Tag: fantasy

Short Fiction Collected

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I have an old beat up collection of Ray Bradbury’s short fiction.  It’s called “The Stories of Ray Bradbury.”  It was published in 1980 and contains about a hundred of his stories.  These stories appeared earlier in a number of short story collections that came out over the years that Bradbury was writing.  And he also wrote after this collection came out so there’s nothing original or definitive about this collection but it contains most of the short stories that his reputation was based on.  And because it is such a large selection (almost nine hundred pages in a 9.5 X 6.5 hardcover volume), there are great stories and poor ones.  There is fantasy, horror, something like science fiction and even nondescript fiction.  And because it was written over the course of about forty years it changes.  The emphasis, the stylistic touches, the topics all change.  But the voice is always recognizably Bradbury.  For the most part he is interested in the people.  The science is not the story.  In fact, most of the time it’s just the excuse for poking and prodding the people and watching them react.  It’s a pleasure to walk through this old volume and relive old stories and find out how I’ve changed over the years.  Have my preferences changed?  Yes.  But my likes and dislikes have mostly remained the same.  Possibly I’m a little bit more sensitive to the quality of the prose rather than the surprise in the ending.

It’s interesting to consider that science fiction short stories have been declared a dead field.  No one buys the stories either in book collections or in magazines (paper or electronic).  And that strikes me as a sad situation.  So many of these short stories contain wonderful ideas and characters and images that stir the imagination.  But somehow, they no longer have any value in the present world.  Can that be the permanent state of literature?  I guess it could be.  Capitalism is ruled by the law of supply and demand.  So, there’s no demand for short stories.

Well, that’s too bad.  Maybe the future will include a manner for artists to exhibit their works for people similar to how musicians currently perform concerts.  A live presentation where the audience listens to the story or watches a video presentation of it in a format that can’t be pirated and therefore has value as a single use experience.  All that’s left is the memory of the story.  Of course, that’s what movies were but now they’ve also lost their value.  So maybe not.  But I find a book of short stories to be a treasure trove.  A hundred stories and maybe fifty are very good and ten are wonderful.  That’s a pretty impressive collection.  I think any prolific author would be satisfied with that track record.

One thing that Bradbury liked to do was string together some of his short stories into a larger framework.  He did this with turning his Green Town stories into “Dandelion Wine” and his dark carnival stories into “Something Wicked This Way Comes.”  And what that shows me is these short stories can be the seeds for longer fiction.  But if no one reads them and rates them how will these seeds ever sprout.  Oh well.

Lost Histories

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Lots of fantasy and science fiction authors have used the rediscovered history theme.  I think maybe Robert Howard used it for Conan and maybe some of his other sword and sorcery stuff.  Tolkien sort of used it for the Lord of the Rings.  The Red Book of Westmarch is supposed to be the source from which he wrote his books.

So, the conceit is usually a scholar is searching through old manuscripts and suddenly finds stories that somehow no one has ever read before.  I guess maybe a case could be made that an existing manuscript might have a palimpsest layer that couldn’t previously be seen or read and now because of advances in sensing techniques it can.

But usually, this kind of text underneath text is limited to at most a few pages of written language.  But as anyone who has been a religious reader of this site knows, the Roman papyri from the ruins of Herculaneum are slowly and painfully being deciphered using a form of x-ray tomography.  These charred and unopenable papyrus scrolls are being read right through the other layers of charred plant material by an artificial intelligence that can scan the three-dimensional surface of the scroll in its rolled up and damaged condition.

Currently the progress is glacially slow.  And this is even though a million-dollar prize has been announced for the tech genius who can take the scans and turn it into text.  Currently the part of the library being examined contains the works of an obscure stoic philosopher which has extremely limited popular appeal.  But there have been claims made that the total library was an extensive collection of Graeco-Roman literature and history.

If this turns out to be true and the scanning technology becomes robust, there may be many lost masterpieces of ancient writing to be found.  Lost plays by Sophocles and histories of ancient peoples like the Etruscans.  Every classical scholar has a wish list of what would be wonderful to recover.

But what comes to my mind is what a perfect place to find some lost history with fantasy or science fiction elements.  Now exactly what they would be is something that will require careful thought.  As I said there have been a lot of stories somewhat in this vein.  The trick would be to allow this history to tie into the present day in some way.  There could be detailed information of something that’s been buried and could be retrieved.  Or maybe it’s something that’s hidden in plain sight and possibly still operating in the present day.

So, this is the vaguest of outlines and needs lots of thought but while I was out watering the vegetable patch and photographing half-grown preying mantids it occurred to me.  And since I never have an undocumented thought, lo and behold; here it is.  It occurs to me I’ve never written a horror story.  Mostly I just make fun of H.P. Lovecraft but a two-thousand-year-old Etruscan demon might be something I could get interested in.  And since we know next to nothing about the Etruscans, I could make up anything I wanted and no one could definitively call me out on any of it.  What could be lazier?

Watchmen (2009) – A Science Fiction-Fantasy Movie Review

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Watchmen is a movie based on a DC Comics comic book series from the 1980s written by Alan Moore and directed by Zack Snyder.  Moore is a self-identified “anarchist” (read weirdo) and the fictional world of this story reflects his hatred of anything conservative (read normal).

The story takes place in an alternate reality of 1985 where Richard Nixon is in his fifth term and a band of “superheroes” called the Watchmen have been disbanded after they were used for such actions as winning the Vietnam War for the Americans.  Apparently, people became afraid of their impact on society.  The movie starts with one of these retired heroes; the Comedian being murdered by another extremely powerful masked individual.  He is thrown through the window of a Manhattan skyscraper.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

We are introduced to the former heroes.  By the way I recognized none of the actors.  I’m sure some of them would be familiar to anyone who has gone to the movies much in the last fifteen years.

Except for Doctor Manhattan who is some kind of god-like being with psychic abilities and atomic power that can destroy cities, the rest of the heroes are just humans who are strong and trained as fighters.  Doctor Manhattan got these powers while he was working in the American nuclear weapons industry.  He is able to become enormously large, teleport to Mars at will and able to invent whole new power sources for Earth’s future.

When the Comedian is murdered the other Watchmen suspect that someone is trying to kill all of them.  When an assassin tries to kill another one; Adrian Veidt (AKA: Ozymandias) they get the gang back together and look for the killer.  There’s all kinds of action and adventure.  But in the final act we find out that Ozymandias is responsible.  He stages an atomic attack on New York City, London and a couple of other cities and the leaders of the world assume it was Doctor Manhattan that did it as a warning against nuclear states (like the US and the USSR) threatening nuclear war.  This brings the countries of the world together out of a sense of common defense against Doctor Manhattan.  And Doctor Manhattan approves of the peaceful result of the hoax so the secret is maintained.  But one Watchman; Rorschach objects and has to be killed by Doctor Manhattan to keep the secret.  Rorschach’s friends are angry but agree to keep the secret for the sake of world peace.  At the end of the movie, it appears that Rorschach was able to leak the secret before he was killed.

Okay, so what did I think of this movie?  To start off we have Richard Nixon in his fifth term pretty much as evil incarnate.  So, there’s that.  The movie has a dose of sex and violence so this isn’t a kid’s superhero movie.  So, there’s that.  The story itself and the characters have interesting moments.  The question comes down to, is it worth the time to watch it?  I’ll have to qualify this.  If you like comic book stories there is a decent chance you’ll like this movie.  The effects and the acting aren’t bad.  The plot isn’t reasonable but it is clever.  If you don’t like comic book stories, you won’t like this movie.

2024 Summer Movie Talk – Part 7

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Fantasy

This category is a shambles.  I have arbitrarily excluded superhero movies, monster movies and animated films like Disney’s Pinocchio without any rationale other than I intend to make separate lists for those.  Also, these films run the gamut from children’s movies to adult fare.  And one movie; “Big Fish,” may not even qualify as a fantasy at all.

So, I apologize in advance for the idiosyncratic and incomplete nature of the list.  I’ve emboldened my personal favorites.

  1. THE WIZARD OF OZ (1939)
  2. THE THIEF OF BAGDAD (1940)
  3. THE SEVENTH SEAL (1957)
  4. JASON AND THE ARGONAUTS (1963)
  5. MARY POPPINS (1964)
  6. WILLY WONKA AND THE CHOCOLATE FACTORY (1971)
  7. TIME BANDITS (1981)
  8. CLASH OF THE TITANS (1981)
  9. EXCALIBUR (1981)
  10. CONAN THE BARBARIAN (1982)
  11. THE NEVERENDING STORY (1984)
  12. HIGHLANDER (1986)
  13. THE PRINCESS BRIDE (1987)
  14. THE ADVENTURES OF BARON MUNCHAUSEN (1989)
  15. SLEEPY HOLLOW (1999)
  16. THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001)
  17. THE LORD OF THE RINGS: THE TWO TOWERS (2002)
  18. THE LORD OF THE RINGS: THE RETURN OF THE KING (2003)
  19. BIG FISH (2003)
  20. THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE (2005)
  21. THE CHRONICLES OF NARNIA: PRINCE CASPIAN (2008)
  22. THE HOBBIT: AN UNEXPECTED JOURNEY (2012)
  23. THE HOBBIT: THE DESOLATION OF SMAUG (2013)

If I left out one of your favorites or if you detest one of my listed films, feel free to speak up and make your opinions known in the comments below.

The Wonderful World of the Brothers Grimm (1962) – A Science Fiction and Fantasy Movie Review

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Jacob and Wilhelm Grimm were brothers who studied German language and folklore during the 18th and 19th centuries.  They are best remembered by people today for their collection of German fairy tales.  And this movie is a fanciful story of the two brothers struggling to find a paying audience for their talents.  Wilhelm is presented as the idealist spending all his time collecting folktales from old women while his brother Jacob attempts to keep their heads above water by slaving away at tedious but paying work such as writing the family history of the local duke.

And interspersed with the story of the brothers are the fairy tale sequences of the film which correspond to three of the stories that Wilhelm hears from his sources.  They are versions of, “The Dancing Princess,” “The Cobbler and the Elves” and “The Singing Bone.”  In each case a different cast of actors portray the action.  And even though this is a German/American production there are some familiar American and British actors sprinkled in the cast.  Jim Backus, Claire Bloom, Beulah Bondi, Terry Thomas, Buddy Hackett and Barbara Eden are among the more well-known cast members.

The story about the brothers reaches its crisis when Wilhelm loses the draft of the duke’s family history in a river while rushing back from hearing a story in a “witch’s” cottage.  Jacob storms off vowing never to work with Wilhelm again.  The duke vows to prosecute Wilhelm if he doesn’t recompense him for the free home provided Wilhelm and his family during the unsuccessful project.  And simultaneously Wilhelm becomes seriously ill with pneumonia.  But hearing of Wilhelm’s dire straits Jacob sells his private library and uses the money to save Wilhelm.  Afterwards they continue on together with Jacob writing scholarly works on German philology and Wilhelm publishing his stories.  Eventually the king has the brothers nominated for the Prussian Royal Academy but the citation only includes Jacob’s scholarly works as cause for the nomination.  Saddened, Wilhelm still congratulates Jacob for the honor they will both be given.  But when they reach Berlin, the train is met by thousands of children cheering for Wilhelm to “tell them a story.”  And he starts off, “There once lived two brothers.”

I saw this movie as child when the nuns at my grammar school called an assembly in the gymnasium and played it to reward us for not burning down the school that year.  There was an unfortunate incident before the film.  A very good friend of mine, one of the most naturally talented comics I’ve ever known but who had extremely poor impulse control got in trouble for mouthing off to the principal, Sister Theodore.  She pulled him out of line and after a little back and forth dialog she slapped him in the face.  Unfortunately for his school career he slapped her back and added a few loud and obscene remarks.  Unsurprisingly he was expelled.  And the diversion made us pay less attention to the movie than we might have otherwise done.

But I remember from back then that it was an amusing movie.  And a recent viewing confirms that opinion.  The fairy tale sequences are played in a broad, very comical style.  Whereas the story of the brothers is in a dramatic style that chronicles the difficulty of trying to earn a living at a dull task when your heart is somewhere else.  Being a dreamer myself, may be why I’m so sympathetic with Wilhelm’s plight.

I’m not sure who I would recommend this movie for.  It’s not really a children’s story but I think many children might like it.  As for adults, it might be too primitive for people brought up on CGI special effects.  Maybe it’s only for old folks like me who are still young at heart.

Carnival of Souls (1962) – A Science Fiction and Fantasy Movie Review

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The “Carnival of Souls” is a low budget horror movie that consists of the life of a woman named Mary Henry after she is in a car accident.  She and two other women crash their car off a bridge into a river.  The car disappears into the muddy river and is given up for lost but after three hours Mary Henry crawls out of the water and claims that she has no memory of the crash or her escape.  She decides to take a job out of state as a church organist in a town next to the Great Salt Lake in Utah.  Along the way she is haunted by the apparition of a man who looks like the animated corpse of a drowning victim.  She is strangely attracted to an abandoned pavilion on the lakefront that had served as a carnival at one point.  Her interactions with her minister employer, her landlady and the neighbor who attempts to interest her romantically are awkward and extremely detached on her part.  And several times during her first few days in the new town she suddenly finds herself detached from the world around her.  Specifically, no one seems able to see or hear her.  Also, she cannot hear any sounds from her surroundings.  Eventually she starts seeing visions of dead people rising out of the lake and dancing in the pavilion.  These visions cause her to lose her job when the minister senses her morbid soul in her organ music.  She turns to the young neighbor to try and ground her in reality but even his clumsy advances cannot spark any strong response from her.  Eventually she is drawn to the pavilion and the drowned dead.  She watches them dancing in the pavilion ballroom and finally they come so close to her that she panics and runs away.  But they chase her onto the beach and finally catch her when she stumbles on the sand.  They surround her and the scene changes to the next morning where a search party including the minister and a policeman look at some footprints on the sand and nothing more.  She has completely vanished leaving just her car.  In the next scene we are back in her home town and the crashed car has finally been located in the river and the bodies of the two women and Mary Henry are all in the car (and strangely not decomposed after all the time under water).  The End.

There are a lot of things wrong with this movie.  It was made on a very low budget without professional actors and it shows.  I guess it would be called cinema verité.  But the amateurish quality of the cinematography and the flat recital of the lines makes you wonder why you would watch such a cheesy offering.  But the nature of the scene at the end of the movie with the dance of the drowned corpses is the very essence of horror.  It is almost iconic and I think it has inspired some later works that are recognized as successful, specifically I think the haunted house in Stephen King’s “The Shining” owes something to this movie.  And there is at least one episode of the Twilight Zone that seems to borrow heavily from this story.

So, there you have it.  This is a cheesy amateurish film from 1962 that also contains an image that I think is authentically evocative of what we call horror in film.  You’ll have to decide if that makes it worth seeing.

Side Jobs and Brief Cases – Two Short Story Collections from The Dresden Files – by Jim Butcher – An SF&F Book Review

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These two books are each a group of short stories that Jim Butcher has collected.  Side Jobs was published in 2010 and Brief Cases was published in 2018.  In each case Butcher collected the stories that had been published in anthologies then added a new novella at the end.  And obviously the differences in subject matter and tone in the collections match up with the where they fit in the chronology of the Dresden Files at the time they were written.  But just as with the overall series the “feel” of the stories and especially the character of Harry himself is surprisingly consistent.  He is as always, a wise-cracking, annoying defender of the human world against the forces of the various supernatural creatures he opposes.  He battles White, Red and Black Court vampires, ghosts, sorcerers, werewolves, faeries and other folklore creatures.  Harry is always a little too lefty and feminist for my complete stamp of approval but Butcher writes a very good story and I have been reading these books for a very long time and even when some lefty cultural stance annoys me, I still read and enjoy the story.  And these stories are no exception.  Some character or some comment from Harry will annoy me but I’ll still read and enjoy each story.

The stories are self-sufficient and can be read alone without the need to jump into the next one.  And because the stories were written for various anthologies some of them have oddball plots that were picked to fit in to some overarching theme.  Like in Brief Cases there is a western story called “A Fistful of Warlocks” that was written for an anthology called “Straight Outta Tombstone.”  And likewise for other stories that had themes relating to weddings or relationships or even beer or baseball.  But even the stories that you would think would be just a throwaway Butcher puts in the work and makes the story hang together.  And in these short stories sometimes Harry isn’t even the narrator.  Thomas Raith, John Marcone, Karrin Murphy and even Molly Carpenter each narrate a story.   And especially in the case of Thomas and Marcone I think these add a lot of interest to the story because of the very different point of view of these characters from Harry.

Just as with the rest of the Dresden Files these books cannot be enjoyed unless you already have read the first few books about Harry.  But it is good to know that Jim Butcher takes the time to make even his short stories worth reading.

On Killing Off Fictional Family

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I’m working on a fantasy story.  And I’m at the point in the origin phase where the protagonist needs a crisis to propel him into a new and horrible life.  And I’m wavering between some deus ex machina scooping him out of his normal life or a horrible injustice killing off one or more of his family.

And the funny thing is I feel bad about killing off his kin.  I mean, they’re good people and they’ve never done anything to me and all things being equal I might need them later.  So, I’m vacillating and trying to thread the needle.  Can I just kill off his father?  But I kind of need him for later.  How about his mother?  The murder of his mother would be a great catalyst.  There’s guilt and rage and despair and hunger for revenge and all sorts of mixed emotions.  That could work well.  But it feels like a cheap trick.

I could kill off his newlywed sister.  It’s going to happen at the wedding reception anyway.  But that’s even more conflicted.  There’s the bride groom and the other sisters and then the parents won’t be distracted by one of them dying so the protagonist will be dealing with all kinds of messy emotional baggage.  Everyone will be whining for a hundred pages and I don’t need that.

I’m planning some kind of mob hit.  I’m undecided between a shotgun blast coming out of the reception or a bomb thrown through the window.  Either way it’s not ideal.  Very messy.  Definitely not the beautiful death.

So, as you can see there won’t be any easy way to write this.  All kinds of angst and messy follow-on consequences.  But let’s face it, murdered family has been a great plot device since Cain killed Abel.  I’m already trying to work my way through a father with conflicted feelings about the son whom he loves but who is responsible for the death of his wife.  That’s got all kinds of possibilities.  As I said I need the father around later and his grudging cooperation in some plot devices would add a nice amount of resistance to some scenes that would otherwise lose all tension.

So, she has to go.  But I am grateful for her part up to this point and I will give her a nice close-up scene before the finale.  She’ll get to talk to her son and they will share something personal before I finish her off.  Then she’ll upstage her oldest daughter’s wedding.  What mother could ask for more than that?

So, as you can see, for me the characters in my story take on a life of their own and I have to think carefully before I bring anyone in.  The butterfly effect is in full effect and especially when my character has a very long-life span, I have to be careful about cutting off all descendants of present characters because I might need their grandchildren or even great grandchildren at some point.

And finally, this action is meant to cut off his normal life and send him forward into a future where many of his actions are going to appear to him to be pretty evil.  To make that happen I’ll need something to disorient his moral compass.  The random brutal death of someone who symbolizes normalcy and happiness to him is just about right.  Add in a feeling that he is culpable in the death and I think I can work that into a tragic figure.  Will Shakespeare, hold my beer.

Battle Ground – A Novel of The Dresden Files – by Jim Butcher – An SF&F Book Review

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Spoiler Alert.  All my reviews are spoilers.  If you wan to avoid them go down to the end and just read my recommendation.

For anyone coming to this review without any background to the Dresden Files, Battle Ground is I believe the seventeenth book of that series.  Jim Butcher has created quite a complicated and very entertaining world that centers on a Chicago that is embedded in a reality that has several kinds of vampires, two faery realms, werewolves, sasquatches, Norse mythological characters, Knights of the Cross, Fallen Angels and wizards.  And in particular Harry Dresden is the extremely conflicted and always wise-cracking Wizard of Chicago.  If you want to delve into the series, I guess it would be much more sensible and fun to start at book one but to each his own.

Battle Ground is the conclusion of the story arc begun in the previous book, Peace Talks.  And for all intents and purposes this book is taken up by the Battle of Chicago.  A really angry Titan named Ethniu has decided to destroy Chicago as a way to turn the human world against the supernatural groups that were parties to the “Unseelie Accords” that acted as a council to ensure that humans do not discover the hidden creatures all around them.

Along with her amphibious allies the Fomor who have a settlement under Lake Michigan they attack the city and with the power of the “Eye,” that Ethniu wields, they begin destroying the city and killing the population.  Standing against this systematic destruction and murder of Chicago is Harry and his allies.  I won’t say friends because many of them fear and/or hate him.  He has an Italian American mobster turned supernatural power broker named Marcone providing significant infrastructure, manpower and significant strategic support.  He has his current boss the Queen of Air and Darkness, Mab the Winter Queen, providing her troops and her own very considerable magical powers.  There are Harry’s nominal brothers in arms, the White Council of Wizards that are always right at the edge of expelling him for all the unorthodox and insubordinate actions he takes.  This includes his grandfather Ebenezar McCoy who is more or less the head of the Council and who always seem on the edge of either throttling Harry or apologizing to him.  There are the Knights of the Cross who are Harry’s friends and possess power that can stand against the evil that the enemy represent but even with these allies Harry and his friends are hopelessly overmatched.

But Harry has one ace in the hole.  He has a magical resource that if he can lure the Titan to a certain spot would allow him to capture her permanently.  But in order to do that Ethniu would have to be lured in by targets that she wanted to destroy and the destruction that she would accomplish would be ruinous.  And that is what the book is about.  As Harry and his allies go block by block saving civilians and battling monsters the Titan levels the city skyscrapers on her way to confronting Mab and the other powerful leaders.  And it’s a long book, over four hundred pages and the overwhelming majority of the book is this battle.

If you’re a fan of the series, and obviously if you’re still reading at book seventeen then you are, you will like this book a lot.  Sure, there are parts of the battle that seem kind of repetitive or at least maybe overkill.  And I have never been a big fan of Harry’s romantic attachment to Karren Murphy.  For whatever reason it never seems to keep my interest.  And there are a few scenes where some of the characters sound a little too touchy feely with too much “I’m here for you,” and all that.  But there is plenty on the battle side and on the personal side of this story to satisfy fans of the books.  Some questions from Peace Talks get answered and some things that were left hanging remain that way.  Some old friends and enemies die.  Others change their relation to Harry and further complicate his life.  And some characters that do not have a major part in the action still provide a needed presence.  I always enjoy the character of Michael Carpenter.  He’s the retired Knight of the Cross who is probably the most grounded character in the series and also provides sanctuary for Harry’s young daughter when horrible things come looking for Harry.  And Harry reaches a kind of crossroads with respect to his stature in the supernatural world.  He is now a heavy hitter and has gained respect and even some wisdom.

What can I say?  You’re going to like most of this book. And there will be few things that you won’t care for.  But if you’re a Dresden fan you will have to read it.

Peace Talks – A Novel of The Dresden Files – by Jim Butcher – An SF&F Book Review

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Back in 2018 I did a review of Jim Butcher’s Dresden Files urban fantasy series.  In that review I enthusiastically recommended the series but noted that the last installment was released back in 2014.  This year Butcher published the sixteenth and seventeenth volumes in the series, “Peace Talks” and “Battle Ground.”  Somewhat unusually these two books comprise a single story.  So that means that the ending of Peace Talks is a great big “to be continued” notice.  Normally that would be extremely annoying but because the two books were released back to back it’s tolerable.  Another unusual situation is the fact that I haven’t read a Dresden Files book in several years.  For that reason, I’m having trouble deciding if the “voice” of Harry in the book is the same as it used to be.  I’m going to say that it isn’t the same.  Part of this may have to do with the changes in Harry’s status since his last story.  Now he is the “Knight” for Mab the dangerous Winter Queen and also the father of a young girl, Maggie.  I’ll have to go back to the previous book but I believe they have tamed down Harry quite a bit.

If you haven’t read the earlier books then you don’t want to jump into the series at volume sixteen.  Read my review of the series and decide if you want to start up with this very long but very good urban fantasy series.  If you have read the earlier volumes then I’ll report that the series is shaping up to be just as chaotic and crazy as ever.  As is Butcher’s way, the story starts out with an existential crisis developing in Harry’s life and then blossoms into the apocalypse.  Whenever something really bad happens the scramble to avoid catastrophe leads to a crisis that is orders of magnitude worse.  I will say that the pacing of the initial crisis seemed a little slow in spots based on my memory of how Butcher did these things.  And maybe that has to do with this being a two-book story.  But by the end of the book things were falling apart very nicely and Harry was right in his sweet spot, trying to save the world without any reasonable hope of even saving himself.  All his enemies were his only possible allies and all of his friends were alienated and hostile.  I won’t throw in any spoilers.  All the old characters are back and we see some of the damage done in the last book is still haunting the characters here.  Murph is seriously injured in a leg and arm.  She is no longer with Chicago PD and is awaiting additional surgeries and rehab to partially recover from her injuries.  Molly Carpenter is now the Winter Lady, Mab’s lieutenant and she has used her connections to provide Harry and his daughter with a home.  It is an apartment that is contained within a sort of embassy building owned and run by the Svartalves (dark elves) who are very serious about security.  This was necessary because in the last book the Red House Vampires finally burned Harry’s crummy home to the ground.  And his Volkswagen Bug was also finished off.  Now he’s driving a reconditioned and ancient hearse that he calls the Munstermobile.

I will say that the annoyance of having the book end in the middle of the story is acceptable because having Harry back is worth it.  I expect really good things from Battle Ground and if you’re a Dresden Files fan you have no choice but to jump in and enjoy the wreckage that Harry drags in his wake.  Highly recommended.