Tag: The American Archipelago: Book 1 – The Sniper

18AUG2026 – This’N’That

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Tomorrow, I bring some of the grandsons to see the latest Spiderman movie.  What is this, the ten millionth Spiderman movie?  Well, the oldest grandson is boycotting the film because he’s reached Marvel saturation.  And I can’t blame him.  I feel that no matter how many multiverse iterations they manage to shoehorn into the plot, I’ve already seen before what will be flashing across the screen.  But, regardless, I can’t pass up the chance to hang out with my younger descendants in their own element.  I can buy popcorn and their carbonated sugar water of choice and be one of the kids at least one more time.  What’s better than that?

And afterward, Camera Girl has promised them their favorite meal; spaghetti and meatballs.  We will gather around the dining room table and I’ll see what they have to say about Summer 2026 which ends for them next week.  And I’ll tread carefully because mentioning school would be highly insensitive.  I remember only too well how critical it is to forego the s-word this close to Labor Day.  But I am interested in hearing what they enjoyed most this year.  But I also want to just hear what’s on their minds.  They’re growing by leaps and bounds and I almost don’t recognize the little kids they were in the teenagers that they’ve become.  So, it’s important I keep some continuity in the relations so I don’t feel too disoriented by their rapid metamorphoses.

So, I’ve sold over four hundred copies of my book.  Hmmm.  Not exactly a national best seller by any stretch of the imagination.  And in the last ninety days I sold a little more than ten thousand pages on Kindle Unlimited (KU) which equals about fifty full books.  And based on the royalty data that means a book equals about a dollar of royalties to me.  Well, all I need is nine hundred, ninety-nine thousand six hundred more sales and I’ll be a millionaire.  In your face Elon Musk!  Seriously, it apparently takes a lot more than what I did in order to market a book successfully.  It’s a little humbling but I still want to pursue finding a larger audience for the book so since the ninety-day window of Kindle Unlimited ends today, I’m going to suspend KU so that I can include “The Sniper” on the next Based Book Sale.  Getting the book in front of right-leaning sf fans seems like the right way to grow its audience.  We’ll see how that works out.  But regardless of my lack of millionaire author status. I think I’ll start the sequel after the summer.  I have had some complaints that I need to provide closure on a number of plot and character situations.  I think the biggest complaint is that Mel needs to be explored to find out how this AI came about and where she leads to in the story and in Cutter’s life.  Personally, I’m more intrigued (and befuddled) about how Connors is going to stabilize his organization after the events of the nuke attack on his underground facilities.  I think I’m going to devote considerable thought to how he decides to influence the future shape of social/commercial/political life in the radically altered American landscape.

Well, that’s enough.  Enjoy Tuesday.

Have Patience Oh My Friend Polemarchus

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So, today Camera Girl asked me whether I had figured out the plot for my sequel to “The Sniper.”  I had to confess that my efforts to outline the story had so far been pretty feeble.  And this has a lot to do with work and the annoying responsibilities it entails.  But I have been thinking of late about a plot line having to do with a very, very wealthy and powerful character (Connors) trying to change drastically the way that Americans live.

And this ties in with the current state of affairs in these United States.  It’s apparent that people on the Left and the Right are turning to populist leaders and movements because the American dream doesn’t seem to be working very well lately.  Of course, the two sides of the political “binary” would attack the problem in completely different ways.  The Mamdani wing would confiscate all wealth and “redistribute” it in a way that would turn the United States into Cuba or worse.  But even the Right hasn’t managed to turn America into a capitalist wonderland.  Trump has made some moves to try and reverse the off-shoring of American industrial jobs but so far, the results have not been robust in my opinion.

So, I look at this situation and I think that this may be the challenge of our age.  And suppose the political parties aren’t up to the challenge.  And what if the corporations aren’t interested in being part of the solution.  If I want to get dystopian, I can have us descend into a rerun of the end of the Roman Republic with our own Marius, Sulla, Pompey and Caesar.  We could run that playbook and end up with an Augustus ushering in the approximately five centuries of American imperial rule by destroying the republic.

But what if I write a more hopeful tale.  Not a utopia but a technocratic attempt to find a better way to organize society.  Of course, artificial intelligence (AI) is the boogeyman of the day right now and it gets stood up as the cause of and cure for all our problems.  So, I can easily be accused of jumping on the bandwagon if I have Connors use some form of AI to help design a different framework for integrating people with an optimal result for the great majority of the population.

Now, I freely admit I haven’t the foggiest idea what that would look like or even if such a thing is even theoretically possible.  I wouldn’t want to end up looking like Plato does when someone reads through his “Republic” and the whole thing is a bunch of feeble arguments where he knocks down a bunch of straw men on his way to enthroning “philosopher kings” as his best and brightest ruling over his ant hive of an ancient brave new world.

But I think I would like to play around with this idea of a trillionaire re-ordering society along logical lines to optimize human happiness.  So that’s kind of my take on the sequel’s plot.  Of course, the first question I’m asking myself is whether the attempt is a success or a failure.  I’ll have to roll it around to see which is more interesting.  Have patience oh my friend Polemarchus.

Parties and Stories

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Tomorrow Camera Girl and I are double booked for parties.  We have a graduation party and a friend’s family party.  And they’re both at about the same time.  So, I suggested that we go to the graduation party for an hour or so and then head to the second one.  Camera Girl spent a couple of days telling me why that was a stupid idea.  And then she told me that we would split up and each go to only one party.

So, then I suggested we start off going to separate parties but then I would come back and pick her up and both of us would go to the friend’s party.  I think she wanted to hit me.  She shook her head and walked away.  I don’t think she understands optimization.

You see if I show up at a party by myself everyone is going to want to know where she is and why I showed up without her.  I’m not the draw.  She’s much more interesting because she’s telling stories about all the stupid things I do.  And when she tells them they’re funny.  Now I can’t tell stories about myself.  It would sound stupid.  I need a straight man to tell the story and then let me weave my defense.  It would be like Costello asking “who’s on first” without Abbott.  It’s just not the same without the cross-talking.

So today I checked my stats on Amazon.  So far, “The Sniper” has sold a total of 303 books (65 paperback copies and 238 e-books) and 3,657 pages on Kindle Unlimited.  On Kindle Unlimited my book is about 210 pages long so 3,657 pages is about 17 copies.  Not bad for about a month on Kindle Unlimited.  But I may have to cancel the yacht.

But the lack of fabulous wealth from my book sales has not dampened my enthusiasm for writing.  In fact, I’ve become much more excited about the sequel.  And what has me most intrigued is not so much the plot or even the new and old characters.  What I’m interested in is injecting more dialog.  Specifically, I want to get some of the characters to tell their stories.  And I know that this is backward.  The author is supposed to show the reader the story and not tell it. But storytelling within a story is an interesting technique that I’d like to try.  And I’d like to introduce dialog between characters about politics, economic policy, religion, traditional family, artificial intelligence, the war between the sexes, energy policy, the future of the human race, space exploration and a million other things.

Of course, I’ll have to be careful I don’t drown out the action under such a heavy soaking of blather but I think it’s time for my world to start exhibiting brains and not just marksmanship.  One thing I haven’t worked out yet is whether I get Connors and Grace to go out on a date.  I’ve been bouncing some stuff off of Camera Girl but I still don’t know whether any of it makes sense.  Oh well, the only way to find out is to start writing and see where it goes.

Relevant Science Fiction – Part 1

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In the 1960’s and ‘70’s the science fiction that seemed to be the most interesting was as much about inner space as outer space.  And even space stories like “Dune” were as much about human social interaction as they were about technology.  Altered consciousness and new social norms in stories like “Stranger in a Strange Land” were what was in the air.  As a kid and young man, I was more interested in science (meaning star ships and time travel!) but now that I’m old and disillusioned by how messed up our government has become, I think the kind of speculative fiction I’m interested in now is social science.

I’ve always made fun of Plato’s Republic because listening to him construct straw men and then knock them over with arguments that don’t hold water seemed beyond ludicrous.  But I think we’re somewhat back to where the Greeks were sometime around the time of the Peloponnesian War.  We’ve managed to lose social cohesion and the institutions and methods we use for choosing leaders and making laws have completely failed us.  It’s not hard to see that we’re not far away from a crack-up that could do horrendous damage to our economy and the lives of everyday people.

I think it’s probably time for speculative fiction writers to start taking a few swipes at either predicting the future or at least providing cautionary tales about it.  And that’s what I’m thinking of concentrating on in some of the stories I’m outlining right now.  I’m interested in imagining what kinds of new arrangements people can organize to make their lives better.  For instance, when local, state or federal governments start failing to secure the basic requirements of safety from theft and bodily injury for the citizens they supposedly serve, private entities could step in to secure these services.  And once these non-governmental corporations start branching out the current arrangements we’re used to could cease to exist in ad hoc areas of the country without any formal acknowledgement of the change.  This is not that different from what happened in the later Roman Empire.  When Gaul started slipping away to the Franks the authority of the “Caesar” over the “Legions” who were mostly Franks became almost farcical.

So, I need to think a little bit about what kinds of new social and economic arrangements might be interesting and novel in the “world” I’m imagining.  I’ve poked some holes in the American Empire and now I want to see what kinds of new things might grow up inside these holes.  So, I have a locus of power (Connors’ network of enterprises and human assets) and someone running it who thinks on a larger basis than just building up tech monopolies to monetize what’s left of the American people’s legacy capital.  What I want to see is if I can come up with some believable innovations that would lead people to rearrange their allegiances and social and commercial actions in ways that build something new and better than what we’ve been stuck with for the last fifty years.

What I’m trying to decide is whether Connors will try to control several states under his umbrella without outwardly absorbing these political jurisdictions.  After all, voting for the interests of the company you work for is nothing new.  Remember “What’s good for GM is good for America.”  So that’s what I’m working on.  The problem is I’m making it up as I go along.

How Do You Get to Carnegie Hall from Here – Practice, Practice.

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Dystopias seem to be the dominant science fiction type in the last decade or two.  And the dopiness of the ones ending up on the large and small screens doesn’t encourage much hope in the genera.  We have the ever popular “Handmaid’s Tale” that bangs away at the female victim of the evil patriarchy trope.  And then there’s the “Hunger Games” which I suppose reflects the idea that somehow resources on Earth are about to collapse and a zero-sum game will emerge where we all will be fighting for our lives to get a loaf of bread.  Wow!  Who knew science fiction could be so much fun?

I’ve recently heard that horror is becoming a big genre with young men (apparently written stories and video and also video games).  But that doesn’t alarm me.  I think this is wrapped up with the popularity of video games and I think that is more a matter of the desire to work through puzzles and shoot monsters with guns (which is always a good thing!).

I have a theory that the current science fiction publishing model will not endure much longer.  I don’t think they can make enough money from selling romantasy porn and feminist dystopia much longer.  Of course, it’s possible that AI writing will completely destabilize all fiction writing.  In that case the whole thing becomes academic.  That would leave us just downloading AI slop at virtually no cost.  But either way the world will be changing to resemble nothing like what we old-timers remember from the before time when books were an industry and grammatical sentences actually existed.

Of course, this is a hell of a time for me to become an author.  But in a sense, it may be the best time for me to write.  The barrier to getting published doesn’t exist.  The only barrier is figuring out a way to let the reading public know my book exists and what it’s about.  But that’s far from a trivial problem.  Key words and algorithmic search engines and Amazon ad management are complicated and confusing topics and I’ll confess that I know next to nothing about any of that.  But I’m slowly picking up some practical and painful experience.

For instance, so far today my Amazon ads have 23,417 impressions.  I believe that means, that number of people had the chance to see my ad on the search pages they viewed on Amazon.  Out of those thousands, only 16 people clicked on my ad.  Out of those 16 people only two bought my book (e-book version).  And that was with the e-book discounted to $0.99.  So, there was $1.98 worth of sales.  Of which I only get 30% (~$0.59).  Now currently the cost per click is $1.71.  Which means so far today I’ve been charged 16 X $1.71 = $27.36!

Obviously, this isn’t the way to become rich through writing.  But it is a very educational exercise to understand how the current self-publishing model leaves quite a bit to be desired.  But I still have few more ideas to try before giving up on my dream of becoming the next great science fiction author.  Excelsior!

More Movie Talk

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So, I had some fun re-imagining “THEM!” as a 2026 sci-fi reboot.  Alright what’s next?  Well, John Carpenter beat me to the punch with “The Thing.”  That was a reboot that in many people’s minds outdid the original (“The Thing from Another World”).  But a whole bunch of classic sci-fi movies have already been redone (The Day the Earth Stood Still, Invasion of the Body Snatchers, Invaders from Mars, War of the Worlds).  So maybe we don’t need another reboot.

As I said in my discussion of Weir’s “Project Hail Mary,” what we really need are new movies.  Sure, they’re mostly just variations on the million science fiction stories that are already written but even small differences can freshen up old ideas.  Instead of any more trash from the Star Wars industry why not give us some pulp?  Burroughs or Doc Smith or Howard.  Those stories were made to be put on the big screen (or the smaller one in my living room).  And I read where they’re working on bringing back Schwarzenegger as an older Conan.  That would be perfect.  A beat-up old Arnold playing a beat-up old Conan with the right writer and the right director could be the perfect swan song for him and a wonderful treat for us if they abandon all the woke crap and let Conan be the barbarian he’s meant to be.

And if we digress into fantasy, I wish they’d try again to make a movie or a series out of the Dresden Files.  Jim Butcher’s series of books are some of the most entertaining and filmable stories in urban fantasy.  Of course, I wish they’d start by doing justice to Larry Correia’s Monster Hunter series first.  With the combination of interesting characters, vivid monsters and high caliber weaponry they would make a very exciting series of movies.  But I suppose instead we’ll get more nonsense like “The Rings of Power.”

But of course, what’s really needed by both the larger movie audience and the film-makers’ bottom line is a cable series based on Jake Barter’s “The Sniper.”  The combination of economically but vividly drawn characters and remarkable plotting make this story the most cinematically perfect vehicle for a studio to reap the harvest of multi-billion-dollar profits.  Joseph Boghadair is an iconic figure and the many fascinating sub-plots and characters will spawn a whole series of sequels and spin-offs that will explore the multi-faceted world that the author is creating.  New technologies and industries are waiting for Paul Connors’ empire to recover from the ravages of war and reap the benefits of the new political situation that Bogey’s “war” has created.  And the political changes that will sweep across North America will change life on the whole planet as better ways for humans to cooperate and socialize and organize themselves politically emerge.

I am toying with the idea of including some short stories in this “world” I’ve built and putting those out next as a short-term addition to the saga.  That will allow me to push off in several directions at once before I commit to any one story for the next novel.  Well, that’s enough for now.

Movies, Taxes and World-Building

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Well, what’s to say today?  I was talking to some family and we were discussing this and that and I said that I wanted to see “Project Hail Mary.”  And some knew about it and some had heard a little bit.  Well, I think I talked them into getting together and going to see it.  Now I plan to see it this week with Camera Girl.  She’s not the biggest sff fan by any stretch of the imagination.  When I brough her to see the original Star Wars film she was not particularly impressed.  And come to think of it, she’s never been impressed by any sci fi or fantasy movie (or book) I ever gave her.  Well, I take that back.  She read “The Hobbit” back in 1975 and liked it.  But that was it.  When I told her to read the “Lord of the Rings,” she laughed in my face.  So, she may not be the most willing audience for this movie.  But since one of the characters is a puppet I’m guessing there may be an appeal there to her love of animals.  So, I’m going to see the same movie in the theater twice?  I think this may be the first time I’ve ever done that.  Well, I’m sure it won’t kill me.

The other thing I’m doing next week is go see an accountant about how to pay my taxes on the royalties from my book.  I have an inordinate fear of the Infernal Revenue Service.  I think they’re a malevolent force causing pain and suffering for ordinary people at every turn.  So, I’m going to find out what the process is for this kind of capital gain.  I don’t think I have to pay quarterly but you never know so I’m not taking any chances.  Also, I think there is a way to write off expenses like advertising and marketing so if I can find out whether it’s worth it I may even break even on this whole experiment (maybe!!!).

A friend was asking me about the sequel to the “The Sniper.”  He had particular questions about the back story for some of the characters like Connors and Cutter.  I said I’d love to tell him some of the details of their back stories but I still haven’t made them up yet.  I think he was a little shocked that these important facts didn’t actually exist yet.  Maybe even betrayed for investing in a story that was sort of a Potemkin Village.  But I feel justified in pushing out the corners of my little universe as the spirit moves me.  Although I will admit I’ve decided to do some outlining of the world, at least from a 35,000-foot height.  I need to decide what stories will grow out of the eucatastrophe I set off in the first book.  I mean, you don’t sink the White House, Capitol and Pentagon into the Earth’s crust without taking advantage of the elbow room that provides for political and social upheaval on a grand scale.

A Milestone and a Low Point

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So today I reached the two hundred book milestone.  One hundred fifty-three e-books and forty-seven paperback copies.  Camera Girl and I celebrated with a bowl of ice cream each.  And today I also got my first one-star review.  The reader was upset because he didn’t know it was a science fiction story.  And I can understand his anger.  When I selected the categories for the book the first one, I listed was science fiction.  But Amazon rejected this as a false description and deleted this category for the book.  And so, Amazon is responsible for the single one-star review I’ve received so far.  Well, the world is a complicated place and I guess nothing human is ever free from unexpected consequences.

But, all in all, it’s been an interesting experience.  It seems Amazon has created an opportunity for anyone to create a book and it even makes it possible to try and find an audience for that book in the enormous marketplace they have created on their platform.  And to the extent that I’ve found some readers I can appreciate how this is an improvement over what there was before.  And in my particular case it changes the situation from an impossibility to a difficult one.  And by that, I mean I could never have found a publisher (other than a vanity press) that would accept my story because of the right-leaning slant of my story.  After all I pretty clearly demonize Antifa in this story and that would never get past the editors and sensitivity readers employed by the “Big Five” publishing houses (Penguin Random House, HarperCollins, Simon & Schuster, Hachette Book Group and Macmillan).  So, I think the present set-up is an improvement for someone like me.  But that doesn’t mean finding an audience is easy.  It’s not.  It’s tricky and slow and expensive and the skill-set has absolutely nothing to do with being a writer.

The next big milestone will be when I put it on Kindle Unlimited.  But since this requires the story to be on Amazon exclusively for three months I’m waiting until I finish putting the story up on Royal Road.  I’ve been uploading it in sections (mostly a chapter a day) and I’ve got six more chapters to go, so I want to finish that first.  I want to see what feedback I get once I’ve allowed the readers there to finish the story and evaluate it.  After that I’ll take the story down from BookFunnel and Royal Road and see what happens with Kindle Unlimited.  KU lowers the cost to start the book to essentially zero and I’m hoping that will allow a larger cross-section of the general reading population to give the book a try.

And I believe this population of readers will be significantly younger than the one I’ve been reaching up till now.  Now maybe this isn’t my target audience but I think it’s important to test that hypothesis.  If Kindle Unlimited doesn’t move the needle, then I know what I’ve seen so far is a good indication of what I should expect.  So, let’s see what happens.

Keeping My Options Open

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One of my oldest friends has been advising me on the possibility of making a film treatment out of my book and sending it to Hollywood to become the next “Project Hail Mary.”  What immediately came to my mind was Hollywood taking the story and making the evil president, Donald Trump and making Bogey a leftist trans-woman.  Yikes!

But what was surprising is that there is actually an AI capable of taking my story and converting it directly into a film treatment.  And it has an enormous capability to annotate the details necessary for actually filming the thing.  There are notes on casting each of the characters (appearance, age, personality, voice), locations, special effects, visual effects, weapons, special personnel (e.g., armorer), special equipment, weapons, etc.

And then it used the dialog from the book and adapted it for the screen; shortened and elided from it to bring the screen time into a realistic movie length.

Now I haven’t finished going through this document but so far what I’ve seen seems very interesting.  It’s basically my book.  And that’s exciting.  I was assuming the story would be too long for a movie without very serious pruning of scenes that I’m attached to.  But we’ll see.

Now, I’m aware that Hollywood doesn’t make movies from books that don’t sell millions of copies.  They’re looking for a built-in fan base for their product.  So, no studio in their right minds would take a chance on spending potentially hundreds of millions of dollars on an unknown story.  But it’s always fun to dream about these things.

And that brings me to Andy Weir’s story.  He self-published “The Martian” on Amazon and only eventually got a book deal when he had already built up an audience for it on his own.  And now he has two hit movies made from his books.  Think about that.  Someone who couldn’t get a publishing contract ends up with a smash hit movie that everyone in Hollywood probably hates because it has a white guy as its hero and he doesn’t have the usual diversity cast to allow the movie to be an Oscar contender.  They broke all of Hollywood’s rules to make this movie by not having a girl-boss as the hero surrounded by the usual multi-cultural struggle session ensemble.  It just brings tears to my eyes.

Chances are I won’t be duplicating Weir’s experience.  My book is not an uplifting tale of human endeavor.  Mine is a tale of revenge and destruction.  I openly attack the Left and my heroes are identifiable people on the Right.  So, no.  I won’t be getting a Hollywood deal.  Ever!

But despite all that I’m excited about what is now happening in Hollywood.  The Ellisons bought Paramount and have now shut down the travesty that was Star Trek – Star Fleet Academy.  They’re buying Warner Brothers and they’ll probably shut down the people making terrible stuff like “Supergirl” that’s coming out soon.  And now we see Amazon/MGM making stuff like “Project Hail Mary (PHM).”  That’s a pretty good chunk of Hollywood already.  And with PHM looking like it’s going to break the $600 million mark and become a big moneymaker, even places like Netflix and Disney will say to themselves, “Hey, why can’t we get into some of that “normal film-making” that those other guys are doing and make money for a change?  Let’s call that photog guy and get an option on, “The Sniper” before the Ellisons scoop it up.”

Or something like that!

How the Mighty Hath Fallen

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So, I put a chapter of “The Sniper” up on Royal Road about a week ago.  And shortly afterward I received a rejection from them because the story was also on Amazon and this website (OCF) and I had to prove to them that both those copies belonged to me.  They wanted me to add in my Amazon Jake Barter author page that I was putting the story up on Royal Road.  So, I had to figure out how to do that and whether this would cause a bad reaction by Amazon.  After all, Amazon sells my book for money and Royal Road lets people read it for free.  Well, the day before yesterday I tried putting up the statement about Royal Road but the author page rejected the edit.  It turns out that I couldn’t use Royal Road’s actual internet address on Amazon but I could just use the name of the site.  And then I had to prove that OCF was my website by a similar message and then, voila!  They put the first chapter of my book up on their site and so far, nine people have read it.  Well, that not much.  But I figure it’ll be fun to see if I can get much interest on that site.

Apparently, Gen Z frequents the site to read fan fic called “Lit RPG.”  Now, my book is neither fan fic nor Lit RPG.  So, it’s not certain that I will find an audience there.  But I’m interested in testing the waters.  I also put it up at BookFunnel and the good folks over at Whatfinger were kind enough to put up a link to that site and I got 14 e-mail addresses of people who downloaded the book there.  So, a little at a time I’m getting more visibility for the book.  I’m at 187 sales on Amazon and I’ve accumulated 34 ratings and 29 reviews with a cumulative rating of 4.7 and some very nice reviews that were definitely encouraging.

Once the experiments on Royal Road and BookFunnel have run their course I intend to put the book on KDP Select which requires the book to be exclusively on Amazon for at least 90 days.  Supposedly the low-cost barrier to reading on this program will attract the maximum number of “eyeballs” to the story and I’m very curious to see how that effects sales.  And I’m not particularly hoping to make a lot more money that way but rather I’m hoping for much more exposure.

So, the great book publishing experiment grinds on.  My hopes for international fortune and fame have been dashed on the sharp rocks of harsh reality.  My dream of movie studio executives battling each other in front of the Compound to see whose blockbuster offer would land the movie rights to this timeless masterpiece has gone up in smoke.  At this point I’m negotiating with the Dunwich Middle School to have the sixth grade put on a one act play version of Chapter 1.  Is this how Heinlein got started?  How, the mighty hath fallen.