The Green Hills of Earth (1951) by Robert A Heinlein – A Science Fiction Book Discussion

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Well, I’ve been having so much fun with the recent science fiction discussions I thought I’d reminisce about the science fiction stories that had the biggest effect on me when I was first starting out reading science fiction.  And the one that really impressed me the most early on was Heinlein’s short story collection “The Green Hills of Earth.”

I think it was my introduction to his “Future History” stories.  And I remember that reading these stories was different from anything else I had read up to this point.  With the space opera stories even as a child I could sense that there was a lot of handwaving going on to justify all the faster than light travel, humanoid aliens and super-duper energy weapons and shields that somehow translated 19th century naval exploration and warfare into interstellar adventure.

His stories attempted to describe the nuts and bolts of building space stations and lunar colonies based on the best information that existed at the time.  Some of the stories (about Mars and Venus) were highly inaccurate.  But the stories about the Moon are still quite close to what could and maybe will be accomplished.  In that vein I think the story that exemplifies Heinlein’s ability to make believable his picture of a lunar human environment is “Gentlemen, Be Seated!”  And the plot and characters are both so skillfully sketched that disbelief is completely suspended right through to the end.

Now some of the stories aren’t that believable.  “—We Also Walk Dogs” involves a very clever story about a consulting business that accepts the assignment of inventing artificial gravity in order to accommodate aliens from worlds that have both higher and lower gravity than Earth during a conference on Earth.  Basically, they bribe a brilliant physicist to accomplish this “simple” task by stealing a museum artifact that he covets.  As I said, it’s a ridiculous premise but Heinlein portrays the Machiavellian machinations of this seemingly unlimited consulting firm very skillfully and with great gusto.  So that even a story as unbelievable as this one is enjoyed on its own terms.

And that’s the thing with most of these stories.  The writing is so skillful that the reader never feels let down by the quality of the stories.  The characters are interesting and for the most part believable.  The plots are clever and as I said in many cases plausible.  And at the time this was far from typical in the stories that could be found on the science fiction shelf in the library or book store.

Here’s a list of the stories that were in that collection.  See if any are or were favorites of yours.

“Delilah and the Space Rigger” (1949; originally published in Blue Book)

“Space Jockey” (1947; originally published in The Saturday Evening Post)

“The Long Watch” (1949; originally published in The American Legion Magazine)

“Gentlemen, Be Seated!” (1948; originally published in Argosy Magazine)

“The Black Pits of Luna” (1948; originally published in The Saturday Evening Post)

“It’s Great to Be Back!” (1947; originally published in The Saturday Evening Post)

“—We Also Walk Dogs” (1941; originally published in Astounding Science Fiction)

“Ordeal in Space” (1948; originally published in Town & Country)

“The Green Hills of Earth” (1947; originally published in The Saturday Evening Post)

“Logic of Empire” (1941; originally published in Astounding Science Fiction)

Just a Rant for Today

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Today was an insane day.  I was enmeshed in a bureaucratic maelstrom of political deadlines and ideological absurdity.  People were running around in circles getting signatures on petitions and trying to dot the i’s and cross the t’s needed to beat the clock.  And I got gypped out of my day off.  But as Camera Girl would say I was the “better person” (I think).

So, I didn’t have much time to look at the news.  What I saw was more of the same.  Scott Pelley was crying (literally) about Bari Weiss trying to make 60 Minutes slightly less leftist.  Graham Platner was winning the Democratic Maine Senatorial primary while reports of his sub-human antics continue to pour in from all directions.  Donald Trump was booed at an NBA playoff game at Madison Square Garden.  And apparently the California absentee ballot scam is still working effectively six years into the new era so that as long as unlimited time is allowed for fake ballots to be printed up no Republican will ever be elected (or even get past the jungle primary) ever again.  Check, check, check, check.  Yep, full speed forward and steady as she goes.

And based on my personal experience today and what passes for the news of the day, we have entered the after-time where we no longer worry about getting things back to normal.  There is no normal anymore.  We just roll with the punches and when we can’t keep our heads above water, we take a deep breath and hope to fight our way back to the surface before our lungs explode.  All in all, it’s pretty great.

Okay, end of acerbic rant.

Actually, the day ended pretty well.  I had a very nice dinner, watched a fun old movie (American Graffiti) and even sold a few books on Amazon (two paperbacks and a Kindle Unlimited).  But it is undeniable that we have passed into a new era where normalcy is no longer a universal concept in our society.  Strangeness is the new normal.  And we must accept that, to those around us, we are the abnormal ones.

And that’s okay.  In fact, I now embrace my status as an outsider with a definite stigma attached.  It’s a badge of honor and a qualification for a secret society that lurks in the dark corners of the daylight world made up of vapid adherents of the “normal” world of the stupid and the weak.  We can embrace and support the sensible and logical pursuits and actions that have always been there.  There is so much reality that can’t be avoided by the stupid that just using common sense will guide us to how we should navigate around the catastrophic errors of our age.  A good example has been the green energy revolution.  Those who have gone along with the band wagon are now saddled with electric cars they can’t afford to charge and heat pumps that cost too much to heat their homes.  By just doing the math you could have seen that coming.  And that is the template.  Look carefully at the propaganda and avoid the worst of the pitfalls.  And most importantly stay away from the cities where we’re told that crime is at an all time low (despite the daily body count in the news).

Okay, have a good day.

Guest Contributor – Tregonsee – 09JUN2026 – Tregonsee’s Three Pronouncements About Stuff

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Long ago my wife and daughters found my pronouncements amusing. I codified them in a set of rules (which became referred to as the Rules of Acquisition after the Ferengi rules in ST: Deep Space 9). I have three related to fiction and opinions

16. Opinions are like certain bodily orifices. Critically important but not something decent people expose in public.

17. In fiction (Written, Visual, or Interactive) I desire a story and escape. If I want morals I’ll hear a sermon, if I want to work at something I’ll go to work and get paid for it.

18. This is not to say a writer or other content producer may NOT provide meaning or morals. Just don’t shove it in my face unceasingly (Remember that orifice in rule 16? You wouldn’t shove that in my face either).

And yes Clarke and Asimov are far more of the “Idea” arm of SciFi. Asimov often has to work to make his male characters two dimensional. His female characters rarely rose to that and are almost literally paper cutouts. Clarke uses some stereotypes in his early short stories, but almost all his stories even the Big ones like 2001 , Childhood’s End and Rendevous with Rama depend far more on story (and the first two are reusing parts of several short stories pasted together) than on character. I think it is why Asimov and Clarke excel in the shorter forms (up to about Novella) but struggle more ion the longer forms. This may also stem from the fact that from mid ’40s to mid 60’s the primary form (and most financially viable form) of Scifi was the magizines either as short stories or serialized for longer pieces. These forms make character development harder I would think.

photog’s Second Law of Science Fiction

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Yesterday I formulated my first law of science fiction:

photog’s First Law of Science Fiction – Thou shalt not change more than one basic law of physics when making a good story.

Well, that was so much fun I thought I’d try for another one:

photog’s Second Law of Science Fiction – Thou shalt not bore the poor reader to death.

And really this should be the first law because it really is essential.  Honestly, if the reader is interested, he will probably forgive anything else; excessive use of time travel, repetitive battle scenes, gratuitous sex and violence, even scurrilous attacks on political enemies.  As long as the story keeps the reader’s interest, it’s a success.

Now this is an iron law for any kind of fiction.  But because different genres have different readers it behooves the author to pay attention to what his particular genre considers interesting.  So, if you write romantasy you must make sure you include plenty of female protagonists being ravaged by minotaurs or some other equally absurd mythical beast.

But if you write science fiction and especially if you write hard science fiction you have to make sure you can pass the science literacy test when it comes to the gadgets and phenomena that you hang your tale on.  So, that’s step one.

Step two is to make the characters and the plot interesting.  And this is where some of the best hard sf writers are found lacking.  For myself, personally, Arthur C Clarke seemed to have a hard time writing characters that were actual people.  Most of the time there just didn’t seem to be a recognizable human being on the page.  And I’m not saying he was a bad writer.  He wasn’t.  He was quite skilled.  It just seemed that he didn’t care about the human aspect in the story.  Now compare this to Isaac Asimov.  When I recently (four or five years ago) reread the Foundation books I thought the plot was at times marginal.  But even the less developed characters seemed to have recognizable voices and personalities.  Asimov managed to make the characters seem somewhat alive.  And live humans are interesting to live humans.  And since the people buying books are (for the most part) live humans it becomes critically important to write characters that appeal to the book buying public.

And that is why even the most technically savvy sf author must (in my opinion) learn how to simulate human characters.  And that is okay.  Because we don’t expect Tolstoy.  You can make the characters resemble almost any humans you’ve ever met.  In fact, it’s better if you mix it up and include a bunch of different types.  This will help to avoid the serious problem of all your characters sounding and thinking exactly like you.  And believe me, that is a big problem.

So, I guess the second law means that a good science fiction writer must also be a good writer in general if he doesn’t want to fail miserably.