Tag: science fiction and fantasy

A Good Day to be a Writer

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Today I went to my tax accountant to discuss my “royalties.”  I waited until now because tax season is much too hectic to talk about 2026 issues to people in that profession.  I have had a few unhappy incidents with the tax man and I go way out of my way to make sure that doesn’t happen again.

Now this is my new accountant.  In fact, he’s the grandson of my old accountant.  His grandfather is retiring soon so I’m sort of an inheritance.  When I arrived, I saw a kid walking in the front door and after waiting in the waiting room for a few minutes that same kid turned out to be my accountant.  But despite his youthful appearance he proved up to the job of assuaging my fears about ending up in an IRS gulag for high crimes and misdemeanors against the tax code.  Specifically, I was worried that maybe there was some kind of monthly reporting and payment I needed to perform for both the state and federal systems.  I remember when I was dealing with a state agency that required businesses to collect and pay sales tax monthly.

He explained to me that unless I was profiting to the tune of several thousand dollars a month, I wouldn’t need to send any money to the feds but even if I did, I’d be getting it back if I had enough “expenses” (like Amazon Ads and marketing fees) to cover the royalties I received.

At the mention of expenses, I barked a bitter laugh.  I told him the idea that I was profiting from my sales was laughable in the extreme.  Basically, a first book (barring some miraculous viral publicity) was a loss leader for the rest of the sequels.  He agreed that his other author clients had told him about what it took to grow a book business but he also warned me that the feds only give you three years to turn a profit before they stop considering it a business and declare it a hobby for which expenses are not credited.  Well, we’ll have to see about that.

So, we agreed I’d check back with him in June to see if I was any closer to needing to send some cash to the feds.  And he didn’t want to take a fee for his services today but I insisted.  The information I got had so eased my mind that I felt I would be robbing him of a well-earned reward if I didn’t give him fifty bucks.  I mean people who go to therapy to ease their minds pay their psychiatrists many hundreds of dollars and get less peace of mind than I did today.  I would have felt like a thief if I walked out for nothing.

And looking at my book’s Amazon page, I had two new very complimentary reviews.  One was from a friend of mine.  He disclosed our relationship but it was still a very good review.  And another one was from someone who was an Iraq War vet who enjoyed the scenes in the desert.  That kind of made my day.  So today is a good day to be a writer.

Dredd (2012) – A Fantasy Movie Review

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Okay, let’s start with the basics.  This is a comic book hero film.  That’s the excuse for an action movie.  The “universe” this takes place in has a city stretching from the Boston locale to where Washington D.C. was and is called very poetically, “Mega-City One.”  It is walled in and surrounded by an irradiated desert.  There must have been a nuclear war or something.  Somehow it supports 800 million inhabitants and most of them seem to be third world refugees living awful lives surrounded by drugs, gangs and general depravity.

Law and order are in the hands of the “judges.”  They are law enforcement officers who also can dispense justice as judge, jury and executioner at their own discretion.  They ride around on motorcycles and have weapons that can dispense munitions ranging from standard bullets, to armor piercing rounds, to gas rounds to incendiary devices.  They tend to kill a lot of criminals in the course of their work.

In this story a judge named Dredd is bringing a female rookie named Cassandra Anderson on a trial assignment.  She also happens to be a psychic.  This seems to be linked to her parents having died from the effects of radiation.  She doesn’t wear her armored helmet the way Dredd does because it interferes with her psychic ability but mostly because we wouldn’t be able to see her blonde hair.

The gist of the story is that Dredd and Anderson have captured a member of the Ma-Ma Madrigal gang.  Anderson can tell that he’s guilty of some recent murders so he’s being brought in for interrogation.  But Ma-Ma knows that he would end up spilling the truth about her involvement in the deadly “slo-mo” drug distribution.  So, they lock down the 200-story housing complex where she resides and traps the two judges inside.  The rest of the story is Dredd’s fight to stay alive until help can arrive from outside.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Alright, the spoiler alert is kind of silly.  This is a comic book movie.  Judge Dredd kills all his adversaries and ends the movie virtually the same as it begins, walking off to fight crime in Mega-City One.  In between we meet Ma-Ma, her henchmen and a few of the hopelessly oppressed residents of Mega-City One.  At the end of the movie Dredd approves Anderson’s probationary service.  But when she hands in her shield at the end of her probation I couldn’t tell if she still wanted to do the work.  Oh, and at the climax Dredd throws Ma-Ma Madrigal off the 200-story building to her death.  Of course he did.

Alright, who is this movie for.  Well, it’s for comic book movie fans.  I guess most action movie fans will enjoy it.  People who don’t like gratuitous gun violence probably won’t.  By and large I’ll say I enjoyed it.  It was mindless fun.  A little crude and full of the usual vulgar language so not for kids but no harm for grownups.  Your milage may vary.

You Were Always a Good Friend to Me

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As all who have followed my website know I’m a connoisseur of the various film versions of Dicken’s “A Christmas Carol.”  And I’ve opined before that the premiere version of the Ghost of Jacob Marley is Frank Finlay’s portrayal in the 1984 version with George C Scott as Scrooge.

Here is the whole scene:

Now, why do I say it’s best?  Technical presentation?  Acting ability?  Faithfulness to the book?  Emotional impact?  Actually, all of the above.  In all aspects of the scene this version is head and shoulders above all the rest.

The makeup on the ghost is wonderful as are his costume and the pattern and details of his fetters.  Even his eyes appear to be those of a dead man.  Finlay’s reading of the lines is masterful and the emotions he provides are wonderfully potent.  And the lines selected are the best selection from any of the versions out there.  And the climax of his performance is his outrage when Scrooge tells him, “But you were always a good man of business, Jacob.”

Marley howls, “Business!” Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”

This one speech is easily seen as the reason for the whole story.  We see the partners face to face and we see what Scrooge cannot.  Marley was what Scrooge is; a terrible human being who cared not at all for his fellow creatures, their pain and suffering.  But death and judgement have taught him the error of his ways and in his shame and penitence he wants to save his old partner from himself.

And because he was as Scrooge is, he selects the instruments that have the best chance of reaching into Scrooge’s heart and mind and shaking him out of his evil habits and awaken in him the knowledge that the most precious treasure on this Earth is the chance to use our time to comfort those around us and recognize the kinship we all should have.

So those are the main points.  But even small bits contribute to this “Marley.”  When the ghost appears Scrooge demands to know what it wants of him.  Untying the funeral kerchief from around his head, his bottom jaw drops wide open with a loud clicking noise to indicate that he is a corpse.  Only once his mouth is unbound can he answer. “Much!”

So, yes.  This is the best Marley.  And George C Scott provides a fitting foil for Marley’s mission.  He is suitably impenitent and uninterested in Marley’s gift of potential reclamation.  When told of the three separate spiritual visits he asks Marley if they could all come at once and save time.  All in all, he is completely undeserving of Marley’s gift.  But as we shall see the scope of the gift that Marley procured manages to finally break through Scrooge’s shell of callousness.

Well done Jacob Marley.

Short Fiction Collected

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I have an old beat up collection of Ray Bradbury’s short fiction.  It’s called “The Stories of Ray Bradbury.”  It was published in 1980 and contains about a hundred of his stories.  These stories appeared earlier in a number of short story collections that came out over the years that Bradbury was writing.  And he also wrote after this collection came out so there’s nothing original or definitive about this collection but it contains most of the short stories that his reputation was based on.  And because it is such a large selection (almost nine hundred pages in a 9.5 X 6.5 hardcover volume), there are great stories and poor ones.  There is fantasy, horror, something like science fiction and even nondescript fiction.  And because it was written over the course of about forty years it changes.  The emphasis, the stylistic touches, the topics all change.  But the voice is always recognizably Bradbury.  For the most part he is interested in the people.  The science is not the story.  In fact, most of the time it’s just the excuse for poking and prodding the people and watching them react.  It’s a pleasure to walk through this old volume and relive old stories and find out how I’ve changed over the years.  Have my preferences changed?  Yes.  But my likes and dislikes have mostly remained the same.  Possibly I’m a little bit more sensitive to the quality of the prose rather than the surprise in the ending.

It’s interesting to consider that science fiction short stories have been declared a dead field.  No one buys the stories either in book collections or in magazines (paper or electronic).  And that strikes me as a sad situation.  So many of these short stories contain wonderful ideas and characters and images that stir the imagination.  But somehow, they no longer have any value in the present world.  Can that be the permanent state of literature?  I guess it could be.  Capitalism is ruled by the law of supply and demand.  So, there’s no demand for short stories.

Well, that’s too bad.  Maybe the future will include a manner for artists to exhibit their works for people similar to how musicians currently perform concerts.  A live presentation where the audience listens to the story or watches a video presentation of it in a format that can’t be pirated and therefore has value as a single use experience.  All that’s left is the memory of the story.  Of course, that’s what movies were but now they’ve also lost their value.  So maybe not.  But I find a book of short stories to be a treasure trove.  A hundred stories and maybe fifty are very good and ten are wonderful.  That’s a pretty impressive collection.  I think any prolific author would be satisfied with that track record.

One thing that Bradbury liked to do was string together some of his short stories into a larger framework.  He did this with turning his Green Town stories into “Dandelion Wine” and his dark carnival stories into “Something Wicked This Way Comes.”  And what that shows me is these short stories can be the seeds for longer fiction.  But if no one reads them and rates them how will these seeds ever sprout.  Oh well.

Utopia and Nukes

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Okay, I said I’d get down to details in setting up “photopia.”  Well, where do we start?  The first question is how do you start such a thing from where we are now?  In the past the founder would be a prophet.  Moses, Jesus, Mohammad, Joseph Smith, L Ron Hubbard (!).  For my founding I’ll settle for a trillionaire with virtually unlimited resources of artificial intelligence.  Then he’ll have to be a humanitarian, a philanthropist, a lover of mankind.  Because he’s going to have to take the long view.  He’ll know that to save mankind he’ll have to start by rejecting a good chunk of humanity at the start.  Because as humanity currently exists, there is a definite percentage of the population that can’t be included in an optimized human environment.  There is a twenty percent group that is hopeless.  Some of them are uncontrollably violent.  Some are completely unwilling to do work.  Some are anti-social to the extent that they habitually commit various types of crime.  It goes without saying utopia has no place for such individuals.

The system that our founder builds must begin by trying to select a core of people that are unmistakenly outside of this 20%.  The only way that the system can be founded is to start with the best starting material.  So extremely careful biographical research into the initial candidates will have to be performed to rule out any unacceptable or even sub-optimal individuals.  Ideally, married couples and even families of the highest quality should be incorporated in the starting material.  This will build additional stability in the structure.

But one thing that will be true is that even within this foundation of selected individuals there will need to be a continuous weeding out mechanism for people who fail or for the offspring who will be identified as failures.  And if offspring are rejected, often the parents and siblings will find it impossible to stay inside the group.  And not because this community is a hermetically sealed bubble.  Everyone inside will be in contact with the outside world continuously.  But if children of group members become dangerous, they must be kept outside of the community and that is hard to enforce unless the rest of the family is ejected.  So, it becomes apparent that policing the group for anti-social activity will become one of the most important activities of the administrators.

And as I mentioned in the earlier installment of this essay, those who are ejected are given the equity that they’ve earned in the community when the leave so that they can find their own place in the world.  So, what exactly are the rules of this club?  Well, the founder gets to decide those.  If he’s wise, these rules are ones that will tend to increase stability, prosperity and social cohesion.  What exactly these rules are may be dependent on the values and personal traits of this “prophet.”  And ideally, there could be a number of different foundations to allow for the different but equally valid personality types that exist in our species.  And maybe some of these will be failures and some will thrive.  But over the course of time by trial and error a calculus for creating human communities could be derived.

Now, what happens to those who can’t be included.  Well, nothing.  They’ll be on their own.  This assumes that the larger human community still exists outside of these enclaves and that it has to deal with the full spectrum of human types.  And that is why prisons and welfare exist.  And that brings up another point.  How would these societies be viewed by the outside world.  My guess will be; poorly.  I believe many nations would try to destroy them or at least force them to accept members that they would reject.  And for that reason, the location of these societies may be one of the most important questions that the administrators will have to decide.  Of course, trillionaires can do wonders with the right amount of bribery.  But let’s just say that a nuclear weapons program may be a necessity for this utopia of mine.

When I write the next installment (and I may have to think about it for a while) I think I’ll talk about education.

The Library is Full of Them

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As I mentioned in an earlier post Disney (and by extension Hollywood) realizes that they’ve alienated the male half of the human race.  And as I gleefully mentioned this is all their own fault and it’s hilarious that it’s a surprise for them.  And after torching two of the most valuable male-oriented intellectual properties (Star Wars and the Marvel Cinematic Universe), instead of trying to fix the problems and repair the damage to these brands they’ve decided to bury their losses and start from scratch with brand new franchises.

Well, you’ve got to admire their optimism.  Maybe they haven’t heard the old saying about the definition of insanity being doing the same thing over and over again and expecting a different result.  But it’s their money (or their stockholders anyway).

But in a sense, they’ve got it half right.  Half of their problem is that sequel after sequel has drained all the life out of their franchises.  So new stories and characters is a good direction to go in.  People like to be entertained and meeting new characters is part of that entertainment.  And even though there are only a few overarching plots to an adventure story it helps to change the names of the heroes, villains, magic rings, super-weapons and princesses from story to story.

So far, so good.  But now comes the tricky part.  Listen up Disney:

DON’T MAKE THE HERO A GIRL-BOSS.  THE GIRL IN THE STORY IS THE LOVE INTEREST OF THE HERO.  SHE IS THE REWARD FOR THE HERO SAVING THE DAY.  SHE MAY TAKE UP A BOW OR A DAGGER IN A PINCH BUT SHE’S NOT THERE TO SAVE THE HERO AND SHE’S NOT SUPPOSED TO BE IN CHARGE.

I hope I was clear there.  Use the traditional hero saga as the backbone of the story and find a writer and a director who can work with such a story in a creative and entertaining fashion and you will make billions of dollars.  Just as a for instance Joss Whedon directed the first Avengers movie.  It made $1.52 billion worldwide at the box office.  That’s a lot of money.  And part of the reason for that enormous sum is because Whedon knows how to make likable characters in a movie.  He blends humor, action and drama in the correct proportions and at the right moments.  In other words, he’s not a hack like all of the DEI directors that have bungled the last several years of your franchise flops.

Now, granted he is demanding and sometimes slightly abusive toward the “talent.”  But they’re getting paid millions of dollars to dress up in spandex and fool around in front of a green screen.  The least they could do is take a little hectoring from a prima donna director to earn those millions.  So anyway, my advice for Hollywood is to find the few creative talents out there; directors like Whedon and Christopher Nolan.  And purchase the film rights to books that millions of people love.  And don’t mess with the stories and characters.  Put them faithfully on the big screen and then instead of trying to recreate success with endless sequels move onto another story!  Did you know there is more than one book in the library?  There are several.

I know it’s a radical departure. But it’s just so crazy it just might work!

Guest Contributor – Tregonsee – 14MAY2025 – Review – Watchmen (2009)

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So the original story is by Alan Moore. He was fairly famous in the comic book industry in the 1980’s when this was originally published. Take a moment and find a picture of Alan Moore on the internet, I’ll wait… Are you back? Given that image you will likely be unsurprised to find out he is a notorious and unrepentant anarchist and rather unhinged (even for an anarchist). Other efforts by him include V is for Vendetta and Batman: The Killing Joke. The Watchmen Series was a 12 issue mini-series from DC published in 1986-1987 set in an alternate history where the US has Dr. Manhattan (who is more overpowered than even say super man, his abilities verge on the godlike).
It was rather cutting edge for its period with its serious antihero vibe.

The movie came much later in 2009 after many years of wandering into development hell. In many ways its cinematography and dialogue come straight from the comic series art by Dave Gibbons and Alan Moore’s dialogue. It does skip/compress several subplots, and change the method of the ending though not its source (Ozymandias/Veidt) nor its intent (forestall or avoid WWIII). It was one of the first R rated comic book movies (previous having limited themselves to PG-13/PG) and also one of the first to release in the late February slot to take advantage of College spring break.

As a fan of the original comics I thought it rose to slightly above meh say 6/10. It loses much of the complexity of the original, which given the size of the 12 issue series was somewhat unavoidable even with its bloated 3 hr+ run time. As Chemist notes if you don’t already know some of the plot points it is going to be a whirlwind. Heck as the original comic book doled out over a year it was confusing until the last few comics at the end where all the threads got tied together and many of the hints in the original lurk in the subplots that were excised.

There is an animated retelling done by DC Animation scripted by J. Michael Straczynski and Dave Gibbons from the original It is split into 2 90 minute subsections. It does a better job at keeping more of the necessary beats to help you see the solution and keeps to the original ending. It is maybe a 7.5/10.

Honestly, if you like comics, find a perfect bound version of the original comic books is available this is available for ~$20 the price of 4-5 fancy coffees. It is less than the $24 I paid in 1986-87 for the original comics. Do not try to go buy these at a comic book store (except for the perfect bound single volume version). They’re moderate collector items at $20-30 a each for even poorish quality copies and the first the last and (potential Spoiler) the one where they break Rorschach out of prison run for probably twice that each. As much as a crazy tinfoil hat wearing jerk as Alan Moore can be this is easily in the top 5 of comic series I have read in 50 years of reading comics and is probably better than 90% of most comic/SciFi writing.

Watchmen (2009) – A Science Fiction-Fantasy Movie Review

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Watchmen is a movie based on a DC Comics comic book series from the 1980s written by Alan Moore and directed by Zack Snyder.  Moore is a self-identified “anarchist” (read weirdo) and the fictional world of this story reflects his hatred of anything conservative (read normal).

The story takes place in an alternate reality of 1985 where Richard Nixon is in his fifth term and a band of “superheroes” called the Watchmen have been disbanded after they were used for such actions as winning the Vietnam War for the Americans.  Apparently, people became afraid of their impact on society.  The movie starts with one of these retired heroes; the Comedian being murdered by another extremely powerful masked individual.  He is thrown through the window of a Manhattan skyscraper.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

We are introduced to the former heroes.  By the way I recognized none of the actors.  I’m sure some of them would be familiar to anyone who has gone to the movies much in the last fifteen years.

Except for Doctor Manhattan who is some kind of god-like being with psychic abilities and atomic power that can destroy cities, the rest of the heroes are just humans who are strong and trained as fighters.  Doctor Manhattan got these powers while he was working in the American nuclear weapons industry.  He is able to become enormously large, teleport to Mars at will and able to invent whole new power sources for Earth’s future.

When the Comedian is murdered the other Watchmen suspect that someone is trying to kill all of them.  When an assassin tries to kill another one; Adrian Veidt (AKA: Ozymandias) they get the gang back together and look for the killer.  There’s all kinds of action and adventure.  But in the final act we find out that Ozymandias is responsible.  He stages an atomic attack on New York City, London and a couple of other cities and the leaders of the world assume it was Doctor Manhattan that did it as a warning against nuclear states (like the US and the USSR) threatening nuclear war.  This brings the countries of the world together out of a sense of common defense against Doctor Manhattan.  And Doctor Manhattan approves of the peaceful result of the hoax so the secret is maintained.  But one Watchman; Rorschach objects and has to be killed by Doctor Manhattan to keep the secret.  Rorschach’s friends are angry but agree to keep the secret for the sake of world peace.  At the end of the movie, it appears that Rorschach was able to leak the secret before he was killed.

Okay, so what did I think of this movie?  To start off we have Richard Nixon in his fifth term pretty much as evil incarnate.  So, there’s that.  The movie has a dose of sex and violence so this isn’t a kid’s superhero movie.  So, there’s that.  The story itself and the characters have interesting moments.  The question comes down to, is it worth the time to watch it?  I’ll have to qualify this.  If you like comic book stories there is a decent chance you’ll like this movie.  The effects and the acting aren’t bad.  The plot isn’t reasonable but it is clever.  If you don’t like comic book stories, you won’t like this movie.

Something Revolutionary and Unprecedented; Storytelling

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Today I had one of my grandsons over for a visit and after lunch Camera Girl asked if he wanted to watch the movie, “Catch Me if You Can.”  And he said sure, so I went looking for it in the DVDs.  But mysteriously it was missing.  So, she gave me a lot of grief because she said if I had said we didn’t have it she would have rented it at the library.  So blah, blah, blah … I said okay let’s watch “Captain America – Civil War.”  And he said sure.  Well aside from the commercials (I recorded it a couple of days ago) that I had to annoyingly fast forward through it was the typical Marvel Universe CGI extravaganza.  Well, mostly.  Since it wasn’t billed as an “Avengers” movie it didn’t have the full ensemble; Hulk and Thor were missing.  But with all of the minor heroes and the addition of Bucky (aka the Winter Soldier), Black Panther, Ant Man and Spiderman it was pretty damn crowded.

And because the title included the words civil war, what most of the action scenes consisted of was the heroes divided into two opposing factions battling each other.  So, Iron Man and his crew were battling Captain America and his backers.  Now it’s not a hundred percent clear whether they meant to kill each other.  I guess we’re supposed to assume not.

But here’s the thing.  The offensive and defensive capabilities of these various characters are woefully mismatched.  Even without Thor and Hulk who are basically unkillable, the abilities of the minor characters who are basically normal human beings without any special armor or weapons, are laughably insufficient to either harm the stronger characters or even survive a serious fight with them.  Take one obvious feature.  How does someone who can’t fly fight with someone who can?  And there are plenty of other problems like that.  It leads to an absurdity where the weaker characters are just dancing around trying to avoid being squashed flat by the heavy hitters.  And this looks ridiculous.  It looks like a jar full of hornets buzzing around in a jar, to no particular result.  And this is especially egregious with the female characters.  Even though somehow Black Widow (basically Scarlett Johansson in tight leather pants) is able to easily fight and kill a half dozen much larger men without effort, it defies all the laws of physics that she can attack a man in an armored suit that’s so heavily built that it allows him to survive anything short of an artillery shell going off in his lap.  He shouldn’t even notice her attack and she should basically break every bone in her hands punching him.

Now of course superhero movies are based on the idea of fantasy.  So sure, let the girl fight her way through the bad guys.  That’s what we expect.  But in general, the mixing of unkillable and highly lethal characters with humans whose only superpower is wearing a spandex costume, just doesn’t make very entertaining cinema.  The only time these movies make good watching is when two powerful and very evenly matched characters are set against one another.  So, in the original Iron Man movie Tony Stark and his former partner; Obadiah Stane have powered suits that at least are in the same ballpark of capability.  This allows brains and experience to allow the fight to resolve itself in an interesting way.  In the original Captain America film Steve Rogers and Johann Schmidt are both super soldiers (biologically enhanced) and therefore on a relatively level playing field.  In the original Thor movie, the antagonists are both immortal Norse gods.  This level playing field in each movie makes the conflict less improbable and more interesting as theater.

So, I am not surprised that stacking more and more heroes and villains of completely unequal and confusing capabilities just makes the action scenes an unholy mess with very little tension or enjoyment.  And now it seems the audience has grown tired of all this crowded hyperactive choreography.  It’s grown stale and annoying.  And the numbers are going down at the box office.  Maybe it’s time for the Marvel Universe to try something revolutionary and unprecedented; storytelling.

Thoughts on Current SF&F in Cinema – Part 1

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When I was much younger, I remember wondering if there would ever be a time when the state of the art in “film” would allow a decent version of the Lord of the Rings to be made.  When Ralph Bakshi’s cartoon over live action was made in 1978, I was quite surprised at how good it was.  And I hoped that he would continue the project to finish the complete story.  But he never did.  Maybe he didn’t make enough money or maybe he got bored.  And so, it would be another twenty years before anyone tried again.

Peter Jackson did a remarkable job both visually and artistically of capturing Tolkien’s story.  And I think he proved that we have reached a point where regardless of the unreal or fantastic nature of the story CGI can produce a convincing visual representation of that story on the screen.  And that was an important moment.  For a fan of science fiction and fantasy this is the promised land.

And yet, what have we got now?  For every film like Dune where the story faithfully reproduces a worthwhile piece of fiction, we get ten movies like “The Marvels” or “The Last Jedi” or “Madame Web” where the visuals are successful but the story and the acting are unwatchable.

Well, that’s reality.  The cultural and societal standards are pretty awful so even if some interesting topic like the Second Age of Middle Earth (Rings of Power) or Harry Seldon’s Psychohistory (Foundation) are being filmed chances are that the result will be terrible.

But the only good thing I can say is that the potential exists for a rogue force like Elon Musk to come along and fund an independent studio to produce some exciting projects.  So, eventually we will get good movies.  Eventually the profit motive will succeed.  Who knows we may be forced to watch Chinese or Hungarian movies in subtitles but it will come.  So, patience, patience.

And what might make a good project?  Well, based on what we know would sell, how about space opera that is a lot more interesting than the Star Wars universe?  How about a project to film the Lensman series?  A few updates to the technology might be needed and the chronology might need to be tweaked but then the story would be easily turned into a series of films.  It has likeable heroes, awful villains, interesting aliens and plenty of space battles.  And best of all, not a girl boss in sight.  Just classic square-jawed heroes saving the day and rescuing the damsel in distress.  I would guess that the Lensman saga would be easily as popular as Star Wars and in fact more so.

Now another popular film idea would be the Heinlein juveniles.  There are several good candidates.  As a first choice I’d go with, “Have Spacesuit Will Travel.”  It has all the requisite ingredients for a good young adult movie; human interest, suspense, adventure, pathos, humor and the resolution of a coming-of-age story.  As a second choice I’d recommend, “The Star Beast.”

It’s an interesting thing to reflect that a really satisfactory movie version of a Heinlein book has never been done.  The only one he ever had a hand in was Destination Moon.  And while technically there were interesting aspects to the production as a movie it was pretty cut and dry; more of a primer on rocket flight than work of fiction.  In terms of popularity, I guess Starship Troopers is the best of those produced, even though the director made it in the spirit of a mockery of the underlying philosophy of the book.  A faithful portrayal of Starship Troopers would be an amazing idea for a movie.

And rounding off my picks for Heinlein would be, “The Moon is a Harsh Mistress.”  I think this story would make an excellent film too. I’d especially enjoy seeing the rail gun attack on Earth on the big screen.  And I think the friendship between Manny and the artificial intelligence Mike would work great on the screen.

I’ll have to think of some other classic sf&f books that would make good movies.  If you can think of any you’d like to see made, leave them in the comments.