2024 Summer Movie Talk – Part 4

Westerns – Modern

I’m dividing Westerns into two categories; Classic and Modern, because they really are completely different categories.  I’ll list what I think are among the best or the most popular or the most interesting modern westerns in approximately chronological order.  I’ve reviewed a number of these movies so if you want my detailed opinion, you can do a search on the site.

  1. THE MAGNIFICENT SEVEN (1960)
  2. A FISTFUL OF DOLLARS (1964)
  3. FOR A FEW DOLLARS MORE (1965)
  4. THE GOOD, THE BAD AND THE UGLY (1966)
  5. ONCE UPON A TIME IN THE WEST (1969)
  6. BUTCH CASSIDY AND THE SUNDANCE KID (1969)
  7. TRUE GRIT (1969)
  8. JEREMIAH JOHNSON (1972)
  9. HIGH PLAINS DRIFTER (1973)
  10. THE SHOOTIST (1976)
  11. THE OUTLAW JOSEY WALES (1976)
  12. THE LONG RIDERS (1980)
  13. PALE RIDER (1985)
  14. SILVERADO (1985)
  15. UNFORGIVEN (1992)
  16. TOMBSTONE (1993)
  17. WYATT EARP (1994)
  18. OPEN RANGE (2003)
  19. 3:10 TO YUMA (2007)
  20. TRUE GRIT (2010)
  21. HELL OR HIGH WATER (2016)

Twenty-one is a long list.  Longer than I intended but I guess I have a soft spot for some of these movies.  I included both versions of “True Grit” and both Tombstone and Wyatt Earp.  And I broke my own western rule by including “Hell or High Water” because the time period is modern day.  But modern westerns are modern!

Now this is just my list.  Your list will be different.  I’ve got a lot of Clint Eastwood in this list.  Not everyone likes his stuff.  I left out Sam Peckinpah’s “The Wild Bunch” and “Ride the High Country.”  I could have left out “Unforgiven” and “Silverado.”  Just how I felt at the moment.

Have at it.  Give your opinion in the comments.

2024 Summer Movie Talk – Part 3

Westerns – Classic

I’m dividing Westerns into two categories; Classic and Modern, because they really are completely different categories.  I’ll list what I think are among the best or the most popular or the most interesting classic westerns in approximately chronological order.  I’ve reviewed a number of these movies so if you want my detailed opinion, you can do a search on the site.

  1. STAGECOACH (1939)
  2. DESTRY RIDES AGAIN (1939)
  3. THE WESTERNER (1940)
  4. THEY DIED WITH THEIR BOOTS ON (1941)
  5. THE OX-BOW INCIDENT (1943)
  6. ‘MY DARLING CLEMENTINE (1946)
  7. FORT APACHE (1948)
  8. WINCHESTER ‘73 (1950)
  9. HIGH NOON (1952)
  10. 3:10 TO YUMA (1957)
  11. RIO BRAVO (1959)
  12. THE MAN WHO SHOT LIBERTY VALANCE (1962)
  13. EL DORADO (1966)

Now this is just my list.  Your list will be different.  I left out some classic movies that are on everyone’s list; “The Searchers,” “Shane” and some others.  That’s just my taste. Some people consider “The Treasure of the Sierra Madre” a western but because it took place in the mid-twentieth century I don’t consider it a classic western.  It’s a great film but I consider it something else.

So, there it is.  Feel free to add what I have left off or disagree with what I’ve included in the comments below.

2024 Summer Movie Talk – Part 2

2024 Summer Movie Talk – Part 2

Comedy

I’ll list what I think are among the best or the most popular or the most interesting comedy movies in approximately chronological order.  I’ve reviewed a number of these movies so if you want my detailed opinion, you can do a search on the site.

  1. IT’S A GIFT (1934)
  2. A NIGHT AT THE OPERA (1935)
  3. MAN ON THE FLYING TRAPEZE (1935)
  4. THE BANK DICK (1940)
  5. ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948)
  6. THE ODD COUPLE (1968)
  7. BLAZING SADDLES (1974)
  8. YOUNG FRANKENSTEIN (1974)
  9. MONTY PYTHON AND THE HOLY GRAIL (1975)
  10. GHOSTBUSTERS (1984)
  11. PLANES, TRAINS AND AUTOMOBILES (1987)
  12. BEETLEJUICE (1988)
  13. UNCLE BUCK (1989)
  14. GROUNDHOG DAY (1993)
  15. SO I MARRIED AN AX MURDERER (1993)
  16. AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY (1997)
  17. THE BIG LEBOWSKI (1998)
  18. OFFICE SPACE (1999)
  19. GALAXY QUEST (1999)
  20. SHAUN OF THE DEAD (2004)
  21. IDIOCRACY (2006)

Now this is just my list.  Your list will be different.  It has to be.  More than any other genre comedy is incredibly personal and therefore subjective.  It is also age specific.  My children would list twenty movies from 2000 to the present day that I haven’t seen nor would want to watch.  I have tried to leave out comedies that I consider marginal that happen to overlap with my most active movie watching era.  So, I haven’t included “The Blues Brothers,” “Caddyshack.” “Stripes,” “Animal House,” “Meatballs,” “National Lampoon: Vacation,” “Trading Places” and a bunch of other movies from my heyday.  I put Ghostbusters in as the best representative for that era.  Someone else would have chosen otherwise.

I hope my list will inspire a million spirited comments.  Everyone has their favorites and their turkeys.  Unlike politics we can all have our opinions on comedy movies without fear of doing any damage.  Have at it.

2024 Summer Movie Talk – Part 1

When reality collapses under a landslide of madness:

  • POTUS exposed as a human vegetable
  • Cost of living now requires selling kidneys for gas money
  • Illegal aliens and homeless drug addicts now the two largest voting blocks in some blue states
  • Kamala Harris imagining herself as president unencumbered by anyone wanting to vote for her.
  • Morning Joe both extols Joe Biden as the sharpest he’s ever been and begs him to step aside to avoid defeat.

Well then, it’s time to take off the pundit cap and try to enjoy life a little.

I’ve always been partial to watching movies.  My tastes probably fall somewhere in the middle.  I’m definitely not part of the avant-garde by any means.  I’ve never enjoyed Cinéma verité and the various other European schools that abounded in the 1950s and 1960s.  They always just looked like low budget crap that someone made with a home movie camera and no money.  But by the same token I think that at least 80% of the output of Hollywood in its heyday was pretty poor stuff.

I totally believe that cinema is not a single subject.  There are several distinct things that get lumped together as movies.  Hopefully they all contain the characteristic that they entertain.  But beyond that I think one kind of movie makes you feel and another makes you think.  Now that is not to say that a movie that makes you think doesn’t also engage your emotions.  That would be odd in a movie created by humans.  But what I’m indicating is that many, even most movies don’t really make you think.  And that is not to say that only high-brow art-house movies can delve into the human condition.  Far from it.  Even someone as populist and popular as Frank Capra can capture a character or a moment that makes you think about the big questions.

So, I think I’ll divide my discussions about movies into two main categories; entertainment and enlightenment.  And let’s start with entertainment.  Because it is the summer and that is the season when we want to enjoy the beautiful weather and make believe that the world is a happy place where Joe Biden and Kamala Harris are just cartoon characters who dress in primary colors and get chased around by the Tasmanian Devil and eventually eaten.  So, let’s see.

Well, first things first, we’ll divide and conquer.  Let’s divide things into genres:

  • Science fiction
  • Fantasy
  • Action/Adventure
  • Comedy
  • Drama

Science Fiction

I’ll list what I think are among the best or the most popular or the most interesting sci-fi movies in approximately chronological order.  I’ve reviewed almost all of these movies so if you want my detailed opinion you can do a search on the site.

  1. Destination: Moon
  2. The Thing from Another World
  3. Them!
  4. Invasion of the Body Snatchers
  5. The Time Machine
  6. The Day the Earth Stood Still
  7. War of the Worlds
  8. Forbidden Planet
  9. 2001: A Space Odyssey
  10. Blade Runner
  11. Alien
  12. Terminator
  13. Starship Troopers
  14. Independence Day
  15. 12 Monkeys
  16. Jurassic Park
  17. The Matrix
  18. Contact
  19. Firefly
  20. Serenity
  21. The Martian
  22. Dune

 

Now this is just my list.  Your list will be different.  I left out Star Trek and Star Wars.  I consider Star Wars fantasy and I consider Star Trek mostly awful.  But the same could be said for several of the movies I put on my list.  I hope my list will inspire a million spirited comments.  Everyone has their favorites and their turkeys.  Unlike politics we can all have our opinions on sci-fi movies without fear of doing any damage.  Have at it.

Guest Contributor – The Portly Politico – 03JUL2024 – Sid Meier’s Civilization Series Review

 

Sid Meier’s Civilization Series Review

I decided to become a history teacher in the tenth grade after giving a presentation in an English class about water transportation in nineteenth-century America.  Why I was giving such a presentation in English is unclear–we were probably talking about Mark Twain–but that presentation gave me the teaching bug (and, apparently, a lifelong vow of poverty).

Even before that, though, history had captured my young imagination.  I grew up poring over atlases, textbooks, books, almanacs, encyclopedias, etc.  Part of what sparked this youthful interest was, of all things, video games, specifically the classic Sid Meier game Colonization, in which players colonized the New World and, ultimately, fought for independence.

Colonization, sadly, did not evolve significantly further as a series.  However, its inspiration, Civilization, now spans six installments, with a seventh on the way.  I vividly remember playing Civilization II on a cousin’s computer sometime in the 1990s, and I was hooked.  The first time I plopped a settler on a rickety trireme and dropped him successfully on a far-flung continent, I knew this was the game for me.

All of the Civilization games fall into the “4X” genre, in which players eXplore, eXpand, eXploit, and eXterminate (I suppose they could be called “4E” games, but that doesn’t sound quite as cool, does it?).  While not all Civilization games are created equal, each brought new innovations to the series that have, overall, improved and deepened the experience, while still being very accessible to new players.

My first exposure was to Civilization II, which I then received from my aunt that Christmas; I spent the rest of the day reading the 200-plus-page manual.  Civilization, the original installment, was already dated by that point, but I picked up a copy of its online-enabled version, CivNet, on a band trip in high school.  My neighborhood friend and I spent many hours playing “hotseat” games of CivNet, which had players taking turns at the same computer.  Later, that same friend and I would play hotseat for years in college (usually via e-mail) on Civilization III.

Civilization II is the best of the “classic” era Civ games.  It included a number of graphical and gameplay improvements over its predecessor.  Civilization III is, perhaps, one of the weakest entries in the series, suffering from a number of balance and performance issues.  However, it introduced a number of intriguing gameplay elements, like cultural borders and the need to negotiate “rights of passage” treaties to traverse another civilization’s territory.

The series entered the modern era of gaming with Civilization IV, which featured a brighter and more cartoon-y color palette.  It preserved the cultural borders mechanic of Civ III while also introducing religions to the game for the first time.  That has become a staple of the series, and there are few things more satisfying than converting the entire world to your religion (one of the several ways players can win the game).  I’ll never forget converting the entire world to Judaism in my first game of Civ IV, playing as the Americans.  There is, perhaps, something oddly prophetic about that.

Civ V brought an Art Deco aesthetic to the games, and shifted away from a square-based grid to hexes.  That changed military combat substantially; no longer could players create massive stacks of units that could grind a city into dust in a turn.  Instead, only one military unit could occupy a hex at a time, making conquest of cities more protracted and strategic in nature.  Terrain, which had always modified defensive bonuses based on the type (for example, a unit defending on a hill enjoyed a defensive advantage versus a unit defending on a flat plain), now became even more important.

It feels as though Civ V barely got its footing before the exquisite Civilization VI hit the scene.  This latest iteration included many of the elements of prior Civ games, but true to the series, it slowly ladled out key mechanics across two expansions–a particularly annoying but lucrative business model that has plagued almost every version of the game.  Regardless, Civilization VI and its expansions introduced, among other elements, climate change, which players can contribute to and/or mitigate through various means, and which gradually changes the map.  To be fair, Civilization II introduced “global warming,” which could have horrendous effects on the map, but Civilization VI approaches it in a more elegant and nuanced way.

Now with Civilization VII on the horizon, fans of the series are clamouring for more.  But which is the best?

In my assessment, Civilization II is the best of the “classic” era of the game.  Compared to modern versions it is quite basic, but there is something about its color palette and its gameplay that are timeless.  Civilization III struggled with various bugs, but I also enjoyed sinking hours of my life into it.

In the modern area, Civilization VI takes the cake for me, although its two predecessors were excellent games in their own right.

Usually, newer does not equal better, but in the case of the Civilization franchise, it does seem that player suggestions are implemented more thoroughly, and the games become more interesting and refined through each generation.  That is a positive legacy of the series, and one that will hopefully continue with Civilization VII.

 

Without Wincing

It’s Wednesday night and I’ve been watching some YouTube videos by right-wing Hollywood types; Nick Searcy, Andrew Klavan, Steve Deace.  These guys have made the transition from Hollywood actors and writers to conservatives who want to create content that doesn’t outrage their convictions.

And listening to them talk about the blacklisting and the gatekeeping you can’t help but feel discouraged.  And look at Disney where they’ve lost more than a billion dollars in the Marvel Cinematic Universe and Star Wars series in the last year or two.  Even the remakes of the legacy Disney fairy tales are scaring away the parents.  Would these losses make them reconsider what they’re doing?  Nope.  Doubling down doesn’t even begin to describe their behavior.  It’s pretty depressing.

But I think I detect a hint of desperation.  It seems the strategy is to monopolize the entertainment choices utterly.  It’s almost as if they’re afraid people will find out that movies that are entertaining can actually exist.  And it makes sense.  Even they must know that their stuff is for the most part unwatchable.  So, all they can do is blockade anyone else trying to get funding and book theaters.  And so far, that’s worked.  But slowly, slowly, even glacially some stuff is leaking by.  So far, it’s all been Christian movies.  But the definition of what’s a Christian movie is being stretched.  Last year a “Christian horror movie;” Nefarious made $12 million from box office and streaming off of a $1 million total cost.  That’s a very nice return on investment.  Compare that to Disney spending $3 billion and getting back $2 billion.  Negative return on investment, not so great.

Then there was Netflix putting out the comedy specials by Dave Chappelle and Ricky Gervais.  Netflix’s own employees attempted to block the showing of these specials.  They saw these comedy routines as transphobic and hateful.  But Netflix decided that they need money more than they needed virtue signaling to their employees.  Another good sign.

Now conservative social media outlets are trying their hand at making movies.  The Daily Wire has made a couple of forays into comedy.  I don’t think they’ve succeeded yet but I give them full marks for trying.  Eventually somebody is going to make a stab at it and hit pay dirt.  And when that happens there will be a lot more.  Netflix is already one foot in the door.  All they’ll need is for a non-woke film maker to figure out the formula and they’ll be setting up shop and pumping stuff out.  There hasn’t been a decent comedy in a decade and if one studio starts putting them out, they’ll end up printing money.

So, I think we will get some alternatives to Hollywood.  And we’ll get it by supporting it ourselves.  What was that stupid Obama mantra?  “You are the change you’ve been waiting for?”  It’s horrible to realize but it’s actually true for our side.  We will have to stand up all these new platforms ourselves.  We’ll have to buy the tickets and take out subscriptions and buy books and go to plays just to make sure there actually is a non-woke alternative to all this awful crap they keep pumping out.

But finally, one fine day, Disney and Time Warner and NBC-Universal and whatever other woke behemoths there are will wither away all together and we’ll look out over a landscape where girl-boss jedi and Captain Marvel have been relegated to senior living facilities with a maximum of three cats and one bottle of wine a night.  And nobody declares their pronouns and spiderman is a man.

And on that day, I’ll bring my first great-grandson to the movies without wincing.

The Honeymooners – Complete Series Review – Episode 1 – TV or Not TV

The Kramden’s friends; the Nortons (Ed and Trixie) are getting their second tv set and Alice Kramden tries buttering up her husband Ralph to get their first set.  Ralph rants and raves about the dangers of buying “luxuries” as opposed to his “strategic” savings plan.  But she tells him he’s just cheap.

But Ed comes to Ralph to borrow money to buy the new set because he’s already bought so many appliances on credit that the store has turned him down for the tv set.  Ralph decides that if he and Ed split the cost, they can afford the set together.

Ralph tricks Ed into keeping the set in Ralph’s apartment and thus begins the war to control the channel.  Ed Norton is a devotee of the kid’s outer space serial “Captain Video” complete with his very own space suit helmet.  Ralph wants to watch movies and the prospect of Ed watching the inane space show drives Ralph insane.  And they battle for days until finally Alice admits at the end that Ralph’s instinct not to buy a tv was actually correct.

This first episode has already in place many of the characteristics of the Honeymooners’ set up.  When we first see Alice, she is trying to unclog the kitchen sink with a plunger.  And by the sound effects and Alice’s expression we can tell things didn’t go well.  This is the status quo of the Kramden household.  Ralph’s bus driver’s salary can’t seem to permit Alice’s dreams of a middle-class lifestyle to become reality.  But she never gives up reminding Ralph of these shortcomings.

When Trixie shows up and encourages Alice to use flattery to try and get Ralph to buy a tv set, we recognize the dynamic these two wives are always bumping up against.  Namely, while Ed Norton is somewhat accommodating to Trixie’s opinion, Ralph is vehemently opposed to any compromise on Alice’s requests, especially if they cost even the smallest amount of money.  And another characteristic of the Alice/Ralph dynamic is that after Ralph rejects her request for anything she falls back on mocking his weight.  And finally, the episode leans heavily on the trope that whatever joint venture Ralph and Ed embark on will result in anger, failure and embarrassment.

This is a good representative of the series and has several memorable laughs during the battles between Ralph and Alice but especially between Ralph and Ed.  And it is plain to see that no warm-up period was needed in order for the cast to hit their stride.  The Kramdens and the Nortons are already hitting on all cylinders.

Captain Video: Calling all space rangers, it’s time to blast off with Captain Video and his video rangers.  Hello out there rangers.  This is Captain Video.  Are you all, ready join me in our trip to outer space?

Ed Norton: I am ready O Captain Video!

Captain Video: Let us all put on our official Captain Video Space helmets, adjust disintegrator guns, and now we blast off for Pluto and the Moon!

Andrew Klavan Inteviews Mamet

David Mamet famously declared he had ceased to be a “brain dead liberal” back around the time of the 9/11 attacks.  And the Left has been attacking him ever since.  And since he is a playwright and a movie script writer that has had an enormous impact on his career and life.

Here Andrew Klavan talks to him about what that’s been like and why it’s okay.  I find it interesting to hear how those on the inside of the matrix describe the process of being attacked by the antibodies of the collective.  It’s like an autoimmune disease or more closely it’s as if these people have become cancer cells and have now been detected by the immune system.

Toward the end Mamet speaks very enthusiastically about what will be happening while Hollywood is dying.  “You don’t need a lot of money to make a movie.  You need a phone and a good idea.”  I find that very hopeful.

 

Putting Up a Fight

I am a Tolkien fan and have been one since I was probably eleven.  The Hobbit, The Lord of the Rings, The Silmarillion, his lesser works, even his biography.  And I greatly respect the world-building he did in creating Middle Earth; the history, geography, the various non-human races and the tribes of men, even the religious underpinnings of his world.  I love his characters and their interplay with each other and the plot.

But I must be honest.  I find Frodo thoroughly annoying.  Sure, sure.  He carried the One Ring for the better part of a year and didn’t fail until at the very edge of the abyss.  And this after being poisoned by Shelob and frog-marched by orcs across the plains of Mordor.  Maybe that effort was heroic to an extent that we are supposed to revere it as an herculean effort for making it 99.9% of the way.  Maybe.

But that hobbit annoys the hell out of me.  Surely, I’m not the only one who has wondered, what if Frodo had been left behind and the ring had been given to Samwise Gamgee?  Maybe the whole thing could have been done in half the time.  Maybe on Sam’s less refined but sturdier shoulders there wouldn’t have been as much angst about the burden of the ring.  And one thing’s for sure.  Gollum would have been toast.  Sam would have put Sting through that homicidal proto-hobbit without further ado.  And that alone would have made the story shorter and less annoying.  Now you might say that without Gollum they wouldn’t have found their way in.  Well, in that case they hadn’t provided Frodo with enough information to get in.  So, put Aragorn and Sam together as the team.  Or Legolas and Sam together as the team.  Basically, anyone but Frodo.  I’ve heard that the dream team is Gandalf and an eagle but if we’re afraid that Gandalf would be too tempted by the Ring then just go with Sam and an eagle.

And if Sam had succeeded in destroying the ring he wouldn’t have needed to go across the sea to heal.  He would’ve gone right back to work clipping hedges at Bag End.  No fuss, no muss.  Sure, if Frodo had been left behind, Sam wouldn’t be inheriting Bag End because Frodo wouldn’t have to go to the Grey Havens.  Sam and Rosie would need to buy a starter-hole somewhere on Bagshot Row.  But the Gaffer surely had something socked away for Sam and the Cotton clan look like they take care of their own.

Now of course Tolkien had in mind that Frodo was the suffering servant of the Lord and Sam was sort of the batman or orderly for the more aristocratic Frodo.  This sort of synchs with Tolkien’s service in the First World War where an upper-class officer had a commoner for a batman.  And all of that is fine but I just wish Frodo had displayed a lot more pluck and grit than he did.

Would it have killed him to take down Shelob?  At least go down swinging.  Okay rant over.