Refocusing Science Fiction – Part 1

I guess strictly speaking, science fiction starts with Jules Verne and evolved into H G Wells and then expanded into a plethora of subgenres that include every imaginable kind of story that involves “science” in some aspect of the story.  And the types are endless and the mixing of the types with each other make the number of different subtypes equal to the cardinality of the continuum (a very big number they say).  You have space travel, time travel, dimensional travel, multi-verse reality.  There’s solar system colonization (with and without terraforming), interstellar exploration with and without colonization), there’s first contact with different alien species, there’s interplanetary war, interstellar war, there’s the human galactic empire, there are galactic civilizations made up of many species.  There are stories about the origins of the human race that involve older races either creating it or influencing it (with or without monoliths and xenomorphs).  We have futures that include artificial intelligence as our servant or as our master or locked in a mortal combat with us.  There are stories about our future that involve evolution either natural or induced that change us in any number of ways; physically, mentally or supernaturally where we develop abilities that give us almost godlike powers.  There are comic stories, love stories, war stories, literary stories that concentrate on the psychological effects of technology and stories that try to extrapolate what the future of technology and science will do to humans in the future.  There are even stories about our extinction.

But almost all of these stories have been terribly far from reality.  Even the “hard” science fiction writers who have tried to base their stories on science fact have for the sake of making an interesting story, diverged very far from what the future will really look like.  For instance, interplanetary space travel.  What has been imagined about exploration of the solar system for the last hundred years or so has been mostly wrong in several aspects of the science.  The only exception has been manned travel to the Moon.  Looking at Heinlein’s Moon landing in the movie “Destination: Moon” it really wasn’t that terribly different from the reality of the Apollo missions.  Now granted he used a single vehicle and not the orbiter plus lander arrangement, but the overall effect was pretty close.  Three or four Americans rocketed to the Moon and came back just as quickly as they could to avoid the difficulties of carrying enough rocket fuel for the return trip and air to breath for a few days.  But every other space flight in science fiction history has ignored things like micro-gravity health hazards and cosmic and solar radiation damage to the human body.

And as for interstellar flight they’ve hand waved themselves past the realities of just how insanely far away even the closest stars are in terms of travel time.  I won’t even begin to talk about anything like time travel.  There just isn’t any scientific evidence that it can even possibly exist.  As for Skynet deciding to kill off humanity using a cadre of cyborgs that look like Arnold Schwarzenegger, well I won’t say it can’t happen but I think maybe liberties have been taken with the likelihood.

So, what should science fiction be about?  Let’s talk about that in Part 2.

03MAR2026 – Sales Update and Begathon

Update:

Yesterday’s total was 18 books and my book ranking has also improved markedly.  Overall rank now close to 20,000 and categories in the top 100s!  Look out Tom Clancy (or whoever the new alive guy is).

Well, things are looking up.  So far today, I’ve sold ten copies and pretty soon I’ll reach a hundred sales.  Cool!

And I broke through the 40,000 overall rank in Kindle Store and the 200’s in some major categories (see below)

And so now that some momentum is building up I’d like to make one last plea (on bended knee mind you) for anyone who liked the book to put a good review up on Amazon.  You can use any name you like and you don’t even need to have bought the book.  Just tell the world why you liked it and help me become independently wealthy ( or at least cheer up a poor hard-working author.

Thank you for your attention.

Jake Barter

More Marketing Stuff

So, I spent some time yesterday and today sending a few complimentary copies of the book to reviewers and adjusting the Amazon Ads to concentrate on the “targets” that have produced sales.  So far it looks like the ads that work best are where Amazon selects viewers that have done a search for another product that is either “similar” to my book or “complementary” to it and place my ad somewhere on that search result page.  How Amazon gauges similarity and complementarity is of course the black box.

These targets that they decide on work better than matching my book to searches that contain keywords that my book has been matched with like “techno-thriller” or “vigilante justice” or “suspense thriller.”  These also work but at a lower rate.  So, what seems to be the case is that Amazon seems to know what they’re doing better than anybody else.  And I guess that makes sense.  The algorithm is the wizard behind the curtain but apparently, he’s not some medicine show tramp whose balloon was blown off course.  He’s the real deal.

So now that I’m running the marketing show I’m excited again and waiting for that magic moment when the algorithm decides that I’m ready for prime time and blankets the Amazon universe with free advertisements for my magnum opus.  And every time you open up an email from Amazon, my book will stare back at you in all its black and white splendor.  And once the ten millionth copy is sold, President Trump will invite me to the Oval Office and present me with the Trump/Kennedy Center Medal for the Most Beautiful Literature.  And I’ll autograph a copy of the book for him.  It’ll read, “To DJT, from one native New Yorker, to another.  You, kooky nut, you.  Don’t ever change.  Jake Barter”

But I digress (or hallucinate).  Of late I’ve read just how much AI novel writing has become sort of a catastrophe.  Apparently, there is a sizable segment of the book reading audience that is perfectly satisfied with AI slop.  And I don’t think this is shocking.  Think of what now passes for entertainment on broadcast television.  It’s already down to the level of mindless machine output.  I guess the question will be whether there will be a reaction to this, with a flight to quality occurring.  Even leaving my own personal writing out of this, I’d hate to think that literature will completely disappear from the face of the Earth in favor of subhuman cargo-cult knock-offs.

Well, I guess there can be all kinds of entertainment products out there.  After all, a big part of marketing is identifying a niche that isn’t being serviced optimally.  But it does make me wonder what that niche is for me.  Disgruntled right-wing old guys?  Well, why not.  Talk about a despised minority.  We’re positively reviled by everyone out there.  But I am hoping for a larger audience.  I have a small test audience of women who won the Goodreads giveaway.  I’m hoping for some feedback from them pretty soon.  I’ll compare them to the few women that have already read the book in my circle of friends.  It might be interesting

16FEB2026 Marketing Update

I was going to review another science fiction movie tonight (Her (2013) but about fifteen minutes into the movie I couldn’t get over my dislike for the protagonist (Theodore played by Joaquin Phoenix) so I turned it off.  Once again that “best of” list doesn’t really match up perfectly with my taste.  So far, I’ve had three bombs; Repo Man, Dark Star and now Her.  On the positive side I liked Dark City, Wrath of Khan and Dredd.  And soon I’ll watch Dune which I’ve already seen and liked.  So, this guy is batting slightly better than .500.  To be fair there were other movies on the list that I also like but have already seen.  But the point is I’ll have to make my own version of “The List.”

So, there’s about another ten days or so left in my marketing contract for my book and I have learned a lot about how Amazon Ads work and also what they can and can’t do.  You’re basically buying visibility on Amazon.  The ratio is about one person in a thousand who sees your ad will click on it.  And about one person in ten (approximately) will buy the book.  But you pay money for every click (something like a dollar a click) and so you actually lose money on the sales you make.  It’s quite bizarre.

The next stage in the campaign includes giving away five books on Goodreads to people who signed up and dropping the price on the e-books for two days to $2.99.  And then there will be ads on Bookbub and hopefully this will provide the recognition in the algorithm to boost the books visibility.  And of course there will be some reviews that hopefully entice buyers.  Well, the fate of a self-published author is a lonely one.  But I wanted to write a book and now I know how that looks.

On the positive side I have gotten pretty favorable feedback from some of the readers whose opinions I highly value and that is actually the biggest pleasure of the whole process.  Several people have demanded that I produce a sequel immediately.  Which is kind of a problem.  But I have several different stories that I’ve been toying with and one of them will take the lead and become book two.  It is interesting to me how differently men and women approach the story.  Some of the women wanted to know how Bogey does with the waitress from the end of the book.  Well, everyone has their own way of reading a story I suppose.

Anyone who’s purchased the book and would like to put a review up on Amazon I’d encourage you to do it right away to help me with the push for sales during the upcoming sale.  I’m told that verified purchaser reviews are actually one of the most important marketing factors.

Well, there’s my update.  I’ve been disavowed of my dream of best seller status (sniff).  But I hope that with the rest of the program to come it will spark enough interest to produce a burst of sales.  Excelsior!

Roger Penrose’s Book

I’m reading a book called “Cycles of Time: An Extraordinary New View of the Universe” by mathematical physicist Roger Penrose.  Penrose won the 2020 Nobel Prize in physics for his work on black holes so he’s a pretty big brain.  But so far, the whole book has been a sort of no mathematics discussion of entropy and how the existence of the second law of thermodynamics relates to the Big Bang theory.  We spent a whole chapter talking about mixing blue and red paint in a bucket becoming purple and then how an egg falling off a counter on the floor is basically an irreversible process.  So far, I guess I follow him on time being a one-way affair.  As far as the red shift of very distant galaxies proving the Big Bang theory, I’m waiting to see if he has something a little less mundane to say.

I’ve watched a few YouTube videos with Penrose as one of the speakers and I will say he comes across as a very lucid speaker (at least as far as Nobel laureates go).  I just hope by the end of this book it will live up to the title.  But already he said something that I found interesting.  He said that the estimates of the age of the universe are based on taking the expansion rate of the universe and back calculating how long it took to get to where we are now from an initial condition where the size of the universe was a single point.  At the same time, I see how that seems like a straight forward idea and also a ridiculous one.  So, the whole universe is a single point.  What in the hell does that mean?  I’ve read that the conception of the conditions at slightly after the Big Bang has a universe that is almost infinitely hot and at the same time completely devoid of matter.  So, everything is photons?  But somehow this spawned the universe we see around us today.  None of that makes any sense to me.

I’ll admit I have a tiny brain compared to these mathematical geniuses but I have to wonder if they know what the hell they’re talking about.  I can sort of believe in black holes and neutron stars and gravity waves.  The predictions that have been made in the past seemed to have been confirmed with instruments that have measured gravity waves associated with merging neutron stars.  The measurements and behaviors seem to match exactly the theoretical modeling.  But when it comes to the cosmological models and how they correlate with observations of the universe we see very large deviations and no convincing evidence for the patchwork fixes like dark energy and dark matter.  I think we’re waiting for a new generation of physicists that won’t just sit around spinning unprovable theories and instead actually figure out ways of getting additional data.

So come on Roger, give me something in the second half of this book that I can point to and say, “That’s an Extraordinary New View of the Universe!”

Goodreads Book Giveaway February 7 – 19 of “The Sniper”

Huzzah!  The chance to win a free paperback copy of this desperately sought after literary jewel.  Did I say jewel?  Nay!  Miracle!!!

Goodreads Book Giveaway

The Sniper by Jake Barter

The Sniper

by Jake Barter

Giveaway ends February 19, 2026.

See the giveaway details
at Goodreads.

Enter Giveaway

Now Where is That Hammock

It’s ten a.m. on Sunday morning and the much-vaunted snow-pocalypse has begun its reign of terror. A steady fall of small snow flakes are descending out of a gray sky.  The temperature has soared from a low last night of two degrees Fahrenheit to a current balmy twenty degrees.  I’ve announced to Camera Girl that I intend to skip snow removal altogether today and save my efforts for Monday when the lion’s share of the snow will be on the ground.  The current predicted accumulation for Sunday through Monday is ten to fifteen inches of the white stuff.  All in all, that’s not horrible.  The snow blower is 24 inches high.  Now, even fifteen inches will slow the work way down but you have to look at these things in the right way.  I’ll abandon the bottom driveway for the next few days and start off with a path for my car to get out on the top.  Then I’ll clear the entire top driveway and adjacencies and slowly work on the bottom driveway in a strategic fashion.  And the wind will play an important part in that operation.  Fifteen inches of snow isn’t a monstrous height but if wind forces me to dump off the snow right next to the row I’m clearing, it will quickly end up as three feet before very long.

And this is the sad reality of life in New England.  Aspects of snow removal become the focus of your every waking hour.  Equipment maintenance and repair, severity of the weather, work and chore scheduling, current health and injuries.  It’s all very, very tedious and boring.  But completely unavoidable.  That is unless there is some plan for escape!  But I know that will never be.  I’m bound by the heavy chains of family responsibility.  They’ve got me.

And that’s why Jake Barter is such a comfort to me in these times of tribulation.  Jake resides on an island paradise somewhere in the South Pacific.  Lying in a hammock beneath coconut palms he sips a cool drink while balmy zephyrs maintain a perfect seventy-eight degrees.  And if by some miracle the temperature reaches eighty-two, he need only spring from his berth and swim about in the warm clear ocean for a few minutes before returning to his rest where he awaits the mellow sound of a dinner gong announcing the beginning of a feast concocted of pork, coconut, honey and spices, fit for the king that he is.

Oh, well.  Maybe in my next life.  But for now, I’ll count my blessings.  The roof hasn’t collapsed under the weight of the snow.  The propane tanks are full enough for even a two-week power outage.  I have plenty of DVDs to keep me amused during the “weather crisis” and Camera Girl assures me we have enough food for the next few days at least.  And tomorrow, my marketer has informed me begins the efforts to advertise “The Sniper.”  I had assumed it would happen when the publication occurred on Wednesday.  But you know what they say about assuming.

Well, we shall see.  Today Amazon has it listed as:

Best Sellers Rank: #144,617 in Books

#599 in Technothrillers (Books)

#14,261 in Science Fiction (Books)

It would be nice if each of those numbers was shortened by a zero or two.

 

Now where is that hammock?

Theories of Story Structure

I was watching a video about the correct way to structure a story.  And the guy had eight or ten different versions that people have formulated over the years.  And they go from a three-act model to a (I kid you not) twenty-seven stage version.  The latter is based on the hero’s quest model that Joseph Campbell formulated based on what he observed in various western myths and legends.

From what I could tell, more is better.  He had the three-act version down as the worst version.  Now he did qualify that it was probably a good model for a movie or a short story but for a novel it was too slight.  For the most part they all seemed to be variations on a theme.  Basically, you have a series of setbacks and victories leading up to a climax and then a conclusion.

I guess that’s probably more or less what a story is.  And there were some good ideas for what some of these setbacks should look like.  In particular, the hero’s quest had a bunch of stages that seemed to echo many of the incidents in such classic adventure stories as “The Lord of the Rings.”  There’s the initial refusal to accept the quest, there’s a temptation at a low point to renounce the struggle.  We have a scene where a minor character saves the day.  We might have a mentor helping the hero mature into his role.  Maybe there’s a betrayal.  Etcetera, etcetera.

In his defense the video guy did say that a good writer wouldn’t have to follow any of these models slavishly.  Like a good cook he can use his own judgement and add and subtract things from this recipe according to personal taste.  And I think that’s the point.  Really there is no perfect recipe.  Every story should be different.  If it’s not, why would anyone want to read the second one?  Why would someone want to write a second story that’s exactly the same as the first one?  That’s a rhetorical question.  The obvious answer is that if people liked it the first time, many of them will want more of the same.  So, the answer is money.  But I hope that anyone who is writing a series can plot out the events for the saga with enough intelligence to make the story varied and interesting and not repeat all the same events with only small variations.

I will confess that when I was getting close to the end of my book, I was tempted to make the story quite a bit longer.  I thought the ending was a bit abrupt and there wasn’t a more gradual slope to the end of the story.  But the more I thought about it the less I liked the idea of dragging it out.  My character had gone to war for revenge.  When that was done his part of the history was effectively over.  What came afterward would be another story and I still haven’t decided what the next thread I want to pull on in my make-believe world should be.  So hopefully I’ll have the sense to read Joseph Campbell’s book and then do the opposite!

Guest Contributor – Tregonsee – 23JAN2026 – Often Unreliable

I think the fondness for first person (often unreliable) or third person limited viewpoint comes from a fundamental aspect of modernist philosophy. That aspect is that in modernist thought there is NO absolute truth. There’s my truth and your truth and (heaven help us) Kamala Harris’s truth. The Omniscient narrator belies this point, for that story, their narrative is the truth. They deny that such can exist in support of their raging relativism. I think the second issue is the types of “stories” they write. Plot is limited or irrelevant, the characters aren’t characters but more archetypes or mouthpieces for their viewpoints. They view the whole purpose of literature to essentially be propaganda. The more traditional is that we are telling a story. There is probably meaning there but in general rarely is allegory the prime purpose. Not to say this doesn’t happen, e.g. Starship Troopers is a polemic on Duty, but honestly, it is also a hell of a good story. Thirdly, the modern literature folks are oddly like what the Puritans were alleged to be. They’re afraid someone might be having fun somewhere and they must prevent that at all costs.

 

Point of View Blues

I was just watching a YouTube video which tried to explain why narrating a novel in third person omniscient is wrong but third person limited is right.  The young woman explaining all this was personable, eloquent and prepared with arguments for her thesis.  Ultimately, she was foursquare against “head hopping; meaning switching back and forth between points of view in a scene.

And who knows, maybe she’s right.  Maybe subjecting the audience to the point of view of two people within a dialog is just too confusing for audiences.  But you know what?  I have a feeling if a story is interesting enough and the characters sympathetic, I’m guessing that the audience is following along just fine and just wants to find out how the plot will progress.  I think a lot of times editors edit even when they should be reading and feeling whether the story is achieving that minor miracle we call entertainment.  And if E.E. Doc Smith used too many exclamation points and Robert E. Howard had Conan grunt the same way in too many scenes, I’m sure a competent editor would have demanded these faults be eliminated from the final version of the book.  But would that have added significantly to the entertainment value of the story?  I don’t think so.  Sure twelve-year-old me and current me are different readers.  We notice different things in the same book.  I would see the pulp aspects of the writing and even the temporal changes in writing and culture that have occurred over the course of almost a century since these books were written.  But I can still enjoy the story as a story.  If it elicits emotions or makes me think about a scientific point the author is trying to make then even if the prose is far from deathless, I can be entertained.  I don’t need Shakespeare in space.

So, here’s my point.  The book publishing industry is dying.  And it’s not dying because of the prevalence of the third person omniscient point of view.  It’s dying because the gatekeepers of publishing just as the gatekeepers of movie-making consciously squeezed all the fun out of novels in order to advance a social justice narrative that they thought was mandatory to push.  So, the cure for this isn’t better editing.  It’s better writing, writing that keeps the interest of the readers.  Better plots and better characters and more fun.

Of course, I went back and tried to decide if my narration was third person omniscient or third person limited.  And by golly I think it was omniscient.  Now I could go back and rewrite the novel by switching the point of view in all of the tens of thousands of words to third person limited.  But then it wouldn’t be my story.  Because I don’t think that way and so I would be stumbling about trying to rework the sentences to fit this requirement of the narration.  Well, I guess editors have to eat so I can’t blame them for pushing the party line that provides them with work.

But I just can’t see it from their point of view.