To Be or Not to Be a Barbarian

Just when I think Leftists can’t get any more un-American they say, “Hold my soy latte” and show us just how miserably wretched they truly are.  Up here in New England one of the states (it doesn’t matter which one) is debating a bill to mandate 100% voting turnout for all elections.

Now I don’t know the details.  I don’t know how they’ll guarantee that the dying and the late-stage dementia patients are forced to vote.  I’m guessing if you don’t show up the ballot gets filled out for you by the Secretary of State.  I think they’re calling it the 100% Democracy Bill or something brilliant like that.

This sounds like a joke from our side; just a way to make fun of the leftist tendency to dictate behavior for “people’s own good” but this is actual legislation that’s currently under debate.  Actual politicians in this part of the country think this is consistent with the American constitution.  Well, all I can say is these people are insane.

But they’re also running the show up here.  The insanity is baked deep into everything they think and do.  They don’t realize how this looks to people on the outside.  This is so close to North Korea and Sadaam’s Iraq where “free elections” end up with the dear leaders garnishing >99% of the vote every single time.

Well, that’s enough about that.

I was thinking today about the definition of literary science fiction.  I guess it’s any science fiction that has enough character development and enough verisimilitude to the way real people act and talk and feel to convince “serious” literary critics that your story is literature and not entertainment.  I guess it has to be in some sense “real.”

Unfortunately, I understand that what it’s mostly become is racial and sexual grievance screeds very unconvincingly disguised as science fiction.  So outside of a specific population of people primarily dedicated to reading such stuff it’s not going to very interesting to most of the human race.

But putting this political sub-genre aside what is the difference between genre fiction like science fiction and fantasy and actual literary fiction?

Well, I think that’s still quite subjective but I get the point of some of the criticism of some genre fiction.  The story can be so stereotyped that the action feels cartoonish, the characters are one dimensional and the dialog is completely predictable.  I can think of some pulp stuff that seems that way now.  But by the same token, there are literary “masterpieces” that have long stretches of boring plot where nothing much happens.  And even the most widely hailed protagonists can have whole chapters where the story drags and the dialog is meh.

So, what’s the calculation?  Can a pulp story have 95% of the story composed of space opera and still be “literature” if the author gives the hero a scene full of heartbreaking humanity and emotional conflict?  Sure, we’re not expecting Conan the Barbarian to break into a Shakespearian soliloquy when one of his comrades is skewered by a neolithic monster.  But if you write a story that has an interesting plot surely there is no shame in trying to make, some of the characters at least, recognizably and honestly human.

Now, I’m not thinking about Hamlet showing up in any of my stories.  But Macbeth might as well be a medieval urban fantasy story.  It has witches and magic and ghosts.  Just because it’s in iambic pentameter and has “thou” and “thee” scattered around in it doesn’t make it any less a crime drama.  So, who’s to say that a genre novel can’t be legitimate literature?

Just something I was thinking about.

18MAR2025 – How the Week is Progressing

What’s to say today?  I guess the most interesting news event is Musk’s Space-X stepped in and brought the astronauts stranded on the International Space Station home after Boeing stranded them there six months ago.

There’s something ironic in this situation.  Boeing has been in the news for the last year because of defective aircraft that many have associated with DEI based hiring practices.  And now Space-X; an Elon Musk company that prides itself on merit-based hiring, steps in and solves a frightening situation with a can-do approach to space flight.  It’s like watching the two approaches to hiring compared face to face before our eyes.

I guess the other big story is that lousy judge trying to block the deportation of Central American gang-bangers by the Trump administration.  Afterward Trump said he should be impeached.  And so Chief Justice Roberts opens his big mouth and says that precedent doesn’t call for impeachment on a difference of opinion on a judge’s ruling.

As if that were what is going on.  These slimy leftist judges will stall and block everything the Trump administration wants to get done for the American people.  We will see this for the next four years.  If Roberts wants to be at all useful, he should expedite all requests by Trump’s administration to have these phony judges’ decisions reviewed by the Supreme Court and allow Trump to fix all these problems.  Of course, impeachment will never solve the problem.  We would need a supermajority in the Congress.  What we need is the Supreme Court to provide constitutional review of these awful decisions.

Today I finally got a handle on the impasse I’ve been wrestling with in finishing my book.  What I need is a good crisis/resolution to reach the endpoint.  So here is a situation where you know where you want to end up but there needs to be a struggle to make it feel satisfying.  But I don’t need another physical battle.  I need a popular revolt.  And I think I’ve figured out an angle.  I think I’ll withdraw the consent of the governed.  I’ll have a national guard unit revolt and then let it cascade across a state and then across the country.  Now I have to figure out the dramatic details.  I’ll have the national guard unit refuse to hand over my protagonist then when the Army wants to send in regulars, I’ll have the governors of the four states where Connors people are located close ranks with all of their national guard troops to deny the arrest.  And then I’ll let it swell from there.  That seems pretty good.  After that I’ll let the newly appointed president convene a Constitutional Convention to begin cleaning up the mess that the Deep State has caused.  And that will give me a nice breakpoint to allow my protagonist to be pardoned by the president.  And more than pardoned, exonerated.  And then I can allow him to ride off into the sunset which is something I’ve been thinking about for a while.

So that’s what I was doing today.  Thursday will be a long day when I’ll be working on stuff I hate.  But that’s life.  I have one of the grandsons coming over Saturday.  That should be fun.  Apparently, he’s voted for spaghetti and meatballs and mint chocolate chip ice cream.  So, I’d better do some extra time on the rowing machine this week.  But maybe I’ll burn some of that off with a baseball catch.  I hope my shoulder is still functional after a winter of chopping ice.  I wonder what movie he wants to watch?  I hope it’s “The Return of the King.”  I haven’t seen that one in a while.  I think the “Ride of the Rohirrim” is about due.

Well, that should be enough for now.

That’s Entertainment

Over the course of three thousand years of western civilization, storytelling has transformed from an oral tradition of poet/rhapsodes reciting mythological epics like the Iliad and the Odyssey at religious festivals to information age books read on an electronic page or listened to from an audio-file.  I find it interesting that the Greek epic poems are approximately the same length as a typical modern novel, something between one and two hundred thousand words.  Reciting the whole poem at a festival would take up week’s-worth of listening.  That’s comparable to the time it takes to read a book.

Now for shorter subjects, the Greeks had the drama.  A play by Aeschylus, Sophocles or Euripides was just an hour or two of the viewer’s time.  Pretty similar to a Shakespearean play and interestingly enough, the amount of time that a motion picture usually takes to watch.

Does this mean that human beings inherently absorb story telling in these lengths of time?  I can’t prove that assertion but you know, a three-hour movie starts to get to be a bit much for one viewing.  And a four-hundred-page book better be damn interesting or it also begins to wear out its welcome.

So maybe our entertainment has been standardized to suit our mental, emotional and physiological parameters.  Humans have a limited attention span.  We also tire after a certain amount of time sitting or standing watching something.  Also, hunger, thirst and the realities of hydraulic pressure eventually force us to interrupt even the most fascinating entertainment.  To ameliorate these considerations, movie theaters are equipped with a snack bar and restrooms.  But dramatic interest will begin to flag by the third hour.

So, I’d say we’re programmed for these lengths of entertainment products.  Whether it’s Oedipus Rex, Hamlet, The Good, the Bad and the Ugly or The Lord of the Rings at some point you either come up for air or you fall asleep.  And similarly with a book.  There have to be chapters or groups of chapters that allow for the reader to put the book down and come back to it later.  It needs a punctuated progression.  The action must go through a series of starts and stops.  It needs a rhythm to the action, a flow.  And if the rhythm isn’t right, the story doesn’t work because the reader is jarred out of the spell of the story.

You may be wondering what this post is about.  It’s a transcription of an internal dialog I’m having with myself.  I’ve been rereading my story and some sections seem choppy to me.  Some of the transitions from one chapter to another just don’t flow.  So, to make myself feel better I’m imagining Homer sitting in his office in downtown Mycenae and wrestling with the transition between the story of the cyclops Polyphemus and the Island of Aiolos.  He’s plucking the strings of his lyre and thinking, “This Aiolos story is really boring compared to all the excitement of the cyclops.  It needs something to punch it up a little.  Maybe I can include some more man-eating giants again.  No, wait, that’s stupid.  There can’t be man-eating giants on every island.  That’s just lazy.”  I totally feel for him.  The epic poetry-listening public is easily jaded.  They demand good writing (or singing).  Ah, the vicissitudes of the epic Muse Calliope.  Like all females, she is fickle.  Well back to the grindstone.

Nature Finds a Way

In this creepy world we live in where children are targeted by “educators” to redefine their genders and pushed away from the behaviors and activities that they enjoy it’s hardly surprising that things like adventure books for boys have essentially disappeared.

Of course they’ve vanished.  All the authors are women and they have to toe a very definite line if they want to be published.  You can’t have adventure for boys.  You can’t leave the girls behind.  You can’t even have them following along.  They have to be in charge.

So, boys stopped reading books.  Instead, they went to superhero and Star Wars movies.  So, what did the movie studios do then?  They hired female directors and studio bosses and turned the Jedis into girl-bosses and turned Captain Marvel into a girl, of course.

So now the boys are giving up on superheroes and concentrate on video games.  And of course, the game manufacturers are feminizing and queering the video games.

You see the pattern.

Now, there is the flip side of this progression.  First the book industry began to fail when the publishing houses dictated a leftist and feminine slant to books.  No one bought their books.  Now the movie studios are foundering because even their summer blockbuster superhero movies are tanking.  If the video game makers succeed in eliminating the things that males enjoy in video games, they will kill the goose that lays the golden eggs.

So far, the trend in entertainment has been all in one direction; female.  And the trend in their fortunes has also been all in one direction; down.

Well, I think that is beginning to end.  There is a development in the world of entertainment that seems to be diverging from the pattern.  And it even involves elements of each of the media I mentioned above; books, movies and video games.  And it involves the part of social media that I found the least promising; “influencers.”

Apparently teen-age boys and young men are finding community inside the YouTube channels of influencers who write fan fiction around some popular video games.  These sites have tens and even hundreds of millions of viewers.  And the clout that this kind of following produces even allows these influencers to have their stories turned into movies.  Think about that.  Some guy who writes plots around some popular first-person sci-fi video game can get a movie made from his stories and it has a built-in audience of millions.

Look at how this short circuits the whole woke female industrial complex.  You avoid the woke publishing industry, woke movie industry and woke video game industry by tapping into a ready built audience of young men and boys looking for adventure and violence.  As Jeff Goldblum’s character, Dr. Ian Malcolm said in Jurassic Park, “Nature finds a way.”

I find this both fascinating and encouraging.  These kids have broken out of the feminist struggle session hell of modern entertainment and escaped into the wild.  That is an immensely encouraging thing.  And if it continues to advance it will wipe out the alternative.  No one wants to see Girl-Boss Jedi Knights making the universe safe for middle aged lesbian Jabbette the Hutt.  No one will pay to see She-Hulk bust out of her clothes and rampage through Manhattan’s theater district to catch a performance of Hamilton.  No boy wants to play a video game where his character has to be in drag.

Of course, the powers that be may try to squelch this latest attempt at non-feminist entertainment.  But at this point even Google is probably seeing which way the entertainment dollar is moving (and where it’s not).  I could be wrong but I think there may finally be a reaction brewing in the entertainment world.  And it might be that the future isn’t female.

Plotter and Pantsers

Here on the other side of the bright line of demarcation that is the post-2024 election decision I selected outlining the plot of my poor neglected novel “Sniper” as this morning’s project.  Last night was a long planned and greatly enjoyed family party celebrating Princess Sack of Potatoes’ sixth birthday.  It was a good-sized gathering of about thirty people and featured the Princess’s food of choice; multiple versions of pizza.  Now I personally do not believe that something called “mac and cheese” pizza could actually be considered pizza.  It is an abomination in the same league as anything called pizza that contains pineapple.  But I am a tolerant man.  If the children demand mac and cheese pizza then so be it.  I found a giant box that contained something that was garnished with sausage and pepperoni on it and so I was content.  And I even managed to introduce the grandchildren to a small snippet of the classic W.C. Fields movie “It’s a Gift” before it was drowned out by the torrent of talking that erupted when their parents followed us upstairs after the majority of the guests left.  Well, I’ll just have to wait for an opportunity during the Thanksgiving or Christmas holidays to screen that cinematic gem for their viewing pleasure.

And because that gathering ended late, I had no time to look around for a theme for last night’s post.  And honestly, I was exhausted.  And if I had tried to post something in that state it would have been stale and derivative and a waste of everybody’s time.  And in this new regimen of mine that is anathema.  I’ll write when I have something I want to say.  And when I don’t, I’ll work on my projects.

And getting back to the theme of this post, my project for today is to review “The Sniper” holistically and identify plot line and character development and quality issues that need to be worked on.  And come up with an outline for the whole story and an outline for the series of stories in this “universe” and then a plan for completing this novel this winter. And then scheduling this work to be finished by some reasonable date.

And this is exciting for me.  It’s an intellectually interesting process that I’ve never tried before.  Up until now I’ve been what’s called a discovery writer or more colloquially a “seat of the pantser” or just a pantser.   This is the opposite of an “outliner” or a plotter.  A discovery writer just sits down and starts writing based on some idea or even just a gestalt of a story and keeps writing and let’s the story write itself without any direction from the author’s conscious mind.  I’ve always done this.  The positive side of this process is that the author’s natural creative instincts are in control and many exciting characters and plot events bubble up.  It is the natural method for producing realistic dialog and emotional insight into the characters.  The negative side is that the story direction is kind of random and you very easily can paint your story into a corner that can only be fixed by a massive re-write which is lethal for story-telling and for the morale of the writer.

And as someone who has run up against this dead-end scenario several times, I have decided to make the effort to do a formal outline and learn the skills it takes to plan my story in a disciplined way so that it won’t fly off the rails at the end and cause me massive mental anguish and confusion.  If I find that working on this outline is interesting, I’ll probably write more about and might even consult some of the sci-fi fans in the audience for their opinions on some of my story choices.

So here I go.

More Than Meets the Eye – Part 3

The bank branch of the Farmer’s Credit Union and Loan nearest “Grid 19” was open for business on a Tuesday morning when a convoy of black SUV’s rolled up in front of the building and a phalanx of men in dark suits and sunglasses marched into the building and converged on the manager’s office.  A security guard intercepted them and was shown some very high-powered federal credentials that backed him right down.  The manager was handed paperwork that required him to begin providing access to all of his files, account data and any other damn thing the feds decided they wanted.

At approximately the same time a similar invasion was occurring at the headquarters of that bank.  And the man heading up that raiding party was from the Justice Department and he wasn’t interested in uncovering some scam that the IRS would be adjudicating.  He was interested in a conspiracy.  He demanded and received access to all transactional data for accounts that were deemed to be colluding in a price fixing conspiracy to control commodity prices throughout the United States.

The president of the bank was a mild-mannered fellow who was basically scared out of his wits and agreed to cooperate as thoroughly as humanly possible but he assured the official that he had no idea what they were talking about.  His bank wasn’t a high-powered financial behemoth.  They were strictly small potatoes.  And after a few weeks of digging through the bank’s accounts, transactions and files they found precisely nothing.  All of the payments were between the private individuals that bought and sold the farm products.  The bank had no control over prices or quantities.  There was no commonality between these transactions and the bank other than the money passed in and out of their accounts.

The Deputy Assistant Attorney General who was overseeing the investigation read the report he had received from his flunkies and shook his head.  This was not going to be well-received by his boss.  He now regretted having allowed himself to be convinced that his old Harvard Law School buddy Dex Hastings was onto something big with this price fixing conspiracy.  He called up Hastings, “Hey listen, Dexter, make sure the next time you have a tip on a conspiracy theory just call up Morning Joe instead.  You can’t have price fixing when the individual prices are up and down all over the map.   I can’t waste a million dollars auditing some penny-ante flyover-country bank looking for super-villains.  Some of us have to work for a living.”  After that he felt better.  But then he wondered if Hastings would still invite him to his summer party on Martha’s Vineyard.  After that he felt worse.

Dexter Hastings got off the call from Washington and he was incensed.  His friend in Washington had insulted him, his dashboard had that red flashing light which the CEO would slam him for and he still hadn’t gotten to fire Barry Carver for his insolence.  This was turning into a hell of a week.

Just then he received a text to report to the C-Suite.  Arriving, he saw that the executive board was assembled and Dexter nervously entered the board room and took a seat at the far end of the table.  Eventually the matter under discussion was resolved and the CEO, Jim Hatcher turned to him smiling and said, “Dex, we’ve been discussing your project.  It seems that wheat just isn’t going to recover soon enough for us to put your plan into action.  We’ve decided to reallocate the capital to another venture.  We’ve had an offer from Typhon Industries to buy up your entire portfolio in the Midwest.  We’re going to have to take a bit of a haircut to get him to take the whole lot but we’re just champing at the bit to pick up that Korean Biotech firm with the hair restoration patent.  I’ve heard it’ll be worth a trillion dollars over the life of the patent so how can we resist.  I’m sorry we won’t be able use you anymore but you know how these things go; here today gone tomorrow.  But we’ve got an excellent package set up for you, I hope.  So, buck up.  You’ll surely bounce back from this.  In fact, if you’d like I’ll put in a good word for you with Typhon Industries.  Who’s that fellow, Paul Connors?  I hear he’s a strange duck, but any port in a storm, as they say.  Well, that’s all Dexter.  See you around the Vineyard next summer, maybe.”

Paul Connors was sitting at his desk, looking at what liquidations he could expedite in order to make the land purchase from Bay Holdings.  He would be forced to sell an embarrassing amount of gold and platinum group metals on the international markets.  It would necessarily depress the prices but more problematically it would draw too much attention to commodity holdings that would be difficult to explain.  For these metals hadn’t been purchased they’d been mined.  And having to account for his mineral holdings would raise too many questions that he could not afford to answer.

Just then a deeply encrypted link appeared on his desktop.  Opening it he saw the face of his most valuable operative, Cutter.  The bearded face looked only slightly worried which Connors took as good news.  “What’s the word Cutter?  Will the gestapo be busting down my door this week?”  Cutter shook his chin, “No, not this week.  You lucked out.  That nitwit Hastings sicced his equally stupid friend in the Justice Department on the poor guys in the bank.  And since they know exactly nothing about our operation, that’s exactly what the feds learned.  We dodged another bullet.”

Connors smiled weakly, “How many more will we dodge?”  Cutter looked down, “Better assume that was your last break.  We’ve got to have a plan to deal with the day after tomorrow when some bright young man kicks over your Potemkin scenery and exposes your operation.”

Connor stopped smiling, “Do I declare war on the United States?”  Cutter looked at him with a glazed expression and said, “Yeah, more or less.”

More Than Meets the Eye – Part 2

Barrymore Carver descended like a storm on the research department.  Within an hour he had half of the department digging through the details of the financial records for all fifty of the farms he had failed to take.  By 8 pm he had a systematic database of all the financial and commercial records for each farm for the last ten years.  By midnight he had a pounding headache but he also had a eureka moment that might save his career.  And at 6am he collapsed across his desk with a look of relief on his face.

When Dexter Hastings reached his office at 10am Carver was in his office.  “So, Barry, I hope you have something worth my time.  I have a 10:30 with the HR director to browbeat her for hiring you and I know that should put her in the mood to craft your separation package properly.  What have you found?”

On the office display, Carver queued up a slide deck that he had assembled sometime after 3am.  In his best corporate jargon, he detailed the data he had unearthed.  He demonstrated that each of these farms managed to pay all their bills with an absolutely precise balance sheet.  Each of the accounts managed to match debits and credits down to the penny.  And this occurred regardless of how many separate sales the farmers collected or what random setbacks or emergencies befell them.  And in fact, these farmers didn’t seem to sell their products to wholesalers or even retailers.  They sold their products to private individuals.  And even the prices they charged were constantly changing without any rhyme or reason.

Dexter listened to this exposition for about ten minutes then shut off the display from his desktop and disgustedly said, “That’s enough Barry.  This gibberish is meaningless.  All you’ve shown is that these dirt-poor farmers are dirt-poor farmers barely scraping by.  It means you were defeated by the most pathetic individuals imaginable; penniless yokels.  You might as well go now before I really get mad.”

Carver did something very strange, he smiled condescendingly at his boss and said, “Sure Dexter I’ll go, but if you had a little more attention span you would have learned why you haven’t been able to increase the price of wheat in three years.”

Anger and confusion battled with curiosity on Dexter’s face, “What are you talking about?  What could these fifty farms possibly have to do with the price of a commodity like wheat?”  Carver walked over to Dexter’s desk, turned the display back on and started an animation that showed the fifty farms colored in red geographically on the GRID 19 map and then expanded out to the Midwest and showed hundreds of thousands of additional parcels in the same color, “How about half a million farms?”  Our fifty farms have all their financial accounts in the same bank.  This bank has an additional eight hundred thousand accounts.  Not all of them are farms.  Some are small businesses and some not so small businesses but the great majority of these accounts have the same kind of screwy bookkeeping.  Apparently, none of them make any money worth talking about and yet none of them go out of business.  And I’ve looked at the owners of these businesses.  All of their homes and businesses are financed through this same bank and on paper none of them seem to have enough money to be able to buy a toaster without a loan and yet based on a random selection of social media accounts they all seem to have large families and are active members in all the community groups around them and none of them look like they’re starving.  And when I built up the customer list for our fifty farms every customer is an account holder at that same bank.

This isn’t a coincidence.  This is a highly developed and carefully orchestrated hidden network.  This is a secret society.”

More Than Meets the Eye – Part 1

Dexter Hastings looked out of his office window of the corporate offices of Bay Holdings, the largest corporate real estate owner in the United States.  He smiled as he looked into the sun glinting off of the mostly empty skyscrapers of Manhattan Island.  Far below he could see the tent cities of homeless immigrants squatting on the once frenetic streets of this former bastion of American prosperity.  He shrugged his shoulders knowing that his escort and armored sedan could get him through any street provocation without the need for him to get involved.  He could reach a heliport or major highway to leave this troubled metropolis if it was necessary for another “demonstration” for the bourgeoise of who was in charge of this country.  At this thought he smiled again and went back to his enormous mahogany desk.

Looking at the quarterly acreage goal he nodded to see that all the quotas were met and the reductions in private ownership of wheat, corn and cattle farms had been reduced to the levels specified in the quarterly dashboard.  Everywhere he looked he saw green lights.  Except one.  Up in the northern quadrant of the Great Plains there was one red light on his board.  What the hell is that!  He clicked the red icon and a file; Grid 19, opened up.  It listed the farms that had been targeted for foreclosure by their local bank.  There were fifty farms all clustered within a radius of twenty miles that had looked like easy pickings last year.  All pressure points for their owners had been applied.  They even got the IRS to audit half of them to see if any fines could be levied against them.  And all the buyers they typically worked with had been instructed to lower the commodity prices they would pay.  Most if not all of those farms should already be in bankruptcy.  But not a single one had folded.  That was impossible.  Sure maybe a few might have found a private source of funds to allow them to limp along.  But all of them?

Dexter muttered to himself, “Something is fishy here.”  He rushed out of his office and barged into a conference room where some of his direct reports were having a meeting about the company team-building trip to Auckland.  He rapped the door behind him and said sternly, “I’m gonna need you in my office now, Barry.  Grid 19!”  And he rushed back to his office with a black look on his patrician face.

Barrymore Carver hustled into Hastings office with a worried expression and stood nervously in front of the huge desk.  He looked surprisingly like a frightened boy standing in the principal’s office.  He knew Grid 19 would be a big problem.  If there was a red light on the dashboard, whoever owned it had to have a story to tell Dexter that included a speedy resolution and a penalty prize to pay for the outrage.  Otherwise, the penalty was a walk of shame to HR and an armed escort out of the building.

“What the hell is going on Barry?  Oh for fifty?  Are you just tired of working here?  Have I brutalized you so thoroughly that you sabotage my dashboard like this?  Talk to me Barry.  Quick!

“Dexter, I worked on this Grid for months I put pressure on these people you wouldn’t believe.  I managed to cut off their power in the middle of a deep freeze.  I even had the government inspectors declare half of their beef cattle substandard.  I did everything but light their fields on fire.  But they made all their mortgage payments they cleared all their supply bills and paid all their taxes.  There was nothing I could do.”

Hastings shook his head, “And it never occurred to you that this wasn’t normal?  When have you ever seen fifty targets fail to succumb?  Never!  Now you are going down to the finance boys and you are going to find out where the money came from and if you don’t have an answer by tomorrow then just go find another job.”

Carver flushed, spun on his heel and took off for the elevators at high speed.  A smile broke out on Dexter’s face.  He loved pulling the wings off of flies.  It was what he was born to do.  He looked down at that red light blinking on his board and the smile left his face.  “Where the hell did that money come from?”

Aspects of World Building – 2

This installment is a fake.  What I want to talk about isn’t really part of world-building but rather different aspects of writing characters.  But since I’m too lazy to start another series of posts for non-world-building writing considerations I’ll put them here.  And in fact, I might even do that with other posts on other aspects of writing because I am inherently messy and undisciplined.

So, aspects of characterization in science fiction!

Over the years I have noticed that characters in science fiction have become more detailed.  The earlier writers in the 1930s and 1940s often produced stories that were more about some aspect of science driving a plot that didn’t require well rounded human characters.  Even the protagonist might be something of a cardboard cutout.  Sometimes this was intentional because the author didn’t care about the characters.  They were merely a means to an end.  They just had to move the plot along to the payoff.

And sometimes this flatness was more a consequence of the extremely limited abilities of the authors to portray normal human speech and actions.  They weren’t good writers.

But the opposite problem is now the case.  There are “science fiction” authors who write “literary” stories that are extremely character driven and psychologically grounded and lavish enormous attention to the interactions of these characters but which do not produce any interesting plot.  So, if your story takes place in a dystopic or utopic future but all your characters do is discuss their romantic problems, I have a hard time thinking of that as science fiction.

It seems to me that a happy medium is what’s needed.  But that is easier said than done.

In my latest story-writing, “The Sniper,” most of the text is taken up with the plot.  There is dialog and interaction and character development but I wouldn’t say it is sufficient.  There are several relationships between the characters that need further development.  But the tricky part is fitting the required dialog into the storyline.  It’s almost as if I’ll need to have two of the characters pinned down together during a battle for them to have the time to say what’s needed.  I remember in Heinlein’s “Beyond This Horizon” there was some such scene that was pivotal for the exposition of the two major characters’ points of view and the resolution of the plot.  The hard part is making it seem spontaneous and not contrived.  Apparently, there is some art to this writing thing.

It’s funny.  Over the years I have developed a taste for some literary fiction.  Specifically, I enjoy well-written short stories.  What I have been toying with is the idea of embedding one or more literary scenes in an otherwise non-literary science fiction story.  There could be a minor scene going on and two characters, possibly neither one of them very important to the plot become involved in a discussion or an activity that has only incidental importance to the plot but which is inherently meaningful and aesthetically interesting.  Of course, that presupposes that I can come up with something that displays those qualities.

With respect to characterization, I intend to go back into my sniper novel and add more dialog to some of the secondary plot lines.  I need to work on my female characters.  I may even try to get Camera Girl’s advice on these.  She is, after all, a girl, so she may have valuable recommendations.  But I fear she may make her characters too ruthless.  Like all barbarians she is inherently merciless

And I still have to decide what I will do with my AI character.  If her creator dies, I’m not sure whether I want her to survive or not.  I had decided that she would suicide.  But I’m growing attached to her.  And I see her value in future stories.  Perhaps death of a parent can be a maturing experience.  She is rather childlike.

In conclusion, the correct amount of characterization in a story is an indication of the balanced writer.  Not so much that the plot bogs down nor so little that you don’t care what happens to the characters.

“All the world’s a stage, and all the men and women merely players; They have their exits and their entrances.”

What’s in the Air

This week the Autumnal Equinox occurs and marks the point where the scales tip in the direction of night over day.  It’s subtle.  We still are enjoying days that have 80-degree temperatures, bright sun and the sound of cicadas and crickets.  But all the summer flowers are dead or dying.  The butterflies are almost all gone as are the hummingbirds.  The frogs still croak at night but their rhythm has slowed to a crawl and their hearts aren’t in it.

In a couple of weeks, the wolfbane will bloom and the short days will give way to frosty nights and the windows will close and the meals will feature oatmeal for lunch and soups for dinner.  And I’ll have to send for the guy who tunes up the heating system (may the Fire god Agni protect our dear furnace).

So indoor activities become more important.  I’ve been reading another book on the ancient DNA results.  It is very trendily named, “Who We Are and How We Got Here” by David Reich.  It has many of the results I have previously read but it made some further clarifications or conclusions.  I also watched a YouTube video that Reich was in.  In this video he made a very interesting assertion.  He said words to the effect that it probably isn’t the case that the Neanderthals and Denisovans went extinct.  Basically, they were reabsorbed in the various successive waves of migration from Africa and the Middle East northward after the last Ice Age.  He is of the opinion that the 2-4% Neanderthal genetic content of non-African humans is probably much higher, more like 10-20%.  And a similar case exists for the Denisovans.  And there may even be other intermediate species or races that we haven’t identified especially where DNA doesn’t survive as well.

Also, he clearly stated that Native Americans are a combination of about 1/3 ancient Siberian (sort of a proto-European group) and two thirds East Asian (e.g., Chinese, Korean, Japanese) ancestry that crossed the Bering Land Bridge in three waves.  There is a hint that a small relict population that includes some Australasian traits (e.g., Australian aborigine, New Guinean) exists in the Amazon rainforest but when and how they got there is unknown.

So, there is all this amazing information including the clarification of how the Yamnaya people from the space between the Black and Caspian Seas used the domestication of the horse and invention of the wagon to expand out and replace most of the inhabitants of Europe and Iran and half the inhabitants of India while spreading their language (Prot-Indo-European) to half of Eurasia and subsequently the world.

But the discouraging part of the book is how much hand-wringing Reich does about the fact that these ancient people weren’t feminists and how the conquerors managed to spread their DNA by having children with the lion’s share of the women of the conquered people.  And then we get the genetics of slavery.  Which is a similar story.  In fact, there is a whole chapter called Genomics of Inequality.  And then there is one called The Genomics of Race and Identity.  So, there is a whole lot of hand-wringing.  Oh well.  There is a lot of interesting results.  You just have to read between the whines.

I’m also reading Hans G. Schantz’s book “The Wise of Heart.”  It’s a reimagining of the Scopes’ Monkey Trial with biological sexuality standing in for Darwinian evolution in an environment where transgender activists have passed laws against stating biological reality.  I’m about a third of the way through and I can see he has carefully studied the courtroom nuances that such a legal confrontation would involve.  I’ll provide a full review when I finish.

And finally, now that the summer has ended, I hope to begin watching and reviewing the classic 39 episodes of “The Honeymooners,” the 1950’s sit-com that Jackie Gleason created.  I’ve always had a soft spot in my heart for this show.  I believe it is the greatest contribution that Brooklyn ever made to western civilization (well, except for, maybe, ringalevio).

And of course, I’m continuing with my outlining of the universe for my epic sf series (WHATEVERITSCALLED).  Believe it or not musing over it actually provides measurable progress in making the choices I need, in order to provide scope and direction to the plot choices I want built into the “world.”  One thing’s for sure.  No xenomorphs in my universe.  Ridley Scott stole that monster from “Voyage of the Space Beagle” but even though that book was terrible it still gave the xenomorph a better showcase.

So, lots of good stuff going on.  Stay tuned.