This is a WWII submarine story. A submarine commander P.J. Richardson, played by Clark Gable, survives the destruction of his submarine during operations against the Japanese in the Bungo Straits. The Japanese destroyer responsible, called the Akikaze, had previously destroyed at least four submarines and Richardson is determined to have his revenge. Richardson thinks he has figured out how to defeat the Akikaze and he convinces the navy to give him command of another submarine, the Nerka. The Nerka’s executive officer, Lieutenant Jim Bledsoe, played by Burt Lancaster, has been disappointed in not being given the command, but he cooperates with Richardson and acts to convince the crew that the unorthodox and frustrating tactics that the commander puts them through are legitimate.
The commander brings the Nerka into the Bungo Straits and using his knowledge of the Japanese tactics he successfully engages a Japanese destroyer and destroys it. But when he goes after the Akikaze the Japanese seem to know in advance of his presence and the Nerka is nearly destroyed, several men are killed and Richardson is badly injured.
But when Richardson orders Bledsoe to prepare for another attempt to destroy the Akikaze, he relieves Richardson of command based on medical disability and says that he will return the Nerka to base. But Bledsoe changes his mind and attacks and destroys the Akikaze. But during the attack Richardson realizes that the Akikaze was working with a Japanese submarine to destroy American submarines. He alerts Bledsoe and the danger is averted and the Japanese sub is destroyed. But Richardson dies of his injuries and the Nerka buries him at sea.
This is a fairly straight forward war movie. But the principal actors Gable and Lancaster make it a very memorable film. Some of the other actors do a good job. Jack Warden is a veteran actor and is probably the standout among the supporting characters. There is one amusing detail in the ship life. The crew has a pin-up picture of a girl which they each pat on the butt before they go into battle. This amusing and lifelike touch adds obvious interest for the natural audience of this movie. Highly recommended.
The true story of the Bounty is an amazing tale. There are sea voyages on wooden sailing ships that took multiple years and girdled the Earth on routes that threaded the Cape Horn and the Cape of Good Hope to get to such amazing places as Tahiti must have been in the eighteenth century. Then the human drama of a crew finally rebelling against a merciless tyrant and then escaping the whole British navy to start a new life on a remote island from which they could never return. Bligh’s unbelievable 3,500-mile sea voyage after being set adrift in a life boat. And finally, the trial of the men who were captured on Tahiti after the mutiny.
Hollywood found the perfect Captain Bligh in Charles Laughton. His strutting, bellowing Bligh is an inhuman monster of legendary proportions. When a seaman whose knees are raw sores asks for water to wash the sand of the deck out of his wounds Bligh orders him to be keel-hauled. That means he was dragged the whole length of the ship bottom against a barnacle encrusted hull. Naturally he doesn’t survive.
And Clark Gable is an excellent Christian Fletcher. His defiance of Bligh before the mutiny is measured and prudent but when the outrages become insurmountable, he finally snaps and leads a mutiny that takes the ship and sends Bligh and his loyal followers out onto the open sea. The movie presents us with Fletcher sailing the ship to Tahiti and allowing his men to take Tahitian wives. When the British come looking for them Fletcher leads all of them to Pitcairn Island on the Bounty where they start a new life.
Franchot Tone portrays Midshipman Byam a friend of Fletcher’s who refuses to join the mutiny but is forced to remain with the mutineers. When the Bounty flees Tahiti Byam remains to return with the British but he is accused of mutiny by Bligh and ends up on trial for his life. According to the movie the trial is the cause célèbre that eventually caused the British Navy to reform their treatment of enlisted men.
Along with these leads there are a dozen other supporting characters that are each engaging and entertaining. The seamen, the officers, the Tahitians, the Admiralty Court Martial. Each is given screen time to tell a story. One of the standouts for me is Dr. Bacchus, the one-legged, constantly inebriated ship’s surgeon who provides medical help and moral support to the victims of Bligh. His other amusing characteristic is the constantly changing story of how he lost his leg. One time it was in a sea battle against John Paul Jones. Next, it’s a French frigate and after that a Spanish galleon.
As I said at the start, the true story of the Mutiny on the Bounty is an amazing tale. The 1935 movie is based on a fictionalized account. There are many inaccuracies that have been added to the story. For instance, Bligh was not the captain of the ship that brought back the mutineers from Tahiti and chased the Bounty. There is no record that a sailor was keel-hauled and died by Bligh’s order. And Bligh did not attend the court martial. But it is a remarkable movie nevertheless and it is still very entertaining eighty-five years after it was made. I highly recommend it for all fans of adventure stories.
Anyone who has watched TV around Christmas has probably seen a Frank Capra movie because every year they play “It’s a Wonderful Life” non-stop for a week straight. And that’s a really good Capra film. But Capra made a bunch of good films in his day and some of them are among my favorites. And my all-time favorite is “It Happened One Night.” Filmed in 1934, it stars Clark Gable and Claudette Colbert in a screwball comedy that wants us to believe that an heiress on the run from her father would meet up accidentally on a bus with a reporter who needs her runaway story to salvage his newspaper career. Their trek from Florida to New York begins with each despising the other and ends up, of course, with them falling in love. But of course, the course of true love is never smooth and never was that truer than with this goofy tale. The key to the success of this movie, for me, is the chemistry between Gable and Colbert. He is the seemingly self-confident man of the world. He knows it all and claims to be able to write a book about every skill from how to correctly dunk a doughnut, to how to thumb a ride on the highway. She starts out as the arrogant little rich girl. Pretending to need no one’s help and always in charge. Once they broker a deal to travel together to their mutual interests, they proceed to heckle each other and bicker until they pretty convincingly fall in love. My wife and I have always thought of this as a pretty much perfect date movie. It has a little something for both sexes. Gable gets to strut and brag in his king of the jungle act and Colbert is the sarcastic little woman. In one of my favorite scenes Gable is demonstrating his various “foolproof” methods of thumbing a ride. After a string of failures, he dejectedly admits maybe he shouldn’t write that book after all. Colbert says she’ll get a ride and won’t even have to use her thumb at all. Of course, she walks over to the rod, lifts her skirt above her knee and the first passing car slams on the brakes and the emergency brake too. An amused Colbert says to the glum Gable that she had just answered an age-old riddle. He asks what and she replies “that the limb is mightier than the thumb.” And he viciously replies “well why didn’t you just take off all your clothes and you could have gotten a hundred rides?” to which she serenely replies “when we need a hundred rides I will.”
As I mentioned earlier, the couple don’t smoothly move from reluctant partners to sweethearts without obstacles and by the last reel misunderstanding and anger almost conspire to destroy this match made on a Greyhound Bus. But of course, happily ever after is bound to be in a Capra film so the fear of tragedy is never serious.
The movie is full of little details of life in depression era America and the vignettes with the denizens of the bus and other locales add charm to the story. Capra filled his depression era movies with scenes of the common people displaying compassion and camaraderie in the face of adversity. The scene where the bus riders amuse themselves with a relatively untalented singing performance is amusing and appealing if a little contrived.
If you’ve never seen the movie, I unreservedly recommend it. If you don’t like it then I recommend you do not read any more of my reviews. Our points of view on film would be just too far out of synch to allow any value to you. And may God have mercy on your poor shriveled soul.