Star Trek – The Original Series – Complete Series Review – Season 2 Episode 1 – Amok Time

The first episode of the second season is notable for a couple of reasons.  It’s the first appearance of Ensign Chekov.  He is a young man with a really bad Russian accent and a Beatles haircut which differed from the rest of the crew with a more military cut.  The other distinction is that this episode features the first details of Vulcan.  Mr. Spock is going through a Vulcan physiological syndrome that requires him to return to Vulcan to perform an ancient mating ritual or else die from the suppression of the metabolic process involved.  The visible manifestations of this syndrome include clear irritability and tremors in his hands.  When the always annoying Nurse Chapel brings him a bowl of Vulcan soup Spock scream at her and throws the bowl out of his cabin into the corridor.  When the video screen on the desk in his cabin interrupts him he smashes it flat with his bare hand.

Kirk has been ordered to proceed in all haste to a diplomatic occasion on another planet but in order to save Spock from dying he disobeys his orders and brings Spock to Vulcan.  When they arrive Kirk and McCoy agree to act as Spock’s entourage during the ceremony.  There we meet the prospective bride, T’Pring.  She’s decently good looking.  We also meet the leader of Spock’s tribe, T’Pau.  She on the other hand is an old battle axe.  Now we find out that a Vulcan marriage has the potential to involve a battle to the death for the bride’s hand.  And that’s what T’Pring demands.  And as is her right she selects the challenger.  But instead of selecting her real choice, a doofus named Stonn, she picks Kirk.  Kirk is afraid that if he refuses that Stonn will kill the weakened Spock in the combat.  So, he agrees to battle Spock, unaware, at first, that it is to the death.  The first round involves a weapon that has a large semicircular razor on one side of a pole with a cudgel on the other side.  Spock immediately slices through Kirk’s shirt and chest with it and Kirk barely manages to avoid death.  In the next round the weapon is a combination bolo and garroting band.  Before they get going McCoy gets permission to inject Kirk with a medicine that will allow Kirk to breath better in the low air pressure on Vulcan.

This time the contest does not go well and Spock chokes Kirk to death.  McCoy returns to the ship with Kirk’s body.  Spock questions T’Pring as to her motive in choosing Kirk.  She explains that she was unwilling to be the wife of an absentee legendary husband and so she reasoned that if Kirk won, he would not want her and if Spock won, he would also reject her for her betrayal.  Spock commends her on her logic and warns Stonn that winning T’Pring might not be as good a deal as he currently thinks it to be.

The payoff for the show comes as Spock takes his leave of T’Pau.  They flash their Vulcan gang sign with the space between the third and fourth digits and Spock gives her the “live long and prosper” line.  She repeats it to him but his comeback is, “I shall do neither, for I have killed my captain and my friend.”  Upon meeting Dr. McCoy, Spock informs him that he intends to hand over his command to Scotty but behind Spock a visibly living James Kirk replies, “Don’t you think you better check with me first?”  Spock in surprise and then delight breaks into a broad smile and grabs Kirk by the arms and exclaims “Captain! Jim!”  McCoy explains that what he injected into Kirk was a drug that would temporarily simulate death.  When McCoy questions Spock about his apparent emotional outburst on seeing Kirk alive Spock goes into a song and dance about how it was merely logical relief to see that he had not killed Kirk.  McCoy says it is all very logical but as Kirk and Spock are leaving, he says in a loud voice, “in a pig’s eye.”

And as the final straightening out of the plot we hear that Starfleet Command retroactively agrees to a request from T’Pau to allow the Enterprise to stop over at Vulcan.  Apparently, she is indeed a very heavy hitter in the galaxy.  So, Kirk is off the hook.

Interestingly this episode was written by Theodore Sturgeon who was a very talented but erratic science fiction writer at the time.  As a tv show it has a lot going for it.  We get to watch Kirk and Spock dance around the uncomfortable dynamic of their friendship and Spock’s discomfort with addressing his Human/Vulcan emotional baggage.  I especially enjoyed Spock screaming at Nurse Chapel.  I’ve always despised the character and the chance to see her abused by Spock whom she obviously pines for was vey funny.  What can I say, I’m a monster.

There is also an enormous amount of hokey ritual on Vulcan with gongs, bells on some kind of shaking rack that looks really stupid.  There are funny weapons.  T’Pau is carried around on a litter by two attendants.  They’ve got all the funny words they use for the various parts of the ritual.  There are the silly names T’Pring and T’Pau.  It’s so much fun.  And the friendship between Kirk and Spock is actually well done.  When Spock answers T’Pau about his bleak future it hits just the right chord.  The scene where Spock realizes that Kirk isn’t dead works to great effect with Kirk’s line coming off as very comical and effective.  I give this episode a 9.

As for Shatner mockery points, what more could you ask for.  There is the sliced shirt, the rolling around and the minor tumbling moves.  Plus, Kirk gets to be strangled and play dead.  It’s great.  This is a 9 // 7.

Star Trek – The Original Series – Complete Series Review – Season 1 Episode 15 – Shore Leave

Shore Leave is sort of a fantasy episode wrapped in a sci-fi costume.  It was written by Theodore Sturgeon who was a very good, very unconventional science fiction author of the time.  But from my point of view this story is just an excuse to allow the cast to run around and emote.  Accordingly, it will have a lower episode score but a higher Shatner mockery score.

The Enterprise is exploring a new planet that needs cataloging.  The crew including Captain Kirk are extremely weary from recent emergencies that they have encountered during their extended mission.  Kirk is considering using this seemingly idyllic planet as a location for shore leave for the crew.  During the exploration the landing party encounters some inexplicably strange things.  McCoy meets the White Rabbit and Alice from Wonderland.  When Captain Kirk beams down with his new yeoman, a fetching young woman named Tonia Barrows who is a worthy successor to Yeoman Janice Rand, they also begin to run into impossible things.  Yeoman Barrows is manhandled by a swashbuckling man who resembles her idea of the womanizer Don Juan.  Kirk meets his nemesis from Starfleet Academy, an upperclassman named Finnegan, who back then, tormented him with practical jokes.  Sulu finds a pistol that he has always wanted to try and meets a samurai who chases him with a sword.  Other landing party members are chased by a tiger and strafed by a WW II fighter plane.  And finally, after Yeoman Barrows puts on a medieval princess’s ball gown Doctor McCoy is run through with the lance of a knight on a black charger.

Mr. Spock beams down to inform the landing party that a mysterious force is draining the Enterprise of energy.  He surmises that the strange encounters are some kind of manufactured creations meant to give life to the thoughts that the various crewmen are thinking at the time.  Finally, Kirk chases down Finnegan and they have an epic fist fight after which Spock notes that Kirk very much enjoyed giving Finnegan the comeuppance he earned long ago.  Spock theorizes that the phenomena are meant to be amusements for the participants.  But Kirk reminds him that McCoy is dead.

At this point a man in a long funny robe shows up and tells them he is the caretaker of this world and that his people use it as an amusement park on which to relax.  When Kirk complains that McCoy is dead, of course, McCoy walks back into the scene accompanied by two chorus girls wearing some feathers here and there and each holding onto one of his arms.  Yeoman Barrows who has shown some proprietary interest in McCoy demands an explanation for the girls and McCoy confirms that he happened to be thinking of a cabaret and the dancers just showed up.  The caretaker confirms that no permanent damage will happen on this pleasure world and offers to Kirk the opportunity for his crew to take a greatly needed shore leave and he agrees.

I am of two minds about the intrinsic merits of this episode.  It is somewhat amusing in a broad and casual way.  But I think it goes overboard.  The plot is clearly absurd.  And it’s a departure from the story arc of the series.  The thin plot is fleshed out with the landing party running back and forth reacting to all the strange people and things they encounter.  I’d give it a score of 6 for the episode rank.

But for Shatner mockery it gets points for the fist fight with Finnegan.  Shatner gives of his best.  He rolls around in the dirt and flips and tumbles all over the place.  He even manages to rip away half of his shirt.  And while he doesn’t give us any of his most spastic facial expressions, he does give us a fair number of overwrought expressions and exclamations.  Let’s give it a 7 on the Shatner scale.

So, there we are,  6 // 7.  That’s makes it a fairly balance experience for the Star Trek connoisseur.

In Praise of Brevity

Warning:  What follows is profound.  Extinguish all smiles and assume an air of philosophical introspection.  It will probably help to slightly furrow your brow.

Polonius said that “brevity is the soul of wit.”  And since Polonius was a windbag I feel that I am in good company praising it.  Maybe it’s because of Amazon and the payouts on Kindle reads.  But for whatever the reason we live in the age of the mega-novel.  More than that, we live in the age of the endless book series.  Sometimes that’s a not a terrible thing.  I’ve been enjoying the Galaxy’s Edge series.  They’re a lot of fun.  But hand in hand with this emphasis on long novels, short stories have sort of disappeared.  I freely admit that statement is an exaggeration.  I’m currently reading a collection of short stories taking place in Larry Correia’s Monster Hunter universe.  There are short stories to be found.  But I can only imagine the meager income an author would earn if he limited his efforts to short stories.  I mean, what does Amazon pay an author if someone reads a ten-page short story?  Five cents?  You could see how that would limit grocery purchases.  So, I do not fault the authors who need to eat for gearing their output to the five hundred-page novel.  And the same goes for the series.  Characters that have proven popular are the obvious candidate for more success for an author.

But I want to throw my weight behind short stories.  A good short story is like a good poem.  It is concentrated creativity.  Without a doubt, Dickens or Tolstoy can create an epic creation of many hundreds of pages with a huge cast of characters that are lovingly depicted in amazing detail.  Reading this work is a feast of literary pleasures.  Without a doubt.  But if a master craftsman writes a short story barely two dozen pages long it can be a revelation.  Like some kind of minimalist sketch, he can use a few brush strokes to bring life to a story or a character.  And the effect can actually be more vivid than the grand epic.  Carefully done, the few words can resonate with the soul where the hundreds of thousands merely numb.

I love short stories.  Let me clarify.  I love really well written short stories.  Edgar Allen Poe, James Joyce, Jack London, Kipling.  And in science fiction, Sturgeon, Ellison, Dick, Aldiss.  These authors have produced short stories that stand out as original and memorable.  They leave an impression on the mind that can be indelible.  And of course, not every short story they did is in that category.  But that’s okay.  It’s the exception that proves the rule.  After all it was Sturgeon’s Law that says that “90% of everything is crud.”

 

I’ll list a few of my favorite short stories.  If you feel like playing leave a few of yours in the comments.

To Build a Fire by Jack London

Counterparts by James Joyce

The Dead by James Joyce

And Now the News by Theodore Sturgeon