To Serve Man.  We Need a New Cookbook

All this Heinlein stuff has me thinking about science fiction.  And that’s fine by me.  The current political theater between the Trump administration and the various judges trying to block his orders isn’t something I want to provide a blow-by-blow description of.  Either Trump figures out a way around these obstacles or he fails.  Either way I’ll wait till I can see the outcome.

But science fiction is interesting to me.  From my way of looking at it, science fiction is the dominant form of storytelling in American society and has been for well over a century.  Now this isn’t what literary types believe.  But genre fiction is the dominant form of fiction in this country and science fiction is what fueled the imaginations of young people for most of the twentieth century and still does even in these times of moral rot in the arts.

So, this gives me a chance to talk about my ideas about where science fiction should and will go.  And I think the current direction of technological progress will provide the impetus for where the stories will go.  Currently I don’t think space travel and advances in biology are the topics that garner our attention.  Not to say those things won’t continue to interest people.  But currently the real impact of technology on our lives is artificial intelligence.  But more than just how far AI will go in replacing humans in various aspects of commerce is what this will do to our society.  And more specifically how will humans push back on the people running industry who don’t see this as a problem or at least don’t see it as a problem for them.

Because let’s be clear.  Automation of all kinds has been changing our world for hundreds of years.  An iron foundry displaces ten thousand village blacksmiths.  An automobile factory and a gas station in every village eliminates the need for train stations across the country and all the people who worked on them.  Every innovation in technology displaces the human beings who supported the previous version of “how things are done.”  But this latest innovation wants to replace the most important attribute of a human being; his ability to think.  His ability to create intellectual property.

And that’s a revolution.  And I think, that’s what science fiction will want to talk about.  Of course it’s been talking about that for decades.  On the hackiest level, that’s what the Terminator movies are all about.  The machines are going to get rid of us.  So are the Matrix movies.

But I think more nuanced portrayals of how AI will affect humanity and how humanity can affect the roll out of AI are what is needed and what will be interesting to people.  Now far be it from me to denigrate the fine work that Arnold Schwarzenegger and Keanu Reeves have done to enlighten the human population to their imminent danger at the hands of sentient machines.  I know that I’m always on the lookout for Austrian bodybuilders sporting gatling guns or déjà vu black cats crossing my path.

But what seems to me to be needed is a way to make AI healthy.  Currently, everything about our on-line existence is harmful to us.  It’s some combination of anti-social, irritating and stultifying.  It’s making our lives worse.  And that doesn’t seem to be accidental.  It seems to be a feature of the algorithm.  It almost seems like an anesthetic meant to keep us groggy and confused.

I think science fiction should be focused on rethinking how this ultimate technology has to be forced to work for the benefit of humans instead of as a rat poison to finish us off.  So that’s what I think.

Guest Contributor – Tregonsee – 24MAR2025 – Heinlein Juveniles

Hmm reording in my preference

Have Space Suit—Will Travel (1958)
Citizen of the Galaxy (1957)
Starman Jones (1953)
Time for the Stars (1956)
Farmer in the Sky (1950)
Tunnel in the Sky (1955)
The Rolling Stones (1952)
The Star Beast (1954)
Space Cadet (1948)
Rocket Ship Galileo (1947)
Between Planets (1951)
Red Planet (1949)

And yes Space Nazis is silly NOW but it was written in 1947 and so is a reasonable period thing. That said it still is a bit of a loser as a story:-) . Have Space Suit is clearly the best of the best. I read both Between Planets and Red Planet, but other than the Venusian Isaac Newton I remember little. For a Heinlein piece of writing that tells me it was unremarkable (although likely superior to many “Hugo” award winners since the early 2000’s)

As to Starship Troopers that is a special case and I need to recuse myself from that judgement. You see it was the first Heinlein I read when I purchased it for 75 cents at a book fair in 6th grade. So I did read it in the time period for a Juvenile. It certainly has many of the Heinlein juvenile tropes with a just out of teenage protagonist (The literary types if they deigned to read Heinlien might call it a Bildungsroman). There is NO sex and perhaps a little romantic/sexual tension.

One might argue that Starship Troopers being an intentional polemic to duty is of a larger import than the Juveniles, and yet Have Space Suit deals with the complexities of who rules and how they rule with Three Galaxies, Citizen of the Galaxy takes on slavery and the fact of people ignoring it for their own profit, Starman Jones deals with the issues of having cheated to break out of an unfair system and the consequences (admittedlythey DO get Deus ex Machinaed out of the way), I can’t say I wouldn’t give Starship Troopers to a young person (Having myself benifitted from it although the powered armor was more of interest than the politics to a 6th grader). And it sits closer to the Juveniles in style and feel than either Stranger in a Strange land or The Moon is a Harsh Mistress. If I must put it in the Juveniles it goes before Have Space Suit. But as I noted I am biased and one never forgets their first love.

As a separate issue should Podkayne of Mars be in this list. It is an oddball (and not published for the same publisher) but yet other than a female protagonist it certainly fits the mold as well as Starship Troopers.

The Juvenile Novels of Robert A Heinlein – A Short Discussion

I had so much fun with the Heinlein short stories that I’m rolling into the Heinlein juveniles.  I think many people understandably feel that the juvenile novels may be Heinlein’s best work.  I confess I’m of two minds about that.  They have different properties and leave room for adult novels to show their quality in a different way.

But let’s see where we can go with these stories.  I think I’ll rank them best to worst according to my incredibly sensitive literary faculty.

 

Have Space Suit—Will Travel (1958)

The Rolling Stones (1952)

Farmer in the Sky (1950)

Starman Jones (1953)

Citizen of the Galaxy (1957)

Tunnel in the Sky (1955)

Red Planet (1949)

The Star Beast (1954)

Space Cadet (1948)

Time for the Stars (1956)

Between Planets (1951)

Rocket Ship Galileo (1947)

 

I’ve left out Starship Troopers (1959) because although Heinlein included it in his juvenile series.  I think it’s actually one of his adult stories.

Now my order is obviously idiosyncratic and to be perfectly honest most of the stories are fairly equally good so it’s a very rough sorting.  I did put Rocket Ship Galileo last because now, space nazis do seem a bit silly to me.  But at the time the story seemed just fine to adolescent me.  Maybe depending on the day “Tunnel in the Sky” and “Citizen of the Galaxy” could switch places on the list.  And maybe a few other ones too.  But let’s go with this.

The only story that I think I can objectively hold up as accurately ranked is my first choice, “Have Space Suit—Will Travel.”  I think Heinlein did excel his usual juvenile story here.  The protagonist, characters and plot devices are especially enjoyable and I can say even now, a sequel or two in this universe might be a fun read.  Who knows, maybe one day I’ll contact the Heinlein estate to find out if they have any provisions for making that part of his intellectual property available to “respectful” collaborators.

I gave copies of all these books to my grandsons as soon as they were old enough to read.  I consider them excellent company for growing boys.  Just looking at that list of names makes me think of picking up “Starman Jones” or “The Rolling Stones” just to relive the feeling of reading them for the first time.  They are each a touchstone to a very happy time in my life when the local library had a whole shelf of these Heinlein stories just waiting for me to read them and move onto the next one.

One other word on these books.  Of all the books, I think “Between Planets” was the only one I never reread.  I remember it took place on a Venus that was tropical in climate.  There was a Venusian named Sir Isaac Newton, I believe, but I don’t remember very much else about the plot other than some kind of interplanetary political intrigue.

So, what is your order of excellence?  And what is your rationale?  And where exactly do you stand on the “Starship Troopers” question?  And what is your opinion on space nazis.  Leave your comments in the comments section below.

Short Stories of Robert A. Heinlein – A Short Discussion

For some unknown reason today, I was thinking of Heinlein’s short stories.  Heinlein was probably as well known for his short stories as for his novels.  I guess my first exposure to this part of his work was when I got a copy of the Green Hills of Earth.  And even as a dopey kid I could tell that Heinlein’s stories had a more polished and professional feel to them than many of his contemporaries.  His stories of the early days of human space flight sounded as if he had been there.  Maybe it was his engineering background.  He made something like a lunar construction site sound not only plausible but almost mundane.  Dealing with the pressure loss from a moonquake (“Gentlemen, Be Seated!”) sounded like something that you would be reading about in a newspaper story someday soon.

One that captured some of the consequences of subjecting humans to the rigors of Heinlein’s “torch ship” technology was “Skylift.”  A pilot runs a virtual suicide mission to reach Pluto with medical supplies in time to save the inhabitants of a research station from a plague.  Surviving multiple g’s of acceleration for an extended period is highlighted in this adventure story.

Of course, some of his short stories were of an entirely different sort.  One somewhat tongue in cheek story (“And He Built a Crooked House”) purports to describe what might happen if an architect built a house in the shape of an unfolded tesseract and then a California earthquake strikes and folds it up.  Very ridiculous but I think quite entertaining.

Then there’s one that could have been used for a Twilight Zone or Outer Limits episode (“They”).  A case of paranoid delusion but with a fun twist.

And of course, it wouldn’t be Heinlein without his tribute to robber barons in space, Delos David “D. D.” Harriman and his dream of putting a man on the moon (“The Man Who Sold the Moon“) and then his tragic finale (“Requiem“) when he tried to go there himself.  I always thought it was a nice touch using Robert Louis Stevenson’s epitaph for Harriman.

Under the wide and starry sky

Dig the grave and let me lie:

Glad did I live and gladly die,

And I laid me down with a will!

 

This be the verse you grave for me:

Here he lies where he longed to be;

Home is the sailor, home from sea,

And the hunter home from the hill.

 

I picked six of the stories I think of as vintage Heinlein.  I probably could include another dozen if I wanted to make this post overly long.  But I’ve included the list of Heinlein’s stories in case anyone wanted to pick their favorites for the comments section.  Enjoy.

All You Zombies Elsewhen Let There Be Light My Object All Sublime Solution Unsatisfactory
And He Built a Crooked House Free Men Life-Line Nothing Ever Happens on the Moon Space Jockey
A Bathroom of Her Own Future History Logic of Empire Ordeal in Space A Tenderfoot in Space
Beyond Doubt Gentlemen, Be Seated! The Long Watch Our Fair City They
The Black Pits of Luna Goldfish Bowl Lost Legacy Poor Daddy Waldo
Blowups Happen The Green Hills of Earth Magic, Inc. Project Nightmare Water Is for Washing
By His Bootstraps Gulf The Man Who Sold the Moon Requiem —We Also Walk Dogs
Columbus Was a Dope “If This Goes On—” The Man Who Traveled in Elephants The Roads Must Roll The Year of the Jackpot
Coventry (short story) It’s Great to Be Back! The Menace from Earth Searchlight
Delilah and the Space Rigger Jerry Was a Man Misfit Sky Lift

 

To Be or Not to Be a Barbarian

Just when I think Leftists can’t get any more un-American they say, “Hold my soy latte” and show us just how miserably wretched they truly are.  Up here in New England one of the states (it doesn’t matter which one) is debating a bill to mandate 100% voting turnout for all elections.

Now I don’t know the details.  I don’t know how they’ll guarantee that the dying and the late-stage dementia patients are forced to vote.  I’m guessing if you don’t show up the ballot gets filled out for you by the Secretary of State.  I think they’re calling it the 100% Democracy Bill or something brilliant like that.

This sounds like a joke from our side; just a way to make fun of the leftist tendency to dictate behavior for “people’s own good” but this is actual legislation that’s currently under debate.  Actual politicians in this part of the country think this is consistent with the American constitution.  Well, all I can say is these people are insane.

But they’re also running the show up here.  The insanity is baked deep into everything they think and do.  They don’t realize how this looks to people on the outside.  This is so close to North Korea and Sadaam’s Iraq where “free elections” end up with the dear leaders garnishing >99% of the vote every single time.

Well, that’s enough about that.

I was thinking today about the definition of literary science fiction.  I guess it’s any science fiction that has enough character development and enough verisimilitude to the way real people act and talk and feel to convince “serious” literary critics that your story is literature and not entertainment.  I guess it has to be in some sense “real.”

Unfortunately, I understand that what it’s mostly become is racial and sexual grievance screeds very unconvincingly disguised as science fiction.  So outside of a specific population of people primarily dedicated to reading such stuff it’s not going to very interesting to most of the human race.

But putting this political sub-genre aside what is the difference between genre fiction like science fiction and fantasy and actual literary fiction?

Well, I think that’s still quite subjective but I get the point of some of the criticism of some genre fiction.  The story can be so stereotyped that the action feels cartoonish, the characters are one dimensional and the dialog is completely predictable.  I can think of some pulp stuff that seems that way now.  But by the same token, there are literary “masterpieces” that have long stretches of boring plot where nothing much happens.  And even the most widely hailed protagonists can have whole chapters where the story drags and the dialog is meh.

So, what’s the calculation?  Can a pulp story have 95% of the story composed of space opera and still be “literature” if the author gives the hero a scene full of heartbreaking humanity and emotional conflict?  Sure, we’re not expecting Conan the Barbarian to break into a Shakespearian soliloquy when one of his comrades is skewered by a neolithic monster.  But if you write a story that has an interesting plot surely there is no shame in trying to make, some of the characters at least, recognizably and honestly human.

Now, I’m not thinking about Hamlet showing up in any of my stories.  But Macbeth might as well be a medieval urban fantasy story.  It has witches and magic and ghosts.  Just because it’s in iambic pentameter and has “thou” and “thee” scattered around in it doesn’t make it any less a crime drama.  So, who’s to say that a genre novel can’t be legitimate literature?

Just something I was thinking about.

18MAR2025 – How the Week is Progressing

What’s to say today?  I guess the most interesting news event is Musk’s Space-X stepped in and brought the astronauts stranded on the International Space Station home after Boeing stranded them there six months ago.

There’s something ironic in this situation.  Boeing has been in the news for the last year because of defective aircraft that many have associated with DEI based hiring practices.  And now Space-X; an Elon Musk company that prides itself on merit-based hiring, steps in and solves a frightening situation with a can-do approach to space flight.  It’s like watching the two approaches to hiring compared face to face before our eyes.

I guess the other big story is that lousy judge trying to block the deportation of Central American gang-bangers by the Trump administration.  Afterward Trump said he should be impeached.  And so Chief Justice Roberts opens his big mouth and says that precedent doesn’t call for impeachment on a difference of opinion on a judge’s ruling.

As if that were what is going on.  These slimy leftist judges will stall and block everything the Trump administration wants to get done for the American people.  We will see this for the next four years.  If Roberts wants to be at all useful, he should expedite all requests by Trump’s administration to have these phony judges’ decisions reviewed by the Supreme Court and allow Trump to fix all these problems.  Of course, impeachment will never solve the problem.  We would need a supermajority in the Congress.  What we need is the Supreme Court to provide constitutional review of these awful decisions.

Today I finally got a handle on the impasse I’ve been wrestling with in finishing my book.  What I need is a good crisis/resolution to reach the endpoint.  So here is a situation where you know where you want to end up but there needs to be a struggle to make it feel satisfying.  But I don’t need another physical battle.  I need a popular revolt.  And I think I’ve figured out an angle.  I think I’ll withdraw the consent of the governed.  I’ll have a national guard unit revolt and then let it cascade across a state and then across the country.  Now I have to figure out the dramatic details.  I’ll have the national guard unit refuse to hand over my protagonist then when the Army wants to send in regulars, I’ll have the governors of the four states where Connors people are located close ranks with all of their national guard troops to deny the arrest.  And then I’ll let it swell from there.  That seems pretty good.  After that I’ll let the newly appointed president convene a Constitutional Convention to begin cleaning up the mess that the Deep State has caused.  And that will give me a nice breakpoint to allow my protagonist to be pardoned by the president.  And more than pardoned, exonerated.  And then I can allow him to ride off into the sunset which is something I’ve been thinking about for a while.

So that’s what I was doing today.  Thursday will be a long day when I’ll be working on stuff I hate.  But that’s life.  I have one of the grandsons coming over Saturday.  That should be fun.  Apparently, he’s voted for spaghetti and meatballs and mint chocolate chip ice cream.  So, I’d better do some extra time on the rowing machine this week.  But maybe I’ll burn some of that off with a baseball catch.  I hope my shoulder is still functional after a winter of chopping ice.  I wonder what movie he wants to watch?  I hope it’s “The Return of the King.”  I haven’t seen that one in a while.  I think the “Ride of the Rohirrim” is about due.

Well, that should be enough for now.

That’s Entertainment

Over the course of three thousand years of western civilization, storytelling has transformed from an oral tradition of poet/rhapsodes reciting mythological epics like the Iliad and the Odyssey at religious festivals to information age books read on an electronic page or listened to from an audio-file.  I find it interesting that the Greek epic poems are approximately the same length as a typical modern novel, something between one and two hundred thousand words.  Reciting the whole poem at a festival would take up week’s-worth of listening.  That’s comparable to the time it takes to read a book.

Now for shorter subjects, the Greeks had the drama.  A play by Aeschylus, Sophocles or Euripides was just an hour or two of the viewer’s time.  Pretty similar to a Shakespearean play and interestingly enough, the amount of time that a motion picture usually takes to watch.

Does this mean that human beings inherently absorb story telling in these lengths of time?  I can’t prove that assertion but you know, a three-hour movie starts to get to be a bit much for one viewing.  And a four-hundred-page book better be damn interesting or it also begins to wear out its welcome.

So maybe our entertainment has been standardized to suit our mental, emotional and physiological parameters.  Humans have a limited attention span.  We also tire after a certain amount of time sitting or standing watching something.  Also, hunger, thirst and the realities of hydraulic pressure eventually force us to interrupt even the most fascinating entertainment.  To ameliorate these considerations, movie theaters are equipped with a snack bar and restrooms.  But dramatic interest will begin to flag by the third hour.

So, I’d say we’re programmed for these lengths of entertainment products.  Whether it’s Oedipus Rex, Hamlet, The Good, the Bad and the Ugly or The Lord of the Rings at some point you either come up for air or you fall asleep.  And similarly with a book.  There have to be chapters or groups of chapters that allow for the reader to put the book down and come back to it later.  It needs a punctuated progression.  The action must go through a series of starts and stops.  It needs a rhythm to the action, a flow.  And if the rhythm isn’t right, the story doesn’t work because the reader is jarred out of the spell of the story.

You may be wondering what this post is about.  It’s a transcription of an internal dialog I’m having with myself.  I’ve been rereading my story and some sections seem choppy to me.  Some of the transitions from one chapter to another just don’t flow.  So, to make myself feel better I’m imagining Homer sitting in his office in downtown Mycenae and wrestling with the transition between the story of the cyclops Polyphemus and the Island of Aiolos.  He’s plucking the strings of his lyre and thinking, “This Aiolos story is really boring compared to all the excitement of the cyclops.  It needs something to punch it up a little.  Maybe I can include some more man-eating giants again.  No, wait, that’s stupid.  There can’t be man-eating giants on every island.  That’s just lazy.”  I totally feel for him.  The epic poetry-listening public is easily jaded.  They demand good writing (or singing).  Ah, the vicissitudes of the epic Muse Calliope.  Like all females, she is fickle.  Well back to the grindstone.

Nature Finds a Way

In this creepy world we live in where children are targeted by “educators” to redefine their genders and pushed away from the behaviors and activities that they enjoy it’s hardly surprising that things like adventure books for boys have essentially disappeared.

Of course they’ve vanished.  All the authors are women and they have to toe a very definite line if they want to be published.  You can’t have adventure for boys.  You can’t leave the girls behind.  You can’t even have them following along.  They have to be in charge.

So, boys stopped reading books.  Instead, they went to superhero and Star Wars movies.  So, what did the movie studios do then?  They hired female directors and studio bosses and turned the Jedis into girl-bosses and turned Captain Marvel into a girl, of course.

So now the boys are giving up on superheroes and concentrate on video games.  And of course, the game manufacturers are feminizing and queering the video games.

You see the pattern.

Now, there is the flip side of this progression.  First the book industry began to fail when the publishing houses dictated a leftist and feminine slant to books.  No one bought their books.  Now the movie studios are foundering because even their summer blockbuster superhero movies are tanking.  If the video game makers succeed in eliminating the things that males enjoy in video games, they will kill the goose that lays the golden eggs.

So far, the trend in entertainment has been all in one direction; female.  And the trend in their fortunes has also been all in one direction; down.

Well, I think that is beginning to end.  There is a development in the world of entertainment that seems to be diverging from the pattern.  And it even involves elements of each of the media I mentioned above; books, movies and video games.  And it involves the part of social media that I found the least promising; “influencers.”

Apparently teen-age boys and young men are finding community inside the YouTube channels of influencers who write fan fiction around some popular video games.  These sites have tens and even hundreds of millions of viewers.  And the clout that this kind of following produces even allows these influencers to have their stories turned into movies.  Think about that.  Some guy who writes plots around some popular first-person sci-fi video game can get a movie made from his stories and it has a built-in audience of millions.

Look at how this short circuits the whole woke female industrial complex.  You avoid the woke publishing industry, woke movie industry and woke video game industry by tapping into a ready built audience of young men and boys looking for adventure and violence.  As Jeff Goldblum’s character, Dr. Ian Malcolm said in Jurassic Park, “Nature finds a way.”

I find this both fascinating and encouraging.  These kids have broken out of the feminist struggle session hell of modern entertainment and escaped into the wild.  That is an immensely encouraging thing.  And if it continues to advance it will wipe out the alternative.  No one wants to see Girl-Boss Jedi Knights making the universe safe for middle aged lesbian Jabbette the Hutt.  No one will pay to see She-Hulk bust out of her clothes and rampage through Manhattan’s theater district to catch a performance of Hamilton.  No boy wants to play a video game where his character has to be in drag.

Of course, the powers that be may try to squelch this latest attempt at non-feminist entertainment.  But at this point even Google is probably seeing which way the entertainment dollar is moving (and where it’s not).  I could be wrong but I think there may finally be a reaction brewing in the entertainment world.  And it might be that the future isn’t female.

Plotter and Pantsers

Here on the other side of the bright line of demarcation that is the post-2024 election decision I selected outlining the plot of my poor neglected novel “Sniper” as this morning’s project.  Last night was a long planned and greatly enjoyed family party celebrating Princess Sack of Potatoes’ sixth birthday.  It was a good-sized gathering of about thirty people and featured the Princess’s food of choice; multiple versions of pizza.  Now I personally do not believe that something called “mac and cheese” pizza could actually be considered pizza.  It is an abomination in the same league as anything called pizza that contains pineapple.  But I am a tolerant man.  If the children demand mac and cheese pizza then so be it.  I found a giant box that contained something that was garnished with sausage and pepperoni on it and so I was content.  And I even managed to introduce the grandchildren to a small snippet of the classic W.C. Fields movie “It’s a Gift” before it was drowned out by the torrent of talking that erupted when their parents followed us upstairs after the majority of the guests left.  Well, I’ll just have to wait for an opportunity during the Thanksgiving or Christmas holidays to screen that cinematic gem for their viewing pleasure.

And because that gathering ended late, I had no time to look around for a theme for last night’s post.  And honestly, I was exhausted.  And if I had tried to post something in that state it would have been stale and derivative and a waste of everybody’s time.  And in this new regimen of mine that is anathema.  I’ll write when I have something I want to say.  And when I don’t, I’ll work on my projects.

And getting back to the theme of this post, my project for today is to review “The Sniper” holistically and identify plot line and character development and quality issues that need to be worked on.  And come up with an outline for the whole story and an outline for the series of stories in this “universe” and then a plan for completing this novel this winter. And then scheduling this work to be finished by some reasonable date.

And this is exciting for me.  It’s an intellectually interesting process that I’ve never tried before.  Up until now I’ve been what’s called a discovery writer or more colloquially a “seat of the pantser” or just a pantser.   This is the opposite of an “outliner” or a plotter.  A discovery writer just sits down and starts writing based on some idea or even just a gestalt of a story and keeps writing and let’s the story write itself without any direction from the author’s conscious mind.  I’ve always done this.  The positive side of this process is that the author’s natural creative instincts are in control and many exciting characters and plot events bubble up.  It is the natural method for producing realistic dialog and emotional insight into the characters.  The negative side is that the story direction is kind of random and you very easily can paint your story into a corner that can only be fixed by a massive re-write which is lethal for story-telling and for the morale of the writer.

And as someone who has run up against this dead-end scenario several times, I have decided to make the effort to do a formal outline and learn the skills it takes to plan my story in a disciplined way so that it won’t fly off the rails at the end and cause me massive mental anguish and confusion.  If I find that working on this outline is interesting, I’ll probably write more about and might even consult some of the sci-fi fans in the audience for their opinions on some of my story choices.

So here I go.

More Than Meets the Eye – Part 3

The bank branch of the Farmer’s Credit Union and Loan nearest “Grid 19” was open for business on a Tuesday morning when a convoy of black SUV’s rolled up in front of the building and a phalanx of men in dark suits and sunglasses marched into the building and converged on the manager’s office.  A security guard intercepted them and was shown some very high-powered federal credentials that backed him right down.  The manager was handed paperwork that required him to begin providing access to all of his files, account data and any other damn thing the feds decided they wanted.

At approximately the same time a similar invasion was occurring at the headquarters of that bank.  And the man heading up that raiding party was from the Justice Department and he wasn’t interested in uncovering some scam that the IRS would be adjudicating.  He was interested in a conspiracy.  He demanded and received access to all transactional data for accounts that were deemed to be colluding in a price fixing conspiracy to control commodity prices throughout the United States.

The president of the bank was a mild-mannered fellow who was basically scared out of his wits and agreed to cooperate as thoroughly as humanly possible but he assured the official that he had no idea what they were talking about.  His bank wasn’t a high-powered financial behemoth.  They were strictly small potatoes.  And after a few weeks of digging through the bank’s accounts, transactions and files they found precisely nothing.  All of the payments were between the private individuals that bought and sold the farm products.  The bank had no control over prices or quantities.  There was no commonality between these transactions and the bank other than the money passed in and out of their accounts.

The Deputy Assistant Attorney General who was overseeing the investigation read the report he had received from his flunkies and shook his head.  This was not going to be well-received by his boss.  He now regretted having allowed himself to be convinced that his old Harvard Law School buddy Dex Hastings was onto something big with this price fixing conspiracy.  He called up Hastings, “Hey listen, Dexter, make sure the next time you have a tip on a conspiracy theory just call up Morning Joe instead.  You can’t have price fixing when the individual prices are up and down all over the map.   I can’t waste a million dollars auditing some penny-ante flyover-country bank looking for super-villains.  Some of us have to work for a living.”  After that he felt better.  But then he wondered if Hastings would still invite him to his summer party on Martha’s Vineyard.  After that he felt worse.

Dexter Hastings got off the call from Washington and he was incensed.  His friend in Washington had insulted him, his dashboard had that red flashing light which the CEO would slam him for and he still hadn’t gotten to fire Barry Carver for his insolence.  This was turning into a hell of a week.

Just then he received a text to report to the C-Suite.  Arriving, he saw that the executive board was assembled and Dexter nervously entered the board room and took a seat at the far end of the table.  Eventually the matter under discussion was resolved and the CEO, Jim Hatcher turned to him smiling and said, “Dex, we’ve been discussing your project.  It seems that wheat just isn’t going to recover soon enough for us to put your plan into action.  We’ve decided to reallocate the capital to another venture.  We’ve had an offer from Typhon Industries to buy up your entire portfolio in the Midwest.  We’re going to have to take a bit of a haircut to get him to take the whole lot but we’re just champing at the bit to pick up that Korean Biotech firm with the hair restoration patent.  I’ve heard it’ll be worth a trillion dollars over the life of the patent so how can we resist.  I’m sorry we won’t be able use you anymore but you know how these things go; here today gone tomorrow.  But we’ve got an excellent package set up for you, I hope.  So, buck up.  You’ll surely bounce back from this.  In fact, if you’d like I’ll put in a good word for you with Typhon Industries.  Who’s that fellow, Paul Connors?  I hear he’s a strange duck, but any port in a storm, as they say.  Well, that’s all Dexter.  See you around the Vineyard next summer, maybe.”

Paul Connors was sitting at his desk, looking at what liquidations he could expedite in order to make the land purchase from Bay Holdings.  He would be forced to sell an embarrassing amount of gold and platinum group metals on the international markets.  It would necessarily depress the prices but more problematically it would draw too much attention to commodity holdings that would be difficult to explain.  For these metals hadn’t been purchased they’d been mined.  And having to account for his mineral holdings would raise too many questions that he could not afford to answer.

Just then a deeply encrypted link appeared on his desktop.  Opening it he saw the face of his most valuable operative, Cutter.  The bearded face looked only slightly worried which Connors took as good news.  “What’s the word Cutter?  Will the gestapo be busting down my door this week?”  Cutter shook his chin, “No, not this week.  You lucked out.  That nitwit Hastings sicced his equally stupid friend in the Justice Department on the poor guys in the bank.  And since they know exactly nothing about our operation, that’s exactly what the feds learned.  We dodged another bullet.”

Connors smiled weakly, “How many more will we dodge?”  Cutter looked down, “Better assume that was your last break.  We’ve got to have a plan to deal with the day after tomorrow when some bright young man kicks over your Potemkin scenery and exposes your operation.”

Connor stopped smiling, “Do I declare war on the United States?”  Cutter looked at him with a glazed expression and said, “Yeah, more or less.”