2024 Summer Movie Talk – Part 4

Westerns – Modern

I’m dividing Westerns into two categories; Classic and Modern, because they really are completely different categories.  I’ll list what I think are among the best or the most popular or the most interesting modern westerns in approximately chronological order.  I’ve reviewed a number of these movies so if you want my detailed opinion, you can do a search on the site.

  1. THE MAGNIFICENT SEVEN (1960)
  2. A FISTFUL OF DOLLARS (1964)
  3. FOR A FEW DOLLARS MORE (1965)
  4. THE GOOD, THE BAD AND THE UGLY (1966)
  5. ONCE UPON A TIME IN THE WEST (1969)
  6. BUTCH CASSIDY AND THE SUNDANCE KID (1969)
  7. TRUE GRIT (1969)
  8. JEREMIAH JOHNSON (1972)
  9. HIGH PLAINS DRIFTER (1973)
  10. THE SHOOTIST (1976)
  11. THE OUTLAW JOSEY WALES (1976)
  12. THE LONG RIDERS (1980)
  13. PALE RIDER (1985)
  14. SILVERADO (1985)
  15. UNFORGIVEN (1992)
  16. TOMBSTONE (1993)
  17. WYATT EARP (1994)
  18. OPEN RANGE (2003)
  19. 3:10 TO YUMA (2007)
  20. TRUE GRIT (2010)
  21. HELL OR HIGH WATER (2016)

Twenty-one is a long list.  Longer than I intended but I guess I have a soft spot for some of these movies.  I included both versions of “True Grit” and both Tombstone and Wyatt Earp.  And I broke my own western rule by including “Hell or High Water” because the time period is modern day.  But modern westerns are modern!

Now this is just my list.  Your list will be different.  I’ve got a lot of Clint Eastwood in this list.  Not everyone likes his stuff.  I left out Sam Peckinpah’s “The Wild Bunch” and “Ride the High Country.”  I could have left out “Unforgiven” and “Silverado.”  Just how I felt at the moment.

Have at it.  Give your opinion in the comments.

2024 Summer Movie Talk – Part 3

Westerns – Classic

I’m dividing Westerns into two categories; Classic and Modern, because they really are completely different categories.  I’ll list what I think are among the best or the most popular or the most interesting classic westerns in approximately chronological order.  I’ve reviewed a number of these movies so if you want my detailed opinion, you can do a search on the site.

  1. STAGECOACH (1939)
  2. DESTRY RIDES AGAIN (1939)
  3. THE WESTERNER (1940)
  4. THEY DIED WITH THEIR BOOTS ON (1941)
  5. THE OX-BOW INCIDENT (1943)
  6. ‘MY DARLING CLEMENTINE (1946)
  7. FORT APACHE (1948)
  8. WINCHESTER ‘73 (1950)
  9. HIGH NOON (1952)
  10. 3:10 TO YUMA (1957)
  11. RIO BRAVO (1959)
  12. THE MAN WHO SHOT LIBERTY VALANCE (1962)
  13. EL DORADO (1966)

Now this is just my list.  Your list will be different.  I left out some classic movies that are on everyone’s list; “The Searchers,” “Shane” and some others.  That’s just my taste. Some people consider “The Treasure of the Sierra Madre” a western but because it took place in the mid-twentieth century I don’t consider it a classic western.  It’s a great film but I consider it something else.

So, there it is.  Feel free to add what I have left off or disagree with what I’ve included in the comments below.

2024 Summer Movie Talk – Part 2

2024 Summer Movie Talk – Part 2

Comedy

I’ll list what I think are among the best or the most popular or the most interesting comedy movies in approximately chronological order.  I’ve reviewed a number of these movies so if you want my detailed opinion, you can do a search on the site.

  1. IT’S A GIFT (1934)
  2. A NIGHT AT THE OPERA (1935)
  3. MAN ON THE FLYING TRAPEZE (1935)
  4. THE BANK DICK (1940)
  5. ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948)
  6. THE ODD COUPLE (1968)
  7. BLAZING SADDLES (1974)
  8. YOUNG FRANKENSTEIN (1974)
  9. MONTY PYTHON AND THE HOLY GRAIL (1975)
  10. GHOSTBUSTERS (1984)
  11. PLANES, TRAINS AND AUTOMOBILES (1987)
  12. BEETLEJUICE (1988)
  13. UNCLE BUCK (1989)
  14. GROUNDHOG DAY (1993)
  15. SO I MARRIED AN AX MURDERER (1993)
  16. AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY (1997)
  17. THE BIG LEBOWSKI (1998)
  18. OFFICE SPACE (1999)
  19. GALAXY QUEST (1999)
  20. SHAUN OF THE DEAD (2004)
  21. IDIOCRACY (2006)

Now this is just my list.  Your list will be different.  It has to be.  More than any other genre comedy is incredibly personal and therefore subjective.  It is also age specific.  My children would list twenty movies from 2000 to the present day that I haven’t seen nor would want to watch.  I have tried to leave out comedies that I consider marginal that happen to overlap with my most active movie watching era.  So, I haven’t included “The Blues Brothers,” “Caddyshack.” “Stripes,” “Animal House,” “Meatballs,” “National Lampoon: Vacation,” “Trading Places” and a bunch of other movies from my heyday.  I put Ghostbusters in as the best representative for that era.  Someone else would have chosen otherwise.

I hope my list will inspire a million spirited comments.  Everyone has their favorites and their turkeys.  Unlike politics we can all have our opinions on comedy movies without fear of doing any damage.  Have at it.

2024 Summer Movie Talk – Part 1

When reality collapses under a landslide of madness:

  • POTUS exposed as a human vegetable
  • Cost of living now requires selling kidneys for gas money
  • Illegal aliens and homeless drug addicts now the two largest voting blocks in some blue states
  • Kamala Harris imagining herself as president unencumbered by anyone wanting to vote for her.
  • Morning Joe both extols Joe Biden as the sharpest he’s ever been and begs him to step aside to avoid defeat.

Well then, it’s time to take off the pundit cap and try to enjoy life a little.

I’ve always been partial to watching movies.  My tastes probably fall somewhere in the middle.  I’m definitely not part of the avant-garde by any means.  I’ve never enjoyed Cinéma verité and the various other European schools that abounded in the 1950s and 1960s.  They always just looked like low budget crap that someone made with a home movie camera and no money.  But by the same token I think that at least 80% of the output of Hollywood in its heyday was pretty poor stuff.

I totally believe that cinema is not a single subject.  There are several distinct things that get lumped together as movies.  Hopefully they all contain the characteristic that they entertain.  But beyond that I think one kind of movie makes you feel and another makes you think.  Now that is not to say that a movie that makes you think doesn’t also engage your emotions.  That would be odd in a movie created by humans.  But what I’m indicating is that many, even most movies don’t really make you think.  And that is not to say that only high-brow art-house movies can delve into the human condition.  Far from it.  Even someone as populist and popular as Frank Capra can capture a character or a moment that makes you think about the big questions.

So, I think I’ll divide my discussions about movies into two main categories; entertainment and enlightenment.  And let’s start with entertainment.  Because it is the summer and that is the season when we want to enjoy the beautiful weather and make believe that the world is a happy place where Joe Biden and Kamala Harris are just cartoon characters who dress in primary colors and get chased around by the Tasmanian Devil and eventually eaten.  So, let’s see.

Well, first things first, we’ll divide and conquer.  Let’s divide things into genres:

  • Science fiction
  • Fantasy
  • Action/Adventure
  • Comedy
  • Drama

Science Fiction

I’ll list what I think are among the best or the most popular or the most interesting sci-fi movies in approximately chronological order.  I’ve reviewed almost all of these movies so if you want my detailed opinion you can do a search on the site.

  1. Destination: Moon
  2. The Thing from Another World
  3. Them!
  4. Invasion of the Body Snatchers
  5. The Time Machine
  6. The Day the Earth Stood Still
  7. War of the Worlds
  8. Forbidden Planet
  9. 2001: A Space Odyssey
  10. Blade Runner
  11. Alien
  12. Terminator
  13. Starship Troopers
  14. Independence Day
  15. 12 Monkeys
  16. Jurassic Park
  17. The Matrix
  18. Contact
  19. Firefly
  20. Serenity
  21. The Martian
  22. Dune

 

Now this is just my list.  Your list will be different.  I left out Star Trek and Star Wars.  I consider Star Wars fantasy and I consider Star Trek mostly awful.  But the same could be said for several of the movies I put on my list.  I hope my list will inspire a million spirited comments.  Everyone has their favorites and their turkeys.  Unlike politics we can all have our opinions on sci-fi movies without fear of doing any damage.  Have at it.

Guest Contributor – The Portly Politico – 03JUL2024 – Sid Meier’s Civilization Series Review

 

Sid Meier’s Civilization Series Review

I decided to become a history teacher in the tenth grade after giving a presentation in an English class about water transportation in nineteenth-century America.  Why I was giving such a presentation in English is unclear–we were probably talking about Mark Twain–but that presentation gave me the teaching bug (and, apparently, a lifelong vow of poverty).

Even before that, though, history had captured my young imagination.  I grew up poring over atlases, textbooks, books, almanacs, encyclopedias, etc.  Part of what sparked this youthful interest was, of all things, video games, specifically the classic Sid Meier game Colonization, in which players colonized the New World and, ultimately, fought for independence.

Colonization, sadly, did not evolve significantly further as a series.  However, its inspiration, Civilization, now spans six installments, with a seventh on the way.  I vividly remember playing Civilization II on a cousin’s computer sometime in the 1990s, and I was hooked.  The first time I plopped a settler on a rickety trireme and dropped him successfully on a far-flung continent, I knew this was the game for me.

All of the Civilization games fall into the “4X” genre, in which players eXplore, eXpand, eXploit, and eXterminate (I suppose they could be called “4E” games, but that doesn’t sound quite as cool, does it?).  While not all Civilization games are created equal, each brought new innovations to the series that have, overall, improved and deepened the experience, while still being very accessible to new players.

My first exposure was to Civilization II, which I then received from my aunt that Christmas; I spent the rest of the day reading the 200-plus-page manual.  Civilization, the original installment, was already dated by that point, but I picked up a copy of its online-enabled version, CivNet, on a band trip in high school.  My neighborhood friend and I spent many hours playing “hotseat” games of CivNet, which had players taking turns at the same computer.  Later, that same friend and I would play hotseat for years in college (usually via e-mail) on Civilization III.

Civilization II is the best of the “classic” era Civ games.  It included a number of graphical and gameplay improvements over its predecessor.  Civilization III is, perhaps, one of the weakest entries in the series, suffering from a number of balance and performance issues.  However, it introduced a number of intriguing gameplay elements, like cultural borders and the need to negotiate “rights of passage” treaties to traverse another civilization’s territory.

The series entered the modern era of gaming with Civilization IV, which featured a brighter and more cartoon-y color palette.  It preserved the cultural borders mechanic of Civ III while also introducing religions to the game for the first time.  That has become a staple of the series, and there are few things more satisfying than converting the entire world to your religion (one of the several ways players can win the game).  I’ll never forget converting the entire world to Judaism in my first game of Civ IV, playing as the Americans.  There is, perhaps, something oddly prophetic about that.

Civ V brought an Art Deco aesthetic to the games, and shifted away from a square-based grid to hexes.  That changed military combat substantially; no longer could players create massive stacks of units that could grind a city into dust in a turn.  Instead, only one military unit could occupy a hex at a time, making conquest of cities more protracted and strategic in nature.  Terrain, which had always modified defensive bonuses based on the type (for example, a unit defending on a hill enjoyed a defensive advantage versus a unit defending on a flat plain), now became even more important.

It feels as though Civ V barely got its footing before the exquisite Civilization VI hit the scene.  This latest iteration included many of the elements of prior Civ games, but true to the series, it slowly ladled out key mechanics across two expansions–a particularly annoying but lucrative business model that has plagued almost every version of the game.  Regardless, Civilization VI and its expansions introduced, among other elements, climate change, which players can contribute to and/or mitigate through various means, and which gradually changes the map.  To be fair, Civilization II introduced “global warming,” which could have horrendous effects on the map, but Civilization VI approaches it in a more elegant and nuanced way.

Now with Civilization VII on the horizon, fans of the series are clamouring for more.  But which is the best?

In my assessment, Civilization II is the best of the “classic” era of the game.  Compared to modern versions it is quite basic, but there is something about its color palette and its gameplay that are timeless.  Civilization III struggled with various bugs, but I also enjoyed sinking hours of my life into it.

In the modern area, Civilization VI takes the cake for me, although its two predecessors were excellent games in their own right.

Usually, newer does not equal better, but in the case of the Civilization franchise, it does seem that player suggestions are implemented more thoroughly, and the games become more interesting and refined through each generation.  That is a positive legacy of the series, and one that will hopefully continue with Civilization VII.

 

The Honeymooners – Complete Series Review – Episode 1 – TV or Not TV

The Kramden’s friends; the Nortons (Ed and Trixie) are getting their second tv set and Alice Kramden tries buttering up her husband Ralph to get their first set.  Ralph rants and raves about the dangers of buying “luxuries” as opposed to his “strategic” savings plan.  But she tells him he’s just cheap.

But Ed comes to Ralph to borrow money to buy the new set because he’s already bought so many appliances on credit that the store has turned him down for the tv set.  Ralph decides that if he and Ed split the cost, they can afford the set together.

Ralph tricks Ed into keeping the set in Ralph’s apartment and thus begins the war to control the channel.  Ed Norton is a devotee of the kid’s outer space serial “Captain Video” complete with his very own space suit helmet.  Ralph wants to watch movies and the prospect of Ed watching the inane space show drives Ralph insane.  And they battle for days until finally Alice admits at the end that Ralph’s instinct not to buy a tv was actually correct.

This first episode has already in place many of the characteristics of the Honeymooners’ set up.  When we first see Alice, she is trying to unclog the kitchen sink with a plunger.  And by the sound effects and Alice’s expression we can tell things didn’t go well.  This is the status quo of the Kramden household.  Ralph’s bus driver’s salary can’t seem to permit Alice’s dreams of a middle-class lifestyle to become reality.  But she never gives up reminding Ralph of these shortcomings.

When Trixie shows up and encourages Alice to use flattery to try and get Ralph to buy a tv set, we recognize the dynamic these two wives are always bumping up against.  Namely, while Ed Norton is somewhat accommodating to Trixie’s opinion, Ralph is vehemently opposed to any compromise on Alice’s requests, especially if they cost even the smallest amount of money.  And another characteristic of the Alice/Ralph dynamic is that after Ralph rejects her request for anything she falls back on mocking his weight.  And finally, the episode leans heavily on the trope that whatever joint venture Ralph and Ed embark on will result in anger, failure and embarrassment.

This is a good representative of the series and has several memorable laughs during the battles between Ralph and Alice but especially between Ralph and Ed.  And it is plain to see that no warm-up period was needed in order for the cast to hit their stride.  The Kramdens and the Nortons are already hitting on all cylinders.

Captain Video: Calling all space rangers, it’s time to blast off with Captain Video and his video rangers.  Hello out there rangers.  This is Captain Video.  Are you all, ready join me in our trip to outer space?

Ed Norton: I am ready O Captain Video!

Captain Video: Let us all put on our official Captain Video Space helmets, adjust disintegrator guns, and now we blast off for Pluto and the Moon!

Troy (2004) – A Movie Review

As a former student of classical languages and literature I suppose I should be categorically opposed to this movie.  But to be honest I probably enjoyed around three quarters of it.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Now full disclosure, the movie Troy resembles Homer’s Iliad about as closely as my grandson’s middle school band’s rendition of the Blue Danube Waltz resembles that performed by the Berlin Philharmonic.  In other words, not a lot.

But that really isn’t important.  The question is whether it succeeds on its own terms.  What we’re presented with is an adventure film masquerading as a literary epic.  We have the story of Orlando Bloom as Paris absconding with Menelaus’ wife Helen from Sparta and taking her to Troy where her new father-in-law Peter O’Toole as Priam decides that they’ll defy Agamemnon and try to keep Helen even if Brad Pitt as Achilles is preparing to run amok on the windy plains of Troy.

In order to turn an epic poem into a two-hour movie some compromise had to be taken with the plot.  Instead of a ten-year war we have a ten-day war.  And some folks had to be sacrificed.  For instance, both Menelaus and Ajax are axed in the second day of battle.  Now that is surprising since in the Hellenic version Menelaus is one of the few heroes to reach a ripe old age after the war.  And equally surprising, not only does Paris survive but he ends up keeping Helen.  Shocker!

So, you might ask what does survive the translation from page to screen?  Well, I’d say Agamemnon, Odysseus, Achilles, Priam and Hector are recognizably themselves.  Agamemnon is an arrogant fool.  Odysseus is the wily survivor and Achilles is the aristocratic demi-god following his doom.  Priam is the honorable king who must see his country and family laid waste.  But the most sympathetic character is of course Hector.  Here is the good man, prince, husband, son, brother and father trying to save his country from a creature that no man can defeat.  It is his fate to kill the cousin of the monster and now have to face him in single combat.  And he will die and his body will be lashed to the back of Achilles chariot and dragged around the plains of Troy in ignominy.  And this gives his father the chance to beg Achilles mercy to allow for decent burial.

So quite a bit of the story survives.  We even get the Trojan horse scene, which truth be told isn’t part of the Iliad.  It’s more of an aside in a story in the Odyssey.

As you can imagine, the whole thing is sort of a hot mess.  To his credit I think Brad Pitt acquits himself quite skillfully in his characterization of Achilles.  His relation to the primary and secondary characters is consistent and generally very entertaining.  Unfortunately, all of this relatively positive film making falls apart in the last scene.  The sack of Troy is highly unsatisfactory.  The death of Achilles seems to fall flat and lacks emotional interest.

So, who, if anyone, can I recommend this movie to?  Well, to start with Brad Pitt fans might want to give it a watch.  I’d say fans of sword and sandals epics might like it.  Strict devotees of Homer will be affronted and may throw things at the screen.  My opinion is that it is relatively entertaining with some weak scenes and an unsatisfying ending.  Of course, your milage may vary.

Thoughts on Current SF&F in Cinema – Part 1

When I was much younger, I remember wondering if there would ever be a time when the state of the art in “film” would allow a decent version of the Lord of the Rings to be made.  When Ralph Bakshi’s cartoon over live action was made in 1978, I was quite surprised at how good it was.  And I hoped that he would continue the project to finish the complete story.  But he never did.  Maybe he didn’t make enough money or maybe he got bored.  And so, it would be another twenty years before anyone tried again.

Peter Jackson did a remarkable job both visually and artistically of capturing Tolkien’s story.  And I think he proved that we have reached a point where regardless of the unreal or fantastic nature of the story CGI can produce a convincing visual representation of that story on the screen.  And that was an important moment.  For a fan of science fiction and fantasy this is the promised land.

And yet, what have we got now?  For every film like Dune where the story faithfully reproduces a worthwhile piece of fiction, we get ten movies like “The Marvels” or “The Last Jedi” or “Madame Web” where the visuals are successful but the story and the acting are unwatchable.

Well, that’s reality.  The cultural and societal standards are pretty awful so even if some interesting topic like the Second Age of Middle Earth (Rings of Power) or Harry Seldon’s Psychohistory (Foundation) are being filmed chances are that the result will be terrible.

But the only good thing I can say is that the potential exists for a rogue force like Elon Musk to come along and fund an independent studio to produce some exciting projects.  So, eventually we will get good movies.  Eventually the profit motive will succeed.  Who knows we may be forced to watch Chinese or Hungarian movies in subtitles but it will come.  So, patience, patience.

And what might make a good project?  Well, based on what we know would sell, how about space opera that is a lot more interesting than the Star Wars universe?  How about a project to film the Lensman series?  A few updates to the technology might be needed and the chronology might need to be tweaked but then the story would be easily turned into a series of films.  It has likeable heroes, awful villains, interesting aliens and plenty of space battles.  And best of all, not a girl boss in sight.  Just classic square-jawed heroes saving the day and rescuing the damsel in distress.  I would guess that the Lensman saga would be easily as popular as Star Wars and in fact more so.

Now another popular film idea would be the Heinlein juveniles.  There are several good candidates.  As a first choice I’d go with, “Have Spacesuit Will Travel.”  It has all the requisite ingredients for a good young adult movie; human interest, suspense, adventure, pathos, humor and the resolution of a coming-of-age story.  As a second choice I’d recommend, “The Star Beast.”

It’s an interesting thing to reflect that a really satisfactory movie version of a Heinlein book has never been done.  The only one he ever had a hand in was Destination Moon.  And while technically there were interesting aspects to the production as a movie it was pretty cut and dry; more of a primer on rocket flight than work of fiction.  In terms of popularity, I guess Starship Troopers is the best of those produced, even though the director made it in the spirit of a mockery of the underlying philosophy of the book.  A faithful portrayal of Starship Troopers would be an amazing idea for a movie.

And rounding off my picks for Heinlein would be, “The Moon is a Harsh Mistress.”  I think this story would make an excellent film too. I’d especially enjoy seeing the rail gun attack on Earth on the big screen.  And I think the friendship between Manny and the artificial intelligence Mike would work great on the screen.

I’ll have to think of some other classic sf&f books that would make good movies.  If you can think of any you’d like to see made, leave them in the comments.