Category: Reviews

Reviews of books, movies, tv shows and other items

Cleaning Up the Wreckage

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For years people have said in my presence that despite the leftist leanings of Hollywood, the people running it were there to make money.  But despite that I watched as Hollywood produced bomb after bomb that preached the leftist creed above all other ingredients in the film.  They sacrificed entertainment, artistry and certainly profitability on the altar of woke propaganda.  Probably the most egregious of these studios was Disney that sacrificed the virtually unlimited money-making machines of such franchises as Star Wars, Marvel Comics and even the classic Disney princess movies to bang away at woke agenda elements like LGBTQ identity, anti-white racism and feminist dogma.

Well, maybe, just maybe, the tide has turned.  I think this week we received two data points that signal a definite reversal.  The first is the news today that Sky Dance has cancelled the third season of “Star Trek – Starfleet Academy.”  This was a two-season installment that has been estimated to have cost somewhere between two hundred and four hundred million dollars.  Now that is an enormous amount of money but what makes it astonishing is that when this show ran it wasn’t one of the top ten shows on Paramount Plus.  It was regularly beaten out by reruns of “Everyone Loves Raymond” and “Sponge Bob Square Pants.”  In fact, it was even worse than this.  In order to build up buzz for the first episode, it was put on YouTube for free and less than a thousand people watched it the first day.  Think about that.

Paramount was bought by Skydance last year so they didn’t order this show.  And the production company (Alex Kurtzman’s Secret Hideout) is finishing its contract with Paramount in April and it’s looking like they won’t be doing anymore Star Trek for Skydance.  And Skydance is probably going to purchase Warner Brothers this year and that may have a very great impact on how the DC Universe movies look going forward.  So, there is an example of changing sensibilities going forward in Hollywood.  Enormous costs for productions that no one wants to watch are ending.  So that’s the negative case, what won’t be happening anymore.

As for what is happening on the positive side let’s look at what Amazon/MGM have released this week.  Andy Weir (the author of the book turned movie “The Martian”) wrote the book “Project Hail Mary” in 2021.  It cost two hundred million to make.  It made $141 million on its first weekend.  This is one of the biggest openings in the last four years.  And it is predicted to be a big hit.  It’s a movie whose only human character is a white male.  The only diversity casting is an alien creature that looks like a pile of small rocks.  There’s no woke elements at all.  Just an adventure story about a man light years from Earth cooperating with an unearthly creature to save both of their planets.  From all of the reviews I’ve read it’s a solid movie that the whole family can and probably will enjoy and it doesn’t say anything about the LGBTQ or how white people stole America from the Indians or enslaved black people.  And the fact that the astronaut is not a girl boss but a young white man I take to be aspirational for every white American boy who has been told for the last couple of decades that they shouldn’t get a turn at being the good guy.  So that’s the positive side.  Hollywood can make good movies and people will come to the theaters to see them.  And they can make money doing it.

Maybe the tide has turned.

Various Public Relations

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So, Tuesday I have a meeting with my marketer to see how I can achieve more of my goals for the launch.  The book seems to be sustaining sales but I’m not satisfied with the visibility with respect to reviews and general profile.  As I’ve mentioned I’m going to find out just how large a giveaway I can expect to perform.  Now, I have no idea whether this makes any sense at all.  After all, as a tactic giving something away for free seems to be defeating the purpose of sales.  But my whole reason for writing this book, is to get other people to read it too.  And if you’re competing with literally millions of other books and some of them have multi-billion-dollar companies marketing them then it may take extreme methods to break out of obscurity and catch the public’s eye.  And then again, I may just be kidding myself.  But I think I’m very close to making a decision on the path forward.

And there’s not much time left before I’ll be overtaken by other responsibilities and projects.  First Selectman Cthulhu has selected me as his personal spokesman with responsibilities for communicating his agenda to both the human population of Dunwich and also the trans-dimensional realm of the Great Old Ones.  That’s right I’ll be updating his LinkedIn and TikTok pages.  Currently he’s asked me to edit out the use of words like crush, dismember, maim and devour in his recent communications.  He’s up for re-election and he needs to finesse his image quite a bit.  I’ve suggested he watch several of the recent Godzilla movies and figure out how to mimic the joie de vivre of that radioactive reptile who has managed to cultivate a laid back and avuncular style in the last few years.  I told him he might want to think about a facelift.  But then he reminded me that technically he really doesn’t have a face.  It’s more of a foot with eyes, mouth and tentacles.  Well, a rose by any other name.

On the home front, Mr. and Mrs. Mallard have returned to dismal puddle and seemed very satisfied with whatever slop has run into the swamp.  Also, a pair of wood ducks have also appeared but I notice they are much more skittish than the mallards.  Well, it takes all kinds.  So far, we haven’t seen any ducklings.  Time will tell.

And I’ve cut down all of the raspberry canes and put about five pounds of 10-10-10 fertilizer on the bed in anticipation of a bumper crop this year.  I’m hoping it will expand significantly beyond the current patch and eventually triple into the whole garden.  This is a matter of turning necessity into a virtue since nothing else seems to flourish besides raspberries in that soggy area.

The southern ice sheet has retreated back to the massive driveway pile which is now only three feet high.  At the current rate of retreat, I calculate it will disappear completely by Memorial Day.  At which point the last of it will end up in my drink cooler for that barbecue event.

Well, things are moving apace.  Excelsior!

Champion (1949) – An OCF Classic Movie Review

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Kirk Douglas stars as Midge Kelly a tough angry young man trying to hustle his way to something better than the low pay jobs he can only find.  He and his brother Connie arrive on a freight train from the east and believe they have an ownership stake in a small restaurant.  But discover they’ve been conned.  Taking jobs as waiters there, Midge becomes romantically involved with the owner’s daughter Emma but this leads to the couple being forced at gunpoint by her father into a marriage.

This prompts Midge to abandon Emma and he and Connie end up at a boxing gym where a trainer named Tommy Haley agrees to manage Midge.  Midge proves to have considerable skill in the ring but more importantly he has a killer instinct that leads him to brutalize his opponents with maniacal force whenever he gets in the ring.  Eventually Haley arranges for Midge to fight the number one contender for the middle weight crown, Johnny Dunne in New York.  But the gambling interests have only allowed Midge the fight with the understanding that he’ll take a dive to allow Dunne to capture the middle-weight crown from an aging champ.

Midge double crosses Haley and the gamblers and knocks Dunne out in the first round.  The mobsters beat Midge, Haley and Connie badly but now the reality is Midge is the leading contender for the crown.  Dunne’s platinum blonde girlfriend Grace tells Midge that the only way he’ll ever get a shot at the crown is by appeasing the gamblers.  And the only way that will happen is if he dumps Haley and signs up with Grace’s friend Jerome Harris.  And Midge does it without blinking an eye.  Seeing how Midge stabbed Haley in the back and what company he was now keeping, Connie decided to leave New York and go back to his mother’s apartment in Chicago.

Meanwhile Midge is flying high with a victory in the ring against the champ.  He’s dating Grace but sleeping with Jerome Harris’s wife Palmer.  Neither of these women know that he is still married to Emma.  But now all of Midge’s double-crossing comes due.  He has to defend his title against Johnny Dunne and he’s out of shape from living the high life.  So, he hires Haley to train him but has to agree to split 30% with him.  But Haley doesn’t really care whether Midge is up to the fight and after missing his mother’s death bed Connie and Emma despise him.  On the day before the boxing match, she tells Midge she’s divorcing him and marrying Connie.  He answers her statement by dragging her to bed to claim his conjugal rights as husband.

At the boxing arena Connie attacks Midge for what he did to Emma.  But Midge beats him down and heads for the ring.  The match is very even at the start.  Midge manages to knock Dunne to the canvas in the first round but after that the match slowly but surely shifts in Dunne’s favor.  By the twelfth round Midge has one eye closed and looks almost punch drunk.  But when he sees Grace and his other “friends” in the audience smiling at his defeat he becomes enraged and with a manic flurry of punches he beats Dunne to the canvas and wins the fight.  But he is basically dragged back to his dressing room by Haley and his trainers and after a brief ranting speech that seems to come from his angry tortured soul, he drops dead.  The movie ends with reporters asking Connie about his brother and him replying sardonically that Midge was a perfect reflection of the spirit of his sport.

This movie has some good points.  The early scenes of Midge and Connie travelling across country to make a new life for themselves and their loyalty to each other is affecting.  However, the unfolding of Midge’s personality and his general hatred of humanity is a very unpleasant experience.  As he goes from one betrayal to the next, I found him despicable.  And because of this, by the end of the movie, I wasn’t enjoying the story at all.  I was very relieved when he dropped dead and I could turn off the tv.  I can’t recommend this movie to anyone.

The Tomorrow War (2021) – A Science Fiction Movie Review

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This movie is an alien invasion/time travel movie.  Wow, that’s complicated.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

This movie is a highly confusing science fiction story.  Chris Pratt plays Dan Forester a retired special forces soldier from Iraq who now works as a high school science teacher.  He has a wife Emmy and a young daughter Muri.  So far so good.  One day while watching soccer’s world cup game on tv they witness the beginning of the future war.  In the middle of the field a “wormhole” opens up and a bunch of humans dressed in military attire carrying weapons appear.

They explain that they are from the year 2051 and their world is fighting a war against aliens called the “whitespikes.”  They are about 8-10 feet long, have four running legs two grasping legs and two tentacles that can grab but also shoot “spikes.”  And they are always ravenously hungry for human flesh.  The aliens appeared in arctic Russia and quickly spread across the world and now the human population has been decimated (total world population down to 500,000) and they are begging people from 2021 to come through a portal and help fight the aliens.

Earth agrees to send its armies into the future but barely twenty percent return alive.  After that a draft is employed and all adults (men and women) are eligible.  Eventually Dan is drafted and is sent.  Enlistment involves surviving one week of combat after which the soldier is automatically returned to the present wherever he is.

Dan goes to the future and is immediately swept up in the “run for your life” action of fighting the whitespikes.  Eventually he meets his commanding officer Colonel Muri Forester (played by Yvonne Strahovski), in other words, his daughter now grown up and become a biologist working on a toxin to kill the whitespikes before they finish off what is left of humanity.  And with Dan’s help she captures a female whitespike and they synthesize a toxin that will kill all whitepikes injected with it.

But it’s too late.  The last human outpost where Muri and Dan are located is overwhelmed by a horde of whitespikes and Dan time jumps with the toxin just as Muri falls to her death in the grips of a whitespike.  Dan reaches home and is overwhelmed with grief and anger.  Grown-up Muri had told him that back in the “present” when Dan had returned from his seven-day assignment he abandoned his wife and daughter and eventually was killed a few years later in an auto accident.

Determined to get the toxin mass produced and sent back to the future Dan reaches out to the government but finds out that the portal is gone.  The whitespikes have finished off humanity in the future.  There is no place to send the toxin.

But Emmy reasons that it makes more sense to find the whitespikes before they conquered the world and destroy them at the beginning.  With a clue from volcanic ash present on a whitespike artifact they figure out that the whitespikes must have been frozen under the ice cap in northern Russia and thawed because of “global warming” in 2051 or shortly before.  Because of global instability caused by the knowledge that the world would be coming to an end, the US refuses to help Dan go to Russia to find the whitespikes.  So, Dan goes to his Vietnam War vet estranged father (played by J. K. Simmons) who happens to have access to a large cargo plane and they mount a small expedition.

They find the alien ship by its magnetic field and use thermite to reach it through the ice.  Then they find out that the whitespikes are not the astronauts but rather a bioweapon cargo on a ship that crashed into earth long ago.  They use the toxin to kill about half the whitespikes on the ship but another five or six escape.  Two of the humans use a C4 explosive to kill the whitespikes in a suicide maneuver.  But one female escapes and after an extended chase and fight scene Dan and his father kill the monster.  The movie ends with Dan reuniting with Emmy and introducing young Muir to her grandfather.  Wow, what a mess!

Okay, what the hell do I say about this crazy mixed up movie?  From a science fiction plot perspective, this thing is a turkey.  There is no indication of how the 2051 humans in the middle of their existential alien crisis were able to create time travel.  And the workings of this time travel also seem goofy.  The 2051 people can only go back and forth thirty years.  So, they can’t go back five years and search for the whitespikes before they became overwhelmingly numerous and unstoppable.  Also, grown-up Muri tells Dan about what he was like after he came back from the future but then Dan followed a completely different course of action when he returned.  How?  Alright the plot is as full of holes as Swiss cheese.  But is the movie any good?  Well, yeah.  Chris Pratt portrays a likeable character and so does Yvonne Strahovski.  There is a good family chemistry there and the action sequences although quite a mess aren’t boring.  And it isn’t woke.  Chris Pratt is allowed to be a white man and the hero of the movie.  That’s something to be amazed at in a movie made in 2021.  It’s a silly sci-fi action movie.  But I kind of liked it.  You have to decide if it’s something you want to waste a couple of hours on.

OCF E-Book Giveaway of “The Sniper”

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Today I sold my 150th copy of “The Sniper” on Amazon and I’m looking to get more reviews and ratings.  So to increase the availability of the book I’m looking to send complimentary (free) e-book copies to folks here on the website who want one.

Just e-mail me here and I’ll send one back to that e-mail address.  Feel free to be honest with your review.  It’s better to get honest criticism than fake praise.

Support Culture on the Right

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Tyler over at the Portly Politico put up a post (see link below) to convince us to support artists on thew Right.  He includes links to his work and other right-wing artists (and even me!).

Well, how can I disagree with that?  I can tell you personally trying to get your “art” noticed in the digital marketplace is no mean feat.  So kudos to him for speaking up.

Support My Right-Wing Culture

A Firefly Animated Series

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The sci-fi television series “Firefly” and its subsequent big screen continuation “Serenity” came out in 2002 and 2005 respectively.  That’s a very long time ago.  So, for that whole 20 plus years there have been rumors that circulated on-line that a sequel tv show or a movie would be greenlit.  And the fanbase of Firefly has been dying for such a sequel all these years.

And now their dreams are coming true.  Well, almost.  There won’t be a live-action tv show or movie.  There will be an animated movie with the original cast providing the voices of their characters.  And other than Ron Glass (who died a number of years ago) the whole cast is coming back.  But will it be any good?

Firefly and Serenity were the creation of Joss Whedon.  He invented them and breathed life into them.  Joss Whedon will not be writing or producing or directing this new movie.  He has been canceled in Hollywood for bad behavior.  Apparently, he hurt the feelings of some actresses before or during the #metoo witch hunts and has been consigned to a lower level of hell where powerful Hollywood men are sent to burn forever.  And without Whedon what are the chances that a new Firefly would be anything like the original?

Well, we’re about to find out.  That’s a slight exaggeration.  It’ll probably take a year or longer to produce this movie.  And whether it’s a tv miniseries or a motion picture you probably have to add a few months to fit it into the schedules for these kinds of things.  So, let’s say eighteen months.

Several years ago, I came to the conclusion that the best thing that could have happened to Firefly was exactly what did happen.  It only lasted a part of a season on tv and then had a motion picture to provide a satisfying climax to the characters and the story.  And the reason I felt that way was because Firefly appealed to me exactly because it went against the kind of female-centric left-leaning stuff that Joss Whedon typically produces.  Things like “Buffy the Vampire Slayer” and “Angel” and “Dollhouse” are what he makes.  And those shows are garbage from my perspective.  Firefly was from the opposite perspective.  It was the battle between the oligarchic Alliance which is a stand-in for today’s globalists and the Independents who are the freedom-loving commoners much like today’s Right.  But the danger as I see it is that eventually Whedon would have tweaked the characters and stories until they became “Buffy the Vampire Slayer.”

And I still think that.  The two showrunners they’ve put in charge of this animated series are as thoroughly left-leaning and devoted to woke culture as anyone else around.  If anything, they’re worse than Whedon because at least he was talented.  They’re not.  So, I fully expect this new show will be pretty awful.

That being said I will watch it when it comes out.  Firefly was enormously entertaining while it lasted.  And it will be nostalgic to see the animated characters and hear the voices of the old crew.  But I would be shocked if it turned out to be good.

Edge of Tomorrow (2014) – A Science Fiction Movie Review

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This is a time loop movie.  It’s Groundhog Day crossed with Starship Troopers.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Tom Cruise is Major William Cage.  He’s the US Army’s public relations man during a war against aliens called the mimics who have conquered mainland Europe and are about to be counter-attacked by humanity’s attempt at D-Day from a London staging area.  But instead of staying behind in an office to edit commercials his superiors have loaned him out to the Brits as a warrior.  He tries to desert but is handcuffed and handed over to Master Sargeant Farell (played by Bill Paxton) and put into powered body armor and dropped into battle in France.  And of course, since he’s not a real soldier, he’s killed in the first few minutes of the horrific battle.  But right before he dies, he manages to kill a special mimic called an “alpha.”  And because some of the alpha’s blood gets on him, he ends up in a time loop that always brings him back to the same day of the battle.  And as long as he’s always killed he’ll come back again.

And from starting out as a hopelessly incompetent soldier, by virtue of getting to endlessly re-live and re-die on that day, he becomes adept at fighting mimics.  During one of these replays, he meets Sergeant Rita Vrataski (played by Emily Blunt) and just before she dies, she tells him to find her the next time he wakes up.  In other words, she has had the same time loop ability.  Through endless additional replays, Cage and Vrataski figure out that the mimics are aware of all the humans’ plans and fighting them is futile.  But if Cage is exposed to a device that was made to read the mind of alphas he will discover where the head mimic (the omega) is hiding.  But in the effort Cage loses his ability to reset time and come back to life.

And so, there is a kamikaze mission with Cage, Vrataski and some comrades to storm the Louvre where the monster hides.  As it works out everyone but Cage is killed and he is mortally wounded just as he blows up the omega.  But somehow killing the omega (I think) resets his looping ability and he wakes up with all of them alive but the omega destroyed and the mimics basically defeated.

Alright, so what about all this.  This is a pretty good sci-fi war movie.  The special effects are good.  The acting is good and the plot is pretty well worked out.  And even Emily Blunt’s Rita Vrataski character isn’t a complete girl-boss super hero.  She is annoying from time to time but not hopelessly.  Cruise carries the movie with a decent amount of character acting from his “comrades” and with even a little humor thrown in to lighten the mood.  The endless live/die repetition is handled very well for most of the movie with only a couple of spots where they seemed to over do it.  I will say that in the final assault the image on the screen is sort of too dark and hard to really understand.  It’s at night in an underground vault and under water so maybe that’s realistic but it feels confusing and unhelpful to the viewer.  All in all, I recommend this movie to fans of sci-fi action movies.  It’s pretty good.

Refocusing Science Fiction – Part 1

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I guess strictly speaking, science fiction starts with Jules Verne and evolved into H G Wells and then expanded into a plethora of subgenres that include every imaginable kind of story that involves “science” in some aspect of the story.  And the types are endless and the mixing of the types with each other make the number of different subtypes equal to the cardinality of the continuum (a very big number they say).  You have space travel, time travel, dimensional travel, multi-verse reality.  There’s solar system colonization (with and without terraforming), interstellar exploration with and without colonization), there’s first contact with different alien species, there’s interplanetary war, interstellar war, there’s the human galactic empire, there are galactic civilizations made up of many species.  There are stories about the origins of the human race that involve older races either creating it or influencing it (with or without monoliths and xenomorphs).  We have futures that include artificial intelligence as our servant or as our master or locked in a mortal combat with us.  There are stories about our future that involve evolution either natural or induced that change us in any number of ways; physically, mentally or supernaturally where we develop abilities that give us almost godlike powers.  There are comic stories, love stories, war stories, literary stories that concentrate on the psychological effects of technology and stories that try to extrapolate what the future of technology and science will do to humans in the future.  There are even stories about our extinction.

But almost all of these stories have been terribly far from reality.  Even the “hard” science fiction writers who have tried to base their stories on science fact have for the sake of making an interesting story, diverged very far from what the future will really look like.  For instance, interplanetary space travel.  What has been imagined about exploration of the solar system for the last hundred years or so has been mostly wrong in several aspects of the science.  The only exception has been manned travel to the Moon.  Looking at Heinlein’s Moon landing in the movie “Destination: Moon” it really wasn’t that terribly different from the reality of the Apollo missions.  Now granted he used a single vehicle and not the orbiter plus lander arrangement, but the overall effect was pretty close.  Three or four Americans rocketed to the Moon and came back just as quickly as they could to avoid the difficulties of carrying enough rocket fuel for the return trip and air to breath for a few days.  But every other space flight in science fiction history has ignored things like micro-gravity health hazards and cosmic and solar radiation damage to the human body.

And as for interstellar flight they’ve hand waved themselves past the realities of just how insanely far away even the closest stars are in terms of travel time.  I won’t even begin to talk about anything like time travel.  There just isn’t any scientific evidence that it can even possibly exist.  As for Skynet deciding to kill off humanity using a cadre of cyborgs that look like Arnold Schwarzenegger, well I won’t say it can’t happen but I think maybe liberties have been taken with the likelihood.

So, what should science fiction be about?  Let’s talk about that in Part 2.

Coming to a Theater Near You

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I was watching a movie from the 1980s (Moonstruck) with Camera Girl tonight.  I’ve been busy with book marketing for the last month and it’s been a grind.  So, I sat down after dinner and we just enjoyed the show.  It’s a ridiculous romantic comedy with Cher and Nicholas Cage as the couple and a veteran cast of character actors with New York City as the backdrop.  It’s an absurd movie but it’s genuinely funny and it means no harm.

And I found myself enjoying the movie immensely.  Afterwards I tried to figure out why.  First off it was about 1980s America; a place where normal life proceeded and people were generally happy.  And secondly, the movie was well made.  It wasn’t deathless prose.  It wasn’t profound.  It was silly.  But it was good-hearted and the script, the acting and the production were professional and enjoyable to watch.

But why should that be such a big deal?  And then it hit me.  Nothing that has come out of Hollywood in the last five or ten years has been any good.  Everything is poorly made and poorly written and poorly acted.  Nothing makes you laugh or cry or even think.  It’s all dreck.  And that’s crazy!

And it occurred to me that this won’t go on forever.  Someone is going to step forward and make something good.  And I think what they’ll do is break the rules.

Someone is going to refuse to only hire DEI writers and DEI actors and DEI directors and instead they’ll hire the old white guys who used to make stuff in Hollywood and used to make us laugh and cry and think.  It’s a cinch those guys haven’t all died in the last ten years and I’m sure they could use the work.  I’m sure they haven’t forgotten how to ply their trades.  All it will take is someone with enough money to put together a production crew (outside of Los Angeles) and has the nerve to make a movie about the America we used to make movies about.  And it doesn’t have to be a period piece about the 1950s when everyone was white.  There can even be some immigrants in the cast.  After all the problem isn’t having non-white people in a movie.  It’s about the writer and director hating white men so hard that they have to make believe they don’t exist.

It’s a funny thing.  The eastern and southern European immigrants who came to this country at the beginning of the twentieth century didn’t look like the English and northern European people who were already established here and from whom the movie characters were selected.  Blond haired, blue-eyed stars weren’t them.  But they could be stand-ins for the dreams that those immigrants had about being prosperous and happy in their adopted country.  They had enough imagination to realize that the American dream was transferrable to people who chased the American dream.  Work hard, follow the rules and dream big.  It was aspirational to watch Jimmy Stewart or John Wayne as a cowboy saving the day and winning the girl.  Hating on Anglo-Americans made no sense.

Well, that’s what needs to happen again.  Aspirational movies with Americans acting like Americans and not apologizing for being smart and successful is what we should be seeing on the screen.  And there shouldn’t be any DEI box checkers making sure there are the correct number of interracial couples or black lesbian brain surgeons in the story line.  Of course, 2026 is the year that Christopher Nolan is casting a black woman as Helen of Troy in his Odyssey.  Well at least it wasn’t a trans-woman.  But I guess I’ll have to wait a little longer.  I can wait because I know it’s coming to a theater near me soon.