Yellowstone Summer – Part 1

Tanner took a break from his mineral survey to drink some water and get out of the sun.  He was in the Beartooth Mountains and recent discoveries of rare earth metals had provided him with some summer employment to help him pay for his coursework in mining engineering and mineralogy at Yellowstone University.  He was a 23-year-old graduate student and between his gigs as a teaching assistant and driving a snow plow in the winters he kept himself almost fiscally solvent.  But this survey work was more what he wanted to be doing with his time.  Typhon Industries employed most of the population around the town of Boghadair and technically Tanner was already an employee with an equity account but he’d have to wait until his schooling was completed to get his hands on any of the credits accruing in that account.  So, this survey work meant the difference between hamburgers and pizza a couple of times a week or just cheap noodles night and day.

He was standing on a rocky slope that descended onto a flat highland covered with wildflowers.  There was a small lake and woman was at the water’s edge washing her face.  But what caught his attention was past the woman in the distance was a large grizzly bear and it was running directly toward the woman.  He approximated her distance from the bear as half a mile and his distance from her as a little more than a mile.  He screamed a profanity, dropped his water bottle and started running toward the woman as fast as his legs would carry him, screaming to her as his breathing would allow while running.  The bear was moving at about twenty-five miles an hour and Tanner might be doing ten but his repeated screams of, “Bear!” finally caught her attention and she looked around to see the bear and began to run directly away from it.  Unfortunately, this was not toward Tanner but at almost a right angle from him.

Tanner gave a cry of frustration at this unfortunate circumstance and tried to figure out how he could run to end up between the woman and the bear.  In his confusion he just ran after the woman.  When the bear was only a hundred yards from the woman it suddenly spasmed in mid-stride and tumbled to the ground.  Tanner was only slightly closer to the woman than the bear but luckily the bear’s receiver had finally registered the signal from his bear protection transponder.  The bear saw him running off at an angle and according to the algorithm in his controller ran off as fast as he could.  He wasn’t running directly away from the woman but pretty soon the diverging tracks would put Tanner between the bear and his former prey.

Pretty soon Tanner caught up to the still running woman and told her she was now safe.  It took her a few minutes to catch her breath and get over the terror she had experienced but when she seemed calmer, he starting yelling at her, “Lady what the hell are you doing in grizzly country without bear protection?  If I hadn’t seen that bear charging it would’ve gotten you!”

The young woman was shocked to hear him so angry, “I have bear protection.  It’s in my car.”  He was confused, Where’s your car?  She pointed east and said, “At the road.  I wanted to climb up the slope to see the lake.”  He was stunned, “That’s two miles away.  The transponder only has a range of a mile.  You would have been killed.”

She began to cry and Tanner started to notice that she was probably about his age and he felt guilty for yelling at her.  And he also noticed that she was very pretty and this seemed to make him feel even worse about yelling at her.  He said, “Look I’m sorry I yelled I guess I was just scared for you and I got too excited.  I’m sorry, okay?”

She pulled out a handkerchief and dried her eyes and nodded her head, “Okay, it’s alright.  I guess you did save my life.  Thank you very much.”  There was an awkward silence while both of them tried to figure how this meeting would end.  Finally, Tanner said, “Look I need to walk you to your car so you’ll be safe.  And from now on please carry the transponder wherever you go outside of town.  Are you staying in Boghadair?”

She nodded again, “Yes, I’m working on a mineral survey project and have to start work tomorrow.  I was just enjoying a little sightseeing before starting work.  Tanner’s brain clicked through all of this and he said, “Are you Pat Tollens?”  She said, “Yes, how did you know?”  He replied, “I’m Tanner Carrero.  You’re my summer intern.”

Guest Contributor – Tregonsee – 01JUN2025 – Future of Entertainment

There was a concept a while back of Narrowcasting (as opposed to broadcasting) where you would aim for certain smaller markets via directed media like the internet. To some degree we see this happening with youtube and tiktok. The monetization would be direct from the consumers and perhaps via pre subscription schemes.

It seems that Hollywood got the narrow part but not the monetezation part. In an analogy to the misquote of Pauline Kael they don’t know anyone that voted for Donald Trump. Their audience is boomers who grew up in the late 1950s and early 1960s and are nostalgic for their college days and the protests against the Establishment. The boomers have not processed that they are now the Man. Meanwhile, Hollywood keeps churning out $200-400 million blockbusters aimed at that tiny (perhaps 5-20%) market demographic. Hollywood depends on the old 80s-2000s mix of movie theater, marketing of merchandise and resales for income. The thing is their little stunt of 2020 killed the theater, the Merch was for kids (or perhaps grand kids) which the boomers do not have, and residuals on the various streaming platforms residuals are bupkus compared to VHS/DVD sales. The big Studios are like the last of the dinosaurs standing around in a swamp in Louisiana on the day of the KT boundary impact saying “Hey Ralph whats that pretty light in the south it isn’t sunrise yet…” They’re dead they just haven’t figured it out yet, and the mammals are crouching in a variety of holes trying not to be eaten.

 

Comment by photog:  I guess I’m waiting for the mammals. It’s a lonely vigil but, “Ya gotta keep da faith.”

 

reply by Tregonsee:

Indeed Photog I’m rooting for the mammals too. Like the Mammals of the Tertiary (now called Paleogene) it may take a while for the producers to get organized. In publishing the transition seems well under way. Most Authors of more plot based SciFi either are at Baen or publish independently. Even giant authors like Brandon Sanderson (Mistborn, Way of Kings, etc.) are tending to eschew the big 5 publishing houses.

Music has been going to self publishing too. What it takes to have a GOOD studio is probably 2 orders of magnitude

Part of it is that for visual SciFi even though special effects are easier than 20-40 years ago (e.g. I’ve heard tell of a copy of the Death Star run in star Wars done totally with effect in CGI in a couple days that is VERY close to the original that took weeks in physical models) it still takes time and money. You still need actors and good ones are expensive unless you’re doing something they want to take a chance on. And even doing minimal sets things get expensive fast, and acting to things and characters that aren’t there on green screen is really hard to pull off believably even for first rate actors. The other part is that the current media seems to fight these efforts tooth and nail.

All that said there are signs things are improving. A movie called Flow (https://en.wikipedia.org/wiki/Flow_(2024_film) about a black cat and an odd bunch of animals in a post apocalyptic world got the 2024 Golden Globe and Oscar for long form animation. This was published by a 6 person group out of Latvia. I love animation and even though the premise is straight up green nude eel catastrophe the story and animation rival the best of Classic Disney or Studio Ghibli

 

Tom’s World – 31MAY2025 – More About Movies

Tom | Flickr

TomD

Of the book based Sci-Fi movies of which I’m aware, the one that was most true to the book was the original 2001. Both Jackson’s Lord of the Rings and the latest version of Dune at least try but both are handicapped by intricate and massive substrates that are almost impossible to set up and capture in the context of 2 hour +/- videos.

Although Blade Runner was barely related to it’s source material, “Do Androids Dream of Electric Sheep”, by Phillip K Dick, it succeeds on it’s own as a brilliant piece of work.

Though the Star Trek movies will never be mistaken for serious or brilliant work, I still remember my disappointment when the 1st episode without the Shatner/Nimoy cast or the Picard group, offered a close to continuous series of chase scenes in lieu of a plot.

The 1st several Star Wars movies sucked as Sci-Fi but succeeded as entertainment. A decrepit and distorted Hollywood morphed the extension of that series into something bizarre.

I’m almost terrified that Hollywood will take my all time #1 favorite movie, Master and Commander and remake it as a multicultural, multi racial, LGBTQ+ crew fighting for racial equity.

Living with Them – Part 2

There was a little additional discussion of the hunt but Bob’s prognosis on the end date seemed to have depressed his comrades and so they departed one at a time after a few minutes.  Dave headed home and reached his front door just as the dusk warning siren sounded.  He felt a little shudder of fear pass through his body at the sound.  Maybe tonight’s talk had depressed him more than he thought.  He opened the outer door and closed it behind him and then the scanner activated and after twenty seconds the inner door opened, he stepped inside, the inner door closed behind him and the safety bolts shot home with a loud and comforting bang.  And based on that sequence he knew that everyone was home for the night.  They were locked up tight and could live and sleep secure for the night.  Walking through the entry hall he reached the dining room where the cheerful yellow light revealed his younger brothers and sisters sitting around the table working on their school assignments.  They looked up as he entered but it was his father who smiled with a relieved expression that the last of the family was home, “Busy day Dave?”  He shook his head, “No Dad, I just spent some time with the boys to blow off some steam.  Nothing too busy,” he lied, not wishing to upset his family about the hive found so close by.  His father nodded his head and went back to working on some chore at his work station.  He walked through to the kitchen and found his mother cleaning up from dinner.  She smiled at him and handed him a warm plate of meat, mashed potatoes and some kind of vegetable hash of some sort.  He smiled at this mystery course but thanked her and sat down at the kitchen table to eat.  “Gina stopped by today and asked if you were going to the social this weekend,” she mentioned in what she hoped sounded like an off-hand way.

“Oh really.  And I suppose you told her I could” he shot back.  She looked offended and said, “I did nothing of the sort.  I told her I’d tell you to call her.  And you should.  She’s the nicest girl you’ve ever brought around here and she’s very pretty too and if you’re not careful someone else will speak up and win her away from you.  Girls like that don’t wait around forever you know.”  Dave laughed to hear her vehemence but he promised to call her that night.  Finishing his plate, which was quite good even to the unrecognizable goulash, he put his plate in the dishwasher and patted his mother’s shoulder and thanked her as he headed for the living room.  His father had migrated there too and was watching a video about a new surveillance system that incorporated lasers and advanced machine intelligence.  Seeing this brought back Dave’s gloom as he reflected on how life always came back to the hunt and the lock down.

His father must have sensed his black mood and turned off the video and said, “Sorry Dave I needed that video for a work meeting I have tomorrow.  I should have had it on the small screen where you couldn’t see it.”  Dave smiled halfheartedly and said, “Nah, it’s nothing Dad.  Just one of those days, you know?”  Then he said less cheerily, “We found a nest pretty close by today and I guess I let it get me down.  Then Mom starts telling me that I better scoop up Gina before she marries someone else.  It just feels like we’re living in a nightmare and I can’t see how it goes on.”  His father looked down and sighed then looked up, “Yes, I know exactly what you mean.  When I was about your age, I met your mother and she wanted to get married right away but I couldn’t imagine bringing children into the world with danger and horror all around us.  Back then it was considerably worse than it is now.  We had lost two of my brothers to the beasts when I was a teenager.  They were older than I and had been part of the hunt.  A communication snafu had them unprotected practically on top of a hive in their sector.  I was devastated.  I couldn’t see the sense in living that way, always one mistake away from losing friends or family to these awful creatures.  I despaired.

But my father told me something that has stayed with me ever since.  He said, ‘Hal, remember that you come from the smartest, toughest animal to ever appear on this green Earth.  Your ancestors had to fight off saber-tooth tigers and cave bears with flint spear-heads and bone clubs.  And their only protection were caves and maybe a campfire.  But over the course of a million years, they killed off all those predators and made the Earth a garden.  And by God, you and your descendants are going to rid this Earth of these giant vermin, take my word for it.’  So, I thought about what he had said and I understood.  There is within us all of the cunning, courage and tenacity of our ape-men ancestors and we should look at this crisis as a challenge that we must accept and overcome.  We’re men and our enemy is just a stupid bug that needs exterminating.  It’s just a part of life.  A problem no different than cancer or earthquake.  Something we use our brains to figure out and eventually eradicate.  Just like the saber-tooth.”  His father looked off into the air for a second and then said, “You know your mother is right about Gina.  A girl that pretty is going to be snatched up pretty quickly if you don’t wake up.  Why don’t you give her a call.”  Then he walked away toward the kitchen.

Dave sat there for a few minutes thinking about everything his father had said.  Then he called up Gina and asked her out to the social.

Living with Them – Part 1

Dave watched the flying drone’s video output on a twenty-four-inch screen that he perched on a shoulder height outcropping of rock in front of him.  It was flying at about three hundred feet of elevation over the landscape in front of him.  It was typical Northeastern US second growth forest; a mixture of conifers and deciduous trees breaking out into overgrown fields, swamps and rocky hills.  But in one of those fields, he could see the tell-tale earthen cone.  It was a hundred feet in diameter. Twenty feet high with a ten-foot round hole in the center.  And sure enough, there were five specimens of Camponotus vicinus gigas.  They ranged from nine to fifteen feet in length and were carrying the remains of some dairy cattle that they must have torn apart.  Sending the drone in for a closer look he saw that one of the ants was transporting what looked like human remains.

Dave geolocated the nest and then released two projectiles that plummeted from the drone directly into the entrance.  They were black and spherical, about six inches in diameter and they popped upon impact and released a cloud of red colored dust that thoroughly coated the entire entrance area.  Dave typed in a report on his actions and attached the geolocated video.  He also recommended that all human habitations within fifty miles be contacted and warned of the nest.  He specifically mentioned the dairy cattle and human predation.  Then he said a short prayer for the poor victim.

The rest of the day was uneventful.  The drone had covered the rest of the area in his portion of the grid and nothing else was found.  When the drone returned, he packed it up and waited for the transport to pick him up.  The transport landed in the clearing where he was set up.  Dave looked admiringly at the huge machine.  It was a two-hundred-foot square hovercraft with armor extending completely around a central deck.  There were guns located on all four sides and powered hoists on booms located in the center of the craft.  One of these booms was lowered toward his drone package and snagged it and hoisted it into the craft.  When it was clear Dave walked over to the closest door on the perimeter and waved his ID in front of the scanner and walked through the opening door.

Once inside he walked across the open deck to the control room and checked in with the supervisor.  The pilot was already starting the engines in order to head to home base.  The supervisor was already reading Dave’s report and said, “That hive is a disappointment.  We thought we cleared this whole sector three years ago.  Maybe the current virus isn’t 100% effective anymore.”  Dave nodded his head wearily, “Yeah, same old story.  Nothing works forever.  Eventually munitions and poison gas are what make the job thorough.  Anything less is just too dangerous.  We can’t have people getting torn to pieces by these monsters.  It’s not right.”

The supervisor gave him an angry look, “Look, we’re making progress.  The safe zone in this area of the grid used to be fifty miles square.  Now it’s five hundred.  We’re winning.  There are bound to be failures.  Stop getting so emotional.  Just do your job and be part of the solution.”  Dave grimaced but inside he knew the man was right.  Mankind had been dealing with the ants for over seventy years and for the last twenty years the tide had turned against the creatures.  Starting at the poles and working toward the equator the ants were being driven toward the tropics.  No one believed they could ever be extirpated from the amazon or equatorial Africa or Southern Asia but it was hoped that the temperate zones could be completely cleared and an effective barrier strategy established.

When Dave exited the transport in Fort Peterson in the White Mountains he headed for the local watering hole and joined up with his friends.  Half of them were miners in the local quarries and half were like him bug hunters for the government.  All being in the twenty- to thirty-year-old age group most of the talk was about where the best-looking women could be found.  But after they were finished lying about their weekends some of the miners were curious to know how the bug hunt was going.

The senior hunter at the table was Craig and at twenty-eight his vast knowledge of the project didn’t impress anyone too much but he attempted to give an authoritative lecture on the theory and practice of bug hunting, “What we’re seeing is a steady and comprehensive rolling back of the infested area throughout North America.  All of what was the Canadian territory except for British Columbia is already cleared.  In the former United States, New England, the Great Lakes region and the Mountain West is clear all the way to Eastern Washington and Oregon, down as far south as Colorado.  Projections indicate ten years will bring us down to the old Mexican border.”

Dave looked bleakly toward Craig and said, “We found a nest two hundred miles south of here that had just finished off the human and bovine residents of a dairy farm right before we got there.  I’m guessing ten years might be a little optimistic.  What have the university researchers published this year, Bob?”  Bob was a former academic who had joined the hunt after he lost his family to an infestation a few years earlier.  Biological modelling had been his field of research and he still had contacts within the bug modelling project.  The small bespectacled young man looked up at Dave and quietly began to talk, “Well Craig is right that we have turned a corner.  In the first twenty years of the war humanity lost essentially the entire human population of the tropical zone that was forty percent of the 2.69 billion people living, about a billion people.  We lost another billion people everywhere else.  After that we only lost another two hundred million over the course of fifty more years.  And this year was the first net population gain.

As far as the bugs.  Initially their population increase was asymptotic.  In the last twenty years it’s levelled off.  We don’t have any hard numbers but we have reduced their territory substantially in the last ten years.  The modelling I saw showed a hundred-year estimate to clear the temperate zones but that’s a low confidence study.  The problems with resistance to the viral agents we’ve been using makes it almost impossible to extrapolate the curves for anything more than a year with high confidence.”

Dave nodded his head, “That’s what I heard from someone in the headquarters this week.  Not particularly cheering.”

But Which Story?

The previous post (“Have I Got a Story for You”) produced some stimulating comments and feedback (below in bold print):

I think it just proves there’s a ready market for good science fiction out there.  Larry Niven’s Known Space; David Weber’s Honor Harrington stories; Niven and Pournelle with “Footfall” “The Mote in God’s Eye” and “Lucifer’s Hammer.”  The stories are already there.  But apparently the powers that be want a different kind of story but for an audience that doesn’t like science fiction!

For adults all of the below comments give ideas that should easily be translatable to cinema or television series productions.  The technical problems have long ago been conquered with computer generated imagery.  The only problems are lack of imagination and ideological blindness.

And the people who want the good stories are both young and old.  I’d love to be able to bring my grandkids to see age-appropriate science fiction that isn’t just poorly disguised gender and racial grievance propaganda but actually tells a good story about people they can relate to.

In the spirit of selecting something I could bring my grandchildren to (and enjoy myself!) I figure I’ll throw out a couple of safe but entertaining choices.

My first choice has some problems.  The story premise has become dated based on the current state of the art in computing and thinking machines.  It’s Heinlein’s “Starman Jones.”  Max Jones’s unusual rise through the ranks from stable boy to astrogator was predicated on his “eidetic” memory and abilities as a lightning calculator.  Well, that would seem to be a kind of silly plotline today.  Even the most phenomenal human mind cannot hope to compare with the speed and precision of a modern computer.  So, some other skill will be needed to distinguish the young hero.  The FTL process could be changed so that sensing the space warp is an individualistic skill that he happens to possess to an extreme degree.  Or some other skill, whatever.

But the rest of the storyline works fine for a book or a movie concept.  Max and his mentor Sam can show their qualities on some lost planet in a star system far, far away.  I think it would make a billion bucks.

And even more apt Heinlein juvenile would be “Have Spacesuit Will Travel.”  The protagonist Kip Russell goes through a collection of adventures that are ready made for the big screen.  He’s accidentally drawn into an interstellar police action between a galaxy-spanning civilization and a race of evil predators that have invaded our solar system with the intent of conquering humanity and using them as food.

It’s got FTL space travel, time travel and high adventure.  It even has humanity put on trial in front of a galactic court to determine whether they deserve to exist.  What’s not to love.

And of course, the Heinlein juveniles include at least a half dozen more stories that are highly qualified to be considered for the big screen.  All it would take would be a director with a decent ear for dialog and a script writer who isn’t totally woke.

So, any of you guys aware of any recent science fiction that would be appropriate for adolescents and young adults?  It’s a bit more of a specialist niche but I’m sure it exists out there.  All that has to be done is look.

 

Ed Brault

I would love to see Larry Niven’s Known Space stories and novels brought to the screen. Big, sweeping arcs like Ringworld Series, The Fleet of Worlds, or the epic Man-Kzin Wars; or smaller sets like the Gil Hamilton organlegger detective stories, or the individual novels that help flesh out the Known Space Universe: Becalmed in Hell, the Coldest Place, World of Ptaavs, A Gift from Earth, and especially, Protector, and the related Peace Corben novellas. These would probably be best done like The Expanse; a multi-year episodic TV drama.

The biggest problem would be preventing the studio suits from doing a Disney on the stories. I would consider that an Organ-Bank-worthy crime!

 

Abraham

David Weber’s Honor Harrington series would work well, even with a woman hero.

 

Tregonsee314

I think Ringworld has been in development a couple times, most recently with Amazon/MGM. It is Tough to get a large audience for it (especially as you move into Ringworld Engineers and later) as it wanders into hard R territory though one COULD limit that somewhat. It also would probably push limits of even current special effects for Kzin and Puppeteers. I love Protector it has the advantage that it sticks with a couple characters across its story. It probably would want to be a limited miniseries as it is a smidge too long (at 218 PG) to make a single two-hour movie, though you could perhaps time compress some parts and maybe get there. My own favorite for a series (or maybe 2 movie pair like the recent Dune) would be Niven and Pournelle’s Footfall, if for no other reason than the final battle using Project Archangel.

 

TomD

Reply to  Tregonsee314

It’s been decades since I read Footfall, I really would like to reread that. Niven alone

Niven and Pournelle put out so much. I still think Lucifer’s Hammer was the absolute best of the type.

Ahhh, but Ringworld made “real” and the Mote in Gods Eye—–

 

Ed Brault

Lucifer’s Hammer: The surfer dude riding the tidal wave would be worth the price of admission!

 

Tregonsee314

So many attempts and so little success. Looking for successes I think the latest incarnation of Dune, although flawed in some aspects, was probably the most successful of the 3 (4 if you count the aborted Jodorowsky attempt). I think the Jackson Lord of the Rings was very good even without certain sections (sorry Tom Bombadil, you just aren’t central to the plot). The Expanse did middling well, though I lost track of it mid-2nd season.

The failures are more plentiful. Jacksons Hobbit was a mess with unnecessary additional characters and subplots, even though the acting (Bilbo and Thorin especially) was superb. The Foundation series by Apple mangles the timeline (mostly because with the longer timeline there is no character continuity but for the shade of Hari Seldon) and adds wokish subplots all over the place. Effects were nice and Asimov having ONLY humans in Foundation/ Robots universe simplifies that. All in all, it was a disappointment and I bailed after 3-4 episodes. I think it fell flat for the public because many of its ideas seemed like retreads (E.g. Trantor as a planet covered with civilization feels like warmed over Coruscant even though Trantor predates Coruscant by 20+ years and likely inspired Lucas). And Rings of Power? Mauling the lore of Tolkien to pander to a variety of subgroups combined with puerile 4th-grade fanboy scripts produced an utter catastrophe.

Almost anything Sci-fi that Hollywood has done without a sci-fi novel or story at the heart is a mess. Hollywood seems to want to revert to the pre–Star Wars Sci-fi where all is Dystopia and nuclear hellscape. That things might work out is anathema. Even the vaunted Federation of Star Trek has been being mauled with its hidden perfidy in Discovery and Picard. Not to say dark is bad. Babylon 5 was amazing (especially given the limitations of cost and mid 1990’s special effects).

What seems to matter most is that the primary vision for converting the Sci Fi to the screen needs to LOVE the material. JMS wrote much of B5 and was its director, Peter Jackson Adored Lord of The Rings and co-wrote the script, Denis Villeneuve is a Dune/Herbert fanboi. Each loved the story in its original form and tried very hard to leave the original plot beats and characterizations in place, not bend them to tell their own story like Rings of Power or Foundation did.

Guest Contributor – Tregonsee – 28MAY2025 – Science Fiction Movies

So many attempts and so little success.  Looking for successes I think the latest incarnation of Dune, although flawed in some aspects, was probably the most successful of the 3 (4 if you count the aborted Jodorowsky attempt). I think the Jackson Lord of the Rings was very good even without certain sections (sorry Tom Bombadil, you just aren’t central to the plot). The Expanse did middling well, though I lost track of it mid 2nd season.

The failures are more plentiful. Jacksons Hobbit was a mess with unnecessary additional characters and subplots, even though the acting (Bilbo and Thorin especially) was superb. The Foundation series by Apple mangles the timeline (mostly because with the longer timeline there is no character continuity but for the shade of Hari Seldon) and adds wokish subplots all over the place. Effects were nice and Asimov having ONLY humans in Foundation/ Robots universe simplifies that. All in all it was a disappointment and I bailed after 3-4 episodes. I think it fell flat for the public because many of its ideas seemed like retreads (E.g. Trantor as a planet covered with civilization feels like warmed over Coruscant even though Trantor predates Coruscant by 20+ years and likely inspired Lucas). And Rings of Power? Mauling the lore of Tolkien to pander to a variety of subgroups combined with puerile 4th-grade fanboy scripts produced an utter catastrophe.

Almost anything Sci-fi that Hollywood has done without a sci-fi novel or story at the heart is a mess. Hollywood seems to want to revert to the pre Star Wars Sci-fi where all is Dystopia and nuclear hellscape. That things might work out is anathema. Even the vaunted Federation of Star Trek has been being mauled with its hidden perfidy in Discovery and Picard. Not to say dark is bad. Babylon 5 was amazing (especially given the limitations of cost and mid 1990;s special effects).
What seems to matter most is that the primary vision for converting the Sci Fi to the screen needs to LOVE the material. JMS wrote much of B5 and was its director, Peter Jackson Adored Lord of The Rings and co-wrote the script, Denis Villeneuve is a Dune/Herbert fanboi. Each loved the story in its original form and tried very hard to leave the original plot beats and characterizations in place, not bend them to tell their own story like Rings of Power or Foundation did.

Guest Contributor – Ed Brault – 27MAY2025 – Niven’s “Known Space” on Screen

I would love to see Larry Niven’s Known Space stories and novels brought to the screen. Big, sweeping arcs like Ringworld Series, The Fleet of Worlds, or the epic Man-Kzin Wars; or smaller sets like the Gil Hamilton organlegger detective stories, or the individual novels that help flesh out the Known Space Universe: Becalmed in Hell, the Coldest Place, World of Ptaavs, A Gift from Earth, and especially, Protector, and the related Peace Corben novellas. These would probably be best done like The Expanse; a multi-year episodic TV drama.
The biggest problem would be preventing the studio suits from doing a Disney on the stories. I would consider that an Organ-Bank-worthy crime!

Have I Got a Story for You

I’ve been so busy lately with a lot of annoying stuff so it’s been hard to concentrate on what to write my posts about.  I don’t feel like talking about current events today.  Let’s talk about the movies.  I feel I’m unqualified to discuss the state of cinema because in the last five years I’ve gone to so few movies.

But I do think I can talk about what direction science fiction and fantasy movies should go in.  I guess I’ll start with where it shouldn’t go.  And that would be the way it’s currently proceeding.  What we see for the most part are movies that provide a science fiction setting (interstellar civilization, advanced technology, humanoid robots) but uses it as a backdrop to play out sociological scenarios of interest to the film makers, specifically, wish fulfillment about various sexual and race grievance issues.  A good example is Disney’s decision to turn their various Star Wars productions into propaganda films for why women and blacks are the only acceptable heroes in the galaxy far, far away.

This is a really dumb strategy.  They took a wildly popular and lucrative franchise and tanked it in the name of race and gender equity.  And this with a franchise whose primary market were white boys.  Let us say this was ill-advised.  So, there is the counterexample; what not to do.  Now what would be popular and lucrative?

Well, it probably doesn’t take a genius to say write a story that plays to the people who like science fiction (boys and men) and make it imaginative and exciting.  Look at the original Star Wars movie for a simplistic and not highly original plot that allowed the audience to get lost in the likeable characters and impressive special effects and smile along to the space opera that followed.  And there are hundreds of old pulp stories from Barsoom to Dune that do exactly that.  Whether it’s weird aliens or human galactic empire or some combination of the two we want to see the same story dynamic that’s been around since the Odyssey.  We want to see the hero on his quest to:

  1. Find his way home.
  2. Or, save the princess.
  3. Or, defeat the evil sorcerer.
  4. Or, invent the FTL drive.
  5. Or, whatever! As long as it’s not boring and doesn’t involve girl bosses and racial grievances.

And it’s about time that someone put together another science fiction (or fantasy) franchise to replace the tired ones that are currently limping along.  Star Wars is tapped out.  The Republic, the Empire and the Rebellion have become stale and boring.  Nobody cares.

As have the superhero movies.  We’ve used up everybody’s interest in Marvel’s and DC’s stables of 1940’s to 1960’s spandex wearing heroes.  It’s enough.  Nobody is clamoring for more Captain America or black Captain America or Gay Hispanic Spiderman or She-Hulk or any of this.  It’s now a bore.

And it doesn’t have to be legacy space opera.  Although I wouldn’t mind a Doc Smith or a Heinlein storyline.  It could be anything as long as it appeals to the male audience that enjoys this genre.  It needs action, adventure and maybe a pretty girl that needs saving from some fate worse than death (like middle-management cubicle captivity).  Add in some lively music and lots of cutting-edge special effects and you’ve got a billion-dollar hit.

Hey Elon Musk, if you want a trip to Mars make a movie about a trip to Mars that gets people excited about it.  You’ll even make a pot of gold while doing it.

Guest Contributor – Tregonsee – 14MAY2025 – Review – Watchmen (2009)

So the original story is by Alan Moore. He was fairly famous in the comic book industry in the 1980’s when this was originally published. Take a moment and find a picture of Alan Moore on the internet, I’ll wait… Are you back? Given that image you will likely be unsurprised to find out he is a notorious and unrepentant anarchist and rather unhinged (even for an anarchist). Other efforts by him include V is for Vendetta and Batman: The Killing Joke. The Watchmen Series was a 12 issue mini-series from DC published in 1986-1987 set in an alternate history where the US has Dr. Manhattan (who is more overpowered than even say super man, his abilities verge on the godlike).
It was rather cutting edge for its period with its serious antihero vibe.

The movie came much later in 2009 after many years of wandering into development hell. In many ways its cinematography and dialogue come straight from the comic series art by Dave Gibbons and Alan Moore’s dialogue. It does skip/compress several subplots, and change the method of the ending though not its source (Ozymandias/Veidt) nor its intent (forestall or avoid WWIII). It was one of the first R rated comic book movies (previous having limited themselves to PG-13/PG) and also one of the first to release in the late February slot to take advantage of College spring break.

As a fan of the original comics I thought it rose to slightly above meh say 6/10. It loses much of the complexity of the original, which given the size of the 12 issue series was somewhat unavoidable even with its bloated 3 hr+ run time. As Chemist notes if you don’t already know some of the plot points it is going to be a whirlwind. Heck as the original comic book doled out over a year it was confusing until the last few comics at the end where all the threads got tied together and many of the hints in the original lurk in the subplots that were excised.

There is an animated retelling done by DC Animation scripted by J. Michael Straczynski and Dave Gibbons from the original It is split into 2 90 minute subsections. It does a better job at keeping more of the necessary beats to help you see the solution and keeps to the original ending. It is maybe a 7.5/10.

Honestly, if you like comics, find a perfect bound version of the original comic books is available this is available for ~$20 the price of 4-5 fancy coffees. It is less than the $24 I paid in 1986-87 for the original comics. Do not try to go buy these at a comic book store (except for the perfect bound single volume version). They’re moderate collector items at $20-30 a each for even poorish quality copies and the first the last and (potential Spoiler) the one where they break Rorschach out of prison run for probably twice that each. As much as a crazy tinfoil hat wearing jerk as Alan Moore can be this is easily in the top 5 of comic series I have read in 50 years of reading comics and is probably better than 90% of most comic/SciFi writing.