The Girl on the Train – A Movie Review

This week Camera Girl picked a Netflix movie.  She remembered seeing commercials for the movie back in 2016 and so she had the impression that it was a good mystery.  Well, we watched it tonight.  Camera Girl will not be recommending movies for a very long time.

To say that this movie was awful would be understating just how bad I found it.  The star is an actress named Emily Blunt.  Along with the seven other main characters I can’t remember feeling even a twinge of empathy for any of them.  Even in the extreme case of one character discussing the accidental drowning of her infant daughter all I could think of was that she should have been prosecuted for negligent manslaughter.  The movie seemed to be a vehicle for building one of the male characters into a monster.  Apparently, all the women were either too stupid or too beaten down by the evil patriarchy to recognize this man for the ogre he was.

But even putting aside the anti-male strawman plot line, the movie is just a train wreck of other problems.  The first and most annoying problem is that the action is constantly jumping back and forth between different scenes in the past and the present.  It’s today, then it’s two years ago, then back to today and then four months ago, then last Wednesday, then Bastille Day (okay, I made that one up but you get the picture).  Eventually you lose track and finally you lose interest and in my case consciousness.

In addition to the flash backs, two of the actresses are very close in appearance.  So much so that at certain critical points in the plot you’re not sure who you’re looking at.  And this is even before the characters have been identified.  Basically, you really don’t know what the hell is going on.  So, the plot unwinds and slowly and painfully all the other explanations are exhausted and you’re left with the most hackneyed setup since “the butler did it.”

I will go out on a limb and say that most people will find this movie to be poor.  The movie is intentionally tinged with misery and psychosis.  In this environment none of the characters displays endearing or attractive or even admirable traits.  Even the victims come off as unlikable zombies.  I know it’s a cliché to say you want that two hours back but in the case of The Girl on the Train it’s entirely accurate.

Verdict:  This movie sucks.  Don’t watch it.

American Greatness Post for Today – Feminism Ruined the Last Jedi

The pseudonymous Wayne Isaac has reviewed “The Last Jedi.” Since I brought my grandsons to see “The Force Awakens” I knew I wouldn’t be going to this picture. Suffice it to say that it’s worse than I feared. It turns out the “Force” is actually estrogen and that explains why Jedi Knights are so screwed up. They’re plugged into the wrong power source. Or rather they’re just not equipped to be heroes. Who knew? We’ll have to let Alexander the Great and George Washington know. Boy will they ever feel foolish. Anyway enjoy.

Feminism Ruined “The Last Jedi”

Equilibrium – A Science Fiction Movie Review

I work with this young guy, he’s fresh out of college, maybe twenty-three-years old.  He’s an engineering graduate and is well read and has a good classical grounding in literature and history.  Good kid.  Sometimes we talk about popular culture stuff.  I can remember talking with him about the Matrix and saying there’s good and bad about it.  I think I said it would have been better if Reeves weren’t the lead.  And I think that’s when he recommended “Equilibrium.”  Now I think I know what he was getting at.

So, Equilibrium is set in a dystopian future after World War III has devastated humanity.  Mankind has decided that rather than chance another war, the root cause of war must be abolished.  If I remember the chain of logic is war is caused by hate.  Hate is an emotion.  Therefore, eliminate emotion, eliminate war.  So everyday every man woman and child self-inject with some kind of emotion deadening drug.  And of course, it doesn’t just eliminate hate and anger.  Love and happiness are extinguished too.  Brilliant.  Of course, it’s not explained why exactly they still want to live but whatever.

So just in case this premise isn’t bizarre enough, this society also has some kind of priest-like caste of ninja police whose job it is to hunt down and splatter anyone who doesn’t take his no-feelum medicine.  And of course, the Ubermensch of ninjas and protagonist of the movie is Christian Bale.  He is the most skilled proponent of the gun kata.  This stylized dance-like routine allows him to (somehow) avoid the bullets of apparently any number of gun toting opponents while literally mowing them down like grass.  The other mission of these holy stormtroopers is to root out any remaining pre-war artifacts that have emotional content.  And once located, apply a flamethrower to these emotional touchstones.  So, for instance, during one of Bale’s raids he somehow intuits that under a floor is the actual Mona Lisa.  He gives the order and the barbecue crew incinerates Leonardo’s mischievous lady.  So, what’s the problem?  It turns out there’s a resistance!  And it turns out Bale is not as emotionlessly happy as he could be.  It seems his wife unbeknownst to him was a secret feeler.  When she’s dragged away to be incinerated it seems to have left a mark.  And we’re off.  The rest of the movie is Bale going from emotionless executioner of the innocent to a guy who can’t let a puppy dog get shot.

Now let’s bring it back to my young co-worker who recommended this movie based on a comment about the Matrix.  Well, stylistically this movie is extremely dependent on the Matrix template.  Guns and swords abound and the wire work and fight scenes are very Matrix-esque.  Even Bale’s priestly cassock is like Neo’s garb in the second and third movies.  The emotionless police a level below the ninjas are close to the Matrix agents in appearance and behavior.  The Resistance is equivalent to Zion in the Matrix.  Without a doubt this movie is a reaction to the success of the Matrix.  But interestingly the dystopia is a completely different science fiction catastrophe from the AI revolution and human battery future of the Matrix.  What they share is humans fighting to be allowed to be actual humans.

What’s the verdict?  Well, it’s derivative in a number of ways but it is well done and Christian Bale is a slightly better actor than Keanu Reeves and there is the puppy dog, so there is that.  I don’t know.  I’m not a big Matrix fan.  So maybe I’m biased.  But I can’t say I recommend it unreservedly.  I will say if you really liked the Matrix you should give this a try.  It has all kinds of hyperkinetic gun and sword battles.  So, if that’s a big plus for you it’s definitely something to look at.  That’s where I’ll leave this one.

Since my readers don’t always stop by every day I figured I’d paste this poll on each post for a while to see what folks call themselves.  This is the post the poll came from  Who Are We?

… And that got me thinking. Who are the people who read my blog?  I thought it might be fun to see what the cross-section looked like.  If you feel like saying what you believe in, feel free to leave a comment and/or pick a label from the poll below.  I think it might be interesting.

 

[Total_Soft_Poll id=”6″]

Over at American Greatness – Read Ashley Hamilton’s Post – The Last Great All-American Film

Mr. Hamilton clearly portrays why he loves “The Right Stuff.”  If you like the film read his tribute.  If you’ve never seen it this may inspire you to do so.

 

The Last Great All-American Film

 

Since my readers don’t always stop by every day I figured I’d paste this poll on each post for a while to see what folks call themselves.  This is the post the poll came from  Who Are We?

… And that got me thinking. Who are the people who read my blog?  I thought it might be fun to see what the cross-section looked like.  If you feel like saying what you believe in, feel free to leave a comment and/or pick a label from the poll below.  I think it might be interesting.

 

[Total_Soft_Poll id=”6″]

Make Yourself at Home – What’s Coming Up This Week and Stuff About the Site

I’ve been neglecting the photography side of things and the reviews this week and I’ll be getting back to that soon.  I took some photos in November that I want to post and I have a sci-fi movie review I want to do.  I might do a Trump vs … post on his trip to Asia.  I haven’t thought it all out but there must be comedy gold somewhere in a trip that includes Trump calling the president of a country short and fat.

I’m watching the slow returns on the Who Are We poll.  I wasn’t surprised to see a libertarian and an Ayn Randian among us but it was very interesting to see a Bernie Bro among my readers.  Look at that.  I’m a unifier and I didn’t even know it!  Well anyway welcome to you all, even you hard core Alinskyites and Stalinists.  If ping-pong could bring Mao and Nixon together then maybe photography and science fiction can heal the world’s divisions.  Or at least get more comments on my website.

By putting up polls and installing a forum section I’d like to encourage my readers to engage with each other and me.  I basically started this thing for two reasons:

  1. To have a place to say what I wanted about politics and social stuff without having SJWs tell me I was not allowed to talk.
  2. To find other people who wanted to talk about this stuff in a place where we were free to speak our minds. If I was discussing cameras and the conversation veered into laws on photographing public building I was sick and tired of reading a thousand-word rant about how the government was repressing Arabs and then when I objected having my comment deleted due to left-wing censorship.  Or if a Muslim guy shoots up a gay bar have to endure fifty diatribes against gun ownership but not be allowed to disagree.  I’ll bet there are plenty of photographers, sf&f fans and all kinds other folks who have had similar experiences.

So, be my guest.  Participate in the poll, leave comments and feedback on the posts and leave your own content on the forums, whether it be a political topic that you have an opinion on or some photo that you want to share or some movie or book idea that you want to share.

Since my readers don’t always stop by every day I figured I’d paste this poll on each post for a while to see what folks call themselves.  This is the post the poll came from  Who Are We?

… And that got me thinking. Who are the people who read my blog?  I thought it might be fun to see what the cross-section looked like.  If you feel like saying what you believe in, feel free to leave a comment and/or pick a label from the poll below.  I think it might be interesting.

 

[Total_Soft_Poll id=”6″]

 

 

 

John Wick 2 – A Movie Review

Earlier I reviewed John Wick.  And he killed everyone in sight and got a new dog, so story over and he lived (or bled to death) happily ever after.  But, doggone it, John Wick must have made some money so there’s gonna be a John Wick 2.

I watched it last night.  I even rented John Wick, just in case I needed to be refreshed on the details.  But it all came flooding back.  As luck would have it, there’s an evil crime lord who has a marker from John Wick that he can cash in if John comes out of retirement.  Wouldn’t you know it!  John declines.  Crime Lord blows up John’s house with some kind of a grenade launcher which based on its effect must involve anti-matter.  John is blown clear of the house (relatively unharmed mind you) and luckily for the Crime Lord the dog is unharmed.  You would think after what John did to a Crime Lord in the first movie word would have gotten out to the Crime Lord community.  Alas it hadn’t.

The remainder of the movie is the body count involved in first fulfilling his debt to the above referenced Crime Lord and then completing the vendetta against this self-same Crime Lord.  It is a ponderous count.

So, to review my take on this series, it’s based on John Wick being possessed of ultra-fast reflexes and a machine-like precision at killing men, whether with gun, knife, hands, head or pencil.  In fact, I think in one scene he stabbed his opponent to death with a rather blunt pistol.  In John Wick 2 he gets to mix it up a bit, in that a couple of his opponents are women (I think).

So, if you’ve already seen John Wick why would you need a second dose of the same?  The innovation in the second film is speed.  In this second outing a mere ten or twenty opponents would only be a momentary diversion, perhaps something for him to keep busy with between brushing his teeth and flossing.  During one sequence he’s armed with three guns (a pistol, a fully automatic rifle and a shot gun) and he’s barely able to reload anything fast enough to keep from running out of ammo.  And he’s not wasting bullets.  Amazingly, no matter what lighting conditions, distance or direction every shot is a head shot kill.  Sometimes he’s so busy that he’s forced to kill his opponents with one hand while reloading with the other.  And sometimes he’s so hard-pressed that he has to kill other attackers with a gun that’s still being held by a guy he’s also throttling.  It’s a dizzying dance of death that goes on and on and on.

The twist in the plot is that the Crime Lord has put out a seven million dollar price on John’s head and apparently all eight million inhabitants of New York City are hit men (and women).  So wherever he goes, subway, museum or restaurant, he’s assaulted by multiple assassins trying to collect on the contract.  So, knowing he needs help to survive he goes to the King of the Homeless (played by his old Matrix buddy Lawrence Fishburne) and is brought to the location of the Crime Lord.  The catch is he’s only given one gun and it only has a seven-bullet clip.  That would only last John Wick for at most four seconds.  But he agrees and away he goes.  The finale is another ballet of bullets.  Only this time exchanging guns with his victims is a pressing detail.

John Wick 2 is full of growth for Keanu as an actor.  At one point he makes a joke ( it’s about a knife in an aorta).  And he gets to banter with his friends and enemies in multiple languages, English, Russian, Italian and American Sign Language for the Deaf (one of his victims is a deaf woman, I think).  He truly is a Man for All Seasons.

By the end of the movie John Wick has now broken the code of the Continental Hotel and Hitman’s Club.  He is given an hour’s grace before all the same bounty hunters as earlier are coming to kill him.  We last see him heading south (I think) out of Central Park.  And he’s moving pretty fast considering the beating the movie has inflicted on him.

So, I once again recommend this new John Wick movie.  It provides fair recompense for your time and money in the form of ludicrous speed gangland killing.

My only worry is what about John Wick 3?  Based on the increase in killing speed between the movies, in the next one he’ll either have to upgrade his brain and body with cybernetic replacements or he’ll have to put in a lot of overtime.  I guess if he can learn to kill people while simultaneously performing his other daily activities he can get his quota up high enough.  Showering, shaving, eating breakfast, talking on the phone.  These things can certainly be done one-handed.  Working out at the gym could get tricky but I guess he could try shooting a gun with his foot while working the Lat-Machine.

John Wick – A Movie Review

Keanu Reeves is a bizarre phenomenon. He’s been making movies since the mid-eighties and is 54 years old.  Yet I think of him as basically Ted from Bill and Ted’s Excellent Adventure.  It’s the same halting voice and basic appearance.  In the interim he has starred in a number of money making movies, most notably The Matrix.  And he has become an action movie hero.  The John Wick movies are the latest extension of this venture.

I watched John Wick probably a year after it was in the theaters.  The premise was of course ridiculous.  John is your basic retired uber-hitman.  He gave up his hum-drum nine to five life of garroting and mangling the enemies of his New York Russian Mafia Crime Lord to live a peaceful idyllic life in his spectacular suburban estate with his beautiful but short-lived wife.  She dies of cancer shortly before the movie’s start but is thoughtful enough to have a puppy delivered to John near the opening scene.  So, you get it, dead wife reaches beyond the grave and bestows gift of love to retired hitman?  Memory of dead wife and gift she left him is most important thing in his life.  Check.  Also, loves vintage sports cars and ’69 Mustang is second most important thing in his life.  Check.  The set up.  Check.

Somehow, completely coincidentally and without knowing who he’s dealing with, the son of John Wick’s crime lord ex-boss accidentally victimizes the now retired hitman and starts a vendetta by stealing his car and killing his dog.  Well I guess it could have been more blatant.  He might have gone for the trifecta and castrated Wick while he was at it.

After this the film embarks on an odyssey of shooting, stabbing and punching pleasure.  You’d think after the first couple of dozen gangsters are dispatched that it would start to get boring and repetitive.  But the hyper-kinetic fight scenes are strangely fascinating.  It was as if you were watching one of those loops they include with a first-person shooter game that show how someone who has memorized the game can dispatch all the enemies one by one in incredible speed and precision.  It’s the extension of the concept seen at the end of the Matrix where Neo has gotten the hang of his abilities and is fighting Agent Smith with one hand held behind his back, parrying every punch without even looking because his reflexes are an order of magnitude faster than his opponent’s.

Anyway, this goes on for the balance of the movie.  The Russian Crime Lord is kind of entertaining and we are introduced to the Continental Hotel and Club that caters to hitmen and forbids them to kill each other on its grounds under penalty of membership termination (which coincidentally includes death).  It’s lots of fun and there are gold coins and lots of automatic weapons and views of iconic Manhattan locations.

By the end of the movie, at least John’s absorbed a lot of damage from fighting the dozens of hit men who stand between him and the Crime Lord that needs killing.  So, you know it wasn’t easy.  And he finds a new dog.  So, balance is restored to the universe and John Wick can go back into a peaceful retirement since everyone is dead.

So, what’s my opinion?  Was it good.  Well, obviously, it has to be compared by the standards of the genre it belongs in.  It’s an action adventure.  It’s almost a comic book movie.  From that perspective, it’s highly successful.  It’s as full of action as it’s possible to imagine.  The fight choreography is meticulous and the cinematography is highly effective.  And he’s only killing bad guys.  He’s the strong silent man bringing down vengeance on his enemies.  He’s the modern-day Gary Cooper or Clint Eastwood but without the occasional complete sentence.

I liked it.  Admittedly it’s a guilty pleasure.  Basically, it’s an atavistic response to injustice.  Take justice into your own hands and clean house.  Scratch the veneer and we’re still just cavemen.  Sure, we’ve got indoor plumbing and 401K plans but the mindless primitive lurks right below the surface.  Once you recognize that, you can jump right in and enjoy John Wick for what it is.  High Octane Revenge.

John Wick 2 – A Movie Review

Watching All Three Extended Versions of the Lord of the Rings Movies in One Weekend – Part 2

As I mentioned in Part 1 of this review, it really isn’t advisable to watch all three extended versions back to back.  However, that is probably the best way to judge the entire series as a unified work.  And that is why I wrote this post.  I wanted to judge the entire work.

I’ll start with the things that I think Peter Jackson got wrong.  I’ll follow with what he did very well.

The Elves.

As I stated earlier, Galadriel and Celeborn are awful.  Some kind of other-worldly or ethereal quality is being portrayed that just comes off as weird.  I do not believe it matches the intent of the books at all.  In the book, when Galadriel talks to Frodo about taking the Ring she does give him the image of herself amplified to some terrible queen.  But at the end she shrinks back down and assumes a normal form and speech pattern.

She lifted up her hand and from the ring that she wore there issued a great light that illuminated her alone and left all else dark. She stood before Frodo seeming now tall beyond measurement, and beautiful beyond enduring, terrible and worshipful. Then she let her hand fall, and the light faded, and suddenly she laughed again, and lo! she was shrunken: a slender elf-woman, clad in simple white, whose gentle voice was soft and sad.

“I pass the test”, she said. “I will diminish, and go into the West and remain Galadriel.”

In the book, in her dealings with Frodo, Galadriel displays a totally normal human personality.  In the movie, many of the elves, but Galadriel especially, are these weird non-human things.  This is a failing.  Galadriel is a major character.  Her kinship to Arwen and friendship with Aragorn are important points.  If elves are not human in their emotional make-up then the love of Aragorn and Arwen makes very little sense.

Luckily, Legolas is given a human personality.  His differences are portrayed as largely super-human physical abilities.  His banter with Gimli and his good-natured behavior toward most of the characters strikes the viewer as completely natural and not as some inhuman personality.  At most he displays a sort of noblesse oblige.  Which considering his greater age is completely reasonable.

The Siege of Minas Tirith

Several problems crop up here.  One I’ve mentioned, is the characterization of Denethor.  He is portrayed as a base individual.  In the scene where Faramir was forced by his father to attack the orc army on the Pelennor Fields we are forced to watch Denethor eat a meal of grape tomatoes and chicken.  His inability to keep the food from dribbling onto his chin and the noises he makes eating are obviously meant to give us the impression that he is a slob.  His cowardice during the initial attack and Gandalf’s cavalier assault on the Steward’s person is completely at odds with the book.  Denethor is a noble and honorable individual.  The misfortune to his sons and the disheartening images he has seen in the Palantir have driven him to despair.  But he is not the evil character that the movie portrays.

The other major problem of the Siege is the meeting of Gandalf and the Witch King.  In the book, they meet at the point where the Gate has been breached with Grond.  At this point they are face to face and the Witch King taunts saying that the moment belongs to him.  At this point the Horns of the Rohirrim are heard and the duel is interrupted.  In the movie, the meeting is not at the gate but during the ongoing retreat upward in the city.  And in fact, the Witch King shatters Gandalf’s staff, much the way Gandalf did to Saruman’s staff.  This seems to be too much.  I could see Gandalf overwhelmed by thousands of orcs and Trolls with the Winged Nazgul providing aerial reinforcement.  But if Gandalf the Grey could destroy a Balrog, how could a Ringwraith, even one who was perhaps super-charged with Sauron’s spirit during the attack so easily take him down now that he was Gandalf the White?  Seems wrong.

And finally, the scene between Eowyn and the Witch King.  The scene is still very, very good.  But it should have more exactly followed the book’s lead.  It should have been from Merry’s point of view.  And Eowyn, should have revealed herself as a woman before the fight and in exactly the words printed.  The dramatic force of the scene was perfect in the book.  But the scene is still very good.

Frodo and Sam

This is the most difficult fault to describe.  Sam for the most part seems fairly close to the intent of the book.  He’s a simple village boy caught up in the chaos.  Frodo is some kind of invalid from start to finish.  It’s not at all apparent why he is a reasonable ring bearer.  It seems altogether more reasonable to have given the Ring to Sam.  Granted Frodo’s personality is not completely at odds with the portrayal in the book.  Frodo is always a problematic personality.  But I believe this tendency has been brought much too far.  There’s not much more that can be said other than I think it harms that aspect of the story severely.

Alright, I’ve laid the bad stuff on you first.  So now I’ll tell you what I did like.

Aragorn

The portrayal of Aragorn is just about perfect.  He is a kingly man who also has the common touch.  He interacts with the other characters and always improves the scene.  He displays humor, mercy, gallantry, wisdom and each when it is needed.  All of this and yet he always appears human and in the moment.  He isn’t a superman.  He’s a hero.

Boromir and Faramir

I believe in the scene where Faramir is remembering the day when Boromir recaptured Osgiliath, I think the movie outdoes the book.  Boromir and Faramir are shown as brothers in the best sense of the word.  Their good qualities as men and soldiers are on display.  We get a scene that defines both characters and their relationship.  Unfortunately, this was outside the scope of the book.  Kudos to Jackson for inventing it.  And here it can be seen how the danger of the ring is thrust on Boromir who, as a man of action is least able to resist it.  The type of man who would see it as a solution to the enemy at Gondor’s gate.  It is an explanation for why he was both a good man and tempted by the Ring.

And the other great scene for Boromir is of course, his defense of the hobbits against the Uruk-hai.  You would have to have a heart of stone not to feel admiration and sorrow watching Boromir battle on as each arrow pierces his body.  It is perhaps, the best acting scene anyone gets in the movie.  Then his dying speech with Aragorn is equally poignant.  He shows his love of his people and nobility toward his rival Aragorn.  It’s a fantastic sequence.

The Ride of the Rohirrim

This in my mind is the high point of the movie.  When Theoden’s army overlooks the apparent destruction of Minas Tirith and he leads the stirring charge against the enemy’s main force it is electric.  And after they break the siege and see the Haradrim and the elephants approaching it is stirring and finally when the Witch King smashes Theoden and Snowmane to the ground we get Eowyn’s moment.  I have stated that the book’s portrayal is better.  It is.  But the movie version is still great.  And although Theoden’s farewell to Eowyn isn’t in the book it is still very affecting and natural.

The Black Gate

This scene differs in several particulars from the book.  The killing of the Mouth of Sauron is notable but not critical.  In general, I would say it was very well done.  And in one particular it exceeded the book.  Aragorn’s rallying speech to his troops before the battle is stirring.  And does not occur in the book.  The other effect that the movie added over the book was the sight of Barad-dur in the background and the line of sight to it allowing Sauron to call to Aragorn right before he started the battle charge.

 

Conclusion

So there is the bad and the good.  Over all, any real fan of the Lord of the Rings has to recognize Jackson’s movies as a great achievement that brings most of Tolkien’s wonderful story to life.  Maybe someday the story will be done again and improved on.  But what we have is a great work and something to be enjoyed.

Watching All Three Extended Versions of the Lord of the Rings Movies in One Weekend – Part 1

 

As I mentioned last week, my two older grandsons (grammar school and middle school vintage) stayed over last Saturday to watch the trilogy in one sitting. We were gonna sit back and relax and be catered to by their grandmother (Camera Girl) while the War of the Ring unfolded on the big flat screen.

First observation, that’s a hell of a lot of movie watching time. Even breaking it up for snacks, bathroom breaks and meals, that’s a long time.  Even young people started to show the strain of sitting there and watching this epic.  It’s a solid eleven hours of Tolkienian viewing.  At one point I started to lose consciousness and was forced to splash cold water on my face (a la Sam Gamgee in Ithilien) and down a mug of strong coffee.  I think the roughest stretch was the Ents.  Their slow monotonous voices lulled me into a stupor.  But with caffeine and sugar we were able to persevere and win our way through.

Alright, how did the movies do on representing the main characters? Aragorn is excellent.  Boromir and Faramir are very, very good.  Theoden starts out a little weak but finishes off very strong.  The Charge of the Rohirrim is one of, if not the high point of the movie.  Eowyn and Eomer are very good.  I especially liked Eowyn’s Dirge for her cousin Theodred.  I read afterward that it was sung in Old English.  I found it a very stirring lament without even understanding a word of it.  Eowyn’s attraction to Aragorn was handled extremely well.  It was neither exaggerated nor played down.  It worked.  Gandalf was mostly very well done.  Only a few scenes weren’t spot on and those were still fine.  Legolas and Gimli were played for laughs quite a bit.  Maybe sometimes that was overdone.  But the characters were enjoyable and added a good deal to the action.  The overuse of Arwen (e.g., substituting her for Glorfindel in the Ride to the River) was sometimes annoying but the love story between her and Aragorn was on the whole a positive element of the plot.  Elrond was pretty good.  Galadriel and Celeborn were awful.  Treebeard was pretty good.  Denethor was a travesty.  They turned him into a crass vindictive petty man.  He was not that in the story.  Sam was good.  So were Merry and Pippin.  Saruman was pretty good.  But the substitution of his death at Orthanc to the Scouring of the Shire was disappointing.

And then there’s Frodo. Frodo was way too lame.  My recollection from reading the books is that his behavior was weak and subdued, especially after the Ring began to get a grip on him.  But in the movie he’s in a constant state of stupefied depression.  With the exception of the scene in Moria where he gets skewered fighting the Troll he is practically a basket case most of the time.  Also the scene of Frodo waking up in Minas Tirith after being rescued by the Eagles is embarrassing to watch.  The rest of the Hobbits and the Fellowship are reasonably emotional at the meeting but the expressions that Sam and Frodo exhibit when Sam enters the room are down-right creepy.  Granted the hobbits are somewhat childlike in their demeanor and behavior, but this bordered on feminine.  Not good.

In the next part of this review I’ll go into what I thought worked well in the movies and what didn’t.

Anime and Me – Part 1 -Ghost in the Shell 2.0

I had heard that Firefly might have been based on an anime series called Cowboy Bebop.  So being a fan I rented it.  And as I noted elsewhere, I tend to agree that Whedon borrowed many thematic and visual elements from Cowboy Bebop.  This being the case I was intrigued by the idea that I might be missing a whole undiscovered land of creative stuff.  I decided to try something else that was recommended by people who had liked Cowboy Bebop.  I rented Ghost in the Shell 2.0.

I’ll put down my impressions and explain my preferences.  First off, the beginning of the story is an introduction to the protagonist.  She is a woman who for obvious reasons is mostly topless.  This while she is jumping off buildings and murdering bad guys with her bare hands.  She’s a cyborg who works for a government agency (I think).  After this intro, there is an about 10-minute sequence of very intricate graphics of the heroine being assembled from molecular components all the way up to her synthetic skin being applied.  So basically 10 minutes of naked girl.

After that we go through the plot and meet her co-workers who are also mostly cyborgs and follow them as they track down bad people and fight them with guns and cyborg fists.  There are all kinds of factions inside and outside the government agencies that are involved in the story line and I’m not really sure who I was supposed to be rooting for.  By the end of the movie all the main characters have been smashed and or dismembered pretty thoroughly but since they can be sent back to the factory for demand and periodic maintenance I guess it’s all in a day’s work for your friendly neighborhood cyborg spy.

I guess I haven’t been subtle enough to leave you guessing which way my thumb is pointing.  This was not a winner.  Pretty girl with no clothes on is not a bad thing.  But to what purpose?  The graphics are well done and the action is occasionally interesting.  But I didn’t care about the characters or the plot at all.  I think it was the flatness of the characters and the lack of humor.  This is in contrast to Cowboy Bebop which includes lots of humor.  Granted some of it is silly and not all of it seems relevant to the story line sometimes, but a certain style builds up which on the whole works pretty well.  And the characters have some personality.  You find yourself sorting out your favorites and enjoying the silly interactions that the crew go through together.  Sometimes it’s closer to Gilligan’s Island than The Odyssey but it has charm.

I will read some more reviews and see if any other anime movies sound like fun.  But so far it looks like Cowboy Bebop has no cousins I want to meet.  If anyone has any suggestions please leave them in the comments and I’ll give it a shot.  But for now the jury is still out.