Tag: movies

Project Hail Mary Box Office Update: $616,588,738

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Well, it’s official, Project Hail Mary is a moneymaker for Amazon.  The info says it cost $200 million to produce.  Even if they spent another $100 million to advertise (which they wouldn’t have to because, of course, they’re Amazon!) that still puts them in the black.  And this is all in advance of what they’ll make streaming the movie on their own platform after the end of the theatrical run.

Box Office Data

Well, well, well.  So people will go to the movies if you give them something that isn’t woke slop.  If you give them entertaining story telling they’ll pay you money to watch it.  Shocking.  Wake up Disney.  Amazon is eating your lunch, you fools.

Keeping My Options Open

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One of my oldest friends has been advising me on the possibility of making a film treatment out of my book and sending it to Hollywood to become the next “Project Hail Mary.”  What immediately came to my mind was Hollywood taking the story and making the evil president, Donald Trump and making Bogey a leftist trans-woman.  Yikes!

But what was surprising is that there is actually an AI capable of taking my story and converting it directly into a film treatment.  And it has an enormous capability to annotate the details necessary for actually filming the thing.  There are notes on casting each of the characters (appearance, age, personality, voice), locations, special effects, visual effects, weapons, special personnel (e.g., armorer), special equipment, weapons, etc.

And then it used the dialog from the book and adapted it for the screen; shortened and elided from it to bring the screen time into a realistic movie length.

Now I haven’t finished going through this document but so far what I’ve seen seems very interesting.  It’s basically my book.  And that’s exciting.  I was assuming the story would be too long for a movie without very serious pruning of scenes that I’m attached to.  But we’ll see.

Now, I’m aware that Hollywood doesn’t make movies from books that don’t sell millions of copies.  They’re looking for a built-in fan base for their product.  So, no studio in their right minds would take a chance on spending potentially hundreds of millions of dollars on an unknown story.  But it’s always fun to dream about these things.

And that brings me to Andy Weir’s story.  He self-published “The Martian” on Amazon and only eventually got a book deal when he had already built up an audience for it on his own.  And now he has two hit movies made from his books.  Think about that.  Someone who couldn’t get a publishing contract ends up with a smash hit movie that everyone in Hollywood probably hates because it has a white guy as its hero and he doesn’t have the usual diversity cast to allow the movie to be an Oscar contender.  They broke all of Hollywood’s rules to make this movie by not having a girl-boss as the hero surrounded by the usual multi-cultural struggle session ensemble.  It just brings tears to my eyes.

Chances are I won’t be duplicating Weir’s experience.  My book is not an uplifting tale of human endeavor.  Mine is a tale of revenge and destruction.  I openly attack the Left and my heroes are identifiable people on the Right.  So, no.  I won’t be getting a Hollywood deal.  Ever!

But despite all that I’m excited about what is now happening in Hollywood.  The Ellisons bought Paramount and have now shut down the travesty that was Star Trek – Star Fleet Academy.  They’re buying Warner Brothers and they’ll probably shut down the people making terrible stuff like “Supergirl” that’s coming out soon.  And now we see Amazon/MGM making stuff like “Project Hail Mary (PHM).”  That’s a pretty good chunk of Hollywood already.  And with PHM looking like it’s going to break the $600 million mark and become a big moneymaker, even places like Netflix and Disney will say to themselves, “Hey, why can’t we get into some of that “normal film-making” that those other guys are doing and make money for a change?  Let’s call that photog guy and get an option on, “The Sniper” before the Ellisons scoop it up.”

Or something like that!

Where is the Good Stuff

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The crazies are coming out of the woodwork everywhere you look.  The Left has fired up the bat signal only it’s the bat-crap-crazy signal they’re flashing.  Honestly, we need a vacation from this.  We need something good to think about instead.  In normal times maybe we’d be excited to watch the Super Bowl.  But of course, these are not normal times.  I read somewhere that the half-time entertainment is someone calling him(?)self Bad Bunny.  And not knowing anything one way or another about said bunny I’d say, “Okay, why not?”  But then it said that in honor of all the “queers” he’s going to wear a dress.  So that’s the end of the Super Bowl.

I guess that means it’s up to me to figure out a way to cheer up normal America.  So I looked around and saw an article that said Sydney Sweeney was marketing a line of lingerie by wearing lingerie.  Well, that sounded hopeful but on further reflection I thought, “You know, she’s really better off doing the jeans commercials with her clothes on.”  Plus, Camera Girl will think I’ve become a dirty old man so that’s not so good.  So back to the drawing board.

So, I turned on the tv.  Holy cow.  All there was were police shows.  There were “COPS” style reality police shows and cold case shows and then there were tv series about make believe police.  Camera Girl watches a couple of these, one of which is Chicago PD.  But based on what I could see most of the Chicago police department is made up of women with a few men thrown in for the sake of romance with the few non-lesbian members of the force.  After watching a few minutes of this hyper-realistic police drama, I started mocking Camera Girl for watching this show.  I said, “Doesn’t it seem odd that five foot nothing women are arresting six foot something men who weigh three times what they do?  And how do they manage to keep their hair, make-up and fingernails looking so good during that knock down brawl on the mean streets of Chicago?”  Her only rebuttal was a really nasty scowl.  So, then tv wasn’t the answer.  At least not what’s on today.

Maybe that’s the clue.  We’re currently living in a happiness desert.  TV, the movies and books are in awful shape.  The only way to find amusement is to carefully curate (what a pretentious word!) your sources of entertainment.  Luckily for me, that’s always been something I did.  Currently in my movie rotation are a few very unusual films.  I have a 1958 movie called the “The High Cost of Loving” that starred and was directed by Jose Ferrer.  It’s about a fellow in middle management at an American company that is simultaneously dealing with his wife having a baby, the company being bought by a larger company and several signs that he’s about to be fired.  Small roles for Jim Backus, Edward Platt and Richard Deacon give the whole production a very familiar, late fifties, early sixties tv feel.  Watching Ferrer play a very decent man panicking over his comfortable life falling apart is excellent stuff.  And to round out my happiness quest I added two other movies I felt like watching; “A Man for All Seasons” and “This Happy Breed.”  These two are both based on English plays and despite the amount of disaster that both stories delve into, both leave me feeling very optimistic about the world.  Apparently, the movies don’t have to be upbeat or comedic to make me happy.  They need to be about people I can admire or at least relate to.

And sure enough, after partaking of these movies over the last few days I’ve forced myself into a good mood.  This despite the massive quantities of snow removal I’ve been subjected to.  So that’s the answer.  Find a vision of the world where good people do good things and you feel better.

The Future is Entertainment that Entertains, Maybe

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For the last ten years Hollywood has been making movies based on what they thought audiences ought to see instead of what they wanted to see.  This steady stream of girl-boss super hero and transgender romance stories have lost the studios literally billions of dollars.  I’ve been raving against this for years saying something will have to give and finally it has.

There’s a guy named Scott Cawthon whose twisted imagination came up with a story line where a Chuck E. Cheese-style restaurant becomes possessed by evil spirits and the animatronic animals start slaughtering the patrons.  He called it “Five Nights at Freddy’s.” He went from on-line storytelling to a video game to finally a couple of movies in the theaters that made hundreds of millions of dollars.  And the Rotten Tomatoes scores from the professional reviewers was 33% and the rating by customers was 86%.

So, what’s the lesson?  Find what the audience wants and give it to them.  And this is becoming more frequent.  A YouTuber named Markiplier self-financed a sci-fi horror movie called Iron Lung about a prisoner sealed in a submarine prison on a moon covered in an ocean of blood.  And once again there is a built-in audience from the game and story fans on-line.

Well, finally the actual studios are waking up and saying, “Wait a minute.  Why don’t we start making movies out of stories that people actually like?”  So, there are about a billion kids who play Minecraft so a Minecraft movie will make a billion dollars.  Duh!  Studios like Apple are starting to make science fiction and fantasy movies that piggy back on books that have actual audience appeal instead of left-wing ideological cachet.  It’s still barely detectable but without a doubt it’s the future.

Now, this isn’t targeted at me.  It’s for my grandkids.  They play the video-games that these movies are based on.  When I watch them it’s like some kind of fever dream.  The plots are crazy, the characters are cartoonish and the pacing is almost non-existent.  But no one is preaching.  It’s reminiscent of the slasher movies back in the eighties.  The audience was teenagers and there was no danger of anyone winning an Academy Award but the audience left happy and the studios made money.  This is the model that seems to be returning.

I was talking to one of my grandsons about this phenomenon and he provided a piece of supporting evidence.  He mentioned that none of his friends were going to bother to see the third Avatar movie because basically it’s the same movie recycled.  He said now that the CGI isn’t as cutting edge there’s really no reason to go listen to the same lecture about the military-industrial complex colonizing and oppressing space-aborigines for a third time.  Of course, that’s my take on what he said but it was interesting to me that he recognized the recycled aspect of the plot.  The Zoomers aren’t as helpless as some people paint them.  At least not the ones I’m related to.

It Might be Good Enough

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I was watching a video on YouTube that discussed the cratering of movie attendance after 2020 and how even after COVID was no longer a thing, how movie attendance has never recovered to pre-2020 numbers.  But the truth is that even before COVID the movies were steadily losing ground since around the year 2000.  So really COVID just hastened a trend that was already under way.

Well, that clarifies things somewhat but I think there are things to consider about this whole trend.  It’s not just a situation where a change in technology is disrupting an old business model.  Without a doubt that is happening.  But there is another phenomenon at work simultaneously.  And that factor is ideology.  For at least the last ten years there has been a concerted effort on the part of the movie making industry to restrict films to what they consider “acceptable” themes and characters.

And I think the drop in ticket sales reflects this change.  A solid thirty five percent of the country consists of people who aren’t motivated to see these types of movies, at all.  And this accounts for the drop in attendance and box office.

I guess the question that must be answered is, can the industry survive without this segment of the population?  The jury is still out but I think the answer is no.  Theaters have already become a low margin industry and without the enthusiastic patronage of key demographics financial viability won’t exist for much longer.  Then, what are the possibilities going forward?

One possibility is for some newer players in the movie making industry to modernize their operations to lower costs to the point where profits can be made with niche projects that can depend on a reliable demographic to support them.  This could work for the superhero films if the movies cater to the expectations of boys and young men to be entertained with an adventure story that appeals to their instincts.  By the same token a film that caters to the expectations of an LGBTQ audience or a young female audience or a baby boomer audience could also make money if its budget doesn’t swamp out its box office.  And so that could be the future.

I guess it’s possible that Hollywood could become so frightened by what has happened to their profits that they decide to do an about face and start making the kind of movies they made twenty years ago; ones that appealed to the bulk of Americans without trying to divide them by race and sex.  But somehow, I seriously doubt they’d succeed.  I don’t think they still have the wherewithal to recognize what goes into a movie like that.  Even if they tried to recreate that kind of movie making their instincts would betray them and the same woke tropes and characters would appear.  So the first scenario with new players seems more likely.

But I do not think any of this will happen quickly.  The entertainment industry is currently in turmoil.  Video games are currently the most popular form of entertainment for the younger generation.  Super hero movies in the last two or three years have bombed at the box office pretty consistently.  It will be a little while before the new money from Silicon Valley has had a chance to completely usurp the crown from the old Hollywood studios.  It’s definitely already happening but it’s not there yet.  When it does, I think we will start to see some very interesting changes.  It will never look like what we had.  Because we are not what we used to be.  But if it provides products for all of the larger audience types it might be good enough for my movie viewing pleasure.

2025 Summer Movies

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I’ve been listening to some of the movie reviewers about the crop of summer movies.  I guess the first “tentpole” film is whatever they’re calling the latest sequel to Jurassic Park.  I think the consensus is that it’s a tired derivative rehash of the original concept.  It’s also making a ton of money.  So, from the studio’s point of view, a success!  From an actual sentient movie watcher’s point of view not so much.  But as a grandfather of a dinosaur super-enthusiast, it does check a lot of the boxes as a way to bond with said enthusiast.  So not a total loss.

Then there are the latest comic book superhero movies.  So, they’ve given the Avengers the summer off and instead they’re taking another crack at “The Fantastic Four.”  Now this has always been a sort of oddball franchise.  They’re superpowers are “odd.”  One is a guy who can stretch his body.  Huh?  Then there’s a guy who can fly and shoot fire at stuff; well, pretty good, I guess.  Then there’s a girl who can become invisible and also has a force field.  This is actually the most powerful superpower amongst them.  And then there’s a guy who looks like he’s made of rock and is somewhat strong.  None of these “heroes” is going to compete with Superman or even Thor.  They’re powers kind of suck and they’re relegated to protecting Manhattan from intergalactic troublemakers like Dr. Doom, Galactus or Annihilus.  So, if you have a villain that can devour planetary system how does a stretchy guy and a rock stop you?  Even forcefield girl and “flame on” boy aren’t that much use.  On top of all that apparently the powers that be have decided that forcefield girl will be the girl boss of the movie and there will be much female empowerment on display.  Yay?  Well, I guess I can skip that one for my grandsons.

And then there’s another reboot of Superman coming out.  Initial reviews hint at the importance of Superman’s “immigrant” status.  Also, there’s been a lot of talk about “inclusion.”  Well, that doesn’t bode well in my book.  Worst case Superman is protecting cartel gangbangers against Trump’s ICE agents.  Best case Superman will be propagandizing the kids about how great it is to be an illegal alien from Krypton.  I could be wrong but I’m not seeing a Superman movie in my summer lineup.

Alright, let’s review.  Stupid dinosaur sequel is my best bet.  Check.  You know what?  I think I’ll assemble a sci-fi and fantasy film festival of my own.  That’s what I’ll do.  I’ll arrange a schedule and invite the grandkids over.

Let’s see; Them, Destination: Moon, The Thing from Another World, Forbidden Planet, 2001: A Space Odyssey, The Matrix, Terminator, Blade Runner, Independence Day and The Martian.  I’ll have to split it up to allow for the ages of the viewers.  And then we’ll end on a fantasy note; original Star Wars and the Lord of the Rings.  Okay, that’s a starting point.  And think of the money I’ll save on tickets and popcorn!  photog, you’re a bloody genius!

Guest Contributor – Tregonsee – 01JUN2025 – Future of Entertainment

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There was a concept a while back of Narrowcasting (as opposed to broadcasting) where you would aim for certain smaller markets via directed media like the internet. To some degree we see this happening with youtube and tiktok. The monetization would be direct from the consumers and perhaps via pre subscription schemes.

It seems that Hollywood got the narrow part but not the monetezation part. In an analogy to the misquote of Pauline Kael they don’t know anyone that voted for Donald Trump. Their audience is boomers who grew up in the late 1950s and early 1960s and are nostalgic for their college days and the protests against the Establishment. The boomers have not processed that they are now the Man. Meanwhile, Hollywood keeps churning out $200-400 million blockbusters aimed at that tiny (perhaps 5-20%) market demographic. Hollywood depends on the old 80s-2000s mix of movie theater, marketing of merchandise and resales for income. The thing is their little stunt of 2020 killed the theater, the Merch was for kids (or perhaps grand kids) which the boomers do not have, and residuals on the various streaming platforms residuals are bupkus compared to VHS/DVD sales. The big Studios are like the last of the dinosaurs standing around in a swamp in Louisiana on the day of the KT boundary impact saying “Hey Ralph whats that pretty light in the south it isn’t sunrise yet…” They’re dead they just haven’t figured it out yet, and the mammals are crouching in a variety of holes trying not to be eaten.

 

Comment by photog:  I guess I’m waiting for the mammals. It’s a lonely vigil but, “Ya gotta keep da faith.”

 

reply by Tregonsee:

Indeed Photog I’m rooting for the mammals too. Like the Mammals of the Tertiary (now called Paleogene) it may take a while for the producers to get organized. In publishing the transition seems well under way. Most Authors of more plot based SciFi either are at Baen or publish independently. Even giant authors like Brandon Sanderson (Mistborn, Way of Kings, etc.) are tending to eschew the big 5 publishing houses.

Music has been going to self publishing too. What it takes to have a GOOD studio is probably 2 orders of magnitude

Part of it is that for visual SciFi even though special effects are easier than 20-40 years ago (e.g. I’ve heard tell of a copy of the Death Star run in star Wars done totally with effect in CGI in a couple days that is VERY close to the original that took weeks in physical models) it still takes time and money. You still need actors and good ones are expensive unless you’re doing something they want to take a chance on. And even doing minimal sets things get expensive fast, and acting to things and characters that aren’t there on green screen is really hard to pull off believably even for first rate actors. The other part is that the current media seems to fight these efforts tooth and nail.

All that said there are signs things are improving. A movie called Flow (https://en.wikipedia.org/wiki/Flow_(2024_film) about a black cat and an odd bunch of animals in a post apocalyptic world got the 2024 Golden Globe and Oscar for long form animation. This was published by a 6 person group out of Latvia. I love animation and even though the premise is straight up green nude eel catastrophe the story and animation rival the best of Classic Disney or Studio Ghibli

 

Bad News – Good News

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So last night was the 97th Oscars.  Now, of course, I didn’t watch them.  I’m too old to waste several hours of my life watching boring awards show drivel about movies that no one in his right mind would actually watch and that’s even if seeing them was free of charge (which they are not).  I didn’t watch them but earlier I did hear about some of the best picture contenders.  One of them was the impossibly bad and unthinkably stupid “Emilia Pérez” which I mocked mercilessly in a post based on the movie trailer.  Another leading contender “The Brutalist” was a 3.5-hour epic about an immigrant architect from 1930s Hungary which includes the male protagonist being raped by his boss.  And a case could be made that wasn’t the worst part of the movie.  Matt Walsh reviewed it here so I was spared the horror of even watching the trailer.  And I hear the best picture winner was a movie called “Anora” which was about a sex worker that apparently contained a good 45 minutes of something resembling pornography.  Wow.

And so there we are for Hollywood 2025.  The best of the best are movies that no one would go to see and if anything actually entertaining somehow sneaks in then it will be panned by the critics and consigned to anonymity.  So that’s the way things have been run for the last fifteen years or so.  At this point even the wildly popular fantasy and superhero movies have been forced to conform to racial and gender social justice casting and plot requirements so that all the fun and excitement have been sucked out of them.  So, mission accomplished, Hollywood has murdered itself as an entertainment industry.  Requiescat in pacem.

Alright, let me try for the good news a bit.  Generation Z doesn’t go to the movies.  They play video games; they watch movies based on the video games they like.  And these movies about video games are written by “influencers” that play the same video games and have literally millions of young people following them on-line.  In other words, Netflix or some other media company will provide resources to an influencer to make a movie based on the fact that a guaranteed audience in the millions already exists for this product.

As an example, there is a guy on-line who reviews movies.  He calls himself “The Critical Drinker.”  He has 2.24 million subscribers and who knows how many casual watchers for his review videos.  He is also an author of suspense and espionage novels.  And because of his following (which is not particularly large as influencers go) he recently had a short movie made from one of his stories.  Now I’ve only watched ten minutes or so of this video but looking at the production quality, it’s equal to any of the series of this sort that gets made by Amazon or Netflix or the other studios that are taking away business from the old guard companies in Hollywood.  And recently I listened to a podcast where one of my favorite unwoke (meaning normal and entertaining) urban fantasy novelists Larry Correia was talking about these very things with The Critical Drinker.  And putting two and two together I’m guessing that people on my side of the political divide are thinking it might finally be possible to get movies made without the gatekeepers poisoning them or just plain stopping them as they’ve always done up till now.

Now, I’m not a Pollyanna.  A lot of the stuff that the kids watch is pretty goofy stuff.  The storytelling isn’t Dostoevsky.  In fact, it isn’t even Mickey Spillane.  But that’s alright.  You have to start somewhere.  The main thing is a pipeline has to be established where an audience and a creative type can trade money for entertainment without the woke gatekeepers controlling everything.  And that’s what I think is already beginning to happen.  Sure, it’ll start at the level of video game fan fiction.  But that’s no different from the pulp novels and the early movies like Buck Rogers and Flash Gordon.  From such humble beginnings can come much better work.

Now, will I live to see anything worthwhile come of this?  Stay tuned and I’ll let you know.

No Brainer

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Do you know what movie is the front-runner for Best Picture and Best Actress Oscar Awards?  It’s a musical called Emilia Pérez.  It’s the story of a Mexican cartel kingpin named Manitas Del Monte who decides to undergo a sex change operation and become a woman named (you guessed it) Emilia Pérez.  And as you might imagine problems crop up.  He wants to keep tabs on his wife and children (who think he is dead).  And when his wife resumes an affair with one of his henchmen well, that’s going to be a problem.  Eventually everyone ends up dead, so it’s kind of a cautionary tale about sex changes I guess.  But it’s a musical so I’m sure it’s a lot of fun.

Now of course the best bit is the “actress” playing Emilia Pérez is, of course a man who has had his manly bits hacked off and now wears a dress and wig.  So, this is the year when a man will win the Best Actress Award.

Another milestone!

I guess you’re asking yourself where is he going with this?  What is there to say?

It’s a fair question.  After all this is just the logical conclusion to the progression in Hollywood for the last twenty years or so.  The proportion of movies that are strictly message movies and lack any entertainment value has been increasing steadily for two decades to the point where whole years can pass without anything appearing in theaters that general audiences can enjoy.  Of late even the superhero and Star Wars movies have been saturated with gender and racial equity messaging to such a point that these once bullet-proof box-office money makers have been crashing and burning.  Disney has had a string of flops that instead of making billions as they used to aren’t even breaking even.

Well, I think with Emilia Pérez we’ve reached the edge of the cliff.  If Hollywood gives the Best Picture and Best Actress awards to Emilia Pérez they will have passed into self-parody and forfeited any hope of recovery.  I have seen outtakes from this film.  There is a whole song devoted to vaginoplasty.  This is not the work of sane people.  This makes “Springtime for Hitler,” the farcical play within a play from Mel Brooks’ “The Producers,” look like Shakespeare.

From what I’ve heard, Mexico is up in arms.  Apparently, the honor of the narco-trafficantes has been besmirched by the premise of the movie.  I’m amazed that the producers don’t fear that they may end up as heads in a duffel bag somewhere in a cartel stronghold in Mexico.  And personally, I don’t see how we could blame them for taking offense.  After all it’s kind of like misgendering in a way.  And we all know how bad that is.

But seriously, if there is still any doubt that conservatives could easily make excellent money by opening up a half-decent movie studio and provide the public with even mediocre entertainment, this is the proof.  The idiots in Hollywood have lost their damn minds and nobody wants to watch what they are producing and awarding.

Right now, a studio using ten-year-old CGI technology and century old plots could be picking up most of the billions that Marvel and Lucas Films are leaving on the table by being woke.  Something like Dune or any space opera from the 1940s would sell tickets all day long just by providing teenagers with a hero saves the princess plot.  After all that’s what Star Wars was based on and they printed money for forty years until they screwed it up with the woke crap they had to inject into it.

Let me recommend that you not go to see Emilia Pérez.  In fact, let me recommend that you not watch this year’s Oscars (not that you would).  But who I am really talking to is Elon Musk and other deep pockets guys who have the wherewithal to take advantage of others’ mistakes.  Hire a few of the better movie screenwriters and tell them to write a Star Wars rip-off.  Except make it for normal people.  Then film it and make a billion dollars.  No brainer.

Nature Finds a Way

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In this creepy world we live in where children are targeted by “educators” to redefine their genders and pushed away from the behaviors and activities that they enjoy it’s hardly surprising that things like adventure books for boys have essentially disappeared.

Of course they’ve vanished.  All the authors are women and they have to toe a very definite line if they want to be published.  You can’t have adventure for boys.  You can’t leave the girls behind.  You can’t even have them following along.  They have to be in charge.

So, boys stopped reading books.  Instead, they went to superhero and Star Wars movies.  So, what did the movie studios do then?  They hired female directors and studio bosses and turned the Jedis into girl-bosses and turned Captain Marvel into a girl, of course.

So now the boys are giving up on superheroes and concentrate on video games.  And of course, the game manufacturers are feminizing and queering the video games.

You see the pattern.

Now, there is the flip side of this progression.  First the book industry began to fail when the publishing houses dictated a leftist and feminine slant to books.  No one bought their books.  Now the movie studios are foundering because even their summer blockbuster superhero movies are tanking.  If the video game makers succeed in eliminating the things that males enjoy in video games, they will kill the goose that lays the golden eggs.

So far, the trend in entertainment has been all in one direction; female.  And the trend in their fortunes has also been all in one direction; down.

Well, I think that is beginning to end.  There is a development in the world of entertainment that seems to be diverging from the pattern.  And it even involves elements of each of the media I mentioned above; books, movies and video games.  And it involves the part of social media that I found the least promising; “influencers.”

Apparently teen-age boys and young men are finding community inside the YouTube channels of influencers who write fan fiction around some popular video games.  These sites have tens and even hundreds of millions of viewers.  And the clout that this kind of following produces even allows these influencers to have their stories turned into movies.  Think about that.  Some guy who writes plots around some popular first-person sci-fi video game can get a movie made from his stories and it has a built-in audience of millions.

Look at how this short circuits the whole woke female industrial complex.  You avoid the woke publishing industry, woke movie industry and woke video game industry by tapping into a ready built audience of young men and boys looking for adventure and violence.  As Jeff Goldblum’s character, Dr. Ian Malcolm said in Jurassic Park, “Nature finds a way.”

I find this both fascinating and encouraging.  These kids have broken out of the feminist struggle session hell of modern entertainment and escaped into the wild.  That is an immensely encouraging thing.  And if it continues to advance it will wipe out the alternative.  No one wants to see Girl-Boss Jedi Knights making the universe safe for middle aged lesbian Jabbette the Hutt.  No one will pay to see She-Hulk bust out of her clothes and rampage through Manhattan’s theater district to catch a performance of Hamilton.  No boy wants to play a video game where his character has to be in drag.

Of course, the powers that be may try to squelch this latest attempt at non-feminist entertainment.  But at this point even Google is probably seeing which way the entertainment dollar is moving (and where it’s not).  I could be wrong but I think there may finally be a reaction brewing in the entertainment world.  And it might be that the future isn’t female.