The Twilight Zone – Complete Series Review – Season 1 Episode 16 – The Hitch-Hiker

Inger Stevens plays a young woman named Nan Adams who is driving across country from New York City to Los Angeles.  When we meet her, she is in rural Pennsylvania waiting while a mechanic changes out a tire that blew out while she was driving.  He tells her how very lucky she was not to have been killed by the high speed blow out on that stretch of road.  As she is leaving the area, she notices a hitchhiker looking at her.  Later on, that day she happens to catch sight of this same tramp hitching at the side of the road.  After several more days and numerous more sightings of this man she became terrified by his continuing ability to stay ahead of her on the road.  Finally, in panic, she attempts to cross a railroad crossing and is almost hit by the train.  Now she is sure the tramp is trying to get her killed.  Later she convinces a sailor to ride with her to California and while driving she sees the hitchhiker and tries to run him over.  This panics the sailor and he leaves Nan.

Completely demoralized, Nan stops at a phone to call her mother back in New York City.  She reaches the number but is told by someone she doesn’t know that her mother has had a nervous breakdown after the death of her daughter Nan in an automobile accident in Pennsylvania several days before.

Now she knows that the hitchhiker is death waiting for her to realize that she is already dead.  And just as she gets back in her car, she sees the tramp in her rear-view mirror and he says “I believe you’re going my way?”

The Twilight Zone specialized in stories about people who were misinformed about themselves.  Sometimes they didn’t know they were manikins or robots or dead or on Earth instead of an asteroid.  But you can always see it coming a mile away.  Since this is the first “didn’t know I was dead” episode I’ll take only half a grade off and give it a B- (plus Inger Stevens was a very pretty girl which counts for something with me).

The Twilight Zone – Complete Series Review – Season 1 Episode 15 – I Shot an Arrow into the Air

So, here’s a lifeboat drama folded into an early space flight story.  A rocket with eight astronauts is lost during the launch.  It disappeared from the radar and all communication is lost.  We next see the astronauts in a desert landscape, which we are told is an asteroid, near the smoking wreck of their ship.  Four of the astronauts are dead, one is critically injured and three are unharmed.  As senior officer Colonel Donlin takes charge of the survivors and orders his subordinates Corey and Pierson to bury the dead and care for the injured man.  Corey balks at giving the injured man water because of its short supply.  This sets him at odds with his fellows who come to see how selfish and inhumane he really is.  When the injured man dies Donlin sets Corey and Pierson to the task of exploring beyond the vicinity of the crash site and find if there is anything to help their plight.  Hours later Corey comes back without Pierson claiming they went in separate directions and he didn’t know where Pierson was.  But when Donlin accused him of having Pierson’s full canteen instead of his own empty one Corey confessed to taking it but claimed he took it after finding Pierson’s dead body in the desert on the way back.

Donlin takes Corey’s pistol away at gunpoint and forces Corey to retrace his steps and show him Pierson’s body.  When they reach the spot, the body is gone so they follow a trail and find Pierson lying on the ground with a head wound and badly injured.  Donlin drops his rifle and kneels down next to Pierson and asks him what happened.  Pierson can hardly talk so he tries to draw a symbol to show what he found at the top of the mountain above them.  It’s a long vertical line with two short horizontal lines through it, sort of like a double armed cross.  Pierson then collapses and dies.  Meanwhile Corey has grabbed the rifle and trained it on Donlin.  He admits that he attacked Pierson and now he would kill Donlin.  He shoots Donlin and proceeds to climb the steep mountain in the hot sun.  When he reaches the top, he sees that he is in Nevada and the symbol Pierson drew represented the telephone poles across from the ridge.  They weren’t on an asteroid.  They had crashed back to Earth.  He starts laughing hysterically because he has killed his comrades and will now have to answer for it.

I’m going to put aside how stupid it is to think that somehow, they could crash into an asteroid while lifting off from Earth.  I’m going to ignore the absurdity of an asteroid that was too small to be noticed from Earth having the atmospheric pressure and gravity field of a full-sized planet.  Putting those things aside you get the classic law of the jungle scenario of the sociopath murdering his friends to get to live last in the lifeboat.  This has been explored before but we get the twist of the state of nature turning out to be an illusion.  He hasn’t escaped society.  It will have the chance to set him straight.  One observation, apparently the desert southwest is indistinguishable from another planet to astronauts of the nineteen sixties.  Apparently, they hadn’t seen any westerns on tv or the movies.

As with several other tropes that will be reused in the series not knowing they are on Earth is used here for the first time so I’ll give them a pass on that.  This is a relatively lively drama so I’ll give this a B-.

26JAN2019 – OCF Update

Just a few notes on what I see as the interesting topics coming up.

  1. Shutdown – Caved or Maneuvering?  We’ll see soon whether this is over or just beginning.  A two week funding is very little time.  This will “evolve” in the next couple of weeks.
  2. Barr’s approval – Judicial committee meeting on Tuesday.  Figure two weeks to get him approved.
  3. Sony e-mount lens review – Over the last few years options for the FE cameras have been proliferating.  I did some posts:https://orionscoldfire.com/index.php/2018/02/08/what-am-i-missing-in-the-sony-e-mount-lens-line-up/

    Lenses for Sony – Part 2 – Wide Angle Lenses for Full Frame Cameras

    Lenses for Sony – Part 1 – Introduction

    Well, it’s time to not only re-evaluate what I should do with my lens situation but I think it’s time for a thorough series of rating the options for the different kinds of photography (e.g., landscape, wildlife, portrait, event, sports, macro).  That’s going to be a multi-post series and will require quite a bit of research so I’ll break it down into small bites in my own inestimable fashion.  There are a lot of good resources for lens reviews (including LensRentals blog entries by owner Roger Cicala who does thorough evaluations and ratings including MTF measurements).  Should be highly useful for me and maybe some of our other readers.

  4. I’ll keep plowing through the Twilight Zone series.  It’s actually proven to be more fun than I thought it would, both because some of the bad ones are fun to mock and because there are actually more good ones than I remembered.

Stay tuned.

The Twilight Zone – Complete Series Review – Season 1 Episode 14 – Third from the Sun

This is a Cold War science fiction story.  A worker at a nuclear munitions plant is sure that a nuclear war will occur within forty-eight hours.  He plots with a friend of his who is a test pilot to steal an experimental space craft (actually it looked like the flying saucer from Forbidden Planet) and escape to another planet with their families.  The base has some kind of security chief who suspects the plot and he shows up that night to transparently hint that he suspects they will attempt to steal the space craft.  When they try to sneak on the base the security guy catches them and threatens them with a pistol.  They turn the tables on him and after repelling the security forces they succeed in escaping into outer space.

On the ship (which also looks like the internal set from the Forbidden Planet space craft) we find out that their destination is the third planet from the sun which the inhabitants call “Earth.”

So, this is a pretty straight up sci fi from the period with the whole Cold War nuclear war phobia thing.  The protagonist lays on the anti-military thing a little thick for my taste.  I looked up the actor and found out he had been a conscientious objector in WWII.  But Serling always seemed like a Lefty so it goes with the territory.  It’s a simple story and even though the surprise twist is kind of lame I actually enjoy watching the episode.  It’s sort of a fairy tale.  I’ll give it a B+.

25JAN2019 – American Greatness Post of the Day – Desperate Embrace at Europe’s Core by Angelo Codevilla

This was a development I hadn’t heard about.  The leaders of France and Germany have agreed to join their foreign policies completely including France’s veto on the UN Security Council.  In other words France and Germany will confer with each other and agree on a response whenever a third nation is in communication with either of the two.  Considering that the present leaders of both France and Germany are both despised by their citizens I can only imagine this will enrage their voters even more.  The line between the people and the elite is becoming a glowing flashpoint.

Desperate Embrace At Europe’s Core

The Twilight Zone – Complete Series Review – Season 1 Episode 13 – The Four of Us Are Dying

Serling starts this off by telling us that the protagonist Arch Hammer (I kid you not) is a small time con-man, crumb and all around nogoodnik.  He also has the ability to look like someone else.  If he can look at a photo or remember a face, he can change his appearance to resemble that face.  He uses this ability to scam people.

In the story he takes pictures and descriptions from the obituaries to impersonate the dead.  First, he shows up at the nightclub where a young singer is mourning for her dead boyfriend.  When Arch impersonates him, he tells her that he was mistaken for the dead man and convinces the girl to run away with him to Chicago.  She’s so elated to find him still alive that she kisses him and agrees.  Next, he goes to the home of a gangster posing as one of his mobsters that was murdered during a job.  He shakes down the mob boss and runs off with a load of cash with two mobsters in hot pursuit.  Cornered by them in a dead-end alley he quickly sees a photo of a boxer on a poster and changes his face to avoid the mobsters.  But on emerging from the alley he meets a newspaper seller who turns out to be the father of the boxer.  It seems the boxer was an awful man and the father hates him viscerally.  Arch knocks the old man down and returns to his apartment and his own face.  A police detective shows up at his door and tells him he has to go to headquarters for questioning.  Leaving in the revolving doors of the apartment building he escapes the detective for a second and when he catches up to Arch, he has assumed the face of the boxer.  Walking away free and clear he runs into the boxer’s father and despite his hurried attempt to change his face again the father shoots him down.  While he’s dying on the pavement Arch Hammer’s face changes briefly through all four of the faces he used in the episode.

Let’s give some credit for the plot idea.  A human chameleon has been done a lot but it was probably pretty exciting in 1959.  The three vignettes he involved himself in were pretty simplistic and not highly novel but the acting was mostly okay.  But the payoff was the boxer’s father who wanted revenge.  That actor wasn’t very good or convincing.  It seemed very flat to me and didn’t provide the emotional energy needed to justify the execution of an adult child by a parent.  I didn’t buy it.  I’ll give this a C.