Stage Fright (1950) – A Movie Review

Stage Fright is an Alfred Hitchcock suspense movie.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Jane Wyman is Eve Gill an acting student who is in love with Jonathan Cooper.  Unfortunately, Jonathan is in love with Charlotte Inwood (played by Marlene Dietrich) who unfortunately is married to a man she doesn’t love.  One day Jonathan comes to Eve and asks her for her help.  He tells her that Charlotte came to his apartment in a dress covered in blood and told him that her husband started beating her and in self-defense she killed him with a fireplace poker.  She asked Jonathan to go back to the scene of the crime to get her a clean dress.  But while he was there the maid saw him and called the police.

Jonathan asks Eve to help him hide from the police until he can figure out how to escape from the trap, he has found himself in.  Eve enlists the help of her father “Commodore Gill (played by Alistair Sim) who owns a boat that Jonathan hides on.  Meanwhile Eve goes to Charlotte’s home to see what the police are up to.  While snooping around she meets police detective Wilfred Smith (Michael Wilding) who happens to be working on the case and she proceeds to fall in love with him.  She also manages to insinuate herself into Charlotte’s household by impersonating a relative of Charlotte’s maid and theatrical dresser.  In this role she discovers that Charlotte has no intention of disrupting her life but instead expects Jonathan to flee the country permanently.,

Meanwhile Jonathan sneaks into the theater where Charlotte is playing and confronts her.  She explains that she will not be joining him in permanent exile and he reacts by saying he has the bloody dress and he might give it to the police if he has to.

Finally, Eve and her father arrange for the police to eavesdrop on Charlotte being confronted about the bloody dress in a fake blackmail conversation with Eve.  But in the conversation Charlotte states that even though there is blood on her dress Jonathan murdered her husband in front of her.  Meanwhile Inspector Smith has captured Jonathan at Eve’s home and he has been brought to the theater for questioning.  He breaks loose and Eve helps him hide in the theater basement with her.  While this is going on Smith reveals to Eve’s father that Jonathan is actually a dangerous maniac who has killed before.

While hiding with Eve, Jonathan confesses to Eve that he did indeed murder Charlotte’s husband more or less at her instigation.  He also admits that he previously killed another man, but was cleared based on self-defense grounds.  And then he hinted that he would be executed for this new murder unless he was thought completely insane.  And the only way he could think of convincing a jury of that would be if he killed another person for no reason at all.  Now Eve sensed her personal danger and she tells Jonathan that they must escape the building before the police got down into the basement.  And as he walked through a door ahead of her, she locked it behind him and screamed to the police to capture Jonathan.  Jonathan was now on the stage and trying to escape so the police dropped the heavy fire curtain (actually a heavy metal sheet) to trap him but just as he reached the edge of the stage he tripped and the steel curtain crushed and killed him.

Great Caesar’s ghost, I’m exhausted just reciting that plot.  And I left several subplots and characters out.  There’s Charlotte’s manager that she’s having an affair with and Charlotte’s mother who is estranged from her father and Eve’s friends, one of whom is played by Hitchcock’s daughter, and on and on.  It’s a bit much.  Plus, Dietrich sings several songs and that maybe okay for her French song but the one in English wasn’t so good.  Without a doubt this movie is very odd.  I enjoyed it, maybe because of its oddity, but I tend to doubt most people are like me.  Let’s say this is for Hitchcock fans who like the theatrical.

2024 Summer Movie Talk – Part 5

Suspense – Alfred Hitchcock

I’m faking a lot of thinking here with this category.  Alfred Hitchcock usually can be considered as a creator of crime or specifically murder stories.  But sometimes it’s a spy story or something really crazy like birds turning against humanity.  So, suspense is probably as good a label as anything else.

For most of his career Hitchcock produced very high-quality product.  At his peak he could get the best actors and lavish budgets to make his films.  But even on a shoestring like with Psycho he could produce a memorable movie.  At the very end he did produce some awful stuff.  I assume he was beginning to fail due to old age.

I’ve reviewed most of these movies separately if you want my detailed opinion on them.  But here’s a list of what I liked in Hitchcock’s output.  I still haven’t seen all his films but there are enough to form more than a good list of his best stuff.

  1. The Man Who Knew Too Much (1934)
  2. The 39 Steps (1935)
  3. The Lady Vanishes (1938)
  4. Suspicion (1941)
  5. Shadow of a Doubt (1943)
  6. Lifeboat (1944)
  7. Spellbound (1945)
  8. Notorious (1946)
  9. Rope (1948)
  10. Strangers on a Train (1951)
  11. Dial M for Murder (1953)
  12. Rear Window (1954)
  13. To Catch a Thief (1955)
  14. The Man Who Knew Too Much (1956)
  15. North by Northwest (1959)
  16. Psycho (1960)
  17. The Birds (1963)

If I left out one of your favorites or if you detest one of my listed films, feel free to speak up and make your Hitchcockian opinions known in the comments below.  People are usually very decided in their feelings about his films, one way or the other.  For instance, film aficionados consider “Vertigo” Hitchcock’s greatest masterpiece and a seminal work of cinematic importance.  But being a philistine, I despise it.  So, I left it out.

Seance on a Wet Afternoon (1964) – A Movie Review

This is a British film from the 1960’s and reflects the filmmaking conventions of that place and time.  This is seen in the realistic and drab scenery and even the look of the actors themselves.  The atmosphere is depressing and claustrophobic in the extreme.

Bill and Myra Savage are a middle-aged married couple.  Myra is a professional medium who performs seances for a small circle of believers who would like to communicate with the dearly departed.  Bill is a man who was forced to stop working because of health problems.  Myra is the dominant partner in the marriage and berates and orders Bill around.  But it is apparent that Myra is delusional about many things including her “gift.”  She wishes to be rich and famous for her ability to speak to the dead.

In support of this desire, she comes up with a plan.  It’s a carefully detailed plan to kidnap the young daughter of a rich man and hold her for ransom.  But in addition, the plan calls for Myra to use her “gift” to allow the girl to be found unharmed after the ransom is delivered.  And of course, Bill will have to perform all the active parts of the plan.  He is to kidnap the girl, make the ransom demand, pick up the ransom and drop the girl off for the return.  Myra’s part is to set up the room for the hostage and act as a “nurse” for the girl in the fiction that they will try to maintain that she is a patient in a hospital.  To that end they have a room painted white and a facsimile of a hospital bed set up in it.  And finally, Myra will contact the kidnapped girl’s family and claim that she is in contact with the girl through her spirit world contact, “Arthur.”  And when they have the money, Myra will tell the parents where to find their daughter after Bill has dropped her off at the pick-up spot.

Surprisingly, the plan is remarkably successful.  The girl’s kidnap goes off without a hitch and the ransom is collected by a complicated and circuitous route that the father has to follow going in and around the London Underground Railway.  But after the ransom pick-up the mother of the kidnapped girl shows up at one of Myra’s afternoon seances and we have the nerve-racking experience for Bill of trying to keep the little girl quiet as she calls out in a delirium of fever for her mother who is right in the next room taking part in a séance that is supposedly in contact with her.  At the climax of the séance Myra faints and the séance is stopped and the girl’s mother departs without incident.

But the excitement that Myra felt during this bizarre and dangerous charade has inspired a new and hideous change in the plan.  Myra tells Bill that Arthur, her spirit partner has asked that the girl be sent to him in the spirit world.  In other words, Myra wants Bill to kill the girl with chloroform and thus allow Arthur to have her spirit as his companion.

This madness horrifies Bill and he tries to force Myra to confront her delusions.  Arthur is the dead child of Bill and Myra but whereas Myra believed that Arthur was a child in their lives into his school age years the reality is that “Arthur” was a stillborn baby.  He tries to convince her that there is no Arthur and all these fantasies are her imagination.  And that killing the girl is madness.  But Myra raves on about her gift and Arthur and screams at Bill until he agrees to do her bidding.

In the next scene we see Bill leaving the child’s body in a wooded area and then rushing away to his vehicle.  When he gets home Myra is delighted at the way the plan has worked out.  But suddenly there is a knock at the door.  Bill answers it and comes back with three plainclothes policemen.  They ask Myra if she will perform a séance to help the police locate the girl now that the ransom has been paid.  She agrees and begins the performance with Bill and two of the policemen forming the circle around the table with her.  Myra goes into her trance and starts talking to and for Arthur and slowly she begins to repeat the conversation that Arthur must have had in her mind about killing the child.  When she lapses into silence where she is pantomiming herself cradling a small child in her lap the senior officer looks at Bill and says, “Where did you hide the money sir?”  And Bill replies, It’s in the coal cellar.”  Then Bill adds, “You found the girl alright?”  and the detective says, “Yes, she’s alright.”  And there the movie ends.

This is one weird and creepy movie.  Myra is a deranged lunatic and Bill is a pathetic weakling.  But he actually loves her.  And the atmosphere and plot are quite effective at providing suspense and interest in the story.  Interestingly, Bill was played by Richard Attenborough, the guy who played John Hammond, the man who built Jurassic Park in that movie.  Taken all in all I recommend this movie to fans of suspense movies.  It’s not as shocking as Psycho but it is a similar experience.