Tomorrow Camera Girl and I are double booked for parties. We have a graduation party and a friend’s family party. And they’re both at about the same time. So, I suggested that we go to the graduation party for an hour or so and then head to the second one. Camera Girl spent a couple of days telling me why that was a stupid idea. And then she told me that we would split up and each go to only one party.
So, then I suggested we start off going to separate parties but then I would come back and pick her up and both of us would go to the friend’s party. I think she wanted to hit me. She shook her head and walked away. I don’t think she understands optimization.
You see if I show up at a party by myself everyone is going to want to know where she is and why I showed up without her. I’m not the draw. She’s much more interesting because she’s telling stories about all the stupid things I do. And when she tells them they’re funny. Now I can’t tell stories about myself. It would sound stupid. I need a straight man to tell the story and then let me weave my defense. It would be like Costello asking “who’s on first” without Abbott. It’s just not the same without the cross-talking.
So today I checked my stats on Amazon. So far, “The Sniper” has sold a total of 303 books (65 paperback copies and 238 e-books) and 3,657 pages on Kindle Unlimited. On Kindle Unlimited my book is about 210 pages long so 3,657 pages is about 17 copies. Not bad for about a month on Kindle Unlimited. But I may have to cancel the yacht.
But the lack of fabulous wealth from my book sales has not dampened my enthusiasm for writing. In fact, I’ve become much more excited about the sequel. And what has me most intrigued is not so much the plot or even the new and old characters. What I’m interested in is injecting more dialog. Specifically, I want to get some of the characters to tell their stories. And I know that this is backward. The author is supposed to show the reader the story and not tell it. But storytelling within a story is an interesting technique that I’d like to try. And I’d like to introduce dialog between characters about politics, economic policy, religion, traditional family, artificial intelligence, the war between the sexes, energy policy, the future of the human race, space exploration and a million other things.
Of course, I’ll have to be careful I don’t drown out the action under such a heavy soaking of blather but I think it’s time for my world to start exhibiting brains and not just marksmanship. One thing I haven’t worked out yet is whether I get Connors and Grace to go out on a date. I’ve been bouncing some stuff off of Camera Girl but I still don’t know whether any of it makes sense. Oh well, the only way to find out is to start writing and see where it goes.


