Ronin (1998) – A Movie Review

Ronin is some kind of crime, espionage, action-adventure movie.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Robert De Niro is Sam, a former CIA operative who is signing on to a heist of some kind of important property in a steel case that’s locked to a courier’s wrist and guarded by four cars-full of armed men travelling in the south of France.  We never learn what’s in the case.  Maybe very valuable military secrets maybe unobtainium.  He has been hired by a woman named Diedre with a decidedly Irish brogue.  He is joined by a team of men to pull off this assignment.  Sean Bean plays Spence, allegedly a former British special forces soldier.  Jean Reno plays Vincent a French soldier of fortune.  The last gunman is someone named Larry who never seems to display any real characteristics.  And Gregor who is a German former KGB agent is the technical asset.  He uses electronics to monitor the activities of the couriers and provides information on their route and timetable.

While retrieving the guns needed for the mission the team is ambushed and it is quickly learned that Spence is a fake and has no experience as a soldier.  He is paid off by Diedre and dismissed.  Sam and Vincent gravitate to each other as the two men who have the best idea about how this mission will go down and they have each other’s backs during the ensuing events.  Also, it’s obvious that they share a similar outlook on the world they inhabit.

We find out that Diedre’s boss is an ex-IRA soldier named Seamus O’Rourke played by Jonathan Pryce.  He hangs back from the team only contacting Diedre to monitor the team’s progress.

The attack on the courier is carried out.  Enormous quantities of bullets and other explosives are expended, incredibly difficult car chases ensue and finally all of the target team is killed.  Finally, Gregor takes the case from the dead courier.  But he makes a switch with the real case and hands off an explosive case that Sam barely discovers and tosses away in time to avoid killing the rest of the team.

Now Diedre and her team must locate Gregor before he can sell the case to his old employers the Russians.  More car chases ensue and eventually Gergor is tracked but before the team can capture him Seamus rejoins the story.  He orders Diedre to abandon the team and the two of them capture Gregor and drive off with him.  In the incident Seamus kills Larry against the feeble protests of Diedre.

Sam locates Seamus and they have an even more unbelievable car chase running the wrong way on an expressway.  Eventually Seamus, Diedre and Gregor’s car crashes.  Gregor manages to escape with the case and Seamus and Diedre barely escape the burning car.  When the authorities arrive Sam and Vincent retreat from the scene.

Now Sam and Vincent regroup while Sam has an inconvenient bullet removed from his side and they work out where they think Gregor will meet with the Russians to sell the case.  Of course, there’s a very convenient Russian Ice Ballet show in Paris so away they go.

At this point every one but Sam and Vincent betray everyone else in a hopscotch of double crosses.  Gregor has a sniper ready to shoot the Russian mobster’s girlfriend, the skater, if he isn’t allowed to leave with his money.  The Russian shoots Gregor and abandons his girlfriend to the sniper and flees the arena.  Seamus shows up as a security guard and shoots the Russians and takes the case.  He also shoots Vincent who was right behind the Russians.  Sam finds Diedre in the getaway car and warns her that he is still an active CIA agent and is after Seamus not the case.  He lets her escape and now without an escape route Seamus turns and shoots it out with Sam.  Sam is hit in the shooting arm and Seamus prepares to finish him off.  But a wounded Vincent shows up in time to dispatch Seamus.

The movie ends with Sam and Vincent saying goodbye at a bar.  Vincent reads that Sam was hoping Diedre would show up to see him.  Vincent lets him know that doesn’t happen in real life.  They part as friends.

This is a pretty wild adventure movie.  The car chases are way, way over the top.  But by the same token they’re technically very well done.  The acting is what you would expect in an action-adventure movie.  De Niro and Jean Reno successfully achieve the needed buddy-movie sympatico thing.  Even the feelings between Sam and Diedre weren’t so silly that they ruined the movie.  Seamus, Gregor and the Russians were all very acceptable bad guys.  All in all, I’d say Vincent was the most relatable character in the movie.  Which is something in a movie of this sort.  I would call this a highly recommended movie for someone looking for action adventure with a decent story to it.  For everything else it’s okay.

The Adventures of Baron Munchausen – A Movie Review

Terry Gilliam is best known as a member of the comedy troupe Monty Python’s Flying Circus.  But he also had a second career as a motion picture writer/director.  His best-known movie was Brazil, about a dystopic future where the all-powerful security state reaches an absurdist level of control.

But the movie that I am interested in here is a less well known but sunnier exercise.  The movie opens up within a walled town besieged by the Turks at a time that is identified as being in the 18th Century, The Age of Reason, Wednesday.  A small acting company is putting on a comical play of the legendary Adventures of Baron Munchausen, when in the middle of the first act the real Baron Munchausen interrupts the play to refute the slanders, he claims are being made against himself.  The Right Ordinary Horatio Jackson who is in attendance in the audience and is the military governor of the town and a staunch proponent of the Age of Reason, takes offense at the Baron’s aspersions against reason and logic and threatens to throw the Baron and the whole acting troupe over the wall to the Turk.  The Baron claims he is the cause of the Turkish assault on the town and spends the rest of the movie assembling his legendary comrades to save the town from both the Turk and the Right Ordinary Horatio Jackson.  The Sultan and Jackson, behind the scenes are actually on excellent terms and take turns winning battles in order to keep the war going on forever.

Some very excellent actors are included in the cast including Jonathan Pryce as Horatio Jackson, Robin Williams as the King of the Moon and Eric Idle as Desmond and Berthold.  The reason Idle has two characters to play is another conceit of the movie.  The play actors of which Idle is one look exactly like the Baron’s actual comrades and so the movie actors play both parts.  Robin Williams as mentioned, is King of the Moon and his characterization has a split personality.  When the King’s head is detached from his body, he has a light, zany, Italian-accented voice an impish personality.  But when the head and body are joined Williams takes on the voice and personality of what could most easily be described as an angrier version of Benito Mussolini.

The English actor John Neville plays the Baron and smaller parts are distributed to well-known actors like Oliver Reed and Uma Thurman who portray the gods Vulcan and Venus respectively.  Even Sting (of Police singing fame) has a cameo as the “Heroic Officer.”

The plot, such as it is, has the Baron sailing to the Moon, falling into Mount Vesuvius to meet Vulcan and Venus and being swallowed by a giant sea monster, all performed as part of his search for his servants.  Along the way he flirts with Queens, goddesses and even a few commoners.  At all times he somehow has long stem roses to hand out and he invariably compares the beauty of each women to Catherine the Great “whose hand in marriage I once had the honor to decline.”  On one occasion he makes the remark to three women at once.  When an auditor of this exchange challenges him that they couldn’t all remind him of Catherine the Great, the Baron petulantly replied, “Why not? Bits here and bits there!”

The movie is obviously a hymn to fantasy and whimsy and the final showdown has the Baron conquer not only reason and reality but even old age and death itself.  It’s an utterly ridiculous movie that is full of fantastic visual effects and fairy tale imagery.  It probably will not appeal to all tastes.  I highly recommend it to those who can enjoy elaborate nonsense.