Aliens (1986) – A Science Fiction Movie Review

It’s a funny thing I had never seen Aliens in its entirety until today.  Somehow, I missed the first half hour of the movie and only came in when the main action was beginning.  So finally, I have the correct basis on which to judge it.

I won’t synopsize the plot because it’s an Alien movie so the plot is for Sigourney Weaver to outlive the rest of her fellow humans battling the aliens before ultimately jettisoning a xenomorph into the vacuum of space.

As in the original “Alien” movie Sigourney Weaver is Ellen Ripley a commercial astronaut who works for the evil Weyland-Yutani Corporation.  Fifty-seven years after the first Alien attack Ripley is discovered still in suspended animation in the shuttle craft that she used to escape the destruction of her ship the Nostromo.

The evil Weyland-Yutani Corporation was very unhappy about her blowing up their ship but when they find out that their terra-forming colony on the planet that the alien was found on has gone silent they send “space marines” and Ripley to fix things.  They also send Paul Reiser playing smarmy corporate yes man, Carter Burke to provide the requisite “greedy corporation wants xenomorph for bioweapon” subplot.  And finally, they throw in an android to show that despite what happened in the first movie, androids can be pretty swell people too.

And finally, to soften up Ripley’s Rambo impression, they throw in an orphaned little girl named Newt that Ripley rescues a few times over the course of the movie, proving that a modern woman truly can have it all.

So, the producers pull out all the stops.  Aliens are popping up everywhere in the industrial complex that serves as the venue for this first-person shooter game.  Bits of aliens and “molecular acid” are sprayed everywhere and one by one the marine platoon is picked off by the monsters.  Until finally we’re down to Ripley, Newt, android and the pick of the Marine crew, Corporal Dwayne Hicks played by the ever-popular Michael Biehn.  But during the final rescue of Newt on the planet Hicks is wounded by molecular acid and from then on, all the heavy lifting is done by Ripley.  Which she performs with panache, culminating in the above mentioned obligatory spacing of the mother alien (of course there’s a mother alien).

So, what did I think?  Well, I have some quibbles.  The plot contrives it that the marines can’t use their heaviest weapons because the industrial plant is a “thermonuclear” power plant and if any of their explosive charges rupture a heat exchanger line the whole plant will detonate.  Since it’s a cinch that all the colonists (except Newt) are already dead why are they bothering to throw away their lives in this death trap.  As Ripley so astutely recommended, “I say we take off and nuke the entire site from orbit.  It’s the only way to be sure.”  Also, they overdid it with the strong female characters and weak male ones.  Yeah, I know, I know.  “There’s nothing wrong with that.”  But honestly it is insulting and stupid.

But taken all in all the movie does provide an exciting action-adventure/science fiction/horror experience.  I won’t claim it’s my favorite but it is a worthy representative of its genre.  I will give it a recommended status.

Ad Astra (2019) – A Science Fiction Movie Review

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Ad Astra (Latin for “to the stars”) is a science fiction movie starring Brad Pitt as astronaut Roy McBride whose father Clifford McBride (played by a decrepit looking Tommy Lee Jones) is inexplicably firing anti-matter particles back at Earth from the orbit of the planet Neptune.  The anti-matter will eventually destroy Earth so Roy is supposed to go to the Moon to catch a ride to Mars to broadcast a message to his father asking him not to destroy Earth, or something.  The why and how of all this is very odd.  Clifford has been MIA for twenty years on a mission called Lima that was somehow supposed to be looking for extraterrestrial intelligence (from somewhere near Neptune!).

Eventually we learn that Clifford murdered his crew long ago because they figured out, he was crazy.  When Roy gives his message on Mars Clifford doesn’t agree to cease and desist so the military outfits a mission to nuke Project Lima to erase the threat.  Somehow (but not believably) Roy stows aboard the rocket (after it blasts off) and without really trying he kills the whole crew that were trying to kill him.  Now he flies to Neptune and confronts his father who is completely nuts.  He sets the nuke and thinks he’s convinced Clifford to return to Earth with him.  But when push literally comes to shove, Clifford unshackles himself from Roy and heads off into empty, empty space.

Finally, Roy uses a hatch panel to protect himself while he takes a shortcut through the rings of Neptune and then somehow the nuclear blast that destroyed Project Lima was able to provide most of the kinetic energy to return him to Earth before Roy dies of old age.  And despite all the astronauts he killed getting out there the military decides to forgive and forget and so Roy finishes off by reciting some kind of humanistic spiritual affirmation statement of some kind or other and then gets back together with his ex-wife Liv Tyler.

Now maybe that sounds quite odd for a science fiction story.  And it is.  This is a somewhat confusing rigamarole.  So let me give my thoughts on it.  The visual effects are quite good.  Some scenes in low Earth orbit, the Moon, Mars and aboard spacecraft are a lot of fun to watch.  But there are (I kid you not) space monkeys!  Which I kinda/hafta frown upon.  So, two points off.  Brad Pitt’s character starts out as an apparently emotionless robot who always saves the world from disaster without getting his pulse above eighty.  By the end he’s crying about his crazy father being crazy.  Tommy Lee Jones’ character is crazy so there’s not much there.  Donald Sutherland has a small part and he’s always crazy.  So, this movie doesn’t make a lot of sense.  For instance, how is Tommy Lee Jones investigating other life in the universe from Neptune.  Neptune is too incredibly cold for anything to live there.  And it’s not like it’s any closer to the stars than Earth.  Alright, I’ll stop making fun of the movie.  It’s a crazy movie, but like “2001: A Space Odyssey” it’s a visually enjoyable movie if you don’t care too much about the plot.  I recommend it for hard-core sci-fi film lovers who can live with space monkeys.

The Dead Don’t Die (2019) – A Horror Movie Review

Here is another movie for which I will not provide a spoiler alert.  This movie cannot be spoiled.  There’s nothing there to spoil.

For whatever reason, more than a few well-known actors and celebrities appeared in this ridiculous film.  The star is Bill Murray as Police Chief Cliff Robertson.   Adam Driver is Officer Ronnie Peterson, Robertson’s patrol partner.  Steve Buscemi is a farmer named Frank Miller.  Tilda Swinton is Zelda Winston, a samurai/funeral director/space alien.  Danny Glover is a hardware store owner.  Selena Gomez is Zoe, “a young traveler.”  Rosie Perez plays a tv reporter and Iggy Pop is a coffee guzzling zombie.  Carol Kane is a fat bloated drunken zombie who wants a drink.  And last but not least, Sturgill Simpson, who also sings the eponymous theme song of the movie (several times) is “Guitar Zombie.”  He is this by virtue of a guitar that is dragging behind his foot by the strings as he stumbles zombie-like through the night.

Most of the dialog is Murray and Driver speculating on the steadily increasing zombie body count in what I suppose is supposed to be the stoic tones of small-town cops.  They also break the fourth wall from time to time by mentioning what the script said would happen next.  And one strange character arc has Tilda Swinton interrupt her zombie slicing work to be picked up by an alien space ship and transported away.

The reason given for the appearance of the walking dead is that the Earth has “fallen off its axis” because of “polar fracking.”  Eventually, one by one, or in small groups all the townspeople are eaten by the zombies.  Finally Driver informs Murray that the movie ends with them dying while courageously fighting the zombies.  So, they get out of their squad car and get to it.  And not a moment too soon.

I’m not sure whether this movie had a script or whether the actors just extemporized.  There might have been a few moments that were mildly funny.  Steve Buscemi is funny even when he doesn’t mean to be.  But there aren’t many.  And by the middle of the movie, you’re just hoping it ends sooner than later.  But it doesn’t.  It goes on and on.  It’s a very long 103 minutes.

This movie must have an audience.  But that audience doesn’t include me.

Indiana Jones and the Last Straw

I wonder who got custody of Shia LaBeouf.

OCF Goes to the Movies – Part 1 – Brainstorming

That post I wrote a few days ago about Disney’s woke movies losing money at the box office and some of the comments I got have inspired me to spend some time looking back at some of the good movies that have been made over the years.  What I’ll start out doing is put together a list of categories like comedies, dramas, and genre films like film noir, sci-fi, fantasy, westerns, war movies, etc.  Then I’ll start getting people to give me their favorites.  We might even divide it by decades or at least eras (30s/40s/50s, 60s/70s, 80s/90s, 00s/10s/20s)

At some point we can get some polls up to find out what the popular favorites are on the site.  Now this is tricky.  With the exception of some of the regulars, most people are pretty uninterested in commenting.  What I was thinking is if you know any movie fans encourage them to show up and contribute movie titles and when we get to the voting to pick their favorites.

Feel free to leave comments on how to enhance the process to get a good list together.  I know there are some specialists in such sub-genres as “schlock science fiction” and of course these will not be neglected.

In the next installment Ill start the ball rolling with my own best of lists for the various categories.

 

OCF Goes to the Movies
Comedies Dramas Science Fiction Fantasies Westerns Film Noir Historical Drama
30s/40s/50s
60s/70s
80s/90s
00s/10s/20s

Disney Hemorrhaging Money on Woke Films – Everyone Astonished

So, let’s talk about something less depressing than the train wreck that is Western Civilization.  Let’s laugh at the misfortune of Hollywood.  And specifically let’s mock Disney and their putrid movies.  Look at this article and the underlying video.

The YouTube box office analyst known as Valliant Renegade laid out his argument in a recent video in which he estimated that many Disney blockbusters actually lost money or barely broke even during their theatrical runs despite the news media spinning them as hits.

They include Black Panther: Wakanda Forever, Thor: Love and Thunder, Ant-man and the Wasp: Quantumania, and Guardians of the Galaxy, Vol. 3.

Two of the titles were outright bombs — Strange World and Lightyear — while two others are still in theaters, The Little Mermaid and Elemental.”

Now, admittedly, Disney has deep pockets.  They can absorb losses that would bankrupt smaller companies and move forward.  But let’s think for a moment about how they will analyze these problems and what their idea will be to address them.

They will see that these films include heaping doses of progressive girl power, gay themes and anti-white and anti-male bias and they will assume that the problem is too many racist and sexist Americans refusing to celebrate wokeness sufficiently.  After all, what parent wouldn’t want to send his kids to a movie with a gay kid as the main character?  Or why wouldn’t a Buzz Lightyear origin story benefit from a lesbian kiss?  Why would this make parents uncomfortable?

So, their solution to this rejection of woke content will be … doubling down on girl power, gay themes and anti-white and anti-male bias!  Now how could that possibly fail?

So, I’m incredibly happy for Disney.  This winning strategy may be able to do the impossible; namely bankrupt the largest remaining Hollywood studio.  And just to keep things hopping along comes the fifth Indiana Jones movie.  And from everything I’ve heard it’s going to be a humdinger.  Picture if you can an eighty-year-old Harrison Ford shuffling around the set getting hen-pecked and brow beaten by his “god-daughter” as she performs the heroic stunts and he gets lost in the caves and probably soils himself.  Oh yeah, that’s gonna be box office gold.

There is some word on the street that some of this is beginning to dawn on Disney’s front office and there might be a program to step back from the precipice of woke financial suicide.  But that wouldn’t be my favorite outcome.  I really hope they give us some more Captain Marvel and Rey Skywalker and She-Hulk and whatever trans-super-hero they currently have on the drawing board.  This is really good stuff.  It will reinforce to parents just how screwed up the role models that Disney pushes on their kids are.  It will dovetail with the gender dysphoria that seems to have magically exploded among the teen and pre-teen age groups that are Disney’s target audience.

So, yeah, I do hope that other studios start to return to healthier cinematic fare.  It’s high time that some of them figure out that there is an enormous domestic and international audience for healthy role models in the super-hero genre and in other genres too.  But for Disney I hope they never turn back.  If they crash and burn it would be a powerful lesson for the corporate world.  And it comes right at the point where conservative boycotts seem to be picking up steam.

What a wonderful coincidence.

Nefarious (2023) – A Movie Review

Here’s another film that I won’t have the spoiler alert attached because I won’t spoil any surprises.  My review will have more to do with the nature and the quality of the film than the plot synopsis.

The basic plot is that a psychiatrist, Dr. James Martin (played by Jordan Belfi) goes to a prison to interview a death row prisoner, Edward Wayne Brady (played by Sean Patrick Flanery) to determine if he’s sane enough to electrocute.  But when Martin enters the interrogation room, he discovers that the prisoner claims to be a demon from Hell possessing Brady’s body.  For the sake of convenience, he tells Martin to call him Nefarious.

And the great majority of the film is the interaction between Martin and Nefarious.  And that brings us to the question of what type of movie is this?  Is it a religious film?  Is it a horror movie?  Is it a suspense film.  I guess it’s little bit of each.  I’m not giving anything away by saying it’s not a gorefest.  The most visually disturbing scene is a prison electrocution.  But that’s hardly in the league of things like Saw.  I guess you call it a horror film in the same way that Dr. Jekyll and Mr. Hyde was a horror movie.  I would say that a psychological drama might more closely describe the atmosphere of the film.

And the film is definitely an attack on the lack of respect for human life that our civilization exhibits with respect to its attitude toward abortion and euthanasia.  And it was produced by a Christian production company, “Believe Entertainment.”  So, from these perspectives this is a religious film.

But whatever else it is, it’s also a well made and compelling film.  The characterizations by the two lead actors are highly entertaining.  Flanery’s Nefarious is mesmerizing.  He has all the best lines and he plays the part over the top and to the hilt.

Belfi does a very good job of portraying a somewhat smug member of the intelligentsia, an avowed atheist who comes up against a persona who tears away many of his comfortable assumptions about himself and his way of life.  And to the film’s credit it’s not a simplistic strawman exercise.  It’s done with skill and very effectively.

Now none of this is to say that Nefarious is a perfect film.  There are a couple of scenes that were less successful.  But overall, it was compelling and kept my interest throughout.  And now here is my recommendation.  I recommend this movie but with a caveat.  I paid twenty bucks to see this movie!  Camera Girl thinks I’m crazy and I kind of have to agree.  That’s an awful lot of money.

Ford v Ferrari (2019) – A Movie Review

Since this is a true story, I’ll skip the spoiler alert but I also won’t give away any surprises.

Matt Damon and Christian Bale star in this dramatization of Ford’s grudge match with Ferrari to win the 24 Hours of Le Mans road race.  Damon plays Carroll Shelby, the legendary race car designer and Bale is Ken Miles a race driver who partners with Shelby to design a car that can give Ford the victory over the Ferrari in the race that they perennially win.

The movie highlights the contrast between the passionate individualism of Shelby and Miles and the hierarchical and bloodless conformity of the Ford upper management that looks to interfere with Shelby’s team at every turn.

I’m not a racing fan or a car connoisseur.  But the movie provides an infectious excitement that reminds me of that same feeling in movies about the American space program of the 1960s.  There’s a conquering spirit that strives for greatness and pushing the boundaries.  It captures the optimism that America still had in those times and it is exhilarating.

Both Bale and Damon provide excellent performances.  Bale especially disappears into the role.  I won’t elaborate much more except to say this is a surprisingly compelling movie and I recommend it highly.

Comic Book Movie Redux

Tonight, I continued my retreat from reality with another super-hero escapist film.  I turned on the 2002 version of Spider-Man with Tobey Maguire.  Now Spider-Man is one of the goofiest comic book characters.  Spider-human genetic mutations that render its victim enormously strong and able to shoot webs from his wrists that allow him to climb and swing from Manhattan skyscrapers is just about as absurd as anything imaginable.  But what you discover if you watch the film is that the movie has heart and despite the ridiculous premise and the even more ridiculous villains, it holds your interest and the characters are likable.

The plot as I said is ridiculous but it follows its own logic and the story arc is your basic quest by the young man to find his inner hero.  But this being a super-hero movie it has much more spectacular episodes than growing up, getting a job and winning the girl.  He has to defeat a super-villain who also happens to be his best friend’s genius scientist father.  Well, of course he is!

I’m not going to review this movie.  No one needs the plot of yet another Spider-Man movie.  What I’m trying to do is show that even something as silly as this movie can be a good movie.  But maybe the most important part of the movie is when it was made.  In 2002 it was still possible to make a movie where race and gender weren’t the defining characteristics for selecting cast and plot lines.  Peter Parker was still allowed to be a white kid from New York City and he could still have a crush on a good-looking white girl.  Currently there is a quota system in Hollywood and that combination of ethnic and sexual choices would violate the intersectional imperative.  Either Peter would have to be black or his love interest would have to be a boy.  And that’s just the way it is in 2023.

And that sums up the problem with Hollywood today.  They’ve eliminated fun from movies.  The new super-heroes have to be joyless women proving that they’re every bit as good as Luke Skywalker or Indiana Jones only politically correct, incredibly smug and completely boring.

This has already been the undoing of the Star Wars franchise and from what I’m hearing it’s about to put the last nail in the coffin of the Indiana Jones saga.  And the Marvel Cinematic Universe is also being transformed.  When you eliminate Iron Man and Captain America and replace them with Captain Marvel and whatever other screechy girl characters they dream up like She-Hulk or Thor-ette it goes without saying that boys and young men will stay away in droves.  It’s almost as if destroying the fun for men is more important than making money.  And it is.

But the good news is that the old movies are still there to see and enjoy.  And eventually when Disney has finally committed cinematic suicide there will still be creative types who will know how to use these old films as templates for how to create entertaining and profitable movies.  After all people haven’t changed.  Hero slays the dragon and wins the beautiful princess has been around at least as long as the Iliad and the Odyssey.  It certainly will survive the Woke Wars.

I hope.