Absence of Malice (1981) – A Movie Review

Absence of Malice is a film that explores the way federal law enforcement and the media can conspire to libel individuals they want to harass.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Paul Newman is Mike Gallagher a liquor wholesaler in Miami.  He’s also the son of a former bootlegger.  And because of his social connections through his father the Justice Department is intent on having him provide evidence on a murder case that they are convinced was a mob hit.

Prosecutor Elliot Rosen conspires to convince newspaper reporter Megan Carter (played by Sally Field) that the FBI has evidence that Gallagher was responsible for the murder.  She publishes a front-page story to that effect and Mike’s life starts falling apart.  The longshoreman’s union boycotts his business because the murdered man was a member of their union.  Then Mike finds himself followed around by organized crime henchmen who fear he will turn on them.

Mike goes to Megan’s office and demands to know who told her that he was a murderer.  She refuses on the grounds that it’s privileged information.  But she’s interested in Mike and begins an odd relationship with him.  She meets a friend of Mike’s named Teresa Perrone who can vouch for the fact that Mike was out of town with her when the murder occurred.  While checking on Teresa’s story she discovers that Teresa was out of town to have an abortion.  And Teresa is a practicing Catholic and works for the Catholic Church so the abortion is a source of great shame to her.

Megan’s boss convinces her to include the abortion as part of the story that she writes on Mike.  Reading the story, Teresa commits suicide out of the shame she feels for the abortion being revealed.  Mike is enraged at the betrayal that Megan committed against Teresa and when Megan comes to apologize, he roughs her up.  She gives Elliot Rosen’s name to Mike to atone for her betrayal.

Using the information that Megan gave him Mike begins a deception of his own.  He contacts Rosen’s boss District Attorney James Quinn and convinces him that if Quinn gives a public exoneration of him then Mike will provide him with all the information on the mob hit.  But when Rosen sees what’s going on he assumes Quinn has been bribed by Mike and begins an unauthorized and illegal investigation of both of them.  Mike feeds this false narrative by making anonymous donations to a charity that Rosen knows is affiliated with Quinn.

Finally, a friend of Megan’s in the FBI warns her to stay away from Mike because of an impending arrest of Quinn and Mike.  She then publishes a story of the false narrative and the Justice Department steps in.  Assistant Attorney General James Wells in charge of organized crime (played masterfully by Wilford Brimley) convenes an interview at which all the principals (Mike, Megan, Rosen and Quinn) are present and sorts through the mess.  He figures out that Mike has orchestrated this public relations disaster for both the government and the newspaper as revenge for their unscrupulous use of misinformation to libel him and try to force him to become a government informant.

Rosen and Quinn lose their jobs, Megan’s paper has to print an apology and retraction and Megan is chastened for her bad judgement.  At the end of the movie Mike and Megan meet and somewhat reconcile before he leaves Florida for some new stage in his life.

I can wholeheartedly recommend this movie.  Above and beyond the topicality to our time of FBI/Media collusion, the characterization of Mike as the wronged citizen strikes a very sympathetic chord that Newman pulls off perfectly.  This movie is almost unique in Hollywood history in not making the crusading reporters and G-men heroes.  Here the FBI are the bad guys harassing the little guy who is just trying to live his life.  The newspaper reporters are shown to be callous and without empathy for their subjects.  This is an excellent movie for our time.

Ride the High Country (1962) – A Movie Review

“Ride the High Country” was a 1960s revisionist Western directed by Sam Peckinpah.  It stars Joel McCrea as Steve Judd an over the hill lawman who is taking on a job to guard a gold shipment from a mining town called Hornitos in the Sierra Nevada.  Judd hires his old partner Gil Westrum, played by Randolph Scott, and a young cowboy named Heck Longtree to help him guard the gold on the trip.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Along the way to Hornitos, they stay over at a farmhouse owned by Joshua Knudsen.  And we meet his daughter Elsa, played by a very young Mariette Hartley, who wants to run away from home to marry one of the miners in Hornitos named Billy Hammond against her father’s will.  After the men head out Elsa catches up to them and Judd allows her to ride with them out of concern that she might be attacked by wild animals in the wilderness.  Along the way we see Longtree flirting with Elsa.  But we also learn that Westrum and Longtree plan to steal the gold from Judd.

When they reach Hornitos, Elsa meets up with Billy and the rest of the Hammond brothers.  To say the least they are depraved animals.  Billy marries Elsa in the town bordello with the madame and prostitutes as bridal party.  When Billy passes out before the honeymoon two of the brothers attempt to rape her in the “bridal suite.”  Judd and Longtree hear her screams and rescue her from the Hammonds.  When Billy demands his wife back Westrum threatens the judge who married them to force him to claim that the marriage was illegitimate.

They leave Hornitos with Elsa in tow to bring her back to her father.  The next night Westrum and Longtree attempt to sneak out of camp at night with the gold.  But Judd catches them and takes them prisoner.  He binds their hands and declares that he will hand them over to the law when he delivers the gold.

The next day Billy Hammond and his brothers catch up with Judd and demand to have Elsa back.  Judd agrees to allow Longtree to have a gun and between them they kill two of the Hammonds.  The other Hammonds ride off and Judd and the rest of the company stop for the night.  Westrum escapes on horseback and returns to the scene of the gun battle and retrieves a pistol from one of the dead Hammonds.  Then he begins to follow Judd’s party.

When Judd and Longtree reach Elsa’s home they find her father dead on the ground and come under fire from the Hammonds who have set up an ambush.  Longtree is shot in the leg and Judd is hit in the belly.  But before the Hammonds can finish them off Westrum rides into the scene and tells Judd that he’s returned to help his old partner face off against the Hammonds.  A classic gun duel, with both sides walking toward each ensues and the three Hammonds riddle Judd with bullets but the two old lawmen manage to kill their three enemies in the fight.

Judd tells Westrum that he’s going to die but doesn’t want Longtree and Elsa to see him expire.  He tells Westrum to finish up the gold delivery and also says that he is satisfied that Westrum has come back to his duty and will do the right thing.  Then he dies and Westrum joins Longtree and Elsa to tend to Longtree’s wounds and finish the job.

Although this is supposed to be a modern Western with a blurred boundary between the good guys and the bad, for the most part McCrea and Scott are very close to the quintessential golden age cowboys.  Scott’s turn as a bad guy is shown to be not very deep seated as he comes back at the end to risk his life for his old friend.  There is a lot more realism in the depiction of how depraved the folks in the mining camp were as compared to a classic western.  But for the most part this film still stays pretty close to a classic western.  I’ll say that I quite enjoyed the movie and I recommend it for fans of traditional westerns.  It’s about halfway between the movies made in the ‘30s and ‘40s and the stuff you might see in the spaghetti westerns that Clint Eastwood starred in.

Jurassic World Dominion – A Science Fiction Movie Review

I brought my two oldest grandsons to see the new Jurassic Park movie, “Jurassic World Dominion.” Based on the previous outings we all expected the movie to be full of exciting, frenetic action and very deficient in plot. But we plunked down our ducats and endured the half hour of coming attractions.

Well, they threw everything including the kitchen sink into this potboiler. They brought back Jeff Goldblum, Laura Dern and Sam Neill to reprise their characters from the original Jurassic Park film. They had some ridiculous plot about a cloned girl who was produced by parthenogenesis (virgin birth) by the granddaughter of Richard Attenborough’s character John Hammond from the first movie. Then they added an evil corporation producing giant locusts to eat up the world’s food supply to corner the market on genetically modified crops.

Then there were intrigues and kidnappings. There was Chris Pratt lassoing dinosaurs in the snow of Montana and other equally absurd scenarios. Finally, all of the good characters, old and new, band together to defeat the evil corporation and as a capstone the same small dinosaurs that ate Wayne Knight’s character Dennis Nedry in the original Jurassic Park, eat the evil CEO in this movie. What could be better than that?

Well, the movie was a hot mess. But dinosaurs are chasing people and even eating a few so what else could I ask from a Jurassic Park sequel? Afterwards, over some burgers and fries we agreed that it was ridiculous but highly satisfactory for our needs on this family movie outing.

But if someone is looking for an intelligent summer movie this is not that movie. It’s strictly an exercise in summer blockbuster sequel abuse. Well at least they must be finished with Goldblum, Dern and Neill. That at least is something.

Butch Cassidy and the Sundance Kid (1969) – A Movie Review

I saw this in the movies with a buddy of mine when I was a kid.  It was the first modern western I had seen.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Butch Cassidy and the Sundance Kid actually were outlaws at the tail end of the Old West.  Played by Paul Newman and Robert Redford respectively, this pair are still holed up in Wyoming in 1898, robbing trains with their “Hole in the Wall Gang.”  But Union Pacific head, E. H. Harriman gets tired of the gang robbing his trains so he hires the best trackers and lawmen in the country to find and kill Butch and Sundance.  The pair are chased across the Southwest until finally cornered by the posse they have to jump off a cliff into a raging torrent to escape.

Figuring out that they’ll never escape Harriman’s men they decide to head down to Bolivia to steal gold from the miners.  They start robbing banks and mine payrolls until finally they stir up so much trouble that the federal troops organize an ambush and at a small town they’re set upon by a large company of police.  And while they are pinned down a military troop arrives complete with a cannon.  The movie ends with the pair wounded and desperate charging out into a fusillade of lead to their apparent deaths.

This is a revisionist western of the type that came out in the sixties and seventies with anti-hero protagonists and questionable morals.  So, if you’re more of a traditionalist this type of movie might not be your cup of tea.  But in my opinion, this is a highly entertaining film.  Newman and Redford are the quintessential bickering friends.  Newman’s Butch comes up with the wild schemes and Redford’s Sundance reluctantly backs him and bails them out with his unbelievable shooting skill.  I recommend it for the action and for the buddy comedy.

The Bounty Trilogy – A Book Review – Part 2 – “Men Against the Sea” & “Pitcairn’s Island”

In this second part of this book review of the Bounty Trilogy I’ll include both of the remaining stories.  I think this is reasonable because neither of these later “books” has the same narrative clout as “Mutiny on the Bounty.”  Although each story has remarkable human interest and involves harrowing danger and human suffering neither is as dynamic as the tale in Mutiny.  And for this reason, I think I can do justice to both in this single review.

 

Men Against the Sea

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Men Against the Sea is the narrative of Captain Bligh’s Sea voyage.  I’ll let the narrator Thomas Ledward, the Bounty’s Acting Surgeon summarize the voyage, “Never, perhaps, in the history of the sea has a captain performed a feat more remarkable than Mr. Bligh’s, in navigating a small, open, and unarmed boat–but twenty-three feet long, and so heavily laden that she was in constant danger of foundering–from the Friendly Islands to Timor, a distance of three thousand, six hundred miles, through groups of islands inhabited by ferocious savages, and across a vast uncharted ocean. Eighteen of us were huddled on the thwarts as we ran for forty-one days before strong easterly gales, bailing almost continually to keep afloat, and exposed to torrential rains by day and by night.”

And that description gives us the gist of the book.  But as remarkable as that voyage was what’s it like as a story?  I would say that the story is passably interesting and we do get a flavor of each of the passengers and especially Bligh but the circumstances of the story are on the whole too static to make the adventure come fully to life.  For this I don’t fully fault the authors.  I’m not sure anyone could figure out a way to fully document the voyage and still give the story a dynamic feel.  Instead, the book faithfully portrays the oppressive, claustrophobic atmosphere that eighteen men trapped on a twenty-three-foot boat for forty-one days must have been like.

Pitcairn’s Island

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Pitcairn’s Island is the story of the Bounty mutineers along with some women and men from Tahiti establishing a colony on a small, secluded and almost unknown island in the South Pacific in order to escape from the British Navy that would be searching for them over the mutiny.  This is a very strange story of how these Englishmen took what was potentially a tropical paradise and turned it into a private hell.  All of the human foibles are on display.  Greed, sloth, lust, intolerance, drunkenness and wrath play a role in destroying the colony.  By the end of the story only the women and children remain except for one mutineer who assumed the role of father figure for the children.

The story is an exciting one full of conflict and human tragedy.  And the pace of the story is much more engaging than Men Against the Sea.  But at points the dialog does seem to be a little stilted.  But this book is much more readable than the previous story.

 

Final Comments

“Men Against the Sea” and “Pitcairn’s Island” aren’t as engaging or have plots that are as well rounded as “Mutiny on the Bounty.”  But I would guess that nine out of ten readers of Mutiny will at least try to read these later stories.  Personally, neither of these later stories was as satisfying as Mutiny but I recommend that anyone who read Mutiny on the Bounty should at least give them a try.

The Bounty Trilogy – A Book Review – Part 1 – Mutiny on the Bounty

I’ve just finished the first part of the trilogy, Mutiny on the Bounty, and I’m so enthused about that book that I decided not to wait until I have finished all three books to start writing the review.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

I have seen a couple of the film adaptations of Mutiny on the Bounty previously and always enjoyed the story.  So I was impelled recently to hunt out the book to see what I thought of the more detailed treatment in the book and to discover just how closely the movies kept to the original text.

The story of the Bounty is the collision of a melancholy and headstrong Englishman, Fletcher Christian, with a brilliant naval officer, William Bligh, who was at the same time a venal, cruel and boorish man who inflicted brutal floggings on his crew for situations that he himself caused.  He starved his men for the sake of pocketing the savings he made on provisioning the ship and he belittled and accused his officers of petty offenses that he dwelt upon because of his obsessive nature.

The story is told from the point of view of one of the midshipmen, Roger Byam, a young gentleman whom Bligh convinced to join the journey in order to create a dictionary and grammar of the Tahitian language for a mutual friend of theirs Sir Joseph Banks who was the President of the Royal Society.  The mission of the Bounty was to sail to Tahiti and collect hundreds of saplings of the breadfruit tree and then transport the plants to the British West Indies where they might become a cheap food source for the slaves on the sugar plantations there.

The story chronicles the outward voyage to Tahiti and the mission on the island.  We meet all of the more notable members of the crew and several of the Tahitians who are important to the personal stories of the main characters.  Christian, Byam and several other characters become intimately involved with women on the island and this adds to the unhappiness when the return voyage begins.

Bligh and his minions in the crew confiscate the food and other material souvenirs from the men and officers, ostensibly for equal sharing but in reality, for Bligh’s benefit.  And when some of this plunder, a few cocoanuts, are stolen one night by one of the younger crewmen, Bligh accuses Christian of the theft.  This was the straw that broke the camel’s back.  At daybreak Christian enlists some of the seamen who had been most afflicted by Bligh’s punishments and they seized muskets from the weapons locker, took Bligh prisoner and took possession of the ship.

Christian and his mutineers formulated a plan.  Bligh and the officers and anyone who wanted to remain loyal to him would be set adrift in the ship’s launch.  The Bounty would be commandeered to take the mutineers to an island where they hoped to avoid discovery by the British Navy.  But in the event, it turned out that there were too many loyalists to fit in the launch.  The excess loyalists, including Byam had to remain with the Bounty and Christian finally decided to make a trip to Tahiti to drop off the loyalists, purchase provisions and convince some Tahitian women and men to join the mutineers in their new home.

Once the Bounty leaves Tahiti the story revolves around the fate of the Byam and his comrades both on Tahiti and later on when a British Navy vessel comes looking for the Bounty.  Contrary to all expectations, Bligh was able to navigate his tiny craft 4,200 miles to Timor in the East Indies.  On finally reaching England he alerted the authorities of the mutiny and a man of war, the Pandora, was sent to the South Sea to find and recover the Bounty and bring the mutineers back for trial.  The loyalists left on Tahiti and some mutineers who decided to stay on Tahiti were all rounded up by the captain of the Pandora and the ship searched among the islands of the south Seas looking, unsuccessfully for the Bounty.  But when the Pandora struck a reef in the Great Barrier Reef off Australia, the surviving crew and prisoners were in a similar situation to what Bligh suffered in travelling thousands of miles in lifeboats to reach port.

Finally, the story reaches its climax in the court martial trial of Byam and his companions.  And here we see circumstances conspiring to paint Byam as a mutineer.  Bligh misunderstood an innocent conversation between Byam and Christian the night before the mutiny and reported it as proof that Byam was part of the mutiny.  But the only one who had heard the whole conversation had disappeared in a ship wreck before the trial.  And so Byam is convicted and sentenced to hang.  By a miraculous coincidence the missing crewman is rescued and gives testimony of Byam’s innocence just a few days before his execution would have occurred.  After the trial Byam returns to naval duty and has a long and illustrious career.  But an epilogue has him return to Tahiti where the paradise that he had experienced there had been destroyed by exposure to the conflicting pressures that European lifestyle put on the natives.  Almost all of his friends were dead of disease or war and the population was reduced to a miserable and sparse remnant of what he remembered.

Mutiny on the Bounty is a fictionalized version of the actual Bounty story.  Although the characters are all based on actual people, I’m sure the authors have injected their own details and personality traits to give the story the desired tone.  It is not a history.  And for that reason, I will rate it as a work of fiction.  I consider it an excellent adventure story.  Being based on actual events the authors strove to convey the extraordinary hardships that the characters suffered while trying to survive the almost impossible conditions of their grueling sea voyages.  And the description of the idyllic world of the Tahitians in this early stage of their introduction to Europeans is remarkably effective in conveying a sense of sheer happiness.  It literally sounds like heaven on earth.  I haven’t read the other two installments of the Bounty Trilogy but I highly recommend the Mutiny on the Bounty story to anyone who enjoys adventure stories.

Galaxy’s Edge – Dark Victory – A Science Fiction Book Review

I’ve got to hand it to Anspach and Cole.  The world building they are doing in the Galaxy’s Edge franchise doesn’t seem like it will ever slow down.  They’re at least fifteen books into this universe and I keep running into newer and weirder twists and turns in the history of their galaxy.  And they’re always throwing in new characters and cross-connecting old characters and advancing new plot lines.  These boys are on their game.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

In this latest installment Aeson Ford (/Captain Keel/Wraith/Tyrus Rechs (imposter)) is working undercover for his old Legionnaire friend Chhun.  He gets mixed up with an investigation into Nether Ops interference into the chaotic political situation that has existed since the Legion put an end to the House of Reason.  Working with the Nether Ops agent “Honey” he infiltrates several bases of the nefarious spy agency leading up to the capture of vital intel.  Meanwhile Ford is also in search of information on his own forgotten origins in the Kill Team Ice that stretches back to the Savage Wars by means of cryosleep.

Meanwhile we discover that his crewmate Leenah was not killed when the Indelible VI was attacked by bounty hunters in the last book.  We learn how her ship was all but destroyed just as she made the jump to light speed.  The jump saved her life but left her stranded in the middle of nowhere with almost no air and no way to get help.  Through her mechanical ingenuity she rigs a signal and waits with time running out.  Meanwhile Ford’s other crewmate Garret is Lenah working with Nilo’s Black Leaf mercenaries and because he hasn’t given up on Leenah’s life, he locates her signal and convinces Nilo to go on a rescue mission.

When they get to the beacon Leenah and the ship is gone and Nilo figures out that Leenah has been captured by Gomarii slavers and they go on a mission to save her and take down the Gomarii.  During the rescue Nilo and Garret discover that the Gomarii vessel is actually a Savage hulk that contains information in its memory banks crucial to the upcoming resumption of the Savage threat to the galaxy.

Aeson Ford fabricates a plot to capture a rogue Naval Commander who has been doing the Nether Ops dirty work.  During the action Honey betrays him with her former colleagues in Nether Ops and she is killed along with the rest of the agents that Ford defeats.  When he returns to the Legion base, he learns that his old comrade Masters is in dire straits.  Instead of returning to Garret and Nilo he heads off with the legionnaires to save Masters.  But at the end of the book, we find that Nilo also has business on that same dangerous planet.

Dark Victory winds two plots together and both are done well.  The rescue of Leenah from the salvers is the more dynamic and satisfying of the subplots but taking Ford out of the action allows the secondary characters like Leenah and Garret to get their moments in the sun.  Plus, it allows Nilo and Garret to advance the information on the Savage Wars back story which will tie in with other characters that don’t figure in this book but will return soon.  Let’s face it, once you’re into the series this deep all you want to know is whether it’s still a good read.  It is.

The Batman (2022) – A Science Fiction – Fantasy Movie Review

Last night I went to go see the “The Batman” with my two older grandsons.  We hadn’t gone to the movies since before the whole COVID mess and I figured with them on Easter vacation from school it was now or never.  They’d heard good things about the movie.  I was skeptical about it because Batman was being played by Robert Pattinson.  And I remember he’d been the actor in those lame Twilight vampire movies that teenage girls were so excited about a while ago.  But I figured it would still be fun hanging out with these descendants of mine.

So, we met up after their work hours.  These two guys are working on their holiday and doing nine hours a day of manual labor.  I told them I was embarrassed that I never had the work ethic they have at that age.  I drove to the nearest cineplex for the last night of the movie’s run.  But I wasn’t familiar with the town or mall it was in, so I was amazed to see that the mall was almost completely empty.  All the biggest chain stores like Macy’s and Target were vacated and even most of the smaller stores were boarded up.  It felt like we were walking onto the set of a zombie movie.  There were barely a dozen people walking around in the mall at 6:45 at night.  The theater was empty except for the ticket seller, popcorn girl and the ticket taker.  It was pretty creepy.  But they still got their popcorn and drinks.

The plot of the movie revolves around the familiar scenario of Bruce Wayne acting as an avenging angel stalking the streets of Gotham City fighting against organized (and disorganized) crime as the caped crusader.  In this iteration James Gordon is a police lieutenant who has teamed up with Batman to allow the city to benefit from Batman’s vigilante activities.  The current crime spree is a series of high-level city government officials being murdered by the Riddler.  The mayor, police commissioner and district attorney are murdered gruesomely and their killings are videotaped by the Riddler and shared with the public on-line.  The Riddler highlights the corrupt activities of the men he’s murdered and announces that he will be “unmasking” the full depths of the partnership between organized crime and the present city administration.

Batman starts following clues that the Riddler provides specifically for him.  And in the investigation, he meets up with Selena who has her own secret identity as the Catwoman.  They become romantically involved, sort of, and together they discover the link between Batman’s father and the crime boss Carmine Falcone (played ably by John Turturro).  We find out that Falcone is also Selena’s father.   Mixed up in Falcone’s vice trades like drugs and prostitution is Oswald “Oz” Cobblepot also known as the Penguin.  The Penguin ends up shedding light on the origins of Falcone’s control of City Hall.  The details of this old history illuminate the basis for the Riddler’s campaign of vengeance against the city’s power brokers including Bruce Wayne.  By the end of the movie, it’s clear what the Riddler was up to but it isn’t in time to prevent a plot to blow up the sea wall that keeps the river out of Gotham’s downtown.  And it also barely allows the foiling of a massacre at a political rally being held for the reform candidate running for mayor.

Of course, Batman must almost single-handedly prevent thirty, gun wielding acolytes of the Riddler from shooting Gotham’s citizens like they were literally fish in a barrel.  But in doing so he learns that his negative role as a vigilante seeking vengeance is too limited to help save Gotham City.  And that he must become also a positive force to help people survive the mayhem all around them.

So, what did I think?  Well first of all, this movie is almost three hours long.  That’s really long.  And the movie is unrelentingly bleak.  Bruce Wayne in the few scenes when he is not Batman looks almost suicidal.  There are no lighter moments in this movie at all.  There is a grittier and uglier feel to this movie than, for instance, in Nolan’s Dark Knight movies.   On the other hand, the action scenes are very well done.  This Batman apparently has a much more capable armor than the Dark Knight had.  He is blasted by machine guns and even a shot gun and not only survives but doesn’t even show any damage to his suit.  And a chase scene on a crowded expressway is pretty spectacular, even if absurdly unrealistic.  On the negative side, Selena does utter the phrase “white privilege” at one point which annoyed me mightily.  But on the whole the movie is an effective and enjoyable Batman movie.  I recommend it to fans of the genre.

Leaving the theater, we were the only people in the huge mall except for a guard who escorted us to the only door still open in the building.  Our car was the only vehicle in this enormous parking lot and as we walked through the eerily empty space, we reflected on its resemblance to some of the darker corners of Gotham City that we had recently visited.  We spent the long ride home discussing the pros and cons of the film and all decided that it had been a worthwhile expedition.  I got them home an hour later than I had estimated and their parents told me of the unbelievably early hour they had to get up for work the next morning.  I felt awful getting them home so late but the boys still claimed it was worth it.  Score one for nonconsecutive generational male bonding.  Now, bring on the great grandsons.

The Master of Ballantrae (1953) – A Movie Review

Here’s a later installment in Errol Flynn’s catalog of swashbuckling movie roles.  The story is loosely based on the Robert Louis Stevenson novel of the same name.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

The story is a wild tale with Errol Flynn playing the title role as Jamie Durie, a Scottish noble in the 18th century who goes to war to bring Bonnie Prince Charlie to the throne of Britain.  But when the Stuart pretender is defeated, Durie and an Irish comrade have to flee Scotland leaving Durie’s brother to inherit Ballantrae and possibly Jamie’s fiancée.  During his exile he is hijacked by a treacherous sea captain, captured by pirates and then turns pirate himself before returning to Scotland with a fortune to claim his bride from his supposedly duplicitous brother.  But when his brother saves him from an English hangman’s noose they are reconciled and his fiancée escapes with him for a life of adventure.

This was Flynn’s last feature with Warner Bros. but the story moves along very smartly and he can still swashbuckle with the best of them.  The script was good enough.  I especially liked the pirate sequence.  All of the colorful character actors were way over the top but I think they provided just the right atmosphere for a light-hearted romp of an adventure story.  If you’re looking for an old-fashioned adventure story, this is it.  Errol Flynn makes it work one last time.

Out of the Past (1947) – An OCF Classic Movie Review

This is one of the quintessential film noirs.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Robert Mitchum is Jeff Bailey, an auto repair shop owner living in a small town.  He has a girl, Ann Miller who is in love with him and a deaf-mute boy who helps him with his shop.  But he is hiding from his past.  He was Jeff Markham, a private detective that was sent on an assignment by underworld boss Whit Sterling (played with good natured panache by Kirk Douglas) to find a girl who stole $40,000 from Whit and shot him for good measure.  The girl, Kathie Moffat is hiding out in Mexico and while staking her out Jeff falls entirely in love with her and the two run away to live their lives far from Whit Sterling.

But Jeff’s partner Jack Fisher, hunts them down and demands the $40,000 to keep from telling Sterling about their double cross.  During a fistfight between Jeff and Fisher Kathie shoots Fisher dead.  While Jeff buries Fisher’s body Kathie skips out on him.  Jeff decides to take on the new identity as Jeff Bailey and settles in the small town of Bridgeport, California.

But now one of Whit Sterling’s men arrives in Bridgeport and recognizes Jeff.  He summons Jeff to Whit’s summer house on Lake Tahoe.  When Jeff gets there, he finds Kathie has reconciled with Whit and now it’s Jeff’s turn to square accounts with the underworld boss.  There is a complicated scenario where Jeff is supposed to recover some tax documents that Whit’s accountant is using to blackmail him.  But it’s really a set-up whereby Jeff will be the fall guy for the accountant’s murder.  And, of course, Kathie is part of the double cross too.  There are a number of reversals but finally Jeff arranges a deal with Sterling such that Kathie will be on the hook for Fisher’s murder and Jeff will be cleared of all the various crimes he’s been framed for in return for the return of the tax documents.

But Kathie decides to upend the deal by murdering Sterling.  Now she and Jeff are on the run for the various murders that have been committed and Jeff realizes that he’ll never have that small town life he tried to escape to.  He and Kathie die in a hail of bullets as he drives their car into a police ambush.

Interspersed between the action scenes we have the love story between Jeff and Ann.  She’s a gentle woman who believes that Jeff has a good side that exists beneath the tough persona that he projects to the world.  And her belief in him propels him to try and escape from the criminal existence that Kathie has drawn him into.  But fate eventually claims his life and leaves Ann to mourn him.

As with all good film noir, the plot is an awful mess.  All of their terrible choices propel the protagonists to their bleak fates.  But the movie is a pleasure to watch.  Mitchum is at the top of his game with a tightly knit plot and lots of great lines to toss off.  Kirk Douglas is an affable crime boss and adds a lot to the film.  Kathie is a wonderfully dishonest femme fatale and is constantly double-crossing everyone in sight.  And the rest of the supporting cast is fine too.  I highly recommend this movie for film noir devotees and basically anyone who likes a good story.