Project Hail Mary Box Office Update: $616,588,738

Well, it’s official, Project Hail Mary is a moneymaker for Amazon.  The info says it cost $200 million to produce.  Even if they spent another $100 million to advertise (which they wouldn’t have to because, of course, they’re Amazon!) that still puts them in the black.  And this is all in advance of what they’ll make streaming the movie on their own platform after the end of the theatrical run.

Box Office Data

Well, well, well.  So people will go to the movies if you give them something that isn’t woke slop.  If you give them entertaining story telling they’ll pay you money to watch it.  Shocking.  Wake up Disney.  Amazon is eating your lunch, you fools.

A Milestone and a Low Point

So today I reached the two hundred book milestone.  One hundred fifty-three e-books and forty-seven paperback copies.  Camera Girl and I celebrated with a bowl of ice cream each.  And today I also got my first one-star review.  The reader was upset because he didn’t know it was a science fiction story.  And I can understand his anger.  When I selected the categories for the book the first one, I listed was science fiction.  But Amazon rejected this as a false description and deleted this category for the book.  And so, Amazon is responsible for the single one-star review I’ve received so far.  Well, the world is a complicated place and I guess nothing human is ever free from unexpected consequences.

But, all in all, it’s been an interesting experience.  It seems Amazon has created an opportunity for anyone to create a book and it even makes it possible to try and find an audience for that book in the enormous marketplace they have created on their platform.  And to the extent that I’ve found some readers I can appreciate how this is an improvement over what there was before.  And in my particular case it changes the situation from an impossibility to a difficult one.  And by that, I mean I could never have found a publisher (other than a vanity press) that would accept my story because of the right-leaning slant of my story.  After all I pretty clearly demonize Antifa in this story and that would never get past the editors and sensitivity readers employed by the “Big Five” publishing houses (Penguin Random House, HarperCollins, Simon & Schuster, Hachette Book Group and Macmillan).  So, I think the present set-up is an improvement for someone like me.  But that doesn’t mean finding an audience is easy.  It’s not.  It’s tricky and slow and expensive and the skill-set has absolutely nothing to do with being a writer.

The next big milestone will be when I put it on Kindle Unlimited.  But since this requires the story to be on Amazon exclusively for three months I’m waiting until I finish putting the story up on Royal Road.  I’ve been uploading it in sections (mostly a chapter a day) and I’ve got six more chapters to go, so I want to finish that first.  I want to see what feedback I get once I’ve allowed the readers there to finish the story and evaluate it.  After that I’ll take the story down from BookFunnel and Royal Road and see what happens with Kindle Unlimited.  KU lowers the cost to start the book to essentially zero and I’m hoping that will allow a larger cross-section of the general reading population to give the book a try.

And I believe this population of readers will be significantly younger than the one I’ve been reaching up till now.  Now maybe this isn’t my target audience but I think it’s important to test that hypothesis.  If Kindle Unlimited doesn’t move the needle, then I know what I’ve seen so far is a good indication of what I should expect.  So, let’s see what happens.

Keeping My Options Open

One of my oldest friends has been advising me on the possibility of making a film treatment out of my book and sending it to Hollywood to become the next “Project Hail Mary.”  What immediately came to my mind was Hollywood taking the story and making the evil president, Donald Trump and making Bogey a leftist trans-woman.  Yikes!

But what was surprising is that there is actually an AI capable of taking my story and converting it directly into a film treatment.  And it has an enormous capability to annotate the details necessary for actually filming the thing.  There are notes on casting each of the characters (appearance, age, personality, voice), locations, special effects, visual effects, weapons, special personnel (e.g., armorer), special equipment, weapons, etc.

And then it used the dialog from the book and adapted it for the screen; shortened and elided from it to bring the screen time into a realistic movie length.

Now I haven’t finished going through this document but so far what I’ve seen seems very interesting.  It’s basically my book.  And that’s exciting.  I was assuming the story would be too long for a movie without very serious pruning of scenes that I’m attached to.  But we’ll see.

Now, I’m aware that Hollywood doesn’t make movies from books that don’t sell millions of copies.  They’re looking for a built-in fan base for their product.  So, no studio in their right minds would take a chance on spending potentially hundreds of millions of dollars on an unknown story.  But it’s always fun to dream about these things.

And that brings me to Andy Weir’s story.  He self-published “The Martian” on Amazon and only eventually got a book deal when he had already built up an audience for it on his own.  And now he has two hit movies made from his books.  Think about that.  Someone who couldn’t get a publishing contract ends up with a smash hit movie that everyone in Hollywood probably hates because it has a white guy as its hero and he doesn’t have the usual diversity cast to allow the movie to be an Oscar contender.  They broke all of Hollywood’s rules to make this movie by not having a girl-boss as the hero surrounded by the usual multi-cultural struggle session ensemble.  It just brings tears to my eyes.

Chances are I won’t be duplicating Weir’s experience.  My book is not an uplifting tale of human endeavor.  Mine is a tale of revenge and destruction.  I openly attack the Left and my heroes are identifiable people on the Right.  So, no.  I won’t be getting a Hollywood deal.  Ever!

But despite all that I’m excited about what is now happening in Hollywood.  The Ellisons bought Paramount and have now shut down the travesty that was Star Trek – Star Fleet Academy.  They’re buying Warner Brothers and they’ll probably shut down the people making terrible stuff like “Supergirl” that’s coming out soon.  And now we see Amazon/MGM making stuff like “Project Hail Mary (PHM).”  That’s a pretty good chunk of Hollywood already.  And with PHM looking like it’s going to break the $600 million mark and become a big moneymaker, even places like Netflix and Disney will say to themselves, “Hey, why can’t we get into some of that “normal film-making” that those other guys are doing and make money for a change?  Let’s call that photog guy and get an option on, “The Sniper” before the Ellisons scoop it up.”

Or something like that!

How the Mighty Hath Fallen

So, I put a chapter of “The Sniper” up on Royal Road about a week ago.  And shortly afterward I received a rejection from them because the story was also on Amazon and this website (OCF) and I had to prove to them that both those copies belonged to me.  They wanted me to add in my Amazon Jake Barter author page that I was putting the story up on Royal Road.  So, I had to figure out how to do that and whether this would cause a bad reaction by Amazon.  After all, Amazon sells my book for money and Royal Road lets people read it for free.  Well, the day before yesterday I tried putting up the statement about Royal Road but the author page rejected the edit.  It turns out that I couldn’t use Royal Road’s actual internet address on Amazon but I could just use the name of the site.  And then I had to prove that OCF was my website by a similar message and then, voila!  They put the first chapter of my book up on their site and so far, nine people have read it.  Well, that not much.  But I figure it’ll be fun to see if I can get much interest on that site.

Apparently, Gen Z frequents the site to read fan fic called “Lit RPG.”  Now, my book is neither fan fic nor Lit RPG.  So, it’s not certain that I will find an audience there.  But I’m interested in testing the waters.  I also put it up at BookFunnel and the good folks over at Whatfinger were kind enough to put up a link to that site and I got 14 e-mail addresses of people who downloaded the book there.  So, a little at a time I’m getting more visibility for the book.  I’m at 187 sales on Amazon and I’ve accumulated 34 ratings and 29 reviews with a cumulative rating of 4.7 and some very nice reviews that were definitely encouraging.

Once the experiments on Royal Road and BookFunnel have run their course I intend to put the book on KDP Select which requires the book to be exclusively on Amazon for at least 90 days.  Supposedly the low-cost barrier to reading on this program will attract the maximum number of “eyeballs” to the story and I’m very curious to see how that effects sales.  And I’m not particularly hoping to make a lot more money that way but rather I’m hoping for much more exposure.

So, the great book publishing experiment grinds on.  My hopes for international fortune and fame have been dashed on the sharp rocks of harsh reality.  My dream of movie studio executives battling each other in front of the Compound to see whose blockbuster offer would land the movie rights to this timeless masterpiece has gone up in smoke.  At this point I’m negotiating with the Dunwich Middle School to have the sixth grade put on a one act play version of Chapter 1.  Is this how Heinlein got started?  How, the mighty hath fallen.

The Day After the Day After Tomorrow

In the comments for yesterday’s post on anti-matter there was some discussion about the methodology for interstellar travel; matter/anti-matter annihilation as a form of impulse power versus the use of a worm hole to poke in and out of space as needed.  As was intimated (being turned inside out) the current understanding of general relativity does not present any clear mechanism for human beings to utilize such a phenomenon and remain alive.  And that got me thinking.

Five hundred years ago if you wanted to go from Portugal to India you would get on a sailing ship and circumnavigate the continent of Africa and then cross the Indian Ocean.  And when you returned from this trip thirty months would have passed.  Today, a direct flight from Lisbon to Calcutta would take about twelve hours.  Call it a day for a round trip.  That’s about 900 times faster than the old way.  A trip to Mars at its shortest takes about six months.  Adding in the return trip makes the whole voyage something like 26–34 months.  If somehow, we could increase our speed by the same 900 times we could go round trip to Mars in a day.

Of course that’s impossible.  But only in the sense that we would be trying to improve the same means of travel in the future case.  So, if you told Vasco da Gama he could make a round trip to India in one day he would assume you were either joking or insane.  Because the very idea of a jet plane was an impossibility in his world.  Before you can have jet planes you need Galileo, Newton and Maxwell.  In other words, you need the mathematics, physics, chemistry and engineering of the seventeenth, eighteenth and nineteenth centuries to know that a jet plane could exist.

What if the mathematics, physics, chemistry, biology and engineering of the twenty second, twenty third and twenty fourth centuries conspire to make the round trip to Mars only one day by finding a completely novel approach to travel.  What if wormholes really could be harnessed for human transport?  Then a day long trip would just be a convenience for meals whereas actual travel time would be zero.  But you argue, “wormholes are a theoretical aspect of relativity that have never been observed and if they exist would be as inimical to human life as a black hole would be.  And I would counter that feeding flammable liquids like octane into a machine that produces electric sparks and depends on metal parts rotating thousands of times per minute is much too dangerous a method for transporting humans from place to place.

So, I won’t say I know that we’ll ever reach the stars.  But I think anyone who says categorically that we cannot is making assumptions that cannot be taken as fact.  They are conjecture based on the current understanding of physics and engineering.  So, I guess we’re free to fantasize about galactic empires and worm holes and warp drives and anything that makes us happy.  And some days I want to read about the day after tomorrow and other days I’ll dream about galactic empires.  Why not?

Practical Applications of Riemannian-Bishopian Dimensional Translations – Part 1

Farmer Cthulhu in His Fields

Dunwich is a very odd place.  First of all, you’ll notice that it does not appear on any map of New England.  And this is both an advantage and a disadvantage.  On the plus side it limits the amount of traffic that traverses its roads.  On the minus side it’s darn hard to enter and leave it.  For instance, there are no gas stations in Dunwich so whenever I need to fill up the old gas tank, I have to find a way out of town and find my way back in again afterward.  And it’s not a matter of just heading down any road until you reach the town limits.  Strictly speaking there are no limits.  If you travel on Aylesbury Pike past Sentinel Hill for about three hours you’ll come back to Sentinel Hill again.  And if you turn off at Whateley Lane and go for about two hours, you’ll notice a singularity in the middle of the road.  And if you get too close to it, you’ll be pulled in and find yourself in the alimentary canal of Yog Sothoth.  And that’s not a good place to be.  So, you can see that commuting is somewhat problematic.  But for all of the locals it’s really just an acquired skill that is taught from father to son.  It’s all a matter of geometry.  Einstein believed that our space time was a variety of non-Euclidean geometry called Riemannian.  And it is.  However, Dunwich has a different geometry called Bishopian after the famous Dunwichian mathematician (or wizard) Septimus Bishop who measured the curvature of Dunwichian space and codified the equations for translating back and forth between the two universes.

The mathematics is too complex for most people without advanced training to follow.  On a practical level if you close your right eye and squint your left and slam down the accelerator just at the right location on the Dunwich side, you’ll reach normal space.  And from normal space if you close your left eye and squint with your right eye while slamming on the breaks you can return to Dunwichian space from some well-known anomalies.

For the most part this kind of travel is a routine.  But every once in a while, something seems to go wrong.  I was driving at night in a snow storm in Dunwich a few years back and I sneezed too hard and must have activated an anomaly.  When I blinked my eyes open again, it was broad daylight and obviously a summer day in some warm climate.  I found out I was in Tallahassee Florida and it was six months in the past.  And this caused all kinds of problems when I got back to Dunwich and ran into my earlier self, watching tv in my living room.  I had a devil of a time murdering my doppelganger and sinking him in the swamp.  He seemed to know all of my fighting tricks and just refused to die like a good sport.  Some people are like that.

An Honest Review

In the last few days, I’ve been getting a few more reviews on Amazon for the “The Sniper.”  And today I got my first somewhat negative comments.  Take a look.


4.0 out of 5 stars Uneven political thriller good for a slow day

Reviewed in the United States on April 3, 2026

Format: Kindle

The Sniper is a good, but uneven political thriller.
It’s not particularly deep, but entertaining. I liked the plot. I liked most of the characters.
The lack of a star was in the author’s (and maybe the editor’s) lack of basic writing. While the beginning of the novel is a great premise, the lack of detail is astonishing. It’s like someone describing a video game, but just the broad strokes. I read for the details.
The other nitpicky thing is that the basics of prose dialogue is ignored entirely. An exchange between two characters is all one paragraph. And then there’s the commas (or lack thereof). It’s the classic of “Is it Thanksgiving or cannibalism?”
It’s a casual read. If you can read past the details, the general plot is pretty good.

 

Very interesting.

The Good:

  • The Sniper is a good … political thriller.
  • … entertaining. I liked the plot. I liked most of the characters.
  • … the beginning of the novel is a great premise
  • … the general plot is pretty good

The Bad:

  • … uneven
  • It’s not particularly deep
  • … the lack of detail is astonishing. It’s like someone describing a video game, but just the broad strokes. I read for the details.
  • If you can read past the details

The Ugly:

  • The other nitpicky thing is that the basics of prose dialogue is ignored entirely. An exchange between two characters is all one paragraph. And then there’s the commas (or lack thereof). It’s the classic of “Is it Thanksgiving or cannibalism?”

Yes, very interesting.  First of all, this is honest criticism.  This fellow doesn’t know me from Adam and he doesn’t owe me anything.  That’s valuable to someone who wants to know whether his writing is any good.  So, look at the things he likes; “entertaining. I liked the plot. I liked most of the characters.”  Those are the most important basics of a story.  That’s pretty good.

Look at the criticism; “uneven, not particularly deep, lack of details are astonishing.”  He wants more!  Okay, that’s a problem.  This reader probably wants lots more technical description.  So, in terms of the mining equipment and the technology for collapsing the earth under a city he wants the details.  Fair enough.  Well, there will be sequels and we can get that stuff fleshed out to satisfy the technical type.  But since this book was about Bogey and he wasn’t a technical guy, I left that stuff aside.  When Connors and Cutter get their stories, I’ll geek out on the details.  So that’s okay.

Now for the ugly, I’m guessing that the reviewer was an author or an editor himself.  I decided not to use a professional proofreader/editor for the book.  I felt comfortable with the level of standard English I could provide.  The reviewer is obviously very sensitive to the conventions of professional editing.  And that’s legitimate but I’m guessing a lot of my readers won’t be as sensitive to that level of editorial finish.

So, I’m pretty happy with that review.  I got an honest review and four out of five stars is pretty damn good news.  So, I’m hoping to get a bunch more reviews and who knows I might even get an honest 3 stars from someone.  I can take it.

Time to Make the Donuts

So, I’m busy, busy, busy with my giveaway on BookFunnel (here’s the link).  I’m also seeing if I can put part or all of it up on a site called Royal Road.  And I’m posting links on my X feed to try to connect with the wider world.  And if any of you want a free copy or have any friends who might like the story, please pass the link along to them.

Well, in addition to all this I’ve been drafted into a publicity campaign for the Dunwich Republicans.  I’ve got to awaken a “sleeping giant.”  But it’s more like a geriatric midget in a coma.  So even if I can drum up new blood, I’m afraid they’ll just show up, hear there’s work to be done and say, “Looks like you’re doing a great job.  CARRY ON!!!

But one must do the best one can.  As old TR used to remind us it’s “The Man in the Arena” that counts.  Unfortunately, I feel more like the Christian being fed to the lions in that arena.

Well, the weather is just as uncertain as ever with one day being seventy degrees and the next day featuring snow flurries but we’ve definitely turned a corner and the Great Southern Ice Sheet is barely a foot thick and receding rapidly.  All the spring flowers are budding and the turtles are sitting on the dead log in the swamp.  The mallards must be awaiting the hatching of their eggs and even the local pair of hawks seem to be hyperactive, probably getting food for their nest.

Listening to Andy Weir talk to the Critical Drinker about his book “The Martian” was kind of exciting.  I think anyone who writes a book secretly desires to be that guy who hits the jackpot and has the world beat a path to his door.  I mean, I know it’s ridiculously unlikely for a number of reasons for my book to be a big seller.  It’s in a very restricted corner of the marketplace based on politics and demographics and trying to get advertising is like pulling teeth.  But I confess I not-so-secretly dream of the book going viral and selling tons and tons of copies.  I guess when the dust settles, I’ll probably be in a funk for a while but I think it was still a good experience to try my hand at something I’ve wanted to do since I was a teenager.

And I’ll say that I don’t think that writing a good book is beyond my talents.  But self-publishing and self-marketing is not for the faint of heart.  It takes money and a lot of hard work to promote a book in the current marketplace.  And that’s the part I don’t enjoy at all.  Playing cat and mouse with the Amazon algorithm isn’t my idea of a fun occupation.  It’s more like going to the dentist’s office than something associated with creativity.

Ah well.  Whine, whine, whine.  Time to make the donuts.  Onward and upward.  Excelsior!

Riding High on a Horse in a Star-Spangled Rodeo

So, I’m making the plunge.  I’ve joined BookFunnel and I’ll be running a giveaway for e-copies of the “The Sniper” starting pretty soon.  The trick now will be to get as much visibility for the giveaway as I can.  So, I’ll publicize it here (of course) and I’ll put up a post on X and I’ll tell everybody I can think of that likes this kind of story.  My plan, such as it is, is to use the giveaway to garner as many reviews as I can and try to get the book more attention.  And after that I’ll put it up on Kindle Unlimited to tempt the general public that tests out its fiction one page at a time.

Will it work?  Well, I certainly hope it will but I’ll find out for sure whether I can interest the world at large.  I was listening to the Critical Drinker interview Andy Weir about the success of two of his books being turned into movies.  But I was just as interested in his story about self-publishing.  His “The Martian” was self-published on Amazon and struggled to find an audience in the beginning.  So, it’s kind of that one in a million-success story that inspires the other 999,999 writers out there toiling away in obscurity.  So just to clear the air ahead of time, for the movie version of “The Sniper,” I want Adam Baldwin to play Bogey and Gary Oldman to play Cutter.  Nick Searcy would make a good Chastain.  As for Connors, I haven’t made up my mind.  And the other parts are also up for grabs but definitely no Hollywood weirdos; that’s for sure.  I think Christopher Walken would make a good President Miller.  He’s always able to provide a memorably psychopathic character when required.  Of course I’m hoping to get myself a bit part.  Sort of like how Stan Lee always got a cameo in the Marvel superhero movies.  Maybe I can be one of the clerks at the airport in Baghdad.  I think I could really handle the part with style and finesse.  Sort of a latter-day Olivier.

But I will say it is a little discouraging to see just how much grunt work there is in navigating the world of self-publishing.  The experts don’t really seem to know that much more than the people wandering around in the dark like me.  Sure, they have a sense of things like keywords and how to attach to other books that are already popular but it doesn’t seem like they can tap into any magic formula for shining a spotlight on a new book.  It reminds me of that Glenn Campbell song “Rhinestone Cowboy,” “Where hustle’s the name of the game and nice guys get washed away by the snow and the rain.”  Of course, that’s a little dramatic because I’m doing this from the comfort of my dining room where it’s relatively warm and dry.  But metaphorically I’m pounding that digital pavement so I can sing the blues along with Mr. Campbell.

Cleaning Up the Wreckage

For years people have said in my presence that despite the leftist leanings of Hollywood, the people running it were there to make money.  But despite that I watched as Hollywood produced bomb after bomb that preached the leftist creed above all other ingredients in the film.  They sacrificed entertainment, artistry and certainly profitability on the altar of woke propaganda.  Probably the most egregious of these studios was Disney that sacrificed the virtually unlimited money-making machines of such franchises as Star Wars, Marvel Comics and even the classic Disney princess movies to bang away at woke agenda elements like LGBTQ identity, anti-white racism and feminist dogma.

Well, maybe, just maybe, the tide has turned.  I think this week we received two data points that signal a definite reversal.  The first is the news today that Sky Dance has cancelled the third season of “Star Trek – Starfleet Academy.”  This was a two-season installment that has been estimated to have cost somewhere between two hundred and four hundred million dollars.  Now that is an enormous amount of money but what makes it astonishing is that when this show ran it wasn’t one of the top ten shows on Paramount Plus.  It was regularly beaten out by reruns of “Everyone Loves Raymond” and “Sponge Bob Square Pants.”  In fact, it was even worse than this.  In order to build up buzz for the first episode, it was put on YouTube for free and less than a thousand people watched it the first day.  Think about that.

Paramount was bought by Skydance last year so they didn’t order this show.  And the production company (Alex Kurtzman’s Secret Hideout) is finishing its contract with Paramount in April and it’s looking like they won’t be doing anymore Star Trek for Skydance.  And Skydance is probably going to purchase Warner Brothers this year and that may have a very great impact on how the DC Universe movies look going forward.  So, there is an example of changing sensibilities going forward in Hollywood.  Enormous costs for productions that no one wants to watch are ending.  So that’s the negative case, what won’t be happening anymore.

As for what is happening on the positive side let’s look at what Amazon/MGM have released this week.  Andy Weir (the author of the book turned movie “The Martian”) wrote the book “Project Hail Mary” in 2021.  It cost two hundred million to make.  It made $141 million on its first weekend.  This is one of the biggest openings in the last four years.  And it is predicted to be a big hit.  It’s a movie whose only human character is a white male.  The only diversity casting is an alien creature that looks like a pile of small rocks.  There’s no woke elements at all.  Just an adventure story about a man light years from Earth cooperating with an unearthly creature to save both of their planets.  From all of the reviews I’ve read it’s a solid movie that the whole family can and probably will enjoy and it doesn’t say anything about the LGBTQ or how white people stole America from the Indians or enslaved black people.  And the fact that the astronaut is not a girl boss but a young white man I take to be aspirational for every white American boy who has been told for the last couple of decades that they shouldn’t get a turn at being the good guy.  So that’s the positive side.  Hollywood can make good movies and people will come to the theaters to see them.  And they can make money doing it.

Maybe the tide has turned.