biologist working on a toxin to kill the whitespikes before they finish off what is left of humanity.  And with Dan’s help she captures a female whitespike and they synthesize a toxin that will kill all whitepikes injected with it.

But it’s too late.  The last human outpost where Muri and Dan are located is overwhelmed by a horde of whitespikes and Dan time jumps with the toxin just as Muri falls to her death in the grips of a whitespike.  Dan reaches home and is overwhelmed with grief and anger.  Grown-up Muri had told him that back in the “present” when Dan had returned from his seven-day assignment he abandoned his wife and daughter and eventually was killed a few years later in an auto accident.

Determined to get the toxin mass produced and sent back to the future Dan reaches out to the government but finds out that the portal is gone.  The whitespikes have finished off humanity in the future.  There is no place to send the toxin.

But Emmy reasons that it makes more sense to find the whitespikes before they conquered the world and destroy them at the beginning.  With a clue from volcanic ash present on a whitespike artifact they figure out that the whitespikes must have been frozen under the ice cap in northern Russia and thawed because of “global warming” in 2051 or shortly before.  Because of global instability caused by the knowledge that the world would be coming to an end, the US refuses to help Dan go to Russia to find the whitespikes.  So, Dan goes to his Vietnam War vet estranged father (played by J. K. Simmons) who happens to have access to a large cargo plane and they mount a small expedition.

They find the alien ship by its magnetic field and use thermite to reach it through the ice.  Then they find out that the whitespikes are not the astronauts but rather a bioweapon cargo on a ship that crashed into earth long ago.  They use the toxin to kill about half the whitespikes on the ship but another five or six escape.  Two of the humans use a C4 explosive to kill the whitespikes in a suicide maneuver.  But one female escapes and after an extended chase and fight scene Dan and his father kill the monster.  The movie ends with Dan reuniting with Emmy and introducing young Muir to her grandfather.  Wow, what a mess!

Okay, what the hell do I say about this crazy mixed up movie?  From a science fiction plot perspective, this thing is a turkey.  There is no indication of how the 2051 humans in the middle of their existential alien crisis were able to create time travel.  And the workings of this time travel also seem goofy.  The 2051 people can only go back and forth thirty years.  So, they can’t go back five years and search for the whitespikes before they became overwhelmingly numerous and unstoppable.  Also, grown-up Muri tells Dan about what he was like after he came back from the future but then Dan followed a completely different course of action when he returned.  How?  Alright the plot is as full of holes as Swiss cheese.  But is the movie any good?  Well, yeah.  Chris Pratt portrays a likeable character and so does Yvonne Strahovski.  There is a good family chemistry there and the action sequences although quite a mess aren’t boring.  And it isn’t woke.  Chris Pratt is allowed to be a white man and the hero of the movie.  That’s something to be amazed at in a movie made in 2021.  It’s a silly sci-fi action movie.  But I kind of liked it.  You have to decide if it’s something you want to waste a couple of hours on.

Edge of Tomorrow (2014) – A Science Fiction Movie Review

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This is a time loop movie.  It’s Groundhog Day crossed with Starship Troopers.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Tom Cruise is Major William Cage.  He’s the US Army’s public relations man during a war against aliens called the mimics who have conquered mainland Europe and are about to be counter-attacked by humanity’s attempt at D-Day from a London staging area.  But instead of staying behind in an office to edit commercials his superiors have loaned him out to the Brits as a warrior.  He tries to desert but is handcuffed and handed over to Master Sargeant Farell (played by Bill Paxton) and put into powered body armor and dropped into battle in France.  And of course, since he’s not a real soldier, he’s killed in the first few minutes of the horrific battle.  But right before he dies, he manages to kill a special mimic called an “alpha.”  And because some of the alpha’s blood gets on him, he ends up in a time loop that always brings him back to the same day of the battle.  And as long as he’s always killed he’ll come back again.

And from starting out as a hopelessly incompetent soldier, by virtue of getting to endlessly re-live and re-die on that day, he becomes adept at fighting mimics.  During one of these replays, he meets Sergeant Rita Vrataski (played by Emily Blunt) and just before she dies, she tells him to find her the next time he wakes up.  In other words, she has had the same time loop ability.  Through endless additional replays, Cage and Vrataski figure out that the mimics are aware of all the humans’ plans and fighting them is futile.  But if Cage is exposed to a device that was made to read the mind of alphas he will discover where the head mimic (the omega) is hiding.  But in the effort Cage loses his ability to reset time and come back to life.

And so, there is a kamikaze mission with Cage, Vrataski and some comrades to storm the Louvre where the monster hides.  As it works out everyone but Cage is killed and he is mortally wounded just as he blows up the omega.  But somehow killing the omega (I think) resets his looping ability and he wakes up with all of them alive but the omega destroyed and the mimics basically defeated.

Alright, so what about all this.  This is a pretty good sci-fi war movie.  The special effects are good.  The acting is good and the plot is pretty well worked out.  And even Emily Blunt’s Rita Vrataski character isn’t a complete girl-boss super hero.  She is annoying from time to time but not hopelessly.  Cruise carries the movie with a decent amount of character acting from his “comrades” and with even a little humor thrown in to lighten the mood.  The endless live/die repetition is handled very well for most of the movie with only a couple of spots where they seemed to over do it.  I will say that in the final assault the image on the screen is sort of too dark and hard to really understand.  It’s at night in an underground vault and under water so maybe that’s realistic but it feels confusing and unhelpful to the viewer.  All in all, I recommend this movie to fans of sci-fi action movies.  It’s pretty good.

Coming to a Theater Near You

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I was watching a movie from the 1980s (Moonstruck) with Camera Girl tonight.  I’ve been busy with book marketing for the last month and it’s been a grind.  So, I sat down after dinner and we just enjoyed the show.  It’s a ridiculous romantic comedy with Cher and Nicholas Cage as the couple and a veteran cast of character actors with New York City as the backdrop.  It’s an absurd movie but it’s genuinely funny and it means no harm.

And I found myself enjoying the movie immensely.  Afterwards I tried to figure out why.  First off it was about 1980s America; a place where normal life proceeded and people were generally happy.  And secondly, the movie was well made.  It wasn’t deathless prose.  It wasn’t profound.  It was silly.  But it was good-hearted and the script, the acting and the production were professional and enjoyable to watch.

But why should that be such a big deal?  And then it hit me.  Nothing that has come out of Hollywood in the last five or ten years has been any good.  Everything is poorly made and poorly written and poorly acted.  Nothing makes you laugh or cry or even think.  It’s all dreck.  And that’s crazy!

And it occurred to me that this won’t go on forever.  Someone is going to step forward and make something good.  And I think what they’ll do is break the rules.

Someone is going to refuse to only hire DEI writers and DEI actors and DEI directors and instead they’ll hire the old white guys who used to make stuff in Hollywood and used to make us laugh and cry and think.  It’s a cinch those guys haven’t all died in the last ten years and I’m sure they could use the work.  I’m sure they haven’t forgotten how to ply their trades.  All it will take is someone with enough money to put together a production crew (outside of Los Angeles) and has the nerve to make a movie about the America we used to make movies about.  And it doesn’t have to be a period piece about the 1950s when everyone was white.  There can even be some immigrants in the cast.  After all the problem isn’t having non-white people in a movie.  It’s about the writer and director hating white men so hard that they have to make believe they don’t exist.

It’s a funny thing.  The eastern and southern European immigrants who came to this country at the beginning of the twentieth century didn’t look like the English and northern European people who were already established here and from whom the movie characters were selected.  Blond haired, blue-eyed stars weren’t them.  But they could be stand-ins for the dreams that those immigrants had about being prosperous and happy in their adopted country.  They had enough imagination to realize that the American dream was transferrable to people who chased the American dream.  Work hard, follow the rules and dream big.  It was aspirational to watch Jimmy Stewart or John Wayne as a cowboy saving the day and winning the girl.  Hating on Anglo-Americans made no sense.

Well, that’s what needs to happen again.  Aspirational movies with Americans acting like Americans and not apologizing for being smart and successful is what we should be seeing on the screen.  And there shouldn’t be any DEI box checkers making sure there are the correct number of interracial couples or black lesbian brain surgeons in the story line.  Of course, 2026 is the year that Christopher Nolan is casting a black woman as Helen of Troy in his Odyssey.  Well at least it wasn’t a trans-woman.  But I guess I’ll have to wait a little longer.  I can wait because I know it’s coming to a theater near me soon.

Arrival (2016) – A Science Fiction Movie Review

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What is it with YouTube lists of science fiction movies.  Every other choice is some incredibly unwatchable movie!

Already you can tell I didn’t like this movie.  And that is an understatement.  I despised it.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

The movie starts out with us meeting the protagonist Louise Banks (played by Amy Adams).  We see her with her daughter Hannah starting with her as a newborn and progressing with her as an adolescent dying of what appears to be cancer.

Switch scenes and Amy is teaching a class in Portuguese language at a university but just then the world finds out that twelve alien spacecraft have landed in different areas of the Earth and Amy is needed by the US government to figure out the aliens’ language and find out what they want.  Her contact is Colonel Weber (played by Forest Whitaker).  Louise is teamed with a scientist, Ian Donnelly (played by Jeremy Renner) to solve the mystery of why the aliens are on Earth.

There’s a lot of hand-waving (literally) but eventually Louise takes off her quarantine suit so they can see her pretty hair and slowly but surely, she translates the language of the aliens; heptapods which are represented as some kind of hyperintelligent cephalopods that spell out words with their ink (seriously!).

Through misunderstanding the difference between the words for tool and weapon, all of the major military powers come to believe that the aliens are attempting to start a war by providing some kind of advanced weapons to all of them separately.  Rogue American soldiers even try to blow up the heptapods and Louise is almost killed.

But just as the world is about to attack the heptapods and cause an interstellar incident Louise reenters the ship and has a magical epiphany and can understand everything the heptapods are saying.  She finds out the tool they are giving humanity is their language which if studied allows the user to see the future and experience time as “non-linear.”

Louise then is able to see into the future and know something that will convince the Chinese leader not to attack the heptapods and save the day.  Then we find out that Louise’s daughter Hannah didn’t die in the past but is going to be born to Louise and Ian in the future.  And apparently Louise is accepting of this future tragedy including the fact that Ian will leave her when he finds out she conceived Hannah regardless of knowing she will be doomed to an early death.  The End.

How do I hate this movie?  Let me count the ways.  This movie epitomizes the “girl boss” stereotype.  Louise is the omnicompetent protagonist who can do seemingly anything needed without any rational explanation for her abilities.  Everyone else is always stumped but she always finds a way.  And it’s always ridiculous.  The military are always arrogant, murderously enraged and completely incompetent.  And the action of the movie is non-existent.  The highlight of the film is Louise writing the word “LOUISE” on a white board and holding it up for the heptapods to see.  I’m not kidding.  And then in the last five minutes of the movie Louise figures out all of that stuff and we live happily ever after (except for her daughter dying of cancer).  This movie sucks.

Dune – Part 2 (2024) – A Science Fiction Movie Review

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Just as with my review of the first installment of Dune, this will not be one of my usual reviews where I describe the plot.  Once again, I’ll give my impressions of the movie as someone hitting the story for the first time, since, as I mentioned before I’ve never read the books and only have a vague sense of the story and the author’s message, if there is one.

First off, the cinematography is top notch.  If the movie is blending actual desert landscapes with CGI it’s seamless and extremely realistic.  Or maybe the whole thing is CGI in which case it’s even more remarkable.  The acting is very good although casting Christopher Walken as the galactic emperor is jarring for me.  It’s almost impossible for me to see him in a film and not expect some kind of joke.  But he has very little screen time and the rest of the cast is very, very good.

The plot seems to be a combination of Lawrence of Arabia with a science fiction galactic political intrigue story.  And that may sound sort of flippant but actually I think the storyline is handled very skillfully by the director.  The pacing and the building to the climax is done with great skill and the final battle and its outcome are great.

What the filmmaker went for here was a combination of a personal story about Paul and his friends and family against the backdrop of a spectacle which is the revolt of the Fremen against the off-worlders who have dominated their world for centuries.  The reason I mentioned Lawrence of Arabia is because Paul is an outsider who is accepted by the Fremen just as Lawrence was accepted by the Arabs in their struggle to liberate themselves from the Turks.  And the Fremen are obviously modeled after the Arabs with “spice” as a stand-in for oil in the real world.

I don’t know if the movie is very faithful to every detail in the novels but in my opinion both this installment and the previous movie provide top-notch science fiction cinematic entertainment.  The protagonist and his friends are extremely likable and their adversaries are almost literally cartoon villains that in some cases seem hardly human.  And watching their defeat is almost as much fun as seeing Paul victorious.  One thing though, Paul’s mother belongs to some kind of female religious magical cabal that has a lot to do with control over the nobility of the empire.  I find myself repelled by all of them including Paul’s mother.  I’d like to see all of them burned at the stake as witches.

So, my take on all this is simple.  The plot is consistent enough to pass the suspension of disbelief hurdle and the action of the plot is lively enough and entertaining enough to keep you watching right through to the end.  I can’t see how I don’t rate it as highly recommended.  And the movie ends in the middle of a giant war so obviously we all have to save up our pennies to see the third and possibly further installments when they arrive.  So, three cheers for Dune: Part 2.

Donnie Darko (2001) – A Science Fiction Movie Review

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Continuing my review of a list of “best Science fiction movies” from YouTube, the next installment is a movie from 2001 that I have heard spoken of as a “forgotten gem;” Donnie Darko.  I will attempt to disavow my audience of that idea.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

I would compare this movie to some mash-up of “The Breakfast Club” with a cheapo time travel/horror movie.  The movie is stewed in teenage angst in an upscale California town where Donnie Darko (played by a young Jake Gyllenhaal) is undergoing psychotherapy to find out why he is hallucinating about a man in a dog mask who seems to be telling him to do dangerous and harmful things like smashing a water main to flood out his high school and burn down the house of a motivational speaker who is appearing at the school’s Health classes.

While staying out all night at the urging of Frank (the dog guy) Donnie escapes death when an airliner engine falls out of the sky and destroys his bedroom.  It turns out that the FAA can’t locate a plane that lost an engine that day.  Meanwhile his science teacher answers questions about time travel by using Stephen Hawking’s theories about wormholes to justify Donnie’s belief that his psychosis is really messages being sent to him from time travelers.  And when he finds out that an old woman who lives up in the hills was a teacher at his school who wrote a book about time-travel he becomes convinced that he will be involved in a time travel event.

It all comes to a head around Halloween so the fact that some of the kids in the movie are wearing masks becomes less inexplicable but no less annoying.  By the end of the movie several people have been killed violently which appears to include his mother and younger sister who are aboard a jet airliner that coincidently has lost an engine over his town before landing.

At that point, Donnie goes up to the mountains to await the time-traveling storm that’s about to strike.  The end of the movie returns back a month before all the trouble started and this time Donnie is in the room when the engine strikes.  So apparently, he’s sacrificed himself to prevent the deaths of his mother and sister and his girlfriend and the guy who ran her over and was then shot to death by Donnie.  The end.

I hated this movie so much I can’t state it enough.  I despised everyone in it.  That includes Donnie, his English teacher (played by Drew Barrymore), his mother (played by the actress who was the president’s wife in Independence Day), the motivational speaker who turned out to be a kiddie porn purveyor (played by Patrick Swayze), and basically everyone else in the movie.  Everything about this movie was annoying or depressing.  And calling it science fiction is absurd.  There’s absolutely no justification given for any of the events or hallucinations that Donnie experienced.  But honestly, he was such an unlikeable character that all I felt at the end of the movie was annoyance that I had sat through this ridiculous movie.  I don’t recommend this movie to any fans of science fiction.

Dune (2021) – A Science Fiction Movie Review

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This isn’t really a normal review.  I won’t walk through the plot.  Instead, I’ll give my impressions of the movie.  Now, full disclosure, I’ve never read the Dune books.  That alone is pretty remarkable considering they came out in the heyday of my science fiction reading career.  I never could actually tell why I didn’t.  Just something about the story didn’t click for some reason.

The first impression I have of this film is the high quality of the cinematography.  The landscapes both desert and temperate are beautifully filmed.  And the special effects of the colossal machines, space craft and the sand worms are wonderfully done.  Of course, on the theater screen they’re even more impressive.

Next let’s look at the actors.  There is a fairly large cast so there is a range of talent and not every character is given equal attention but the actors for the principal characters do a very fine job of making their parts memorable and entertaining.

The plot is something like the situation in feudal Japan where the emperor is in competition with his warlords and internecine struggle is a constant threat.  But we clearly have House Atreides and the Fremen to root for and everyone else to hiss at.  The battle scenes are impressive and the sword fights are well done and very entertaining.

Now I guess I’m supposed to like the Fremen as they’re the “good guys.”  But honestly, I found them pretty unlikeable.  I much preferred Atreides people (whatever they’re called).  And also, the sisterhood that Paul Atreides’ mother is a member; the Bene Gesserit, I disliked them also.  If I was running that universe, I’d have them rounded up and burned as witches.  They’re very annoying.

Now of course, this first movie isn’t the full story.  The second film is out there waiting for me to watch.  So, I’ll leave this encapsulation of my impressions here.

I highly recommend this movie.  This is good storytelling.  The plot and characters are memorable and engaging.  Two thumbs up.  Bring on part two!

16FEB2026 Marketing Update

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I was going to review another science fiction movie tonight (Her (2013) but about fifteen minutes into the movie I couldn’t get over my dislike for the protagonist (Theodore played by Joaquin Phoenix) so I turned it off.  Once again that “best of” list doesn’t really match up perfectly with my taste.  So far, I’ve had three bombs; Repo Man, Dark Star and now Her.  On the positive side I liked Dark City, Wrath of Khan and Dredd.  And soon I’ll watch Dune which I’ve already seen and liked.  So, this guy is batting slightly better than .500.  To be fair there were other movies on the list that I also like but have already seen.  But the point is I’ll have to make my own version of “The List.”

So, there’s about another ten days or so left in my marketing contract for my book and I have learned a lot about how Amazon Ads work and also what they can and can’t do.  You’re basically buying visibility on Amazon.  The ratio is about one person in a thousand who sees your ad will click on it.  And about one person in ten (approximately) will buy the book.  But you pay money for every click (something like a dollar a click) and so you actually lose money on the sales you make.  It’s quite bizarre.

The next stage in the campaign includes giving away five books on Goodreads to people who signed up and dropping the price on the e-books for two days to $2.99.  And then there will be ads on Bookbub and hopefully this will provide the recognition in the algorithm to boost the books visibility.  And of course there will be some reviews that hopefully entice buyers.  Well, the fate of a self-published author is a lonely one.  But I wanted to write a book and now I know how that looks.

On the positive side I have gotten pretty favorable feedback from some of the readers whose opinions I highly value and that is actually the biggest pleasure of the whole process.  Several people have demanded that I produce a sequel immediately.  Which is kind of a problem.  But I have several different stories that I’ve been toying with and one of them will take the lead and become book two.  It is interesting to me how differently men and women approach the story.  Some of the women wanted to know how Bogey does with the waitress from the end of the book.  Well, everyone has their own way of reading a story I suppose.

Anyone who’s purchased the book and would like to put a review up on Amazon I’d encourage you to do it right away to help me with the push for sales during the upcoming sale.  I’m told that verified purchaser reviews are actually one of the most important marketing factors.

Well, there’s my update.  I’ve been disavowed of my dream of best seller status (sniff).  But I hope that with the rest of the program to come it will spark enough interest to produce a burst of sales.  Excelsior!

Dark City (1998) – A Science Fiction Movie Review

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This is one seriously strange movie.  It co-stars three actors you may know (William Hurt, Kiefer Sutherland and Jennifer Connelly) but most of the rest of the cast including the protagonist aren’t familiar names.  It starts out as a film noir with a murder mystery and a man with amnesia.  But then it starts getting very weird and keeps getting weirder right up to the final scene.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

John Murdoch (played by Rufus Sewell) wakes up in a bathtub in a hotel room that also contains the body of a call girl who has been murdered and her body carved on by a maniac.  Murdoch has no memory of who he is.  He hears the phone ring and picks it up.  A man calling himself Dr. Schreber tells Murdoch that he can explain what is happening to him but that he must leave immediately because “they” are coming to get him.  So, he runs away and finds out that the police are looking for him for a string of women’s murders.  And then he meets them; the Strangers.  They’re tall, thin bald men who look slightly inhuman and have telekinetic powers.  And Murdoch finds out that he also has these powers.

Police Inspector Frank Bumstead (played by William Hurt) is hunting Murdoch and he interviews his wife Emma (played by Jennifer Connelly).  She claims Murdoch couldn’t be the killer.  Bumstead uses Emma to find Murdoch.  But he escapes.  By the end of the movie Murdoch is caught by the police but he eventually convinces Bumstead that the world they live in is a simulation because of anomalies like the lack of daylight and false memories of places like Shell Beach which do not actually exist.

Eventually the Strangers come to Dr. Schreber and demand that he inject Murdoch with new memories to solve his problem.  It’s obvious that Schreber works for the Strangers but he seems a reluctant partner.

Over the course of the movie what we learn is that the Strangers have built the city to study humans.  They are an alien race that has kidnapped humans and housed them in a city that is never in daylight but always night.  They have Schreber inject them with their false identities and every midnight they render the whole city asleep and then “tune” it by modifying the physical landscape (buildings appear and disappear) and people are given new identities or altered memories.

The Strangers are trying to understand the human “soul.”  Apparently, their race is dying out and becoming more human is their solution to survival.  At the end of the movie we find out the city is a construct floating in interstellar space completely separate from Earth.  There is a final showdown between the Strangers and Murdoch and he destroys them and takes control of the city.  In the final scene he meets up with his “wife” who now has new memories that don’t include him and he strikes up a conversation.  And they head for the mythical Shell Beach where his false memories told him he had led a happy boyhood life.  Only now he has created it and brought out the sun to end the endless night.

This is some strange movie.  The film noir atmosphere of the beginning of the movie is quite well done.  The transition to a science fiction theme is somewhat jarring but interesting.  I’m not sure I’d characterize the whole experimental scenario with the Strangers altering the city and its inhabitants every midnight as a reasonable plot.  I guess it’s almost like the delusion of someone with extreme paranoia except that the paranoia is based in fact.  All in all, I’d say it’s a bit overdone.  But I didn’t hate it.  As far as a recommendation, I’d have to say most people would be looking at a fifty/fifty shot at liking it.