The Twilight Zone – Complete Series Review – Season 5 Episode 7 – The Old Man in the Cave

In this episode there was a devastating nuclear war in 1964.  Ten years later we are in a small community somewhere in the Northeast.  At this point a small community is hanging on by a thread with farms barely producing starvation rations and no electricity or machines to help with the work.  The town leader is a man named Goldsmith who talks to the “Old Man in the Cave” to know where it’s safe to plant crops or which cans of food are contaminated.  The rest of the townspeople grumble about eliminating any potential food but they obey because the Old Man has always been right.

Suddenly a working automobile, a jeep, with four soldiers appears on the street and their leader Major French (played by James Coburn) informs them that he is the local face of a military unit that is organizing the remaining survivors into a new society.

Goldsmith tells French that they’ve met other wandering soldiers before claiming to represent a larger organization but actually just looking to steal food.  French resorts to force to force Goldsmith and the townspeople to obey his orders.  He demands that the town provide him with food but when Goldsmith warns him that the canned supplies are radioactive, he asks for proof.  Goldsmith tells him about the Old Man.  French goes up to the cave with his men and tries to open the steel door of the cave with a grenade but is unsuccessful.

Returning to town French convinces everyone but Goldsmith that the canned food is safe and they all eat it.  Then in a drunken state the crowd led by French force Goldsmith to open the cave door.  Inside they discover that the Old Man is actually a computer.  In a drunken rage the townspeople, led by French destroy the computer.  French declares them now free.

In the next scene everyone except Goldsmith is lying on the street dead from eating thee radioactive food.  Goldsmith walks among the dead and speculates on what drove them to this, greed or faithlessness?

This is a pretty bleak story.  Coburn adds a certain amount of flair to his mercenary major.  But it seems odd that after surviving for ten years French wouldn’t be more cautious about eating food that a reliable source has declared poison.  And why would Goldsmith hide the nature of his information source with the improbable Man in the Cave story?  Wouldn’t having a computer that is programmed to help the town survive be an even better story?  Anyway, a it of a downer.  B-.

 

The Twilight Zone – Complete Series Review – Season 5 Episode 6 – Living Doll

Telly Savalas plays Erich Streator the newly married husband of Annabelle and stepfather of eight-year-old Christie.  Based on some dialog Annabelle tells us that Erich is bitter because for some reason he and Annabelle can’t have children of their own and so he is resentful and unfriendly toward Christie.  But actually, he didn’t seem that bad initially.  I just think he was peeved because Annabelle bought the extravagant present (the doll) for Christie.

When Christie tries to sneak up the stairs with the Talky Tina doll that her mother bought her Erich becomes angry and slightly vindictive.  He takes the doll away from Christie and makes her cry.  And whereas whenever Christie winds up Tina she says, “My name is Talky Tina and I love you,” when Erich is alone with the doll she says, “My name is Talky Tina, and I don’t think I like you.”

Erich becomes extremely agitated as the doll ramps up the comments moving on to, “I hate you,” and finally “I’m going to kill you.”  At first, he accuses Annabelle of hiding a walkie-talkie in the doll and making the comments herself.  But eventually when the doll calls him on the telephone (somehow!) he realizes that the doll is basically alive.  He then goes into his workshop and tries to destroy it by sticking its head in a vise, burning it with a blowtorch and decapitating it with a table saw.  But no luck.

Finally, he gives the doll back to Christie and hopes things will end but when they’re alone together Talky Tina tells him, “I don’t forgive you.”

After the family goes to bed Erich can hear the mechanical sound of Tina’s mechanism outside his bedroom.  He goes into Christie’s room but the doll is gone.  While walking on the stairs he trips over Talky Tina and falls to his death.  As he is expiring Tina rolls next to his face and is the last thing he sees in life.

Annabelle comes running down the stairs to Erich and when she notices the doll, she picks it up and it says to her, “My name is Talky Tina and you had better be nice to me.”

This is an iconic episode.  It’s probably responsible for all the Chucky movies and a lot of even less good stuff.

But put that aside.

What we’re up against once again is photog’s First Law of the Twilight Zone; no robots, mannequins, ventriloquist dummies, dolls or other inanimate objects that think they’re alive.  So that’s one strike.

Secondly, Talky Tina is a twerp.  She richly deserved everything Erich attempted to do to her.

Thirdly, let’s look at the whole Erich as bad husband and stepdad thing.  What woman in her right mind marries Telly Savalas thinking he’s going to be Ward Cleaver?  This is the biggest psycho in the Dirty Dozen crew.  She must have been crazy herself.

And finally, I feel cheated.  Erich has the table saw sparking away against Tina’s neck and nothing happens, not even a scratch.  This is highly unfair.  The only way this episode could have redeemed itself would have been for the soul of dead Erich to be transferred to a little bald Evil Erich doll and it had been allowed to harass Talky Tina for all eternity using his famous tag line from Kojak, “Who loves ya, baby?”

F!

 

The Twilight Zone – Complete Series Review – Season 5 Episode 5 – The Last Night of a Jockey

Mickey Rooney plays Michael Grady, a crooked jockey who has just been given a life long suspension by the Racing Commission.  Grady is an angry, bitter little man who feels he’s been given a bad deal by life and everyone he’s ever met.  Sitting in a cheap hotel room he rails against life, when suddenly he hears a voice laughing at him.  After bickering with the hidden voice, he finds out it’s his alter ego, his conscience talking to him from inside his head and, when he looks there, from inside any mirror in sight.  The reflection in the mirror is a more sophisticated, less disheveled version of Grady and he takes his more corporeal self to task for his shabby life of crime and dishonor.  But finally, when he’s through mocking him he asks Grady to tell him his greatest desire, his secret wish.  Grady tells him he wants to be big.  He wants to be tall.  He wants to be able to walk down the street without people looking down on him and laughing.

Grady goes to sleep and when he wakes up, he’s about eight feet tall.  Now he’s ecstatic and plans all the things he’s never been able to do and all the girls who won’t disrespect him for his short stature.  And he asks his conscience if he’s impressed with him now.  But the reflection tells him that he’s not impressed.  He thinks Grady’s dreams were tiny.  He said if he had asked to win the Kentucky Derby honestly or done some heroic deed then he would have been a big man but as things stand, he considers Grady a very small man indeed.

Then a phone call comes through from the Racing Commission telling Grady he’s been reinstated.  Grady is once again ecstatic and gloats to the mirror how everything is going his way.  But now the alter ego is hysterical with laughter and finally Grady realizes the joke.  He’s too big to ever ride as a jockey again.  And suddenly he grows even taller.  Now he must be twelve feet tall and he falls into a desperate rage and breaks up the furniture and smashes the windows begging his alter ego to make him small again.

This episode has a number of plot elements alike with an earlier episode, Season 2 Episode 3, “Nervous Man in a Four Dollar Room.”  In both episodes an alter ego carries on a dialog through a mirror with his flesh and blood self.  In both cases that self is a disreputable man in a fleabag hotel room who has let his life fall apart.  But the difference between the plots is that the earlier one has a happy ending and this one doesn’t.  Here the alter ego while much more powerful than the one in Nervous Man doesn’t take over control of his body and straighten things out.  Instead he punishes his weak, selfish other half by giving him what he says he wants but in spades.  He makes him a giant that will be just as miserably isolated from life as his short stature previously made him.

This is an odd episode to evaluate.  Standing on its own it is an interesting premise and Mickey Rooney does a good job of breathing life into the dual roles.  But knowing what was done with Nervous Man makes me dissatisfied with the ending.  It’s spiteful and somehow seems too extreme.  Maybe I’m too soft-hearted.  B-

 

28JUL2019 – American Greatness Post of the Day – The Great Excluded and Our Nationalist Future By Matthew Boose

Living as I do in the thin space between the lumpen masses of the civic nationalists and the bomb-throwing bad-thinkers of the Post America far right I have my days when I long for the good old days when it seemed like if we could just get the tax code straightened out that “we’d be just as right as rain!”

But when I look around me and remember that back in the bad old days of 2015 those bad-thinkers were predicting that the fallout from the Left’s identity politics strategy along with the economic results of a globalist business policy would push normal Americans into a Nationalist direction I see once again that they were right.

And the proof of this is when a mainstream site like American Greatness starts getting closer and closer to the conclusions of the bad-thinkers:

https://amgreatness.com/2019/07/27/the-great-excluded-and-our-nationalist-future/

Without a doubt “The Great Awakening” is upon us.  And that’s good.  Because the awakening is itself a victory.  The fear and uncertainty associated with disinformation is paralyzing.  Damage done by supposed leaders of your own cause are the most devastating.

We’re getting somewhere.

The Twilight Zone – Complete Series Review – Season 5 Episode 4 – A Kind of a Stopwatch

Patrick Thomas McNulty is an annoying opinionated boob who talks incessantly about subjects about which he knows very little.  At work he fills up the company suggestion box with ideas like making hot dogs square so they’ll fit in hamburger buns and making cans square so they’ll stack better in the garbage can.  Since he works for a company that sells women’s girdles his boss is not amused by these nonsensical suggestions and fires McNulty.

McNulty therefore adjourns to the neighborhood bar and proceeds to bore and alienate the patrons with his opinions on the baseball game on the television.  He succeeds in driving out all but one patron, Mr Potts.  McNulty buys Potts a beer and in exchange for this kindness gives McNulty and old stopwatch that Potts got from his family.

The bar owner, Joe Polucci berates McNulty for prattling on and driving away his customers.  Being distracted by this harangue, Joe drops a pitcher of beer.  While he’s going to clean it up McNulty clicks the stopwatch and suddenly Joe is immobile in the position he was in while stooping over to clean up the mess.  McNulty realizes what has happened and investigates Joe’s predicament.  Clicking the watch again, Joe returns to motion.  McNulty tries to convince Joe of what happened but since no time elapsed for Joe there is no evidence of the stasis.

McNulty goes home and starts testing out the scope of what can do.  First, he freezes his gold fish a couple of times.  Finally, he goes to the apartment window and proves that all of Manhattan is frozen by the stopwatch.  In a couple of demonstrations, we are led to the conclusion that the whole world is frozen when McNulty clicks the watch.

The next day McNulty uses the watch to play pranks on his old boss and the other employees.  For while the rest of the world is frozen still, McNulty is not only capable of movement but can also move the frozen items around him.  After boring of this and realizing what else he can do with this power he decides that the next day he will make himself very rich.

Next morning McNulty goes to his bank and stops time.  Then he goes in the vault and loads up a cart with bags of cash.  But as he’s pulling the cart along the stopwatch falls from his grasp and the crystal cracks.  McNulty tries triggering the watch but nothing happens.  He tries it several more time without success and then begins begging all the frozen people to start moving.  The man who loves talking to other people is now alone forever.

This episode is not to my taste.  The comedic elements are good enough but the semi-serious ending jars.  McNulty is a bore but you don’t hate him so you don’t want him trapped forever in limbo.

C+

This episode was the basis for an episode in the 1980s reboot of the Twilight Zone.  In that version a woman has the stopwatch and at the end she stops time when she hears of an incoming ICBM attack.  But when she goes outside, she sees a Russian missile arcing down in her neighborhood.  In this version she can’t move people.  They’re frozen in place and so if she clicks the watch again her whole family will die.  A much more poignant scenario.

 

 

The Twilight Zone – Complete Series Review – Season 5 Episode 3 – Nightmare at 20,000 Feet

One of the greatest Twilight Zone episodes.  The magnificent awfulness of Bill Shatner’s acting is on full display.

 

The story is simple and short enough.  Bill Shatner is Bob Wilson, a salesman who had a nervous breakdown on an airline flight and is returning home with his wife Julia after a six-month commitment to a mental institution.  As the couple board the aircraft for their flight home, Julia tries to reassure Bob that he is cured and their lives are back on track.  Bob pretends to agree but when he sees that they are sitting in the emergency exit row his panic is there for both to see.

Julia takes a sleeping pill but Bob is too nervous to sleep.  But as he looks out the window into the rain storm he sees a furred man-like creature with a strange masklike face walking on the wing.  Bob rings the service bell and wakes up Julia and tells her what he saw but when she and the stewardess look out the window there’s nothing there.

Now Bob is afraid that he is hallucinating.  But shortly afterward he sees the creature again and he tries to get the crew to see it.  He tells them that the creature is tampering with one of the engines.  The flight engineer pretends to believe but Bob sees through his charade.  Bob says, “I won’t say another word.  I’ll see us crash first.”  When the flight crew gives him a sleeping pill, he pretends to swallow it.  When Julia falls asleep Bob leaves his seat and steals a gun out of the holster of a sleeping policeman.  When he gets back to his seat and sees the gremlin at work again, he fastens his seat belt, wakes Julia up and asks her to get him a drink of water and when she leaves, he pulls the emergency exit handle.  The window flies out and the depressurization and wind speed almost pull Bob out of his seatbelt and pin him against the outside of the fuselage.  The gremlin sees him and trundles toward him menacingly.  Bob pulls his body forward, brings up the gun and fires all six rounds into the gremlin apparently killing it.

The next scene is Bob under a blanket on a stretcher being removed from the plane and waiting on the tarmac for an ambulance to bring him to an insane asylum.  He tells Julia that it’s all over but no one believes what he’s done but that soon they will believe.  In the ending monologue by Serling he shows us the damage to the engine visible on the wing and tells us that soon other people will know and believe Bob’s story.

The story is fun because of its wild nuttiness.  The gremlin creature’s suit and facial makeup is pathetic.  It looks like something that you might buy in a cheap Halloween Costume Store.  Whenever anyone but Shatner is looking the monster jumps off the wing and it’s obvious that a wire is involved.  And when the gremlin is advancing on Shatner’s character at the end of the episode, he walks like he’s stuck on flypaper.  The whole effect is laughably bad.

But what truly makes this story so special is Shatner’s facial expressions.  Many of his grimaces at seeing the gremlin are hilarious but I have two favorite moments.

The first is when Bob first sees the gremlin pull back the engine cowling and start tampering with the wiring.  The Shatner’s masklike expression of terror is uproarious.

The second moment is when he is trying to steal the gun from the policeman’s holster, Shatner’s attempt to look guilty and sneaky at the same moment is pure Shatner gold.

To paraphrase Oscar Wilde, anyone who can’t laugh at these two scenes has a heart of stone.

This episode is obviously an A+.  Going beyond the scope of these Twilight Zone reviews this review will be a part of the ShatnerKhan corpus of scholarly papers.  I will use this as the basis for a more detailed examination of this very important part of the Shatner canon.

 

The Twilight Zone – Complete Series Review – Season 5 Episode 2 – Steel

Lee Marvin plays Steel Kelly a retired boxer who now owns a robot boxer named Battling Maxo.  This is in the future (1974!) when boxing by men has been banned.  Kelly and his mechanic named Pole have travelled by bus to a small city in Kansas to compete in a $500 bout.  Battling Maxo is an old model, a B2.  He’ll be facing much more capable models like a B7.  But in addition to being antiquated, Maxo is woefully in need of repairs and replacement parts.  Unfortunately, until Steel gets the $500 purse he has no way to pay for the repairs.  Pole tells him it’s hopeless and they should give up on Maxo.  Steel tells him to stop talking down Maxo.  You get the distinct impression that Steel doesn’t want the robot to be insulted, as if it could understand.

Before the fight Steel and Pole test out Maxo.  Steel spars around the root and checks his reactions.  But suddenly Maxo malfunctions and stops.  Pole tells Steel that Maxo is finished and won’t work again until replacement parts can be gotten.

Steel decides that he will disguise himself as Maxo and go in the ring against thee B7.  Pole tells him he’s crazy and the B7 will maul him.  When Steel refuses to give in Pole says he’ll tell the referee.  Steel threatens to beat Pole to a pulp if he says a word.  He relents and help0s Steel get ready.

In the next scene we see Pole pushing Steel along as if he is a real robot.  When he gets to the ring Pole takes the bag off Steel’s head and we see that Steel has been made up to look like a mechanical man.  For the first few minutes Steel is able to dance around the 7 and even trade punches with the robot but eventually the lows start taking a toll on the man and he spends most of his time in a crouch trying to cover up his head with his arms.  Finally a flurry of blows to Steel’s head and body knocks him down and he can’t get back up.

After the fight Pole goes to get the purse.  But because the bout didn’t go past the first round the payout is only $250.  Steel puts a brave face on it and says that even subtracting bus fare it should be enough to repair Maxo and put them back on the winning path.  For once Pole agrees with Steel but you can tell it’s just pity.

Marvin is good in this part (as he usually is).  And the story is about courage.  Admittedly it’s an odd story but I’m inclined to like this one.  B.

 

Series note, the next episode is Nightmare at 20,000 Feet.  Prepare yourself to be Shatnered.

 

The Twilight Zone – Complete Series Review – Season 5 Episode 1 – In Praise of Pip

Jack Klugman plays Max Philips a small-time bookie who lives in a cheap rooming house and works for a small-time hood named Moran.  The episode opens up with Max’s son Pip being carried into a field hospital in Vietnam.  The young soldier has been shot in the stomach while on patrol and the medic is sending him up the line to a real hospital to attempt to save his life through surgery.  But his prognosis is bleak.

We meet Max in his apartment and even though he is a crook we see the human side of him talking to his old landlady, Mrs. Feeney, and asking if any mail has come from his son Pip.  Next we meet one of his “clients,” a young man named George who stole $300 from his job to bet on a horse that lost.  He tells Max that if he can’t give the money back, he’ll go to jail.  Max seems very cynical and unsympathetic about all this.

In the next scene we are at Moran’s apartment where Max hands over his profits to his boss.  But Moran says that Max has stiffed him the $300 George owed.  Apparently, Max let him off the hook.  But Moran heard about it and sent a thug to beat the money out of George.  Both of them enter the apartment.  Now Max gets a phone call from his landlady telling him a telegram has arrived for him.  Max asks her to read it to him over the phone.  The telegram is from the Army stating that Pip was critically wounded and not expected to live.

Now Max regrets his whole shabby life and all of the times he neglected Pip while he was living his life of crime and drunkenness.  He throws George the $300 and tells him to leave but the thug blocks the door and reaches into his jacket.  Max pulls a knife and warns Moran to call off his goon.  But the gunman fires his gun and Max knifes both him and his boss allowing George to escape.

Max staggers away from the building.  He’s been shot in the gut and he’s reeling from the news that his son is dying.  He pours out his regrets and then begs God for the chance to talk to Pip.

Now we jump to the hospital where Pip is being treated.  After his surgery the surgeon tells the nurse that if Pip can last the next hour he should survive.

Walking into the deserted amusement park Max sees Pip but as the ten-year-old boy (played by Bill Mumy) who idolized him as his best friend.  In this dream vision they relive all the fun they had together riding the rides and playing the carnival games.  But after an hour Pip suddenly looks bleakly at Max and runs away.  Max runs after him and follows him into the House of Mirrors.  After frantically chasing Pip, Max hears Pip telling him the hour’s up and he has to leave because he’s dying.

Max staggers out onto the now deserted midway and begs God for another favor.  He asks Him to take Max’s life and spare Pip.  And then Max crumples to the ground.

In the next scene Private Pip Philips in uniform and walking with a cane is accompanying Mrs. Feeney and a young female relative of hers into the amusement park.  From the conversation we learn that Max died a few months before.  And as Pip relives the amusement park of his youth, he demonstrates the fond memories he has of Max.

This episode is a shameless and transparent attack on the audience’s heartstrings.  The whole setup is meant to elicit an emotional response using several of the oldest tropes in Hollywood; the gangster with a heart of gold, the dying child and the appeal to God.  But it’s also very effective.  I alternate between condemning it for rank sentimentality and praising it for the effectiveness of the melodrama.  Also, Jack Klugman and Bill Mumy?  How can you go wrong with that?  I’ll call this an A-.

Destination Moon – An OCF Classic Movie Review

The 1950 motion picture Destination Moon is in several aspects an odd duck.  It was an independent production under George Pal’s control.  He worked with Robert A Heinlein to adapt his novel Rocket Ship Galileo into a screen play.  In point of fact the plot changes involved make the movie and the book completely different stories.  For Pal who would go on to make such sci-fi classics as War of the Worlds, The Time Machine and When Worlds Collide this was a chance to make a realistic space flight movie with Heinlein providing the scientific accuracy.

After a government project to build an advanced rocket motor is sabotaged and abandoned a plan is hatched to overcome the loss of government funding in rocket design by recruiting patriotic business leaders to pool their resources to pay for and build a Moon rocket.  General Thayer and Dr. Charles Cargraves were the moving force behind the earlier government project and Jim Barnes is the principal industrialist who uses his aircraft design facilities to build the atomic powered rocket.  Along with Joe Sweeney who provides radio and communication expertise (along with Brooklyn-accented comic relief) these men will be the crew to travel back and forth to the Moon.

When local bureaucracy threatens to tie up the launch in the courts, the team decides to launch immediately.  Just as the sheriffs are arriving to serve the launch injunction the crew is riding the elevator up to the cockpit.  The ship takes off and the crew gets to experience the pain of eight gee take off acceleration and the nausea associated with zero gravity conditions.  Shortly after taking off they discover the need to do a space walk to repair equipment.  One of the astronauts carelessly allows his magnetic boots to become separated from the ship’s hull while not holding onto his tether and begins floating away from the ship.  One of his mates has to use an oxygen cylinder as a makeshift rocket to rendezvous with the lost man and bring him back.

As the rocket approaches the Moon, errors in the navigation (or should I say astrogation) force the crew to expend to much reaction mass from the rocket to land in their planned destination.  Mission control on Earth begins calculating how much weight must be removed from the ship to balance the reduced capacity of the ship’s fuel load.

Meanwhile the crew investigates the Moon.  The first thing they do is claim the Moon for the United States (for the good of all mankind).  Using a Geiger counter General Thayer discovers large deposits of uranium.  Later on, one of the astronauts takes a picture of Joe Sweeney holding his arm up in such away that it looks like he is holding up Earth in the sky behind him.

The calculations on the fuel are distressing.  The ship has to be lightened by over a ton.  The crew starts removing everything that isn’t required to get the ship back to Earth.  But even after sawing off any metal components of the ship that can be removed, they’re still short by one hundred ten pounds.

Barnes, Cargraves and Thayer realize that someone has to stay behind and each one of them tries to convince the other two that he is the one to stay based on authority, age or responsibility.  Meanwhile Sweeney takes it upon himself to take the last space suit and leave the ship.  He tells them to leave without him.  But Barnes figures out a trick to get them below the weight limit.  With a rat-tailed file Sweeney puts a notch in the outer door frame of the air lock.  A heavy oxygen cylinder is hung outside the ship from a line that runs through the notch in the door.  With the door closed the airlock is pressurized with only a slow leak from the notch.  Then Sweeney ties the space suit to the other end of the line.  Once Sweeney reenters the ship the outer door is opened and the weight of the cylinder drags the space suit out the door.  Then the ship launches back to Earth.

And the movie ends with the words THE END followed by “of the Beginning.”

Destination Moon is a landmark.  It is the first reasonably accurate portrayal of actual space flight.  Coming nineteen years before Apollo 11 it is remarkably realistic.  Now as cinema it definitely isn’t King Lear or even King Kong but it’s excellent propaganda for a space program.  And it does contain all the correct tropes of the time.  If you are a sci-fi fan this movie is a must see.

The Twilight Zone – Complete Series Review – Season 4 Episode 18 – The Bard

Julius Moomer is a struggling tv writer.  He’s awful.  After he’s been rejected for the millionth time he begs his agent for just one more chance.  He goes to a bookstore and a book on black magic flies off the shelf and lands at his feet.  He takes the book home and tries to conjure up William Shakespeare to help him write his script.  After several failures he succeeds and Shakespeare agrees to write a couple of scripts for Julius.

When Moomer brings the script to his agent he actually likes it.  He sells it to a tv show and a committee of producers, directors and the sponsor rewrite it so that Rocky Rhodes (Burt Reynolds doing his best Marlon Brando impression) could play the romantic lead.  But when Will hears what they’ve done to his plot he gets upset.  When Rhodes accuses Shakespeare of being a Tennessee Williams hater Will decks him with one punch.  Then Shakespeare quits and goes home.

Now Moomer is in trouble.  His first play is a hit but how will he do the next one?  The tv station wants an epic on American History.  Of course, he goes back to his book and the next day he shows up at his agent’s office with his writing consultants; Robert E. Lee, Ulysses S. Grant, George Washington, Ben Franklin, Abraham Lincoln and Pocahontas.

Yikes!  Moomer is played by Jack Weston, a very recognizable character actor.  In addition to Burt Reynolds, John Williams played Shakespeare.  I remember him as the police inspector from the movie Dial M for Murder.  And Howard McNear who played Floyd the Barber on the Andy Griffith Show is one of the tv executives.  This is a goofy episode.  It’s played for laughs from beginning to end so I’ll take it in that spirit.  There are a few good laughs so I’ll just go with a B.

After you’ve read enough sexbot articles on Drudge maybe switch to something interesting