Catch Me If You Can (2002) – A Movie Review

“Catch Me If You Can” is the screen adaptation of the true story of Frank Abagnale Jr.; a boy who at the age of sixteen years old impersonates an airline pilot, a medical doctor and a lawyer and steals millions of dollars as he crisscrosses the United States and the rest of the world forging and passing bad checks.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Leonardo DiCaprio plays Frank Abagnale Jr. a New York city teenager whose parents Frank Sr. (played by Christopher Walken) and Paula are divorcing due to the IRS fraud investigation that has swallowed up Frank Sr.’s livelihood.  Rather than acknowledge his parents’ split he runs away.  And while trying to survive on his own he figures out how to impersonate adults like airline pilots and forge checks.

Eventually his successful check forging career catches the attention of the FBI’s bank crimes division in the person of Carl Hanratty played by Tom Hanks.  But for a while Frank’s dead-heading from city to city on airline flights keeps him one step ahead.  But eventually Hanratty learns Frank’s true identity and Frank tries to throw him off his trail by laying low.  He impersonates a doctor down in Atlanta at a small hospital.  Eventually he tries to settle down with a nurse who wants to marry him.  Her father (played by Martin Sheen) is a successful lawyer down in Louisiana and Frank convinces him that he’s not only a doctor but also has a law degree and after (legitimately) passing the Louisiana bar exam he settles in to become his future father-in-law’s assistant prosecutor.  But just as the engagement is being celebrated Hanratty shows up and Frank bails out the back window and escapes.

Frank leaves the United States and travels around Europe and elsewhere but eventually Hanratty catches up to him in France and brings him back to America.  He makes one last desperate break by escaping from an airliner bathroom through the pipe chase and escaping out of the taxiing plane.  But Hanratty finds him when he tries to see his mother and drags him off to jail.  He is convicted of grand theft and sentenced to twelve years in prison.

But over the course of several years Hanratty visits Frank in prison and decides the FBI could use his extraordinary knowledge of check fraud.  He gets Frank released into Hanratty’s custody and eventually Frank becomes a valuable asset to law enforcement and eventually becomes extremely rich perfecting fraud countermeasures for banks and other financial institutions.

This is a remarkably entertaining movie.  I’m assuming a lot has been stretched from the literal truth for the sake of enhancing the plot.  But if even a quarter of the things he did in the movie are true, it’s a remarkable story.  Frank Jr.’s brilliance as a criminal and a confidence man is contrasted with his search to restore the family life that is exploded in the beginning of the movie when his father’s wealth is snatched away by the IRS and his wife leaves him.  The interplay between these two facets of his existence gives poignancy to the story.  The ironic aspect is that every Christmas Frank Jr. calls Carl Hanratty to talk and Carl figures out that Frank calls because he has no one else to talk to.  It’s a very strange relationship between the two of them but it is effectively portrayed.  All the main characters are acted very ably and for once Spielberg directs a picture in a very balanced and well-paced way.  I’ll say this movie comes highly recommended.

Man on Fire (2004) – A Movie Review

In this action/crime drama Denzel Washington is John Creasy, a former CIA killer whose past haunts him and has reduced him to an alcoholic.  He is visiting his friend and associate Paul Rayburn, played by Christopher Walken in Mexico where he has a security business that provides wealthy businessmen with bodyguards.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Rayburn convinces Creasy to take a bodyguard assignment to help him reconnect with life and take his mind off his past.

And so, Creasy takes an assignment to guard Pita (played by a very young Dakota Fanning), the daughter of Samuel Ramos; a wealthy industrialist.  And improbably, the little girl and the professional killer bond and Creasy regains his will to live.

But a kidnap squad that includes members of the Federal Judicial Police come for Pita.  Creasy kills four of the kidnappers but is himself critically wounded and the girl is taken.

While Creasy lies close to death in a hospital the kidnappers negotiate a ten-million dollar ransom which Samuel agrees to pay.  But dirty cops who know of the payment ambush the kidnappers, steal the ransom money and kill the ringleader’s nephew.  After this betrayal the ringleader informs the Ramos family that Pita is dead.

Somewhat recovered from his wounds and outraged at Pita’s death Creasy vows to Pita’s mother Lisa that he will kill everyone involved in Pita’s kidnapping and death.  With weapons furnished by Rayburn and information provided by a crime reporter and an anti-corruption officer in the Mexican government, Creasy proceeds to do just that.  With the liberal use of gruesome torture and threats of death he works his way up the chain of command in both the corrupt police organization and the kidnappers’ gang.

Along the way he finds out that Pita’s father and his crooked attorney were involved in the kidnapping.  And no one is spared.  The anti-corruption officer follows Creasy’s trail of bodies but allows Creasy to lead him to the kingpin, a shadowy character known only as “The Voice.”

Finally, Creasy captures the kingpin’s brother and pregnant girlfriend and tells him that he will torture them to death unless The Voice trades himself for them.  But the Voice has a different bargain.  He informs Creasy that Pita is alive and that he will trade her for the release of his girlfriend and brother.  But there is the further stipulation that Creasy surrender himself to the mobster.  Creasy agrees.  He calls up Lisa Ramos and tells her where the rendezvous and trade will occur.  Lisa will keep the gun on the mobster’s brother at a distance until Pita is safely back in her hands at which point the brother and Creasy will be transported back to the mobster for Creasy’s horrific fate.

We have a final reunion between Pita and Creasy before she runs across a bridge to her mother’s car.  The brother is released and Lisa and Pita drive off.  Then Creasy is shoved into a car and heads off into the countryside for his rendezvous with death.  But between his earlier wounds and a gunshot wound to the chest he sustained while capturing the mobster’s brother Creasy is already dying.  We watch him expire while clutching the St. Jude’s medal that Pita had given him earlier.

We learn in a postscript that the mobster is killed in an arrest attempt by the anti-corruption officer soon after Creasy’s death.

So, what’s the verdict on this extremely frenetic movie?  The action sounds like the plot of a 19th century Italian opera.  Death, betrayal, revenge, love.  It’s all so overwrought.  But for me, it works.  Maybe partially it’s because I enjoy Denzel Washington’s acting style.  Whether he’s chopping off a crooked cop’s fingers and cauterizing the wound with a car’s cigarette lighter or coaching Pita to reduce her time in a swimming competition Washington’s Creasy is a rational, intelligent man who will accomplish his objectives in a business-like manner.  But his motivation is to punish those who destroyed innocent life for money.  Basically, he’s atoning for his own sins as a killer.  In an early scene Creasy asks Rayburn, “Do you think God could forgive us for what we’ve done?”  Rayburn shakes his head no and you can tell that Creasy agrees.  At the end of the movie as he clutches his religious medal, I guess Creasy is hoping his self-sacrifice might even the score in heaven.  The movie is very violent.  But I think it is well made and if this kind of story interests you I think it’s well worth watching.