Guest Contributor – Tregonsee – 10DEC2025 – Ray Bradbury

 

Bradbury is nearly sui generis amongst the 40’s/50’s/early 60’s SciFi Writers. His stuff often feels more like Lovecraft or Clark Aston Smith. My first “adult” scifi (not juvies like Tom Swift Jr. or young children scifi like Spaceship in the Apple Tree) were two of his collectionsThey were R is for Rocket and S is for Space that my 5th grade reading teacher found for me in the school library. I recently got a new audible version of his Martian Chronicles and although the technology doesn’t really make sense (maybe not even then) the stories themselves are beautiful and elegant in a fashion that the Asimov/Clark/Heinlein stories usually didn’t try for. Bradbury makes a lovely palette cleanser among other SciFi. Some moderns try at his style but honestly most of them are pale imitations like art students copying a Rembrandt or one of the pre Raphaelites.

The Sheldon Chronicles

Larry Sheldon (25,501 – 25,587 N.E.) – Founder of the science of psycho-cosmography, famously quoted as saying, “Look, we needed more space so we invented starships.  What’s the big deal?”  Creator of the Sheldon Plan whereby the new empire was replaced by the new, new empire and the outpost world Zero became the Bulwark for this new order.  He was a secretive and reclusive genius who suffered from acute fear of other people’s body odor.  Some historians now believe his existence may have been apocryphal.

(Encyclopedia Publicius Domainius, 1023 edition)

Here he stood in the center of the galaxy, the administrative capital of the new empire; Titantor!  A world that circled the central black hole of the Milky Way galaxy.  Only an incredibly powerful anti-gravity field prevented Titantor from being ripped to shreds and swallowed by the gravitational force of its evil black star.  A steady stream of planets and debris had to be fed into the anti-gravity generator to keep this horrific imbalance in existence.  But such was the power of this empire and its vanity that the whim of the emperor was enough to maintain this cosmic madness.

And here he stood Bob Goodfellow, a fresh graduate of the Arcturus Community College and Creamery here to put his knowledge of psycho-cosmography to good use assisting Larry Sheldon to save the new empire from the forces of entropy that threatened to tear it apart and bring on a trillion years of barbarism and low credit scores for everyone.  And he was nervous.  Meeting a genius like Larry Sheldon was intimidating.  He could feel sweat forming on his forehead.  He wiped it away with a handkerchief.  And suddenly there was Sheldon walking toward him smiling and looking him over nervously, “Bob, good to finally meet you.  Yeah, I’m not big on shaking hands or standing downwind of people.  So, let’s walk with the wind in our faces and you following me at about a six-foot distance.  Thanks!”

Within these strictures they covered the distance to the Titantor Senate building in about an hour and Goodfellow watched from the gallery as Dr Sheldon was cross-examined by the representatives of the Imperial Science Foundation.

The Pontifex Maximus grilled him, “Dr. Sheldon, you claim that using the energy output of fifty billion stars to turn the Smaller Magellanic Cloud into a jacuzzi for the emperor’s concubines will lead to the heat death of the galaxy.  Do you have any proof of this?”

Larry sat with his handkerchief clutched over his nose recoiling at the examiner’s overpowering cologne, “Well, the fact that the population of the empire has decreased from a million-billion-billion to seventy-eight would seem to be a relatively strong indicator, mathematically speaking.”  The Pontifex made a rude noise and scoffed, “What nonsense!  This mighty capitol; Titantor, on its own, is home to countless billions.  We see them all around us!”

Larry used his emergency inhaler and continued, “Yes, but they’re all robots.  In fact, it’s worse than the numbers indicate.  There are only thirteen women of childbearing age left and half of them are Vestal Virgins.  We’re going to have to really rethink a lot of priorities if this whole shebang is going to last past Wednesday.”

This sparked outrage and shouting among the senators.  The concomitant bad breath overwhelmed Larry and he swooned in the witness chair.       …     To be continued!!!!

A Great Science Fiction Story?

Lately I’ve been thinking about this topic.  What makes a great science fiction story?  Can it be a great science fiction story if the story’s not great?  How about if the science isn’t great?  I think you know what I’m saying.  A great story, meaning great fiction, has characters drawn in a way that makes them compelling.  It doesn’t have to be Shakespeare but it can’t be two-dimensional cut-outs that wouldn’t make it through a toothpaste commercial.  And by the same token, what if the science is just stupid?  Sure, you can just say it’s fantasy instead and then the sky’s the limit.  But let’s stick to science fiction.

When I was a kid, I would have said that “great” science fiction needed the science but the fiction was not that important.  If there were enough star cruisers and anti-matter bombs and giant amoebas then all was right with the world.  In fact, the fewer human relations involved in the story, the better.  I was much more interested in the non-human characters acting “realistic” than any dialog between humans.  And the male/female dynamic was completely off the table.  The last thing a Lensman needed before, during or after a battle was a woman getting in the way.

Suffice it to say that time changes things.  I look at some of the “classics” of the golden age and I see a flatness to the story.  Now, this isn’t an all-encompassing criticism.  There are plenty of stories from the day that have nuanced characters and plots that reflect actual human personality types.  So, it’s not black and white.

Now, the modern literary science fiction has been described as having the opposite problem.  It’s all about human feelings and relations.  What isn’t as important is the “science.”  When that’s the case I will just declare that if a story doesn’t have any science at all then it isn’t a great science fiction story because it isn’t science fiction.  Period.

And without a doubt if a story has an exciting plot and memorable characters and also a clever science fiction premise then without a doubt it’s great science fiction.

So that leaves the other extreme.  What if a story is built on incredibly imaginative science fiction plot devices but the characters are cardboard cut-outs of human beings?  Can that be a great science fiction story?  In this category the works of Arthur C Clarke comes to mind and specifically 2001: A Space Odyssey.  Here is an epic tale stretching all the way from the dawn of Man to the first human interstellar voyage.  And yet the most human character in the book is HAL9000; a schizophrenic homicidal computer.  Now, is it an interesting story?  Well, yeah.  There are cave men and monoliths and moon bases and worm holes.  But honestly, do you find yourself rooting for anyone?  There’s just something so inhumanly stolid and wooden about everyone in the story that I feel that each one being murdered by HAL might be his happiest moment.  At least liveliest.

But anyway, I want to pose this as a question.  Can a technically engrossing sf story be considered great if the characters are ciphers?  What do you think?