The Twilight Zone – Complete Series Review – Season 4 Episode 15 – The Incredible World of Horace Ford

Horace Ford is a toy designer.  He’s thirty-eight years old but acts like he’s ten.  At the office he’s preoccupied with a cap gun that he shoots at his office mates.  When his friend Leonard tries to talk to him about a problem with one of his designs, he gets off on a tangent about the games he used to play as a kid.  His boss Mr. Judson tells him that a toy he designed is much too expensive but when Judson tells Horace to remove the lights on the eyes, he pitches a tantrum like a kid.

When Horace goes home, he continues his childish conversations with his wife Laura and mother.  They try to get him to grow up and see reality but he goes into a childish rage.  While talking about his childhood on Randolph Street he gets the idea to go back there and see it today.  But when he goes there, he seems to have gone back in time to the 1930s where a hot dog is three cents and clothes are very old fashioned.  And when some kids rush past him and knock his watch out of his hands, he sees that they are the kids he played with when he was ten.  They haven’t grown old at all.

Late he goes home and tells Laura about it and she doubts his sanity and asks him to see a psychiatrist.  Later, one of the boys shows up at her door and returns Horace’s watch to her.  Horace goes back to Randolph street several times more and each time he relives the exact same sequence of events including the loss of his watch.  And each night he comes home more agitated and confused.

Finally, his boss tells him to take a leave of absence and get psychiatric help.  When Horace angrily refuses Judson fires him.  Horace goes home and tells his family that he’s been fired and when his wife asks him to get help, he storms out.  After he leaves all of the people who were arriving for Horace’s surprise birthday party show up at the apartment and Laura becomes desperate.  She goes out looking for him.

Meanwhile Horace goes back to Randolph Street and relives the same scene but this time when he follows the boys, he becomes his ten-year-old self and relives the terrible beating that his “friends” gave him for not inviting them to his birthday party.

When Laura shows up on Randolph Street, she finds the ten-year-old Horace unconscious on the street and turns away and sobs.  But when she turns around again Horace is his normal age again and she helps him come to and get up.  Now Horace tells her that he finally realizes that his childhood wasn’t a shiny dream world but actually contained much unhappiness.  Laura tells him that everyone tries to remember the good and forget the bad.  The show ends with us assuming that Horace will be sadder but wiser and won’t have as much trouble fitting into the adult world.

This was a slightly disturbing episode.  The character Horace Ford was more than a little unhinged.  Today I think he would be described as on the spectrum.  But the saving grace of the episode (for me) was the fact that he mentioned one of my favorite childhood games ringalevio.  Basically, it was a tag game with two teams, each with a jail.  It was a game that we probably spent more waking hours playing than anything else when we were ten.  For reminding me of ringalevio I’ll have to forgive the off-putting behavior of Horace and give the show a B.

 

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The Twilight Zone – Complete Series Review – Season 4 Episode 14 – Of Late I Think of Cliffordville

William Feathersmith is an evil man who uses the huge fortune he has amassed to crush his competitors and then grind them down by heaping insult onto injury.  Several of his business victims have committed suicide after suffering bankruptcy and humiliation at his hands.  But now he’s bored.  Feathersmith has reached the summit of his success and there’s nothing left to challenge him.  He talks to the building janitor, Mr.Hecate, one night and discovers that they both came from the same town Cliffordville.  Feathersmith mocks Hecate for his lowly status and leaves his office and takes the elevator down.  But instead of reaching the lobby he finds himself in front of the Devlin Travel Agency.

Enter Miss Devlin (Julie Newmar with devil’s horns).  She offers Featherstone a deal.  She will send him back to his hometown Cliffordville in 1910 and he’ll be able to conquer the financial world all over again only this time he knows about all the inventions and history ahead of time and can capitalize on that knowledge.  Feathersmith agrees to sell his soul but stipulates in the bargain that he will appear as the young man he was in 1910 and everything will be as it was when he lived there last.  Devlin agrees but reveals that Feathersmith’s soul has already been damned to hell for his evil deeds and what she will require for payment is the bulk of Feathersmith’s worldly wealth leaving him only $1,400.  But she reminds him that in 1910 that was a sizable stake to invest.  He agrees and soon finds himself in Cliffordville.

Using his knowledge of the future Feathersmith uses his $1,400 to buy land that he knows will be found to have millions of dollars of oil in 1936.  He assumes he can pump the oil out in 1910 but he discovers that the oil is many thousands of feet below the depth that can be exploited using the oil recovery technology available in 1910.  And now he realizes that even though he looks young his body is still seventy-five years old and he will not live to 1936 to capitalize on the oil under his property.

Desperate to escape his fate he begs Devlin to send him back to 1963.  She agrees in exchange for forty dollars.  In order to get the forty dollars, he is forced to sell his oil field to a young version of Mr. Hecate.  Now back in 1963, Feathersmith is the janitor in the building where Mr. Hecate is the tycoon.  They have a conversation which is the inverse of the earlier one.

What can I say?  This is pretty much by the numbers.  The Devil tricks a bad man.  C.

 

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The Twilight Zone – Complete Series Review – Season 4 Episode 12 – The New Exhibit

Martin Senescu is an employee at a wax museum. His job is to care for the five wax figures of mass murderers (Jack the Ripper, Albert W. Hicks, Henri Désiré Landru, William Burke and William Hare) that are under his care. But one day the museum owner, Mr. Ferguson, tells Martin that he’s closing the museum. Rather than see his five exhibits destroyed Martin begs Mr. Ferguson to allow him to take them to his basement and preserve them until a museum wants them. He installs air conditioning to keep them melting in the summer heat and hovers over them while trying to find them a new home.

But his wife Emma is very upset. Her husband is unemployed but instead of finding a job he spends the little money they have left to buy air conditioning for the basement and pay the enormous electric bill caused by running the air conditioning day and night. Also, she can’t use the washing machine and dryer any longer. And finally, she’s frightened to death by the look of these grim wax figures. She goes to speak to her brother Dave and he tells her she should give Martin an ultimatum; either he gets rid of the wax figures or she’ll leave. When she hesitates at the severity of this tactic Dave mentions that maybe instead, the air conditioner could break down and ruin the figures.

That night Emma gives Martin the ultimatum but he assures her that he’ll find a solution if she’ll just have a little patience. After Martin and Emma go to bed, she sneaks down to the basement to shut off the air conditioning but as she passes Jack the Ripper, we seem to see Jack’s knife hand move and Emma screams in terror.

Next morning Martin heads down to the basement looking for Emma and finds her dead at the foot of Jack the Ripper. He sees blood on Jack’s knife and upbraids him for the murder. But you can tell he’s doing it as a friend. Martin buries Emma in the basement and covers her over with fresh cement.

Later on, Emma’s brother Dave shows up and wants to know where Emma is and what has happened to the wax figures. Martin tells her that she’s gone on a trip to visit Martin’s sister and that he has gotten rid of the figures. But Dave hears the air conditioning still running in the basement and doesn’t believe Martin. Dave breaks into the basement from outside and while he’s investigating the fresh cement the figure of Albert W. Hicks appears to attack him with an ax.

The next day Martin finds Dave’s body and once again chastises the other figure for this serious lack of restraint. Martin must then have buried Dave as he did Emma.

At some later date, Mr. Ferguson visits Martin at his home with the amazing news that a famous wax museum in Belgium wants to but the wax figures. But it is obvious from his demeanor that Martin is sad that the figures will be leaving his life. Martin agrees to the idea sadly and while he goes to the kitchen to make tea for them, Mr. Ferguson goes into the basement to measure the figures for shipping arrangements. But when he turns his back, he is garroted by the figure of Henri Désiré Landru.

When Martin comes downstairs to the basement carrying the tea service he is outraged. It’s one thing for wax figures to murder his wife and brother-in-law. It’s a completely different thing to murder a fellow fan of wax museums who was going to find them a good home in Belgium. Martin picks up a crow bar and threatens to destroy all of them for their ingratitude.

But now the figures seem to move toward him and they accuse him of being the actual murderer of all three victims. And the scene ends with Martin cringing at the onslaught of the five figures.

In the next scene we are in Marchand’s Wax Museum in Belgium and we see the five figures on display but then we see a new figure. It is Martin Lombard Senescu, an infamous modern-day addition to the mass murder club.

Now animate wax figures would seem to violate photog’s prime directive against living mannequins, robots, ventriloquist’s dummies and dolls. But a more careful analysis would reveal that this is actually a psychological drama. Martin has allowed his empathy for the figures to allow him to assign his crimes to them. And it’s interesting that Martin is played by Martin Balsam, the actor who played the private detective Milton Arbogast who is killed by Norman Bates, a character who attributes his own murders to an equally inanimate object, namely, his mother’s poorly taxidermized corpse.

Anyway, assuming that Martin is the murderer would seem to remove this episode from the purview of a Twilight Zone episode and therefore force me to give it a failing grade but I am going to make an exception. Martin truly should belong in the Twilight Zone and I’m giving him a B. He’s earned it.

The Twilight Zone – Complete Series Review – Season 4 Episode 11 – I Dream of Genie

George P. Hanley is a sort of sad sack.  He is overlooked by the boss and by the girls he likes.  When the girl in his office that he is sweet on, May is going to have a birthday he goes to an antique shop and is convinced by the salesman to buy an antique lamp (as in Aladdin’s lamp).  But his work neighbor Roger steals his thunder by giving May a fancy negligee.  Also, Roger is up for the same promotion as George and looks to have the inside track on that too.

George goes home and, of course, tries rubbing the tarnish off the lamp and out comes Jack Albertson complete with his New York City accent claiming to be the genie of the lamp.  He offers one wish to George (he’s downgraded it from three due to bad behavior by earlier masters of the lamp).  But tells George to think carefully before choosing a wish.  He also explicitly warns him against asking for money or love.

George spends the next day or so daydreaming about what would happen if he chose this or that wish.  On love, he fantasizes what would happen if he married May and she was a famous movie star.  In the dream she ends up cheating on him with Roger, so that’s out.  Then he imagines if he were a wealthy businessman but the money doesn’t make him happy so he rejects that also.  Finally, he wonders what power would be like.  He dreams he is the President of the United States and uses his power to pardon a soldier sentenced to death for falling asleep at his post.  But when his cabinet runs to him informing him that a fleet of flying saucers are coming and he has to choose between trusting that the aliens are friendly or shooting them out of the air to be safe, he panics and wakes up realizing that he doesn’t want the responsibility that comes with power.

Finally, while he is walking with his dog, he realizes what he wants with his wish.

In the last scene we see a hobo in an alley rubbing the lamp and George appearing out of it as the genie (along with his dog Attila).  George now grants wishes to the destitute and is happy.

This is a pretty weak episode.  Even a wise cracking Jack Albertson can’t add much life to this one.  It’s just sub-par.  C-.

Plan 9 from Outer Space – A Science Fiction Movie Review

War Pig has staked out the schlock sci-fi movie review corner but I hope he won’t mind if I try my hand at the grand daddy of all bad sci fi movies.

Summarizing the plot of Plan 9 is absurd.  Aliens have become alarmed by Earth’s increasingly powerful weapons and try to contact us to warn us of our danger.  But allegedly, we refuse to acknowledge they are even there so they proceeded to attack us.  But the first eight plans are ineffective so that leads to “Plan 9,” namely, resurrecting the dead.  Now the resurrected dead are murdering the citizenry and generally causing trouble.  Finally, the police, an army officer and an airline pilot join forces to find the alien space craft and destroy it.

Yes, the plot is idiotic but that is the least ridiculous aspect of this movie.  Everything about this movie fairly screams mental illness.  The movie begins with an invocation by the Narrator, Criswell.  Criswell appears to be a lunatic with his bizarre vocal delivery, oddly jelled hair and bedazzled tuxedo.  He tells us this is based on a true story and the guilty will be punished and the innocent rewarded, whatever that means.

In the next scene we see what looks like amateur footage of a frail looking Bela Lugosi attending a burial.  Then he is killed (off camera by a car crash sound effect).  This was necessary because this was all the footage of Lugosi they had.  He died before the movie was made and the producer/director/writer/editor, Ed Wood used this existing footage to allow Lugosi’s name to be tacked on the film.  Now Lugosi and his pre-deceased wife (Vampira) rise from the dead and start attacking the living.  But the fact that Lugosi was really dead meant that someone else had to portray “the Old Man.”  Luckily Ed Wood’s wife’s chiropractor, Tom Mason was available.  The fact that he was a foot taller, years younger and looked nothing like Lugosi was easily overcome by having Mason stoop over, and hold his Dracula cape in front of his face during all his scenes.

Vampira is a hoot with her wide-eyed stare, stiff armed zombie shamble and divided cleavage get-up.  Eventually when gigantic wrestler Tor Johnson is killed by Vampira and zombified he joins the other two ghouls as they stalk the living and stumble around the set.

One of my favorite scenes is where the flying saucers make their appearance.  Jeff Trent is an airline pilot.  He and his copilot are in the cockpit (or actually in a room with a curtain over the door).  They’re sitting on folding chairs and instead of the control yoke in front of him, each man has a piece of wood shaped like nothing in particular sticking out of the floor.  When they look out the window, we see three flying saucers that are pretty obviously wobbling on strings.

When the army counter attacks against these alien craft, we get to see a man in a military uniform, standing in a room, looking through binoculars as stock WW II footage of a rocket launcher unloads on something.  Now the flying saucers head back to their space station where the aliens provide an update to their leader.  And we find out about the earthlings’ bad manners in not acknowledging that the aliens even exist.

I won’t go into all the absurdities that crowd the whole length of this dopey masterpiece of schlock but I’ll cut to the climax.  The heroes enter the flying saucer and interrogate the saucer captain Eros and he tells them that the reason that he is killing earthlings is because “you’re stupid, stupid!”  So, he gets in a shouting match with Jeff Trent and eventually a fist fight.  And when Trent punches Eros and he bumps into a table with what looks like the guts of a 1930s vacuum tube radio on it, the radio bursts into flames and eventually burns the saucer and causes it to explode.  Now we return to Criswell who tells us what we’ve seen is based on fact but follows up by saying, “Can you prove it didn’t happen?”

Ed Wood must have known how awful this movie was but you can see that he lavished loving attention on some of the details like the credits.  The acting is abysmal when it isn’t non-existent.  The special effects are what you’d expect from a grammar school film maker.  Basically, this is a freak show.  But I have to confess that I can watch this about once every five years and enjoy it.  I recommend that every fan of 1950s science fiction movies watch it at least once in his life.

The Twilight Zone – Complete Series Review – Season 4 Episode 10 – The Parallel

Astronaut Robert Gaines is in an orbiting space capsule when communication is lost with the ground.  He blacks out and when he comes to, he’s in a hospital bed.  His superior officers and comrades tell him that somehow, inexplicably his capsule was found landed not far from the launch site.  Gaines can’t explain how he got back to Earth and his team is mystified about the whole thing.  But Gaines is allowed to go home to his wife and daughter for the weekend.

When he arrives home the first thing, he notices is that the house is surrounded by a fence that wasn’t there when he left.  But his wife Helen assures him the fence was there when they bought the house years ago.  Later he sees that he has on the insignia of a colonel whereas he knows he is a major.  And finally, when his wife kisses him and his daughter hugs him, they each feel that he is not the man they know.

Now Gaines talks to his NASA colleagues and he tells them that he has gone through his encyclopedia at home and finds that many of the things he knows about the world are changed.  Even the President of the United States is someone different than John Kennedy.  And the builder of the space capsule tells Gaines that it isn’t the same one that he built.  He asks Gaines to examine the ship and say whether it was the one he remembered.  But when he goes near the ship, he starts hearing the voices of mission control and suddenly Gaines finds himself back in the capsule during the mission.

Gaines lands normally and this time John Kennedy is the president and there is no fence around Gaines’ house.  Later when Gaines talks to mission control they tell him that they picked up a second capsule on telemetry and they received a radio message from a Colonel Gaines.

So, this is an inexplicable parallel universe switcheroo with the happy ending unswitcheroo.  Now this could have gone very wrong with Gaines running around yelling at the sky, ground and bystanders.  Luckily it didn’t.  I’m so grateful that I’m going to give it a B+.

 

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The Best Years of Our Lives – An OCF Classic Movie Review

Nineteen Forty Six was a pivotal year in the American Century.  The United States had won World War II by harnessing the minds and bodies of its people and focusing that output single-mindedly on victory on the battlefield.  It had required all its young men to drop their lives and join the most powerful fighting machine ever assembled.  But equally extreme was the disruption that this mobilization had on the rest of the population.  The industrial capacity of the country was shifted over from producing cars and clothes for the populace to producing battleships, tanks, munitions and supplies needed to maintain millions of men across a far-flung battle field that spanned the globe.

And those industries had to produce this war-time materiel with almost none of their regular workers.  They had to train women and older men to take the places of their husbands, sons and fathers.  Other disruptions existed because of the male deployment.  Marriage and family growth were often postponed until after the war.  But equally disruptive were the last minute marriages and even conceptions that were consummated in defiance of the war’s demands.  Many a young woman had to raise a posthumous child to a father who would never return to his family.

But finally the war was over.  By dint of the effort of millions and with the help of a couple of atomic bombs the war was won and done.  Now these millions of soldiers. sailors, airmen and marines were returning home to their families and friends.  But in many ways, the returning men were strangers in a strange land.  They were changed and so was the country.  Whereas, for the last four years, they had been the focus of all that went on, now they were being deposited back in the country to try and restart their lives where they left off.  But things were not where they left off.  The jobs they had had before their enlistments were either being done by someone else or didn’t even exist anymore.  And the meager but regular paychecks they got from Uncle Sam would soon disappear.

And finally, many of these men were physically or mentally wounded.  In addition to the injured and maimed a great number of them were victims of what today we call PTSD.  The experiences they had lived through had left a mark on their minds that only time might heal.  The ones that had lost limbs had the added physical and psychological difficulties associated with these losses.

The Best Years of Our Lives was a movie that ambitiously attempted to portray and speak to these realities.  And this was an innovation for the times.  Up until this point Hollywood portrayed America’s wartime experience through a patriotic lens that glossed over many of the harsh realities that existed.  But this movie cast a veteran who had lost his hands in the war (Harold Russell) as Sailor Homer Parrish one of the returning servicemen.  The realities of divorces and unemployment and the depression associated with the alienation and various disruptions impacting the former GIs are openly addressed and nothing is glossed over for the sake of sparing the audience.

Frederic March and Dana Andrews along with the above-mentioned Harold Russel are the protagonists.  They meet on the airplane ride back to their home town of Boone City and the three men bond over the relief and anxiety associated with leaving the service and returning to civilian life.  March is a forty-something infantry sergeant named Al Stephenson and Andrews is Army Air Corps Captain Fred Derry.  But whereas Captain Derry was a highly paid officer and a gentleman in the service he returns home with his only civilian work experience being a soda jerk at the local drug store.  Alternatively, Stephenson trades in his infantry grunt existence for the comfortable lifestyle of a bank officer.  Homer Parrish returns home to the pity and awkward glances from friends and family associated with his missing hands.

Al Stephenson reintroduces himself to his wife Milly and his son and daughter.  Milly (played by Myrna Loy) tries to make Al feel at home but they both are ill at ease trying to take up their relationship where it left off.  Finally, nervous about heading to bed early he drags Milly and daughter Peggy off to the local watering holes to drink away his nerves with scotch.

Meanwhile Fred Derry reaches his father’s home to discover that his young wife Marie has moved out into her own apartment downtown and is working as a cocktail waitress in a night club.  He heads out trying to find out what night club Marie is working at.

And finally, Homer is home with his and his girlfriend’s families celebrating his return and talking about his future.  But he becomes so unhappy with the tense and nervous atmosphere that he leaves to hang out at his Uncle Butch’s bar.

And so, all three ex-servicemen coincidentally meet up at Butch’s Place.  And there we see Al and Fred get royally drunk to distract themselves from their domestic issues.  And in this impaired condition Fred flirts mildly with Peggy Stephenson.  Finally, Butch tells Homer his family wants him home and Milly and Peggy manage to drag Al and Fred into the car and after Fred fails to gain entry into Marie’s apartment building, they drive both men back to the Stephenson apartment where the fall-down-drunk men are bedded down.  During the night Peggy hears Fred Derry crying out.  He was reliving a nightmare where some of his comrades were shot out of the air.  The next morning, he apologizes for waking her and she sympathetically assures him that she didn’t mind.  Peggy gives Fred a lift to his wife’s building and this time he gets in.  Now we meet Marie.  Fred married a very beautiful woman (played by Virginia Mayo) whom he had only known for days when he was deployed to Europe.  Now we see that Marie is a selfish, materialistic woman who expects to be supported in the style she has been accustomed to as a night club denizen.  While Fred has a thousand-dollar severance payment from the service they live it up.  But when the money runs out the couple begin to battle over Marie’s dissatisfaction.

Meanwhile Al and Milly reconnect and talk about their children and Al’s future with the bank he left when he enlisted.  Al tells Milly that he feels responsible to help all the other veterans who didn’t come home to a good job and need some help to get their lives back on track.  He uses his position as a loan officer to help fellow veterans who need GI loans to try to catch up with the new world they find themselves in.  This puts him at odds with the bank president but Al perseveres to champion his fellow vets.

At Homer Parrish’s house we meet Homer’s sweetheart Wilma and find that although she is demonstrably in love with Homer, he is withdrawn and morose.  She asks him why he hasn’t asked her to marry him.  But he tells her he doesn’t want to ruin her life by tying her down to a helpless cripple.  Homer is so unhappy that he explodes in frustration when he thinks his little sister and her friends are gawking in a window at his prosthetic hands.  Finally, Wilma tells Homer that her parents want her to leave town to forget him but she wants him to marry her.  Homer decides to let her see just how helpless he is when he removes his prostheses.  But instead of recoiling from his injuries she embraces him and proves to him that she wants to be with him.  They set the date for their wedding.

An additional story line involves a romantic attachment that grows between Fred Derry and Peggy Stephenson.  When Al finds out about his daughter’s romance with the married Fred, he angrily confronts him for involving his daughter in an extra-marital affair and Fred stoically agrees to break it off.  But even with Peggy out of the picture Fred and Marie fall apart and he leaves home while she declares her intention to get a divorce.  When he leaves, he intends to leave town and start his life over somewhere else.  But while waiting for a flight at the airport he roams through the warplane graveyard and climbs into a bomber.  While reliving some disturbing memory from the war he is discovered by a man who is reclaiming the old planes for construction scrap materials and is told to get out of the plane.  Fred asks if he has any jobs available and manages to convince the man that he is a good prospect and so Fred restarts his life again in his home town.

Now the three ex-servicemen meet up at Homer’s wedding where Al, Milly and Peggy are friends of the groom and Fred is the best man.  Now that Fred is no longer married, he and Al no longer have a reason for fighting and at the end of the night Fred and Peggy come back together and decide to marry.

 

Back in 1946 when winning an Academy Award actually meant the movie was good, The Best Years of Our Lives was competing against It’s a Wonderful Life.  And I think The Best Years of Our Lives won because America needed to move beyond the simplified vision of life represented by It’s a Wonderful Life and recognize the harsh realities and ugly side to life that came along with the changes that the war generated such as the liberation of women and the choice of some of them to embrace a life style that did not value a traditional family role.  But acknowledging the problems facing the returning vets made this movie resonate with the American people.

In my opinion it is one of the best films ever made.  The acting by March and Loy is exceptional and Andrews, Russell and several other players are also excellent.  It captures the feeling of the time and who the American people were back then.

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The Twilight Zone – Complete Series Review – Season 4 Episode 10 – No Time Like the Past

Dana Andrews is a physicist named Paul Driscoll who is part of a time travel project.  He goes back in time to try and alter three pages in history.  He goes back to 1945 Hiroshima and tries to convince a police official to evacuate the women and children before the bomb.  But he fails.  Then he goes back to the early days of Hitler’s rule and tries to kill Hitler with a rifle from a hotel room adjacent to a Nazi rally and fails.  And finally, he goes back to the Lusitania and tries to convince the captain to change his course and avoid the torpedo that would sink it a few minutes later.  Once again, he fails.

Returning to his present he is reconciled to the immutability of the past.  But now he determines to find a period in the past before the horrors of the atomic age where he can live in peace.  He chooses a town in Indiana in 1881.  Shortly after arriving he realizes that President Garfield will be shot that same day.  Accidentally he lets slip that he knows Garfield will be shot to the town school-marm, Abigail Sloan.  He falls in love with the teacher and they talk about his thoughts on war and peace.  But suddenly he remembers something else he read about the town.  He remembers that a fire will break out in the school and twelve children will be badly hurt.  While attempting to prevent the accident that causes the fire, he causes it himself.  He says goodbye to Miss Sloan and tells her that he must head back to the future where he can make a difference.  He talks to one of his associates and says that working to make a better future is the only useful occupation for those who want to make a better world.

This hour format allows Serling to combine a time travel plot that involves trying to change the past with a meditation on war and peace.  Dana Andrews is a fun actor and does his best with the story.  It’s kind of an odd juxtaposition of sci-fi and nostalgia.  It’s a little unfocused and kind of forced but not bad.  B-.

 

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The Twilight Zone – Complete Series Review – Season 4 Episode 9 – Printer’s Devil

Douglas Winter is the owner of a small-town newspaper called the Courier.  A larger newspaper called the Gazette is using its financial muscle to squeeze the Courier out of business.  It’s able to buy up all the advertising and even hire away the courier’s Linotype operator.  Winter is at his wit’s end and out of money to pay the bills.  His girlfriend and co-worker Jackie Benson tells him not to lose faith but he’s given up and in fact heads over to a bridge to jump over the side and end it all.  But while he’s there he meets a Mr. Smith who convinces Winter to join him at the local bar for a drink.  While there he discusses Winter’s troubles at the courier.  Smith informs him that he’d like to bankroll him and also help out as both the Linotype operator and a reporter.  Having nothing to lose Winter agrees.  When they arrive at the courier Smith impresses both Douglas and Jackie with his skill with the Linotype.  He also informs them that he has an amazing nose for news and will be able to scoop the reporters at the gazette without any difficulty.  And in fact, this proves to be the case.  His first scoop is a bank robbery story which he Linotypes apparently as it is occurring.  From there he makes scoop after scoop and before you know it the Courier is the leading newspaper and the Gazette is hurting for business.

 

The owner of the Gazette offers to buy the Courier, but winter turns him down.  The next scoop is that a fire has burned down the Gazette and out them out of business.  Now that things are going well Winter wants to hire back his old Linotype operator, but Smith informs him that he’s modified the machine and only he now can handle it correctly.  Also, Smith tells Winter that he wants to bring the courier to a higher level of success but in order to do it he needs Winer to sign a business agreement that among other things promises to assign his immortal soul over to smith when he dies.  Winter recoils at the suggestion but after Smith mocks him for believing in such supernatural claptrap Winter agrees and signs the paper.

 

After this Smith shows his true colors and makes sexual advances on Jackie.  She slaps his face and Smith tells her she’ll be sorry.  Now Smith admits to Winter that he is indeed the devil and anything he writes on the Linotype automatically comes true and he has written that Jackie will be in a car crash and if Winter does not commit suicide then Smith will see to it that she dies.  Smith tells Jackie that he is leaving town and asks her for a lift to the train station and while they are driving the accident happens.  But in the meantime, Winter writes a story on the Linotype stating that the agreement between Winter and smith was nullified and that Jackie would be fine, and Smith would disappear.  So, everybody lives happily ever afterward, and winter has the Linotype disposed of and settles down to running a normal newspaper again.

 

Burgess Meredith is Mr. Smith, and this is basically a tour de force by him.  It’s of course a ridiculous story but Meredith invests it with his particular brand of acting zeal so that it keeps your interest and renders it very enjoyable.  But whenever he’s not on the screen the story seems kind of flat.  For Burgess’s work I’ll give this a B+.

 

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The Twilight Zone – Complete Series Review – Season 4 Episode 8 – Miniature

Charley Parkes is a loner.  He lives with his mother and she dotes on him.  He is a shy quiet man who cannot socialize with his peers at work and even has trouble empathizing with his own sister and her husband.  His boss fires him because his detached attitude toward his office associates is causing animosity.  A woman that his sister convinces to go on a date with Charley slaps him in the face and walks out when Charley knocks her off the bench they were on because she tries to kiss him.  He is a hopeless recluse.

While killing some time at the local museum he happens upon an exhibit containing a dollhouse of a 19th century Boston home containing a small wooden carving of a young woman sitting at a harpsichord.  Charley is enchanted by the tiny beautiful figure and he becomes lost in the scene.  Suddenly he sees the tiny woman playing the instrument and moving.  He asks the museum guard how they can make the doll move and the guard tells him he’s seeing things.  He shows him a sign that expressly states that the doll is made of a solid piece of wood.  Charley admits that he must have been mistaken.  But Charley goes back e3very day and spends hours watching the dollhouse.  And what he sees is the whole life of the woman and her household.  There is a maid and even a gentleman caller who takes the woman to the opera.  But one day the man comes back to the house in a fury and forces his way in the door, strikes down the maid with his cane and carries the fainting woman up the stairs to her bedroom.  Charley is so alarmed for her safety that he takes a museum furnishing and uses it to shatter the glass around the dollhouse.  He explains to the guard why he did it and the guard leads him off to the authorities.

Charley is placed in a mental institution where his psychiatrist works to convince him that he was suffering from hallucinations caused by his desire to escape from a world in which he felt he didn’t belong.  When Charley persists in saying that the girl was alive the doctor reveals that he has borrowed the doll from the museum and Charlie can see that it is only a piece of wood.

Some time later the psychiatrist explains to his family that Charley has been cured and can reenter the real world.  Charley pretends that he is convinced that what he saw was an hallucination and agrees to all the plans his family make for his career and his social life.  But while he is supposedly taking a nap, he sneaks out the window and heads back to the museum.  There he hides until closing time.  Then he comes out to stand in front of the dollhouse and talk to the little woman.  He tells her of his love and his belief that he and she were made for each other and would enjoy each other’s company.

Meanwhile his family discovers his escape and along with the psychiatrist they summon the police to escort them to the closed museum.  When Charley hears them coming, he closes the lights.  They call to him but he can’t be found.  Now the museum guard who appeared in the earlier scenes looks into the dollhouse and sees the woman now joined by a little man that looks just like Charley.  He doesn’t say anything to the police because they would think him crazy.

In the last scene we see the man and the woman in the dollhouse and it is indeed Charley and the little woman looking at stereopticon slides and looking happy together.

Okay everybody what is the law!  No living mannequins, ventriloquist’s dummies, robots and just in case someone misses the category no living dolls either.

So, Robert Duvall and William Windom who play, respectively, Charley and the psychiatrist are both good actors and do a good job of giving the play depth.  And I myself am a sensitive soul who can barely interact with my fellow man without wincing at his barbarity.  But come on!  Dammit Charley, man up and kiss the girl if she wants to.  C+