Category: Book Reviews

Insightful book reviews by our staff

Some Thoughts about Philip K Dick

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I was listening to an interview that Philip K Dick (PKD) made back in May 1979.  Now I’ve never read any of his stories.  Of course, I’ve seen Blade Runner and I have heard him described as one of the best science fiction writers of all time so I’ve always meant to get ahold of a few of his books and read them but between work and wife and kids and life I’ve just never had a chance.

So, when I saw this YouTube audio-file I listened to it.  It’s two hours long and some of it is kind of hard to believe.  But it is extremely interesting.  I would say PKD was a very intelligent man but I’m pretty sure his grasp on reality was extremely tenuous on certain subjects.  He believed that at one point he was possessed by some kind of spirit or intelligence that controlled him and fixed a lot of his financial and even health problems.  And listening to him describe this chapter in his life it’s hard not to assume that either he was dealing with some kind of split personality or he was suffering from schizophrenia.

Now based on what I’ve read about PKD’s fiction he was intrigued with the idea that reality wasn’t what we think it is.  That different people experienced radically different perceptions of reality and maybe none of these perceptions were particularly accurate.  And so, with this type of belief I could see how he might accept versions of reality that most people would find absurd.

Now, in the audio-recording he is asked by the interviewer about his use of drugs and their impact on his mind and writing.  PKD goes to great lengths to deny that he used LSD more than once.  He claimed that the drug he abused was an amphetamine that he used to be able to produce prodigious amounts of fiction writing.  The implication was that his drug use did not affect his writing by altering his mind.  And maybe this was true.  But listening to this man I got the distinct impression that even if LSD wasn’t the source of his delusions, that he was indeed substantially untethered from reality in a lot of his beliefs about the world around him.  In short, I think he was in some sense insane.

So, how does this jibe with his undeniable creative talent?  I think that both these things can be true at the same time.  Look at Vincent van Gogh.  He was undeniably a creative genius in his field of art but he was also a tortured madman who finally killed himself to escape his mental anguish.  So, whether PKD was driven insane by his drug use (of whatever substances) or whether his mind was damaged for whatever other reasons there might have been, his grasp on reality (or lack thereof) did not stop him from producing very entertaining science fiction.  And perhaps it was his delusions that actually made his stories so interesting.  Strange man.  Well, I’ll start with “Do Androids Dream of Electric Sheep?” and see how I like it.  Maybe I’ll read some more.

How Do You Get to Carnegie Hall from Here – Practice, Practice.

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Dystopias seem to be the dominant science fiction type in the last decade or two.  And the dopiness of the ones ending up on the large and small screens doesn’t encourage much hope in the genera.  We have the ever popular “Handmaid’s Tale” that bangs away at the female victim of the evil patriarchy trope.  And then there’s the “Hunger Games” which I suppose reflects the idea that somehow resources on Earth are about to collapse and a zero-sum game will emerge where we all will be fighting for our lives to get a loaf of bread.  Wow!  Who knew science fiction could be so much fun?

I’ve recently heard that horror is becoming a big genre with young men (apparently written stories and video and also video games).  But that doesn’t alarm me.  I think this is wrapped up with the popularity of video games and I think that is more a matter of the desire to work through puzzles and shoot monsters with guns (which is always a good thing!).

I have a theory that the current science fiction publishing model will not endure much longer.  I don’t think they can make enough money from selling romantasy porn and feminist dystopia much longer.  Of course, it’s possible that AI writing will completely destabilize all fiction writing.  In that case the whole thing becomes academic.  That would leave us just downloading AI slop at virtually no cost.  But either way the world will be changing to resemble nothing like what we old-timers remember from the before time when books were an industry and grammatical sentences actually existed.

Of course, this is a hell of a time for me to become an author.  But in a sense, it may be the best time for me to write.  The barrier to getting published doesn’t exist.  The only barrier is figuring out a way to let the reading public know my book exists and what it’s about.  But that’s far from a trivial problem.  Key words and algorithmic search engines and Amazon ad management are complicated and confusing topics and I’ll confess that I know next to nothing about any of that.  But I’m slowly picking up some practical and painful experience.

For instance, so far today my Amazon ads have 23,417 impressions.  I believe that means, that number of people had the chance to see my ad on the search pages they viewed on Amazon.  Out of those thousands, only 16 people clicked on my ad.  Out of those 16 people only two bought my book (e-book version).  And that was with the e-book discounted to $0.99.  So, there was $1.98 worth of sales.  Of which I only get 30% (~$0.59).  Now currently the cost per click is $1.71.  Which means so far today I’ve been charged 16 X $1.71 = $27.36!

Obviously, this isn’t the way to become rich through writing.  But it is a very educational exercise to understand how the current self-publishing model leaves quite a bit to be desired.  But I still have few more ideas to try before giving up on my dream of becoming the next great science fiction author.  Excelsior!

The Big Sleep by Raymond Chandler – Some Observations on the Book

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So, I had so much fun comparing the book and movie for “The Thin Man” that I to read Chandler’s “The Big Sleep” so that I could compare it to its movie too.  And once again I’m reading it from the Library of America edition that I already have.  The book came out in 1939 and the movie in 1946.  The pre-war and post war difference probably is significant.  But we’ll just leave that alone.

And let me state for the record that this review is full of spoilers.

First off, I’ll state for the record that although I’ve always enjoyed the movie immensely, I found the book much more interesting and satisfying as a story.  The biggest difference between the book and movie is the characterization of the Sternwood daughters Vivian and Carmen.  In the movie the role of Vivian is a mostly sympathetic character who becomes the love interest for the Marlowe character.  But in the book, she is almost as reckless as her unbalanced sister Carmen.  And whereas in the movie Carmen is an exhibitionistic spoiled woman-child in the book she is truly psychotic.

And allowing the Sternwood daughters to be pathological individuals they are, simplifies the details of the story that in the movie have to be sanitized in order to fit the Hays Code.  So, we can be told that Geiger’s “book store” lent out pornography to its customers and Carmen was being photographed naked by Geiger at the time when the Sternwood chauffer came in and killed Geiger and stole the exposed film of Carmen.  And so on with other parts of the story that don’t make sense in the movie because the seediness of the plot elements prevented their being openly stated instead of subtly implied.  So, we don’t have an explicit statement that Eddie Mars is not only aware of Geiger’s racket but also uses it to blackmail customers.

But the biggest difference between the two versions of the story is the disappearance of Rusty Regan (called Sean Regan in the film).  At the end of the movie Eddie Mars claims he saw Carmen kill Regan.  But because Mars didn’t even know what Carmen looked like Marlowe seems to reject this version of the facts.  This leads the audience to believe that Mars had Regan killed by Canino out of jealousy over Mars’ wife’s relationship with Regan.  But in the movie Marlowe suspects Carmen of the murder and he tests the theory.  After he had rejected Carmen’s sexual advances one night, the next day he tests her sanity.  He returns her pistol and tells her it’s loaded and she asks for him to teach her how to shoot.  After leading Marlowe to a secluded location, she uses the opportunity and angrily fires all six shots at him.  Of course, he had the gun loaded with blanks and after disarming her she goes into an epileptic fit.  And after bringing Carmen back to the house to receive medical attention Marlowe tells Vivian that he knows that Carmen must have murdered her husband after a similar refusal by Regan to sleep with her.  And Vivian admits to the truth of the killing.

I find this a much more satisfactory ending.  We’ve been shown the Sternwoods as a very sinister and dysfunctional clan and the idea that Vivian is somehow a sympathetic or admirable individual despite all the evidence to the contrary just rings false.  Chandler’s story is a grim tale that lacks the happy ending of the Hollywood movie that pairs Bogart and Bacall as a romantic couple.  But it’s a better ending and in my opinion much more satisfying.

Ay, There’s the Rub

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Lately there has been an enormous storm of controversy about AI being used in fiction writing.  Recently it came out that a self-published story that became quite popular was subsequently picked up by a major publishing house and re-issued with the full weight and authority of this powerhouse including professional editing and a new cover.  But then someone looked closely at the self-published edition and saw that not only was it significantly different from the professionally published edition but that the original was obviously a product of AI.  Now, that caused a firestorm and the publisher withdrew the book permanently.

But a cloud of questions swirl around the affair.  Surely the editors who revised the self-published edition must have recognized that they were dealing with a product of AI writing.  Why would they have purchased this title.  It’s assumed the reason was because the book had already found a ready audience and so the motive was monetary.  But there are other factors.  The authoress Mia Ballard is African American and Native American.  In other words, in the world of intersectional identity bingo she was a three-fer!  And so, she was exactly the kind of person that Hachette wanted for their imprint.  But there still remained the fact that she got a bot to write her story.  And that someone blew the whistle on her.  Of course, she claimed that it was an editor who added the AI sections and what she had written was her own.  Oh boy, that’s gonna be a bunch of lawsuits (or it’s just talk that won’t go anywhere).

Of course, the editors are defending themselves by saying that AI detection programs are far from infallible and so they aren’t to blame.  But supposedly the content was pretty obviously terribly written.  Of course, that really makes it interesting that the self-published book was such a hit on Goodreads with over four thousand reviews.  And that would once again jibe with the idea that the “bio” of the writer was one of the big reasons the book was so popular.

The whole scandal seems to show just what a mess the publishing industry has gotten itself into with identity politics becoming the most important factor by which authors and storylines are selected by big publishing houses for their imprimatur.  I guess the same problem is playing out with books that Hollywood is suffering from with their heavy-handed woke propaganda pictures.  People are staying away in droves and the monetary losses have finally gotten so severe that they’ve been forced to drop most of the woke plot elements just to lure paying customers back to the theaters.

Well, now that I’ve had a taste of what it’s like to self-publish a book I can say that a large part of the satisfaction in writing a book has to be because the author enjoys his creation.  Other than the one in a million phenom that finds the sweet spot in the self-publishing universe everyone else is talking to a small audience and in my opinion the only real failure is if you know that your book isn’t good enough for you yourself to read it for pleasure.

But how soon before AI slop is better than Shakespeare?  Ay, there’s the rub.

The Thin Man by Dashiell Hammett – Some Observations on the Book

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Someone my age or older if he is familiar with Hammett’s story, “The Thin Man” probably has only seen the 1934 film with William Powell and Myrna Loy as Nick and Nora Charles.  And as I’ve reviewed elsewhere, it is a fantastically entertaining movie made up of equal parts comedy and murder mystery.

I have a copy of the Library of America volumes for Dashiell Hammett and for whatever reason this past week I decided to read the short novel that the movie is based on.  And to start with I’ll say I wasn’t disappointed.  It’s a good story and well written to entertain the reader with vivid characterizations and plenty to keep your interest piqued.  But one thing it isn’t is a blueprint for the movie.  So, I thought it would be interesting to just give my impressions on how the book and movie differ and then to say which version was more satisfying.

The first piece of bookkeeping is the suitability for general audiences.  Now the film was pre-code meaning that strict censorship of risqué images, language and themes was not yet being enforced in Hollywood.  But even saying that, the film version of the story would today be rated (at worst) PG-13 due to violent circumstances in the plot.  But in reality, a G rating would not be a terrible stretch.  Several of the characters were criminals and murder and other crimes are the focus of the story but everything was handled in a sanitized portrayal.  The book however leans heavily into the seedier aspects of several of the characters’ lifestyles.  There is allusion to sexual activity and the violence that is portrayed is much more graphic than in the movie version.  And as an example of an unusual bit of reality one character is compared to a lesbian in her “hatred of men.”

And as far as the characterization of some of the more important people in the story, the two grown children of the eponymous “Thin Man,” Dorothy and Gilbert Wynant are described as at the very least highly neurotic and very possibly dangerously disturbed due to the terrible parenting of their mother Mimi.  And this differs significantly from Dorothy’s character in the movie where she is portrayed very sympathetically.  And as one of the main characters Mimi is definitely portrayed as a much worse person in the book than in the film.  In the movie she’s a greedy, manipulative woman but in the book she’s close to a psychopath.  She brutalizes her daughter for almost no reason and she lies pathologically at every turn.  At one point she becomes so angry at Dorothy that she goes into a sort of blind fury as she tries to get at her while Nick restrains her by main force.  She is easily the ugliest character in the book.

As far as the characterization of Nick and Nora Charles, one thing that agreed in both versions is that they both drank hard liquor almost continuously both day and night.  Now in the movie it almost seemed to be a joke.  But in the book, it was just their routine.  I guess allowances would have to be made for the prohibition era mores and customs but to a modern reader it is very noticeable.  As far as their personalities they come off slightly harder edged than Powell and Loy’s remarkably affable screen personae.  Nick especially is quite willing to get tough with both men and women who get in his face.  At one point he has to stop Mimi from assaulting her daughter by lifting her off the ground and pinning her arms while holding her down on a couch while someone throws water in her face to calm her down.  In the final scene he becomes angry at the police Lieutenant Guild for not seeing that Wynant was the murdered man and knocks out MacCaulay as much out of anger as to stop him.  And in general, both Nick and Nora are not as “nice” as their screen versions.

The book characterizes most of Nick’s friends in upper crust New York City as morally compromised while his underworld acquaintances come off as “good fellas” if a little on the rough side.

Evaluating overall the contrast between the book and movie, what we have is a gritty detective story versus a film that is basically a light-hearted comedy as much as it is a murder mystery.  And considering the audiences that each of these stories were aimed at both are highly successful in their entertainment value.  The book was aimed at adults, probably particularly men.  The movie was a family entertainment with some double entendres thrown in for the adults.  But I think the short novel is well worth reading and I only wish he had written more stories for Nick and Nora.  The screen sequels never measured up to the original film but I’m sure Hammett could have provided more gritty adventures for his Nick and Nora.

Keeping My Options Open

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One of my oldest friends has been advising me on the possibility of making a film treatment out of my book and sending it to Hollywood to become the next “Project Hail Mary.”  What immediately came to my mind was Hollywood taking the story and making the evil president, Donald Trump and making Bogey a leftist trans-woman.  Yikes!

But what was surprising is that there is actually an AI capable of taking my story and converting it directly into a film treatment.  And it has an enormous capability to annotate the details necessary for actually filming the thing.  There are notes on casting each of the characters (appearance, age, personality, voice), locations, special effects, visual effects, weapons, special personnel (e.g., armorer), special equipment, weapons, etc.

And then it used the dialog from the book and adapted it for the screen; shortened and elided from it to bring the screen time into a realistic movie length.

Now I haven’t finished going through this document but so far what I’ve seen seems very interesting.  It’s basically my book.  And that’s exciting.  I was assuming the story would be too long for a movie without very serious pruning of scenes that I’m attached to.  But we’ll see.

Now, I’m aware that Hollywood doesn’t make movies from books that don’t sell millions of copies.  They’re looking for a built-in fan base for their product.  So, no studio in their right minds would take a chance on spending potentially hundreds of millions of dollars on an unknown story.  But it’s always fun to dream about these things.

And that brings me to Andy Weir’s story.  He self-published “The Martian” on Amazon and only eventually got a book deal when he had already built up an audience for it on his own.  And now he has two hit movies made from his books.  Think about that.  Someone who couldn’t get a publishing contract ends up with a smash hit movie that everyone in Hollywood probably hates because it has a white guy as its hero and he doesn’t have the usual diversity cast to allow the movie to be an Oscar contender.  They broke all of Hollywood’s rules to make this movie by not having a girl-boss as the hero surrounded by the usual multi-cultural struggle session ensemble.  It just brings tears to my eyes.

Chances are I won’t be duplicating Weir’s experience.  My book is not an uplifting tale of human endeavor.  Mine is a tale of revenge and destruction.  I openly attack the Left and my heroes are identifiable people on the Right.  So, no.  I won’t be getting a Hollywood deal.  Ever!

But despite all that I’m excited about what is now happening in Hollywood.  The Ellisons bought Paramount and have now shut down the travesty that was Star Trek – Star Fleet Academy.  They’re buying Warner Brothers and they’ll probably shut down the people making terrible stuff like “Supergirl” that’s coming out soon.  And now we see Amazon/MGM making stuff like “Project Hail Mary (PHM).”  That’s a pretty good chunk of Hollywood already.  And with PHM looking like it’s going to break the $600 million mark and become a big moneymaker, even places like Netflix and Disney will say to themselves, “Hey, why can’t we get into some of that “normal film-making” that those other guys are doing and make money for a change?  Let’s call that photog guy and get an option on, “The Sniper” before the Ellisons scoop it up.”

Or something like that!

Time to Make the Donuts

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So, I’m busy, busy, busy with my giveaway on BookFunnel (here’s the link).  I’m also seeing if I can put part or all of it up on a site called Royal Road.  And I’m posting links on my X feed to try to connect with the wider world.  And if any of you want a free copy or have any friends who might like the story, please pass the link along to them.

Well, in addition to all this I’ve been drafted into a publicity campaign for the Dunwich Republicans.  I’ve got to awaken a “sleeping giant.”  But it’s more like a geriatric midget in a coma.  So even if I can drum up new blood, I’m afraid they’ll just show up, hear there’s work to be done and say, “Looks like you’re doing a great job.  CARRY ON!!!

But one must do the best one can.  As old TR used to remind us it’s “The Man in the Arena” that counts.  Unfortunately, I feel more like the Christian being fed to the lions in that arena.

Well, the weather is just as uncertain as ever with one day being seventy degrees and the next day featuring snow flurries but we’ve definitely turned a corner and the Great Southern Ice Sheet is barely a foot thick and receding rapidly.  All the spring flowers are budding and the turtles are sitting on the dead log in the swamp.  The mallards must be awaiting the hatching of their eggs and even the local pair of hawks seem to be hyperactive, probably getting food for their nest.

Listening to Andy Weir talk to the Critical Drinker about his book “The Martian” was kind of exciting.  I think anyone who writes a book secretly desires to be that guy who hits the jackpot and has the world beat a path to his door.  I mean, I know it’s ridiculously unlikely for a number of reasons for my book to be a big seller.  It’s in a very restricted corner of the marketplace based on politics and demographics and trying to get advertising is like pulling teeth.  But I confess I not-so-secretly dream of the book going viral and selling tons and tons of copies.  I guess when the dust settles, I’ll probably be in a funk for a while but I think it was still a good experience to try my hand at something I’ve wanted to do since I was a teenager.

And I’ll say that I don’t think that writing a good book is beyond my talents.  But self-publishing and self-marketing is not for the faint of heart.  It takes money and a lot of hard work to promote a book in the current marketplace.  And that’s the part I don’t enjoy at all.  Playing cat and mouse with the Amazon algorithm isn’t my idea of a fun occupation.  It’s more like going to the dentist’s office than something associated with creativity.

Ah well.  Whine, whine, whine.  Time to make the donuts.  Onward and upward.  Excelsior!

Riding High on a Horse in a Star-Spangled Rodeo

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So, I’m making the plunge.  I’ve joined BookFunnel and I’ll be running a giveaway for e-copies of the “The Sniper” starting pretty soon.  The trick now will be to get as much visibility for the giveaway as I can.  So, I’ll publicize it here (of course) and I’ll put up a post on X and I’ll tell everybody I can think of that likes this kind of story.  My plan, such as it is, is to use the giveaway to garner as many reviews as I can and try to get the book more attention.  And after that I’ll put it up on Kindle Unlimited to tempt the general public that tests out its fiction one page at a time.

Will it work?  Well, I certainly hope it will but I’ll find out for sure whether I can interest the world at large.  I was listening to the Critical Drinker interview Andy Weir about the success of two of his books being turned into movies.  But I was just as interested in his story about self-publishing.  His “The Martian” was self-published on Amazon and struggled to find an audience in the beginning.  So, it’s kind of that one in a million-success story that inspires the other 999,999 writers out there toiling away in obscurity.  So just to clear the air ahead of time, for the movie version of “The Sniper,” I want Adam Baldwin to play Bogey and Gary Oldman to play Cutter.  Nick Searcy would make a good Chastain.  As for Connors, I haven’t made up my mind.  And the other parts are also up for grabs but definitely no Hollywood weirdos; that’s for sure.  I think Christopher Walken would make a good President Miller.  He’s always able to provide a memorably psychopathic character when required.  Of course I’m hoping to get myself a bit part.  Sort of like how Stan Lee always got a cameo in the Marvel superhero movies.  Maybe I can be one of the clerks at the airport in Baghdad.  I think I could really handle the part with style and finesse.  Sort of a latter-day Olivier.

But I will say it is a little discouraging to see just how much grunt work there is in navigating the world of self-publishing.  The experts don’t really seem to know that much more than the people wandering around in the dark like me.  Sure, they have a sense of things like keywords and how to attach to other books that are already popular but it doesn’t seem like they can tap into any magic formula for shining a spotlight on a new book.  It reminds me of that Glenn Campbell song “Rhinestone Cowboy,” “Where hustle’s the name of the game and nice guys get washed away by the snow and the rain.”  Of course, that’s a little dramatic because I’m doing this from the comfort of my dining room where it’s relatively warm and dry.  But metaphorically I’m pounding that digital pavement so I can sing the blues along with Mr. Campbell.

Various Public Relations

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So, Tuesday I have a meeting with my marketer to see how I can achieve more of my goals for the launch.  The book seems to be sustaining sales but I’m not satisfied with the visibility with respect to reviews and general profile.  As I’ve mentioned I’m going to find out just how large a giveaway I can expect to perform.  Now, I have no idea whether this makes any sense at all.  After all, as a tactic giving something away for free seems to be defeating the purpose of sales.  But my whole reason for writing this book, is to get other people to read it too.  And if you’re competing with literally millions of other books and some of them have multi-billion-dollar companies marketing them then it may take extreme methods to break out of obscurity and catch the public’s eye.  And then again, I may just be kidding myself.  But I think I’m very close to making a decision on the path forward.

And there’s not much time left before I’ll be overtaken by other responsibilities and projects.  First Selectman Cthulhu has selected me as his personal spokesman with responsibilities for communicating his agenda to both the human population of Dunwich and also the trans-dimensional realm of the Great Old Ones.  That’s right I’ll be updating his LinkedIn and TikTok pages.  Currently he’s asked me to edit out the use of words like crush, dismember, maim and devour in his recent communications.  He’s up for re-election and he needs to finesse his image quite a bit.  I’ve suggested he watch several of the recent Godzilla movies and figure out how to mimic the joie de vivre of that radioactive reptile who has managed to cultivate a laid back and avuncular style in the last few years.  I told him he might want to think about a facelift.  But then he reminded me that technically he really doesn’t have a face.  It’s more of a foot with eyes, mouth and tentacles.  Well, a rose by any other name.

On the home front, Mr. and Mrs. Mallard have returned to dismal puddle and seemed very satisfied with whatever slop has run into the swamp.  Also, a pair of wood ducks have also appeared but I notice they are much more skittish than the mallards.  Well, it takes all kinds.  So far, we haven’t seen any ducklings.  Time will tell.

And I’ve cut down all of the raspberry canes and put about five pounds of 10-10-10 fertilizer on the bed in anticipation of a bumper crop this year.  I’m hoping it will expand significantly beyond the current patch and eventually triple into the whole garden.  This is a matter of turning necessity into a virtue since nothing else seems to flourish besides raspberries in that soggy area.

The southern ice sheet has retreated back to the massive driveway pile which is now only three feet high.  At the current rate of retreat, I calculate it will disappear completely by Memorial Day.  At which point the last of it will end up in my drink cooler for that barbecue event.

Well, things are moving apace.  Excelsior!

OCF E-Book Giveaway of “The Sniper”

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Today I sold my 150th copy of “The Sniper” on Amazon and I’m looking to get more reviews and ratings.  So to increase the availability of the book I’m looking to send complimentary (free) e-book copies to folks here on the website who want one.

Just e-mail me here and I’ll send one back to that e-mail address.  Feel free to be honest with your review.  It’s better to get honest criticism than fake praise.