Short Fiction Collected

I have an old beat up collection of Ray Bradbury’s short fiction.  It’s called “The Stories of Ray Bradbury.”  It was published in 1980 and contains about a hundred of his stories.  These stories appeared earlier in a number of short story collections that came out over the years that Bradbury was writing.  And he also wrote after this collection came out so there’s nothing original or definitive about this collection but it contains most of the short stories that his reputation was based on.  And because it is such a large selection (almost nine hundred pages in a 9.5 X 6.5 hardcover volume), there are great stories and poor ones.  There is fantasy, horror, something like science fiction and even nondescript fiction.  And because it was written over the course of about forty years it changes.  The emphasis, the stylistic touches, the topics all change.  But the voice is always recognizably Bradbury.  For the most part he is interested in the people.  The science is not the story.  In fact, most of the time it’s just the excuse for poking and prodding the people and watching them react.  It’s a pleasure to walk through this old volume and relive old stories and find out how I’ve changed over the years.  Have my preferences changed?  Yes.  But my likes and dislikes have mostly remained the same.  Possibly I’m a little bit more sensitive to the quality of the prose rather than the surprise in the ending.

It’s interesting to consider that science fiction short stories have been declared a dead field.  No one buys the stories either in book collections or in magazines (paper or electronic).  And that strikes me as a sad situation.  So many of these short stories contain wonderful ideas and characters and images that stir the imagination.  But somehow, they no longer have any value in the present world.  Can that be the permanent state of literature?  I guess it could be.  Capitalism is ruled by the law of supply and demand.  So, there’s no demand for short stories.

Well, that’s too bad.  Maybe the future will include a manner for artists to exhibit their works for people similar to how musicians currently perform concerts.  A live presentation where the audience listens to the story or watches a video presentation of it in a format that can’t be pirated and therefore has value as a single use experience.  All that’s left is the memory of the story.  Of course, that’s what movies were but now they’ve also lost their value.  So maybe not.  But I find a book of short stories to be a treasure trove.  A hundred stories and maybe fifty are very good and ten are wonderful.  That’s a pretty impressive collection.  I think any prolific author would be satisfied with that track record.

One thing that Bradbury liked to do was string together some of his short stories into a larger framework.  He did this with turning his Green Town stories into “Dandelion Wine” and his dark carnival stories into “Something Wicked This Way Comes.”  And what that shows me is these short stories can be the seeds for longer fiction.  But if no one reads them and rates them how will these seeds ever sprout.  Oh well.

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Ed Brault
Ed Brault
8 months ago

He did similar in “The Illustrated Man” and “The Martian Chronicles“.
A.E. van Vogt did similar work in “The War Against the Rull“.
I cut my Sci-Fi teeth on all of these, along with Heinlein Juveniles (and some not -so-juvenile) when I was in Grade School).

Tregonsee314
Tregonsee314
8 months ago
Reply to  Ed Brault

That is pretty standard for that period. As Photog notes authors could sell shorter stories to the magazines (aka pulps) and if they kept the rights (not all did at that time) they could then later form them into larger works. This also guaranteed they had a built in audience for the follow ons which the magazines would buy. Asimov did this with I Robot and at least the first two of the Foundation series. James Blish had the Cities in Flight as well as The Seedling Stars. The novel A Canticle for Liebowitz by Walter Miller is a collection… Read more »

Tregonsee314
Tregonsee314
8 months ago
Reply to  photog

Bradbury is nearly sui generis amongst the 40’s/50’s/early 60’s SciFi Writers. His stuff often feels more like Lovecraft or Clark Aston Smith. My first “adult” scifi (not juvies like Tom Swift Jr. or young children scifi like Spaceship in the Apple Tree) were two of his collections. They were R is for Rocket and S is for Space that my 5th grade reading teacher found for me in the school library. I recently got a new audible version of his Martian Chronicles and although the technology doesn’t really make sense (maybe not even then) the stories themselves are beautiful and… Read more »