I bought this album seven years ago and then didn’t listen to it until last year for reasons that I haven’t been able to remember. And when I did, I just added it to a large rotation of music tracks so that I never even noticed that the songs were by someone new. But today I played the album and said, “Hey I love this stuff!” So, I looked him up and found out his genre is considered “Americana.” I figure that means he doesn’t want to be called a country music singer because he’s a lefty and there’s more street cred with the hippies if you say you’re an Americana artist. Well since I couldn’t find any offensive lefty stuff on his website, I haven’t cast him into the outer darkness.
This guy writes most of his own stuff and it’s good. Stylistically, it’s all over the map. There’s blues, country, rock and roll, folk and a mixture of acoustic and electric instruments. He’s got sad songs and laments, comic songs and tales of the musician life. It’s really hard to pigeon hole him. His voice is a little ragged but definitely interesting.
He’s definitely not mainstream commercial country which for me is kind of a good thing. I’m going to have to get some of his other albums. I recommend this one for country music fans. Whether he’s filthy hippie or not is an open question. I’ll have to do more research.
A couple of years ago I bought all five of Eric Church’s albums (see playlists at end). I had seen him perform a couple of time on one or the other of the Country Music Awards shows and I thought he was head and shoulders above the stuff that was getting played on the radio stations. When all that Bro Country stuff started up ten years ago it sounded so awful and contrived and just plain stupid that I was glad whenever I found someone who could write meaningful lyrics and talk about something resembling real life.
Church portrays himself as a working-class kid who grew up in a small town filled with work that got his hands dirty and Friday nights filled with booze and girls. And that’s what he writes about. But he also sings about some less simplistic goings on. His first album “Sinners Like Me” has a song called “Lightning” that is the execution day recollection of a man who killed a liquor store clerk while attempting to rob the store. We get his thoughts seeing the mother of the boy he killed and his own daughter sitting in the viewing area. It’s a powerful and skillfully done song. And that album is full of good songs.
In his later albums he starts singing about his life as a grown man and we hear about his wife and kids and what it means to be a wild kid who has to become a grown up. And to other grown ups this might resonate a lot more than another song about Jack Daniels kicking Eric’s butt on Sunday morning.
On the five albums I’ve got he has about sixty songs and I’d say I only truly dislike three songs. And one of those is his tribute to pot which I guess is one of his vices.
There are twenty songs that I like a whole lot. And the rest are regular good, meaning I can listen to them in the rotation without getting tired of them. I think that’s actually very good. Church has an interesting voice and I’d describe his music as country rock.
If you want a song writer that can write both the Saturday Night honky-tonk songs and also more thoughtful and realistic stories then Eric Church is worth a listen to see if he clicks with you. I can say I highly recommend him based on my standards. I’ve bolded the songs I especially like.
Sinners Like Me (2006)
- “Before She Does”
- “Sinners Like Me”
- “How ‘Bout You”
- “These Boots”
- “What I Almost Was”
- “The Hard Way”
- “Guys Like Me”
- “Can’t Take It with You”
- “Pledge Allegiance to the Hag” (featuring Merle Haggard)
- “Two Pink Lines”
- “Livin’ Part of Life”
- “Ain’t Killed Me Yet”
- “Lotta Boot Left to Fill”
- “Young and Wild”
- “Where She Told Me to Go”
- “Longer Gone”
- “Love Your Love the Most”
- “Smoke a Little Smoke”
- “Without You Here”
- “You Make It Look So Easy”
- “Hell on the Heart”
- “Those I’ve Loved”
- “Drink in My Hand”
- “Keep On”
- “Like Jesus Does”
- “Hungover & Hard Up”
- “Country Music Jesus”
- “Jack Daniels”
- “I’m Gettin’ Stoned”
- “Over When It’s Over”
- “Lovin’ Me Anyway”
The Outsiders (2014)
- “The Outsiders”
- “A Man Who Was Gonna Die Young”
- “Cold One”
- “Roller Coaster Ride”
- “Broke Record”
- “Like a Wrecking Ball”
- “That’s Damn Rock & Roll”
- “Dark Side”
- “Devil, Devil (Prelude: Princess of Darkness)”
- “Give Me Back My Hometown”
- “The Joint”
- “Mr. Misunderstood”
- “Mistress Named Music”
- “Chattanooga Lucy”
- “Mixed Drinks about Feelings”
- “Knives of New Orleans”
- “Round Here Buzz”
- “Kill a Word”
- “Holdin’ My Own”
- “Record Year”
- “Three Year Old”
Back in 2017 a musician buddy of mine told me he saw a young country singer in Nashville named Colter Wall. He had a murder ballad called Kate McCannon on his album that once I heard it I really liked. And once I heard the rest of the album, I thought was exceptional. So, I’ve been following his music since then. And he’s getting some good play on a few movie soundtracks and on the TV show Yellowstone. I was looking forward to his album this year. But I’ve been so distracted by the political horror show we’ve been living through that I missed the release. I bought the album last week and finally listened to it today. And it was a good listen.
Now his 2017 album had a sort of alt-country feel to it. This album is a straight up western music album. There are songs about cattle farming and rodeos and cowboying and gunfighters. You see Colter is from Saskatchewan Canada which is north of Montana and is still like what we think of as the old west. None of these songs are as emotional or quirky as some of the stories on his 2017 debut and none of them knocked me out of my chair but I thoroughly enjoyed the familiarity and simplicity of the western tunes. The guitar and fiddle play are pleasing and Colter’s baritone sound is easy to listen to.
If you’re looking for some new music and like old time western music, I think you’ll enjoy this album. I did.
Here is the song list:
Western Swing & Waltzes
I Ride An Old Paint: Leavin’ Cheyenne
Henry And Sam
High & Mighty
Talkin’ Prairie Boy
Rocky Mountain Rangers
Houlihans At The Holiday Inn
Camera Girl is a remarkable human being but she is, foremost, a woman. And any husband worth his salt will tell you that’s not an unalloyed blessing. One of the many things that separate women from rational human beings is their love of soap operas. And this includes that bane of late 20th and early 21st century life, the nighttime soap. Luckily when we were young, we had children so we were too busy in the heyday of nighttime soaps to watch Dallas, Dynasty, Knots Landing, Melrose Place and the rest of that bilge.
But now that we are mostly empty nesters it’s no longer safe. And every once in a while, Camera Girl will reach beyond her annoying predilection for cop shows and look for something truly awful. And so it is that I have been dragged kicking and screaming into the demented saga that is Yellowstone. Kevin Costner and a mostly unknown cast (at least to me) ride horses and shoot guns up in Montana trying to preserve their Ponderosa sized cattle ranch from the real estate speculators, Indian tribes, disloyal cowboys, hedge fund pirates and other assorted lunatics who all seem to need killing. And kill them they do. Their enemies end up shot, stabbed, drowned, blown up, or pushed off cliffs more or less with impunity. And within the family, hatred and dysfunction are on full display. The daughter is a foul-mouthed man-eating lawyer. The lawyer son is her foil that she despises, berates and occasionally assaults. The cowboy brother is the hero, I guess. He’s a decorated war hero and his Indian wife and son have left the reservation and live on the ranch now.
The show truly is a ridiculous nighttime soap with egregious plots and ridiculous dialog. That being said, I was pleasantly surprised when I started hearing some of my favorite country artists on the soundtrack. Colter Wall, Tyler Childers, Chris Stapleton, Ryan Bingham and a bunch of other good to excellent country acts provide at least an interesting aural experience to go along with the annoying goings on at the Dutton family ranch.
One other saving grace that the show possesses are the vistas and landscapes that seem to surround you wherever you look in that magnificent big sky country. The juxtaposition of soaring snowy mountains, cascading rivers, verdant plains and technicolor blue skies can be seen sometimes all in one shot. You often find yourself wanting to yell at the actors to shut up and get out of the camera’s field of view and stop ruining the experience of just seeing and hearing the grandeur on display. But unfortunately, thy will go on yammering about whatever crime or deal they are conniving that week.
So that tells you all you need to know about the show. And honestly there is no way I can say I recommend this train wreck of a television experience. It’s a ghastly offense against story-telling. If you’re an enormous Kevin Costner fan I guess you can justify watching it to see him. He is one of the better parts of the show but even that isn’t saying much. And you can just listen to the soundtrack without watching the show. And I’m sure National Geographic has tons of documentary footage of Montana and Wyoming wilderness to watch anytime you want.
I, on the other hand, have to watch. Camera Girl is a woman and therefore barbarically cruel. I can always hope it will be cancelled soon. Damn you Costner.
Paisley’s been around since 1998 and has had a long string of hits. He is a favorite of concert goers. I like his comical songs best. Among the best are:
- I’m Gonna Miss Her
- I’m Still a Guy
- Crushin’ It
And as a husband I think of “I’m Gonna Miss Her” as a masculine anthem.
But Brad has other types of songs. He can write a love song or a serious or a sad song and some of them are pretty good like:
- This Is Country Music
- A Man Don’t Have to Die
- Waitin’ On a Woman
All in all he’ got a lot of good music. Of late I think he’s had a falling off. But his earlier hits are solid and I still enjoy them, especially the comical ones.
And, of course, he gets extra points for his relationship with Bill Shatner.
At the end of his life Johnny Cash recorded a multi-album project. Listening to this album it’s unmistakable that we’re listening to a man at the end of his life. His voice is in tatters but for some of these songs it’s actually quite effective. The songs were a very divergent group that crossed over popular styles that spanned generations. There’s everything from modern songs like Nine Inch Nails’ “Hurt” to old standards like “Danny Boy” and “We’ll Meet Again.” And he included pop songs from the 1960s and 1970s like the Beatles’ “In My Life,” the Eagles’ “Desperado” and Simon and Garfunkle’s “Bridge Over Troubled Water.” He also includes several country western standards like “Sam Hall” and “Streets of Laredo.” But the highlight of the album is the title song “The Man Comes Around.” It’s a dark vision of the Judgement Day. Cash claims that some of the lines came to him in a strange dream. I listen to this song when I’m feeling particularly pessimistic about the future.
Not all the songs work for me. And I’ll guess that not everyone will agree with my picks but here they are:
- The Man Comes Around
- I’m So Lonesome I Could Cry
- Streets of Laredo
- Sam Hall
For older die-hard fans of Cash this will be a bitter-sweet experience because of the circumstances of this music. But I think the title song is a very stirring song that’s worth a listen by country music fans.
Chris Stapleton is a big country music star. His 2015 debut solo album Traveller was double platinum and went to number 1 on Billboard. But I only heard of him when I looked up a song that was on the soundtrack of the movie Hell or High Water that I watched last year. That was the song “Outlaw State of Mind.” So, I figured I’d buy the album it was released on and that was “Traveller.” Chris Stapleton is a very successful songwriter with his songs being sung by country artists such as Luke Bryan, Tim McGraw, Brad Paisley and Dierks Bentley. And when you listen to this album you realize he is a fantastic lyricist. It is filled with great music. There are all kinds of different songs, songs about love, heartache, addiction, music, God and working-class alienation. There’s plenty of good stuff on it but being the romantic that I am my favorite song on the album is a love song called “More of You.” It’ a mandolin accompaniment to a husband describing his undying love for his wife. As a man married for almost a lifetime to a woman as stubborn and aggravating as Camera Girl no one is more aware of the homicidal impulses that can awaken in a husband’s tortured mind when such a woman really tries to twist the knife. But I also know the flipside, which is that a good marriage is the best thing that can happen to a man. This song captures that good side. It is simple, tender and beautiful.
Traveller is a good country album. Give it a try.
The Zac Brown Band has been putting out country albums since 2005 but the two albums that caught my attention are “The Foundation” (2008) and “You Get What You Give” (2010). These two albums have some of Zac’s best songs. Many of them are ones you’ll enjoy listening to over and over. Here are some of my favorites:
Highway 20 Ride
You Get What You Give
I Play the Road
Zac fills his albums with songs that are original and meaningful. He has a sound that combines elements of country, bluegrass and Southern Rock. On a few songs on these albums he’ll mix in some reggae stuff which isn’t my favorite thing but usually it’s okay. He writes most of the songs and fills them with great instrumental work and heartfelt lyrics. And he even has a few comical songs which I like. Of course, nobody will like all the songs and I’m sure there are some folks who won’t like his stuff but I’ll risk a statement that most country music fans will like quite a lot of these two albums.
Zac has a bunch of other albums but in my opinion, these are his best two efforts so far. In another review I’ll pick out the rest of his work to highlight the best of these other albums.
Since nothing new has caught my attention in Country lately I’ve decided to do retrospectives on some of my favorite artists. I’ll start with Tobey Keith. I consider Tobey one of the most successful Country Music singers. He has quite a number of songs that are truly excellent. These are songs that you can play over any number of times without wearing them out. And Keith has a variety of song types. He has serious patriotic ones, comic ones and ones that sing about the vicissitudes of modern life. He has a strong pleasant voice and he uses both country and western melodies with occasional rock and other music types.
Another aspect of Tobey Keith is his unashamed patriotism and his well-known support for the military. Keith performed in Iraq during the war and embraced charities that helped the wounded soldiers and penned the song American Soldier as a tribute to the fighting men.
So, Tobey writes his own songs, has produced twenty-five albums, won numerous awards and is worth over five hundred million dollars. Not bad for a country boy from Oklahoma. But all that is beside the point. He has a boatload of good country music and if you go through his greatest hits, you’re bound to find several that you’ll enjoy. Well, at least, I think you will.
Here are a number of songs that I especially enjoy in the categories I’ve grouped them in.
Courtesy of The Red, White & Blue (The Angry American)
Made in America
Beer for My Horses
Should’ve Been A Cowboy
How Do You Like Me Now?
Get Drunk and Be Somebody
Stays in Mexico
Big Blue Note
As Good as I Once Was
Red Solo Cup
Get Out of My Car
When I played Sturgill Simpson’s “Metamodern Sounds in Country Music” a while ago, I was struck by the fact that he could write an excellent and very genuine country song like Panbowl but didn’t really seem to belong to the genre on a consistent basis. Later I listened to “High Top Mountain” and noted that this was an album that followed the country music conventions but breathed an original and idiosyncratic life into them.
Recently I bought Simpson’s “A Sailor’s Guide to Earth” and “Sound & Fury” albums. I can officially declare that Sturgill Simpson’s days as a country musician have ended. A Sailor’s Guide is an album of personal songs, some to his young child, that might be characterized as some kind of combination of folk/pop and a smattering of everything else. Sound and Fury is what a musician I know described as techno-metal.
Whatever they are, they ain’t country. It seems that musicians wander into country via folk music origins, probably because it’s commercially viable and then can’t maintain the interest. I think many of them feel too constrained or long to add other sounds to the mix.
So unless someone tells me that Sturgill Simpson has become possessed by the spirit of Hank Williams Senior I won’t be checking out his subsequent releases.