Star Trek – The Original Series – Complete Series Review – Season 2 Episode 7 – Catspaw

Robert Bloch, the sf&f writer who also wrote Psycho wrote this episode.  This episode aired on October 27th 1967 and back then tv shows would have a holiday episode for Halloween, Thanksgiving, Christmas and Easter.  For the most part, these kinds of shows couldn’t be accommodated on a science fiction series like Star Trek but for some reason they went out of their way to make this travesty.

The Enterprise is exploring a lifeless world.  Sulu, Scotty and a red shirt have fallen out of communication on the surface.  The red shirt calls to be beamed up and when he appears on the Enterprise, he drops down dead.  Now a “spooky” voice tells the Enterprise that the planet is cursed.  Kirk, Spock and McCoy beam down and find a silly Halloween set.  There is a castle complete with skeleton filled dungeon, black cat, witches and fog.

We meet a wizard, Korob and his familiar, a black cat who is also a “beautiful” woman named Sylvia.  They have captured Sulu and Scotty and zombified them.  Eventually they zombify McCoy.   They can play tricks like taking a little model of the Enterprise and holding it over a candle to make the real ship start to overheat.  We find out the aliens are creatures from another galaxy and of course they don’t have emotions or other fun stuff so Sylvia makes a play for Kirk.  Kirk pretends to like her but she figures out he’s faking and gets angry.  Now Korob frees them from the dungeon and nervously tells them that they must escape because Sylvia has gone nuts and will destroy them all including him.

She turns into a giant black cat and hunts down and kills Korob by smashing him under a dungeon door.  As he’s dying Korob reveals that the source of their power is a magic wand.  At the key moment Kirk smashes the wand and everything returns to reality.  No castle, no fog and Korob and Sylvia are now these little six-inch figures that look like they are made of colored pipe cleaners.  Scotty, Sulu and McCoy are unzombified and unaware of what has gone on.  Then they go back to the ship.

Even back in 1967 when I was ten years old, I knew this episode sucked.  It has nothing.  They couldn’t even give us a really good-looking woman with not much clothing.  It was all bad.  It isn’t even redeemed by Shatner mockery points.  It’s a waste of time except as an anthropological study on early television holiday tie-ins.  I give it a 3 // 1.

Star Trek – The Original Series – Complete Series Review – Season 2 Episode 6 – The Doomsday Machine

The Enterprise comes upon two adjacent inhabited solar systems that have had their planets reduced to rubble.  Heading into the next solar system they receive a garbled distress signal from the Federation Star Ship Constellation.  When they reach the solar system, they find that all the planets except for the inner two have been destroyed.

As they navigate through the debris field, they discover the badly damaged Constellation drifting in space.  Sensors determine that parts of the ship are still habitable but the warp drive and transporters are destroyed and the bridge has been depressurized.  Kirk, McCoy, Scotty and some red shirts beam aboard and discover that the crew is missing.  While investigating the auxiliary control room they discover the ship’s commander Commodore Decker (played by well known character actor William Windom) slumped over the control console in heavy shock.  McCoy revives him with a medication and Decker relates to them that some device of mammoth proportions, “miles long,” was destroying the fourth planet of the system when they arrived and so the Constellation attacked it with all it’s phaser weaponry but with the machine’s hull made of “pure neutronium” it had not effect.  The Planet Killer counterattacked with a beam of “pure antiprotons” and disabled the Constellation.  To save his crew Decker beamed them down to the third planet and stayed with the ship.  After the Constellation could no longer move the device ignored it and went back to destroying the planets.  Decker’s crew called him and begged him to help them as the machine destroyed the planet, they were on but he had no way to save them and this is what led to his breakdown.  Kirk speculates that the device is a Doomsday Machine unleashed in some long-forgotten war that destroyed both sides, leaving the machine to travel on indefinitely destroying everything in its path and using the debris from the planets it destroys as fuel.

Kirk sends McCoy and Decker back to the Enterprise and stays along with Scotty and the engineering team to reactivate the Constellation.  Scotty is tasked with getting the impulse engines working and the rest of the team attempts to get the main view screen of the auxiliary control room functional.

Meanwhile back at the Enterprise Spock is towing the Constellation along and intends to head away from the subspace interference associated with the Planet Killer and warn Starfleet that the device is headed for the most populous area of the galaxy.  Communication with the Constellation is cut off by interference and when Commodore Decker reaches the bridge, he relieves Spock of command and orders the Enterprise to attack the Planet Killer.  And of course, this goes very badly.  In the course of delivering a series of totally ineffective phaser blasts to the hull of the device the Enterprise is caught by a tractor beam and is slowly pulled toward the maw of the Planet Killer.

At this point Kirk gets visual sensors back on line in time to see the Enterprise heading for annihilation.  Scotty provides Kirk with impulse power and some phaser capability.  Kirk attacks the Planet Killer and this gives the Enterprise the chance to escape.  Kirk contacts Spock and orders him to relieve Decker.  Decker escapes from an escort and steals a shuttle craft and despite pleading by Kirk flies it directly into the maw of the device.  The explosion of the shuttle craft’s small engine damages the Planet Killer by a small but definite amount.  Kirk theorizes that exploding the impulse engines of the Constellation inside the device might destroy the Doomsday Machine.

Scotty rigs a 30 second delay to provide Kirk with time to escape the Constellation before detonation.  As the Constellation comes within a few hundred miles of the device Kirk pushes the timer and calls to be beamed out.  But the transporter was damaged during the battle with the Planet Killer and we get the comical scene of Kirk getting closer and closer to destruction and anxiously reminding Spock he needs to be saved.  Spock provides monotonous reminders to Scotty of the imminent demise of Kirk while the engineer works feverishly to repair the transporter’s something or other.  And of course, Kirk makes it out with nothing to spare and his atoms scrambling in the air as the transporter manages to collect him together out of the hellish nuclear inferno set off inside the Doomsday Machine by the Constellation’s self destruction.  We get some prattle between Kirk and Spock about the Constellation’s detonation which is like a hydrogen bomb, the 20th century’s doomsday device, being used to destroy a different doomsday device.

This is a great episode.  The writer, Norman Spinrad, although not an author I preferred was a competent science fiction writer so he has crafted an interesting science fiction story.  The Decker character is given a good part as the Captain Ahab trying to get his White Whale.  Kirk gets to add a little humor to the situation of his transporter malfunction problem and he actually does this admirably.  He even gets to tell Scotty he earned his pay.  There really isn’t too much Shatner acting to mock but this episode doesn’t need it.  I’ll call it a 10 // 0.   This is as good as it gets for Star Trek.

Ransom – A Movie Review and Comparison – Part 3

Any of you who have followed the guest contributors here may know that The Fatman is a more learned student of the cinema than I am.  When he saw my Ransom reviews, he alerted me to a ransom-type movie by the acclaimed Japanese director Akira Kurosawa called “High and Low”.  Now, Kurosawa is best known to American audiences from his homage to the American Western called “The Seven Samurai.  And the American Western’s homage to him is the movie “The Magnificent Seven.”

So anyway, I decided to give it a spin.  “High and Low” is not a direct retelling of the Ransom story in fact it is based on an American crime novel called “King’s Ransom” written by Evan Hunter under the pen name Ed McBain.  But I think it still fits under the umbrella of the Ransom comparison.

Kingo Gondo (played by Kurosawa regular, Toshiro Mifune) is the CEO of a large shoe manufacturing company with the very original name of National Shoes.  He is extremely wealthy but came up through the ranks from humble beginnings.  He lives in a beautiful home on a prominent hill overlooking the city.  He has a wife, Reiko and young son, Jun and they share the home with his chauffer Yutaka Sada and his son, Shinichi, who is Jun’s friend.

Gondo is being pressured by the Board of Directors to back their play to oust the founder of the company and start making stylish but poorly-made shoes at a high profit.  Gondo disagrees saying the answer is to upgrade the style of the current well-built shoes and thereby maintain the brand and expand the market.  The Board threatens to oust him instead.  In discussions between Gondo and his assistant we learn that Gondo has anticipated this hostile takeover and has collected enough loan money to take over the company himself.  He has a check for fifty million yen that his assistant will deliver by train that night to lock down the stock he needs for the takeover.  The loans will basically mortgage everything he owns but he knows he’ll be able to pay them off once he has control of the company.

During these discussions we see Jun and Shinichi dressed as cowboys chasing each other around with cap guns.  And now that Jun has won the game as sheriff, he trades costumes with Shinichi and assumes the role of outlaw.  Gondo gives the check to the assistant and tells him which train to take.  But before the assistant leaves a call comes in from someone claiming to have kidnapped Jun.  The kidnapper says the ransom will be thirty million yen.  Gondo tells the kidnapper he will pay the ransom.  Now Gondo tells his assistant to cancel his train ride because Gondo will need that money for the ransom.  Almost immediately Jun walks back in the room and Gondo assumes the call was a hoax.  But when Jun asks everyone where Shinichi has gone the adults realize that the kidnapper mistook the boy wearing Jun’s costume for Jun and kidnapped Shinichi by accident.  Sada is now understandably worried about his son but Gondo tells him that the kidnapper will release Shinichi when he realizes the boy is not from a rich family.  But the kidnapper calls back and says he will demand the ransom for Shinichi instead and he will kill the boy if the money is not surrendered.  Gondo refuses and hangs up.  Now the police are called in.

The police show up and go through the same phone tapping routine we’ve seen in the other two movies and analyze the kidnapper’s demands and mindset.  They try to convince Gondo that this particular kidnapper is extremely angry and seems to have a grudge against Gondo or at least against the rich.  They ask him if he will consider paying the ransom but he explains that he must go forward with the takeover or he will be out of a job and ruined financially.  At this point Sada and Reiko separately beg Gondo to relent and pay the ransom.  Gondo refuses.  The police ask that at least he tell the kidnapper that he will pay the money in hopes that they can catch the kidnapper during the ransom exchange.  Gondo agrees to this.  He gets the instructions from the kidnapper and after seeing Sada break down in despair Gondo relents and agrees to pay the ransom.

There is an intricate arrangement with bags of cash that will fit through a narrow bathroom window on the train once Gondo sees Shinichi standing with his captor adjacent to the tracks.  The money is payed and Shinichi is freed.  Gondo loses his house and all his possessions to his creditors.

The rest of the movie is a police procedural about trying to find the kidnappers and get Gondo’s money back.  Small clues gathered from the kidnapper’s phone conversations and the somewhat vague information provided by Shinichi combine to allow the police to hunt down the gang.  The final part of the movie involves some heroin addicts who were part of the gang and we get some scenes of the seedy world that these people inhabit.  Finally, the kidnapper is caught and because of the murder of his accomplices he is given a death sentence.

We see Gondo get his money back but it is too late to restore his old life.  He takes a job with a smaller shoe company and he actually enjoys the work more because of his greater creative control there.

In the last scene the murderer asks Gondo to come to the prison to talk.  He explains why he picked Gondo.  From his tenement below the hill he dwelt on Gondo’s affluence and the anger this engendered drove him to his crimes.  He claims not to be afraid of his death but by the end of the conversation he breaks out in hysterics and is dragged away and the movie ends.

This movie is sort of a hybrid.  The story really is a police procedural.  The crime allows for the police to solve the puzzle of finding the criminal and getting justice for Gondo.  But the predicament of Gondo is a very Japanese story.  The honor and the prestige of the “great man” is a theme that interests Kurosawa and specifically he is examining how the modern capitalist model has removed the human element from the equation.  Gondo was a poor man who became rich and Sada is a poor man who is entirely at Gondo’s mercy for his son’s life.  Basically, we are watching a struggle for Gondo’s soul.

Japanese cinema is in some ways hard for Americans to enter.  In addition to the language barrier and the need to read the subtitles, facial expressions and even mannerisms are decidedly different.  I like the movie and thought it was well done.  Whether anyone who hasn’t seen Japanese films would enjoy it is an open question.  I recommend it.

Breathes There the Man – Sir Walter Scott

I
Breathes there the man, with soul so dead,
Who never to himself hath said,
This is my own, my native land!
Whose heart hath ne’er within him burn’d,
As home his footsteps he hath turn’d,
From wandering on a foreign strand!
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonour’d, and unsung.

II
O Caledonia! stern and wild,
Meet nurse for a poetic child!
Land of brown heath and shaggy wood,
Land of the mountain and the flood,
Land of my sires! what mortal hand
Can e’er untie the filial band,
That knits me to thy rugged strand!
Still as I view each well-known scene,
Think what is now, and what hath been,
Seems as, to me of all bereft,
Sole friends thy woods and streams were left;
And thus I love them better still,
Even in extremity of ill.
By Yarrow’s streams still let me stray,
Though none should guide my feeble way;
Still feel the breeze down Ettrick break,
Although it chill my wither’d cheek;
Still lay my head by Teviot Stone,
Though there, forgotten and alone,
The Bard may draw his parting groan.

by Sir Walter Scott (From “The Lay of the Last Minstrel”) 

 

Star Trek – The Original Series – Complete Series Review – Season 2 Episode 5 – The Apple

Kirk beams down to Gamma Trianguli VI with Dr. McCoy, Ensign Chekov, Spock, Yeoman Martha Landon (a pretty blonde named Celeste Yarnall) and several expendable red shirts.  We’re really not sure why the hell they’re there but we find out it resembles a tropical paradise that contains plants that shoot poisonous darts and rocks that explode if you step on them.  In fact, three red shirts die in these fashions and one of the plants almost gets Kirk but Spock pushes him aside and gets the darts in himself.  Of course, Spock survives but while attempting to beam back to the ship to help him, we find out that some force on the planet has neutralized the transporter and is also pulling the Enterprise toward the planet with a tractor beam.

We now meet the inhabitants of the planet.  They look like some combination of non-violent sheep with surfer dudes sporting platinum blond hairdos and wearing towels around their waists.  They work for a godlike idol named Vaal that inhabits a rock formation in the shape of a dragon’s head.  It has a force field around it and seems to be the power that is attacking the Enterprise.  Spock states that is some kind of machine.  The People of Vaal feed it the exploding rocks once a day and that seems to be the source of Vaal’s power.  Vaal controls the people and forbids them to procreate but feeds them and controls the environment so that they virtually live forever.  They are childlike and annoying.

When Yeoman Landon finds out that they don’t have sex she wonders how they would replace someone who dies by accident.  And the male members of the landing party look around sheepishly at each other until Spock hems and haws through a statement that Vaal will provide some kind of instructions.  McCoy makes a sarcastic comment to the effect that he’d like to see a machine try to provide those instructions.

While the situation of the Enterprise becomes more critical Kirk and Spock try to figure out a way to neutralize Vaal.  Spock warns that destroying Vaal would violate the prime directive.  Kirk indicates that he’s not concerned about that.  Meanwhile Chekov and Yeoman Landon are observed kissing by a couple of the People of Vaal.  Luckily, it’s 1967 so they are a man and a woman and when they experiment with this new behavior, I don’t have to turn the tv off.  But Vaal is not equally as happy about this behavior as I am and instructs his people to kill all the Enterprise personnel.  When the male People of Vaal attack the crew, they manage to kill one red shirt from behind by bashing his head in with a big stick.  But without the element of surprise these lame losers are quickly pummeled and disarmed by the Enterprise crew.  Even Yeoman Landon is able to kick the butts of these feeble skirt wearing sissies.

Now Kirk comes up with a plan.  He imprisons the People of Vaal thus preventing them from feeding Vaal while simultaneously he instructs Scotty back on the Enterprise to fire its phasers continuously at the force field of Vaal.  Sure enough Vaal quickly runs out of reserve power and is destroyed by the phasers.  Kirk tells the People of Vaal that they will learn to enjoy life without Vaal and will learn to take care of themselves and have their own lives and families as men and women are supposed to.

The final scene on the Enterprise has Spock trying to make the point that destroying Vaal is equivalent to forcing the People of Vaal out of the Garden of Eden.  Kirk counters by saying that essentially Spock is equating Kirk with Satan.  Kirk follows up by asking Spock if anyone on the Enterprise even remotely resembles Satan to which Spock guardedly says there is not.

This is sort of a companion piece to “Who Mourns for Adonais.”  Once again, a godlike creature holds a group of humanoids in thrall to serve it while providing the people with a life of ease.  And in both cases the Enterprise destroys the alien power source with its phasers.  There are definitely more humorous passages in this episode than usual including the first time that Kirk has to “fire” Scotty when he can’t perform the impossible.  And of course, he rehires him when he performs some other technical miracle instead.

There are a few scenes where Kirk displays anxiety over the death of some of the red shirts.  He whines about how he should have seen the dangers coming.  This is the extant of the Shatner mockery points.  Also, he gives Spock some grief for saving his life and there is the Satan shtick at the end.  There is a pretty girl in the episode and Chekov manages to get a few jokes about Russia into the script.  But it’s a relatively silly plot and the People of Vaal are like wimpy pajama boys so it does have a certain annoying quality.

Taken all in all I’ll call it a 7  //  5.

Anonymous – Abdul A-Bul-Bul A-Mir

I love a good nonsense poem or song.  I believe that Sons of the Pioneers released a version of this in the 1930s.

 

 

The sons of the Prophet are brave men and bold

And quite unaccustomed to fear

But the bravest by far in the ranks of the Shah

Was Abdul Abulbul Amir

 

If you wanted a man to encourage the van

Or harass the foe from the rear

Storm fort or redoubt, you had only to shout

For Abdul Abulbul Amir

 

Now the heroes were plenty and well known to fame

In the troops that were led by the Czar

And the bravest of these was a man by the name

Of Ivan Skavinsky Skavar

 

He could imitate Irving, play poker and pool,

And strum on the Spanish guitar.

In fact quite the cream of the Muscovite team

Was Ivan Skavisnsky Skavar.

 

One day this bold Russian, he shouldered his gun

And donned his most truculent sneer

Downtown he did go where he trod on the toe

Of Abdul Abulbul Amir

 

“Young man,” quoth Abdul, “Has life grown so dull

That you wish to end your career?

Vile infidel know, you have trod on the toe

Of Abdul Abulbul Amir”

 

“So take your last look at the sunshine and brook

And send your regrets to the Czar

For by this I imply, you are going to die

Count Ivan Skavinsky Skavar”

 

Said Ivan, “My friend, your remarks in the end

Will avail you but little, I fear

For you ne’er will survive to repeat them alive

Mister Abdul Abulbul Amir”

 

Then this bold Mameluke drew his trusty skibouk

With a cry of “Allah Akbar,”

And with murderous intent he ferociously went

For Ivan Skavinsky Skavar

 

They parried and thrust, they side-stepped and cussed

Of blood they spilled a great part

The philologist blokes, who seldom crack jokes

Say that hash was first made on the spot

 

They fought all that night neath the pale yellow moon

The din, it was heard from afar

And huge multitudes came, so great was the fame

Of Abdul and Ivan Skavar

 

As Abdul’s long knife was extracting the life

In fact he was shouting, “Huzzah!”

He felt himself struck by that wily Calmuck

Count Ivan Skavinsky Skavar

 

The Sultan drove by in his red-breasted fly

Expecting the victor to cheer

But he only drew nigh to hear the last sigh

Of Abdul Abulbul Amir

 

Czar Petrovich, too, in his spectacles blue

Sauntered up in his gold-plated car

And arrived just in time to exchange a last line

With Ivan Skavinsky Skavar

 

There’s a tomb rises up where the Blue Danube rolls

And engraved there in characters clear

Is, “Stranger, when passing, oh pray for the soul

Of Abdul Abulbul Amir”

 

A splash in the Black Sea one dark moonless night

Caused ripples to spread wide and far

It was made by a sack fitting close to the back

Of Ivan Skavinsky Skavar

 

A Muscovite maiden her lone vigil keeps

Neath the light of the cold northern star

And the name that she murmurs in vain as she weeps

Is Ivan Skavinsky Skavar

Ransom – A Movie Review and Comparison – Part 2

Ransom – A Movie Review and Comparison – Part 1

In 1996 Ron Howard directed a remake of Ransom.  He cast Mel Gibson and Rene Russo in the leads as Tom and Kate Mullen the parents of a young son Sean.  Tom is the owner of his own airline and a leading member of New York high society.  During an educational event in Central Park at which Kate is a judge Sean is kidnapped while Tom was distracted.

Now we meet the kidnappers.  Maris is a caterer who works for the Mullens.  Brothers Clark and Cubby Barnes and Miles Roberts are small time criminals.  But the mastermind of the gang is Police Detective Jimmy Shaker, played by the great Gary Sinise, who set up the whole crime and uses his knowledge of police procedures to engineer a convoluted ransom transfer.  He has Tom carry the two million dollars to a civic center and jump in a swimming pool to destroy any electronic devices.  Then Tom switches cars and drives to New Jersey while Shaker gives Tom directions over a mobile phone.  During this phone call Shaker answers Tom’s question of why Tom’s family was picked.  Shaker tells him that Tom is a man who buys his way out of trouble.  Tom paid off men to frame a labor leader that was making trouble for Tom’s airline.  From Shaker’s point of view, he sees Tom as a sure thing to pay his son’s ransom.  Then Shaker tells Tom the story of the Eloi and the Morlocks from H. G. Wells’ story “The Time Machine.”  To Shaker the Mullens and the other elites are the Eloi living in the daylight world of wealth and privilege while Shaker and the rest of the Morlocks slave away in the underworld of the poor.  He states that it’s just the nature of things that the cannibalistic Morlocks have to surface from time to time to eat an Eloi.

Tom demands to know how the exchange will lead him to his son to which Shaker replies that when Tom hands the money over to the courier, he’ll be given the address where his son can be found.  But when he arrives at a quarry where the courier takes the money, he is given no address and Tom notices the look of confusion on the courier’s face when the question is asked.  The courier is Cubby Barnes played by Donnie Wahlberg who was the only one of the kidnappers who treated Sean Mullen decently during his captivity.  FBI helicopters chase after Cubby on his ATV and when the agents start rappelling to the ground Cubby fires at them with an automatic weapon.  In answer he is killed by gunfire from the law enforcement agents.

The kidnappers are in disarray after this because Cubby’s identity will make his brother’s identity easy to figure out.  But undaunted, Shaker immediately contacts Tom and begins a second transfer operation.  But Tom has figured out that the kidnappers have no intention of releasing his son.  So instead of proceeding to the drop he tells Shaker to watch Channel 5 on the television for further information.  Tom calls his corporate friends and arranges to be put on the air.  He lays the two million dollars on a table and into the camera he tells the kidnappers and the world that he has no intention of paying the ransom and instead want the two million to be a reward for capturing his son’s abductors.  He gives the kidnappers a way out saying if Sean is returned unharmed, he will withdraw the reward.

Everyone turns against Tom, the FBI agents who have been advising him, his wife Kate and every man on the street who is questioned by the media.  Now Shaker calls him up and threatens to kill Sean if Tom doesn’t pay the ransom.  Tom says he doesn’t believe he’ll return Sean at all.  Now the kidnappers send a note through the housekeeper to Kate to show up late at night in a deserted church to arrange for an exchange.  Kate is attacked by Shaker in disguise who punches her and chokes her before leaving her with Sean’s shirt soaked in blood.

Kate begs Tom to relent but instead Tom goes down to the street and tells the reporters that he is doubling the reward to four million dollars.  Shaker calls up enraged and shouts at Tom that he will kill Sean if Tom doesn’t agree to the ransom immediately.  Tom shouts abuse at Shaker and then he hears a gunshot ring out over the phone.  Kate attacks Tom and slaps him repeatedly and collapses to the floor.  Tom stumbles out onto the penthouse roof and at first seems to be planning to jump but then collapses onto the roof sobbing.  Kate finds her way to the roof and consoles him.

But Shaker fired into the wall.  Sean is alive.  Now Clark Barnes and Miles Roberts are packing their van to leave the scene and Maris is panicked and doesn’t know whether to run or kill herself with a gun she has.  She is romantically involved with Shaker but their bond has been broken by the sordid nature of the crime they are committing.  The only one who isn’t panicking is Shaker.  He’s come up with Plan B.  He calls up the precinct on his radio and tells them that there is a kidnapping at the address they are holding Sean at.  He shoots Clark and Miles as they try to drive off but Maris shoots him in the shoulder.  Shaker returns fire and kills her.  Now Shaker pretends that he discovered the kidnapping and puts himself in line for the four-million-dollar reward.

Sean is returned to his parents traumatized but only slightly injured and the Mullens begin to bring their lives back to normal.  One day Shaker shows up at the Mullens’ home to collect his reward but as Tom is writing out the check, he sees Sean quaking with fear at Shaker’s voice.  Tom realizes what it means but almost immediately afterward Shaker knows that Tom knows.  At this point Shaker’s anger leads him to say he will execute Tom.  But Tom convinces him that they can go to Tom’s bank and have the reward transferred to Shaker’s offshore bank.  Then Tom agrees to fly Shaker to Mexico in his private jet.  While driving to the bank Tom ostensibly calls the airport to set up his flight but actually calls the FBI and tips them off to where he is headed.

Tom and Shaker make the wire transfer at the bank but as they’re leaving some NYPD who have been alerted by the FBI attempt to arrest Shaker.  He shoots two of them and takes off running.  Tom catches him and beats him brutally but Shaker manages to push Tom into traffic where he is shaken up by a passing car.  Now there is a foot race and finally Tom grabs Shaker and throws him through a plate glass window.  Tom retrieves Shaker’s gun and covers him with it.  The NYPD and FBI show up and tell Tom to drop the gun and Shaker to lay on the ground.  Shaker is bleeding profusely from a neck wound from the broken window but he secretly reaches for an ankle holster.  When Tom drops his gun arm to his side Shaker pulls his gun to shoot Tom but is beaten to the draw by Tom and several law-enforcement officers.  Shaker is shot dead and Kate shows up to hug Tom and signal the end of the nightmare.

Wow, that’s a lot of stuff, to stuff into one movie.  And I’ve left out a lot of details.  The FBI Special Agent Lonnie Hawkins played by Delroy Lindo has a role in convincing Kate to stop Tom from offering the reward.  He also is privy to Tom’s perjury in the conviction of the labor leader.  The relationships between the various kidnappers is complicated and volatile.  There are a lot of moving pieces.

It’s a well-crafted movie.  At certain points the various characters border on hysterics but considering the roles and stakes involved the action is reasonable.  None of the characters is blameless but even some of the criminals may make some claims to the viewers sympathy.  I think it’s a good crime drama with a lot of human interest.  I can recommend it as worth seeing.

In the last part of this review I’ll look at the 1956 and the 1996 versions of Ransom to see how they compare and what that comparison might say about the years in which they were made.

Ransom – A Movie Review and Comparison – Part 1

I am as old as hell itself so I remember seeing Ransom in the theater in 1996.  It was a very popular movie and Mel Gibson was a big star back then.  I was dimly aware that the movie was a remake of a film of the same name.  Actually, the original was Ransom!  That exclamation point must have been big news back in 1956.  I’ve since had a chance to see the 1956 version and I intend to review it and then review the 1996 remake and compare them.

Glenn Ford and Donna Reed star as David and Edith Stannard a married couple with a young son named Andy.  They are very wealthy because David and his brother Al own a very successful company.  We see the child and parents in a comical argument caused by Andy “stealing” the boards from under his parents’ bed to build his backyard fort.  We witness the way David dotes on the boy and promises to break away from his busy work to join the boy in his construction project.  The mother and father send the boy off to his school bus and then David heads off to work.  We also meet the major domo of the household servants Jesse Chapman.  He is a Southern Black Christian man, much given to reciting scripture who very seriously attends to the welfare of his employer’s family.

At work we find David contending with his brother Al over whether the company should continue to advance into new product models or wait until more return is collected on the earlier models.  Although the brothers quarrel, they show affection for each other.  Later we see David return home having “stolen” some lumber from a willing construction site foreman and asks his wife where their son is.  She says he is still at school but David informs her that it is past his time.  Immediately the phone rings and Edith hear from a school administrator that a “nurse” from Dr. Gorman’s office took Andy from school to be seen by the doctor.  Now, both frightened by this news, David calls Dr. Gorman and hears his worst fears, that the doctor did not send for the boy.  David calls the police and Chief Backett arrives and sets in motion the police actions.  An electrician sets up a separate phone line and a tape recorder.  And the police set up a trace on the line waiting for a ransom demand over the phone.  At this point a newspaper reporter named Charlie Telfer (played by a very young Leslie Nielsen) enters the house uninvited.  The Chief counsels the Stannards to allow Telfer to stay during the investigation and so keep him from printing wild speculations by the promise of an exclusive story.  Charlie proves himself to be a cynical young man who attempts to bribe Chapman to get some photos of Andy’s room.  Chapman spurns the offer as an insult.

The parents become rattled from the waiting and now the school administrator shows up and complains that she is the wronged party by the kidnapping.  Edith grabs for the fireplace poker and is only stopped by the police chief from braining her.  After she is escorted out the phone rings and the kidnapper tells David what he wants, $500,000 in small bills and to show that the money is ready the television show which David’s company sponsors will be the signal.  The host will wear a white suit jacket.

Now Al arranges for the money.  It is being counted and serial numbers recorded.  Now David talks to the Chief and Charlie about the exchange.  But when David expresses the hope that Andy will be home by end of day the men crush his hopes by telling him that regardless of whether he pays the ransom or not the chance of return is the same, two out of three.  And hearing this, David’s logical mind jumps to a conclusion.  Now he goes to the television station and tells the host that the plan has changed and he, David will speak to the audience.  He spreads the ransom money on a table and then tells the camera that he will not ransom his son.  Instead he will use the $500,000 as a reward to anyone who will turn in the kidnappers.  And to the kidnapper he adds that if Andy is returned unharmed then the reward will be rescinded and if the kidnapper happens to be captured David will act as a character witness on the kidnapper’s behalf because of the mercy shown his son.  And then he finishes by swearing on a Bible that all he said would be observed.

But when David returns home, he is told by all, by the chief, by Al, by Charlie and most of all by Edith that he has done a terrible thing. She begs him to undo it and go back to the kidnappers and reverse himself.  David tells them it is too late.  For good or ill the die is cast.  Edith breaks down and is taken to Al’s house down the street to mourn.  A crowd that has assembled outside the home reacts to the news with rage and stones are thrown through the windows.  Charlie goes outside and tells the reporters to go home and leave the family to its agony.  Then the police disperse the angry crowd.  Finally, Andy’s shirt is found in an abandoned car and delivered to his father.  But there is a quantity of blood on the shirt.  Now David despairs and breaks down in tears.  The only one who has not deserted him in his lowest hour is Chapman who tries to comfort him and reminds him of King David’s grief at the death of his son Absalom.  After he calms himself David goes into the yard and looks at the fort that Andy was building the other day.  And as he stands there, he thinks he hears Andy calling him.  And looking up he sees his son.  Unable to believe his eyes he clasps Andy in his arms in joy but notices that Andy’s wearing a strange shirt.  Andy explains that they gave it to him after he bit the nurse and her blood got on his shirt.  Now the house is alerted.  Chapman calls Al’s house to let Edith know the good news and the movie ends in front of the house with Edith running up and being embraced by her son and her husband embracing them both.

This is some serious melodrama.  Every heartstring there is gets tugged.  But the story works and the acting is good.  Any parent watching this will feel every fear and experience the anxiety of such a daring plan by David to save his son.  This is a good movie of its kind, a personal drama.  I can recommend it.  In the next part of this review, we’ll look at what forty years changes in the story as we look at the remake.

Ransom – A Movie Review and Comparison – Part 2

Star Trek – The Original Series – Complete Series Review – Season 2 Episode 4 – Mirror, Mirror

Kirk, McCoy, Scotty and Uhura go down to a planet whose inhabitants are called Halkans.  Maybe the planet is called Halka, but who knows?  The Halkans are lame looking pacifists who refuse to let the Federation mine dilithium crystals on their planet because they might use it for violence.  The guy who plays the head of the Halkan Council had a strange looking head and is dressed like a girl as far as I could tell.

Kirk tells them to think it over and he calls the enterprise to beam them up.  There is an ion storm (of course) raging in space and as the party is beaming up, they first appear in the Enterprise transporter room then disappear again.  Immediately afterward we see the landing party materialize in the transporter room but something is wrong.  The landing party is wearing uniforms that differ from normal.  Uhura has a bare midriff and the men have different shirts and all of them have daggers on their thighs.  Also, the ship has some kind of strange insignia and Mr. Spock is sporting a beard.

Kirk figures out that they aren’t on their own Enterprise and plays along with Spock concerning their apparent surprise.  He claims that the transporter malfunction has shaken them up and they need to go to sickbay for Bones to examine them.  Meanwhile we observe that on this Enterprise any mistakes are punished by means of a torture device called an “agonizer.”  Using the computer Kirk discovers that in this universe the Federation is an Empire and Halkans will have to be massacred to pay for their refusal to allow mining of their dilithium crytals.

When the crew find out that Kirk declines to wipe out the Halkans they see their chance to overthrow him.  Chekov and his followers attack Kirk as he heads for his cabin.  Luckily one of Chekov’s men turns on the conspirators and disintegrates them with his phaser leaving Chekov to be hauled off to the “Agony Booth” where he should have been allowed to die but Kirk eventually spares him and sends him to confinement in his cabin.

Kirk and his landing party figure out that an ion storm has somehow cause a rift between parallel universes (of course) and their only chance to return is to trigger the same phenomenon artificially.  To set this up Scotty and McCoy go to the engineering area and at the critical moment Uhura will have to throw herself at Sulu to distract him from his security board so he won’t notice the engineering changes.  As soon as it is clear she then slaps Sulu across the face and pulls a knife on him to escape his very un-Takei-like behavior.

Meanwhile Spock has informed Kirk that even though he would prefer not being Captain he will be forced to assassinate Kirk if he does not comply with the Empire’s order to annihilate the Halkans.  When Kirk reaches his cabin, he finds the Captain’s Woman, Marlena lounging on his bed and acting very familiar.  She demonstrates the Tantalus Field device that Kirk uses to disintegrate his enemies at a distance.  Kirk fences words and wrestles with her a little to show her he is still interested in her as a partner.

When Kirk and his group meet up in sickbay prior to going to the transporter Spock shows up and attempts to arrest the Captain but a fight ensues and eventually Kirk smashes a sculpture of a human skull over Spock’s head and knocks him unconscious.  While McCoy stays in sickbay to save Spock’s life the rest of the group heads to the transporter room there they are met by Sulu and his hit squad who intend to kill Kirk and Spock and take over the ship.  Marlena uses the Tantalus field and kills all the assassins except Sulu whom Kirk knocks out.

Meanwhile back in sickbay Spock regains consciousness and overpowers McCoy and uses the Vulcan mind meld to find out what is going on.  Back at the transporter Marlena shows up and tries to force the landing party to take her along.  Uhura overpowers her and takes away her phaser.  Spock and McCoy show up and Kirk tells Spock that he should use the Tantalus Field to take over the ship and work to turn the Empire into a more logical and benign Federation.  Spock allows the landing party to leave and they end up on the Federation Enterprise.

In the final scene on the bridge Bones tells Spock that he thought the beard was a distinct improvement for Spock.  Spock informs them that the naked aggression and open dishonesty of the other landing party was distinctly refreshing.  Finally, a new officer Marlena shows up and after an obvious look of recognition by Kirk that Spock notes, Kirk dissembles and says that she seems like a “nice, likeable girl.”  And he thinks they might become friends.

Here was a chance for Chekov and Sulu to have some fun and be bad guys.  Even Uhura was able to get some screen time playing around with Sulu and even getting tossed around during the fight with Spock.  Kirk and Spock got to wrestle and tumble around sickbay and Scotty and McCoy also were given a few scenes.  There was one scene on the real Enterprise where Spock is having the fake landing party tossed into the brig and fake Kirk is trying to bargain with Spock for his release, promising him power and threatening to string him up by his “Vulcan ears” if he doesn’t.

All in all, it’s kind of a fun episode.  Let’s call it a 7.  As far as Shatner mockery points, Kirk does swagger around in his sportier more swashbuckling uniform and he does act goofier than usual but I wouldn’t say more than a 5.  That makes this a   7 // 5.