Guest Contributor – Chemist – 24SEP2024 – Death of SF Magazines

I have always enjoyed the shot story format. For a while, in the 60s & 70s, some of the big name authors were competing with each other to write a complete story on the back of a picture postcard. Some of these were amazingly good!
As for Analog, I gave up on it a long time ago (30 years?). Their Science Fact articles were all doom and gloom:
“We are all going to die and thee is nothing you can do about it!”
Or:
“Here is why FTL travel, Nuclear fusion, laser defenses, etc. won’t work and cannot work.”

And, to me, the Fiction was woke before woke was a thing. So I stopped buying after I realized I had a years worth of issues that I had not read and could not motivate myself to read.
I suspect that Analog (and maybe the others) got infected by the same liberal women who took over the NY publishing houses.

Another datapoint: I recall talking to a successful SciFi author in the 80s who switched from writing short stories to novels. When asked why, he said: “Its just as hard to sell a short story as a novel, but novels pay a hell of a lot better.”

BTW, Photog, another non-woke publishing house is Chris Kennedy Publishing.
You might consider sending him a copy of your novel.
https://chriskennedypublishing.com/

Just Something that Came to Mind

Lately there have been a lot more options if I wanted to talk about what’s in the news.  There’s all kinds of Jimmy Kimmel talk.  He’s off the air, he’s back on, he’s gonna apologize, his show won’t be carried in a quarter of the country, blah, blah, blah.  And Donald Trump just got through trashing Joe Biden and the UN in front of the General Assembly.  There are psychopaths shooting up innocent victims everywhere you look and Democrats are desperately kowtowing to Mamdani hoping he can provide the magic bullet needed to bring back the millions of voters who are jumping ship.  Yep, there’s all kinds of madness everywhere you look.

But I can use a break from it from time to time.  I just get fed up with the awfulness of the world and the awful people doing awful things.

So, let’s talk about something less depressing and maybe more interesting.  A while ago I mentioned I bought a copy of a book I owned back in the stone age.  It’s an anthology of science fiction stories published in the 1950s, edited by Robert Heinlein, called, “Tomorrow, The Stars.”  There are fourteen short stories in the book’s two hundred and forty-nine pages.  They’re all between ten and twenty pages long and were written by authors “famous and less well known” at the time.  Interestingly, one of the less well-known authors was a certain, “Kurt Vonnegut Jr.”

So, I’ve been rereading these stories, some for the first time in over fifty years.  I won’t pretend that they’re all equally good or that any of them are timeless prose.  They’re not.  They’re pulp fiction or maybe slightly better than pulp fiction.  But they’re also entertaining.  They amuse.  They keep the reader’s interest.  They tell a story.  All that good stuff.  But what’s my point?  I’ve read lately that science fiction short stories are an unsellable product.  All the magazines and the anthologies are going bankrupt.  No one will buy them.

Back in the dark ages magazines like Analog and The Magazine of Fantasy & Science Fiction made plenty of money selling monthly editions filled with mostly just short stories.  Sure, they would also serialize some novels but mostly we were reading short stories by authors, “famous and less well known.”  Now I am well aware we are living in a new age.  Theft of intellectual property has been the downfall of all the formerly lucrative entertainment forms.  CDs, DVDs and books have been pirated out of existence.  Young people have been conditioned not to pay for anything.  Everything is a streaming service.  Amazon sells books by the penny/a page method.

Yes, yes.  I get all that.  But these are just the technical details of our age.  Piracy has always been around.  What it takes to sell a product in the face of these kinds of obstacles is the same thing that is needed in any other place and time; creativity and psychology.  And in fact, a short story would seem to me to be the easier sell.  You can read (or hear) a short story in a car ride or a subway commute or a high school class that you don’t want to listen to.

Sometimes you don’t want a four-hundred-page epic fantasy.  Sometimes you don’t even want a novella.  Sometimes you want a ten-to-twenty-page story to take you out of your life for a half hour.

Just something that came to mind.

Hear Ye, Hear Ye

Update:

To verify my ownership of “The Sniper” for the Royal Road folks, I am adding this note to show I also control Orion’s Cold Fire.

 

We interrupt the daily progression of actual civil war to bring you a message about a fictional civil war story.  I’ve finished the manuscript for my book, “The Sniper.”  Now I’m looking for beta readers.  I’m looking for folks to read the book and give me their honest feedback.  Also I’d like to disseminate the book to friends and family who you judge would be a good fit for the book based on your estimation and if they agree to read it I’d like to get their opinions too.

I’m looking to get this book out to the largest group of people possible to see whether it is something that people will want to read.  So after reading it if you think it’s appropriate for people you know let me hear that too.  And remember, I’m not a fragile author.  If you think it sucks, say so, but also tell me why you think it.

If you’re interested leave a comment to that effect and I’ll e-mail you a copy of the story.  Now this is just a pdf.  No nice cover, no actual paper.  Just electrons.  But I will guarantee that this sniper is nothing like the actual sniper we’ve had to hear about for the last week.

And just to remind you here’s the beginning of the book.

 

Chapter 1 – An Object Lesson

Joseph Boghadair was set up at a loophole in a small prefabricated metal building at the top of the mountain that contained the Icarus Mine.  His .50 caliber sniper rifle was trained on the narrow road that led up to the mine.  He could see a line of black SUVs about a mile and a half down the road and he was getting ready to start firing on the convoy.  His first shots took out the engine of the lead vehicle thereby halting the convoy.  His second volley took out the engine of the last car in line thus trapping the rest of the vehicles between.  Then at a more leisurely pace he took care of the other eight vehicles.  By this point the passengers were crouching behind their disabled cars and randomly firing handguns and automatic weapons in Joseph’s general direction with almost no discernible results.

After about half an hour a few of the men in black body armor attempted to reach a stand of trees about 300 yards away to their left.  Joseph put a few well aimed rounds in front of their path and they quickly retreated back to the supposed safety of their not-so-mobile-autos.  Joseph snorted wryly at their shyness.

An hour after that a helicopter approached the mountain from the opposite direction to Joseph’s loophole.  Walking over to a window on the other wall he could see a distant Blackhawk approaching at relatively high altitude.  Joseph then began his preparations for their reception.

Between crew and troops, the Blackhawk had a dozen men on board.  And more importantly it had a couple of Hellfire missiles.  From a very safe distance away it targeted Joseph’s position and fired.  The missile struck precisely on target and obliterated the steel structure almost completely.  All that remained was the foundation of the structure around the mine shaft, now clogged with debris.

The Blackhawk landed about three quarters of a mile from the mine entrance.  At this point the agents, hunkered down behind their vehicles, began to stream toward the helicopter.  By the time they reached the aircraft the troops had exited and were waiting for their rescued brethren to arrive.

FBI Special Agent in Charge, George Chastain assembled both teams and briefed them on the updated mission plan.  “We will proceed to the mine head and look for any human remains.  We will collect whatever we can retrieve for lab analysis and attempt to seal the mine head until qualified personnel can be assembled for recovery operations.  It is presumed that the target, Joseph Boghadair was killed by the missile strike but we will take no chances.  He was an extremely dangerous individual and should not be approached by anyone without backup and prior approval from leadership.  In addition to his war record it is believed that Boghadair is responsible for the shooting deaths of forty-six people in the last six months with thirteen of those people being FBI personnel.  No one enters the mine until remote sensing equipment is brought in.  Alright, proceed.”

The agents formed two groups.  Apparently, SUV agents and helicopter agents must not bond very well.  But before they were more than a hundred feet from the helicopter the ground began to quake so powerfully beneath them that they were irresistibly knocked off their feet.  And while they were clawing at the ground for dear life, they could see that the high ground where the mine head was located had collapsed into the earth.  The roar of that collapse was more frightening than the initial earthquake and some of the agents hid their heads under their arms in abject terror.  When the mountain stopped shaking the men started to collect themselves and stand up.  When they looked around them, they were astonished.  A circular pit had opened up centered on the mine head.  It was a thousand yards in diameter and so deep that only blackness could be seen at its center.  Several cracks had formed outside the circular pit.  One of these had nearly swallowed the Blackhawk.  It was on its side and half buried in the crevice.  Its rotors were fractured and it wouldn’t be flying away from this landing.

Chastain went over to the edge of the crater and just stared down into the blackness below.  Then he went back to his team and started giving orders to begin a retreat from the stricken mountain.  He was trying to think of what he was going to tell his boss.  Nothing reasonable came to mind.

Exaggerations of the Simple Stuff of Human Life

Act 4, Scene 1 of William Shakespeare’s Macbeth, when the second witch says:

“By the pricking of my thumbs,

Something wicked this way comes.”

And Macbeth enters.  What a marvelous scene.  Witches, bloody ghosts and a demigod truly drained of his humanity.  A horror story in a stage play.  And then Ray Bradbury takes that line, “Something wicked this way comes” and makes it the title of his own American ghost story; the story of a haunted carnival.  Now what does Macbeth have to do with Bradbury?  Well, in both cases we have basically good people seduced by the devil.  Whether it’s Shakespeare’s witches or Bradbury’s Mr. Dark it is the story of men succumbing to the devil’s promise for their heart’s desire in exchange for their souls.

Macbeth wants the Scottish crown.  Bradbury’s Green Town denizens want various things.  Tom Fury and Mr. Crosetti succumb to lust.  Mr. Tetley wants money.  Miss Foley and Charles Halloway want their youth back.  Jim Nightshade wants to be older so he can indulge his various negative desires.  And for these things they risk becoming permanent prisoners of Mr. Dark and Mr. Cooger’s haunted carnival travelling the American continent in search of more souls to consume.

What a marvelous conceit.  An ancient locomotive from the Civil War era, arrives in small towns in the middle of the night and sniffs out the spiritually wounded inhabitants and lures them into the haunted attractions of the show.  If they wander into the house of mirrors, they will see their heart’s desire or their greatest fear.  Or they can follow the barker’s lure and enter the tent where the belly dancers expose their bodies for a silver dime.  And those that disappear are no longer recognizable as themselves and so cannot be rescued by any police force.

And redemption can only be had in Bradbury’s story if the devil is laughed out of town.  Laughter and happiness are the only cures for this evil.  The secret is to realize that life is not a tragedy.  Even at its worst, it is better than the alternative which is nothingness.  Pain and sadness and even death are a human story and in fact the only certainty in this world.  But it’s also still better than never existing.  Because no matter how sad and awful our existence, it’s still ours.  We get to feel it and react to it and maybe win a few rounds before we’re finally cornered and beaten by death.

So, the ride’s the thing.  That’s the lesson that Charles Halloway learns by the end of the story.  Even though he’s old and overwhelmed with trying to be the father of a young boy, that overwhelming challenge is his greatest opportunity to squeeze every bit of meaning and gusto out of what remains of his life.  And the boys get to see that fears and desires are exaggerations of the simple stuff of human life.  Lust and greed and fear are just the ingredients of life taken out of balance from their normal proportions and occasions.

I wonder who will take this theme up next?  Maybe I will, someday.

Grammata-Euphoria

All this Charlie Kirk media madness and the manhunt have depressed the hell out of me.  We live in a madhouse surrounded by awful, depraved people.  So I needed a break.  So I’m writing about something lighthearted instead.  My apologies.  I’m sure on Friday more horrible things will occur to drag me back into the madhouse.

Publishing a book.

Step two complete!  I sent off my manuscript to the one traditional publisher that I’m confident isn’t ideologically opposed to the political position of my protagonist.  Now I’ve got to write a “query letter” and send it out to a bunch of agents to see if any want to represent me.  And I have to make a list of publishers that will take submissions without agents.  Once I’ve done all that, if no one bites then I have to self-publish it and then I have to market it (advertise, announce it on social media, run a Kickstarter, hire a skywriter to put my message over Manhattan, and get a Superbowl commercial).

Well anyway, that will keep me busy for a while.  Based on all the advice for new writers that I’ve read, I intend to disseminate my story for free to all of my friends and try to get as much good word of mouth and favorable reviews as I can when it’s ready to launch.  After all, I don’t want hundreds or thousand of readers and dollars.  I need millions and billions!  Like the holy texts, my book should be in every home in the first and second world.  And dammit why not the third world too?  Surely, I can squeeze the little bit of hard currency that they would normally buy food with and divert it into my coffers.  Yes, yes.  That sounds right.

Well anyway Larry Correia started a monthlong Kickstarter for his new book on Ark Press and within about 24 hours he had $150,000 collected.  And what has he got that I haven’t got (beside thousands of devoted fans)?  Unfortunately, that is exactly what he has that I don’t.  Ah, the trials and tribulations of the unknown author.  There should be a “Tomb of the Unknown Author.”  It could be right past the colonnade of heroic sculptures of Homer, Moses and whoever wrote George Burns’ jokes.  It should have an eternal flame that’s a large hibachi using charcoal brickettes as fuel.  Some residue and aroma from a nice porterhouse steak would be fine and possibly a meat thermometer somewhere nearby.

You know I did learn that writing a story really is just for yourself.  I found parts of the work where I said, “Now that’s exactly how it should be.  Dammit, the writer nailed this perfectly.”  And of course, I know I’m talking to myself but it’s immensely satisfying when the words evoke exactly the emotion you’re reaching for.

Of course, the tricky part is knowing (or hoping) that the scene will elicit that same response from someone or better still, many someone-s who will let the world know just what a genius the author is.  I guess the definition of a great writer is when the whole world (mostly) is moved by what you write in the way you wanted them to feel.

Alright, that’s enough grammata-euphoria.  I’ll only report back when something interesting (publication or a book deal) is imminent.  Until then we can concentrate on the latest hideous atrocities on the streets of our cities and Trump’s latest poke in the eye to the Left and its minions.

We Have to Change with Them

I watched a YouTube video that described how a book that was struggling to sell a few hundred copies suddenly caught fire and ended up selling 1.5 million copies.  Well, the secret was that they gave away 150,000 copies of the book for free.  And then enough of those readers loved it that they got their friends excited enough to buy it.

Now I’ll have to say, on the face of it, this sounds insane.  I’m not even sure how you would go about giving away 150,000 copies of a book.  I guess you’d set the price to zero on Amazon and then e-mail 150,000 people to let them know they can have the book free that week or something.  But where do you even get an e-mail list with 150,000 science fiction fans?  But then again, I have read a lot in the last few weeks about how even traditionally published books mostly only sell a few hundred copies altogether.  That can’t be considered success, can it?

This has really got me thinking about how limited my little world of friends and family is in the larger scheme of things.  Even on the web I only communicate with a few hundred or maybe a few thousand people at most.  I guess these proverbial “influencers” may have a reach that extends into the hundreds of thousands and possibly a few million people but I’m not sure how much this translates into marketability.  Of course, I don’t discount the youth market and how suggestible teenagers are.  But that’s not a market that I’m currently interested in.

But it was fun thinking about my book reaching millions of people.  Hordes of adoring fans lining up on the highways leading to Dunwich all with the single fixed idea of having me sign their personal copy of “The Sniper” so that it would become an heirloom that they could pass down to their children and their children’s children unto the eighth generation.

It kinda gets you, … right there.

Well, anyway, I definitely have a lot to think about in anticipation of actually publishing this magnum opus.  I still think I’ll look at traditional publishing first because that is the traditional thing.  And I am a traditional guy.  But it’s tempting to think of trying to break out into the big bold beautiful world out there and get as much feedback from the readers out there as I possibly can.  After all P.T. Barnum was successful because he knew how to catch the public’s attention.  Possibly a lurid cover that has little to do with the plot of the book may be part of how you attract the great unwashed.  Then again, covers cost money and maybe I’m better off spending that on a huge e-mail list of science fiction fans.

So, as you can tell I’m staring out into the abyss and finding it abysmal.  When I was a young fan of science fiction, I assumed that finding readers was not a problem.  I thought getting published was the trick.  Times change, priorities shift and we have to change with them.

31AUG2025 – And Then, Quite Suddenly, Summer Was Over

Bradbury understood summer to a boy.

 

“And then, quite suddenly, summer was over.
He knew it first when walking downtown. Tom grabbed his arm and pointed gasping, at the dimestore window. They stood there unable to move because of the things from another world displayed so neatly, so innocently, so frighteningly, there.
“Pencils, Doug, ten thousand pencils!”
“Oh, my gosh!”
“Nickel tablets, dime tablets, notebooks, erasers, water colors, rulers, compasses, a hundred thousand of them!”
“Don’t look. Maybe it’s just a mirage.”
“No,” moaned Tom in despair. “School. School straight on ahead! Why, why do dime stores show things like that in windows before summer’s even over! Ruin half the vacation!”
― Ray Bradbury, Dandelion Wine

 

“June dawns, July noons, August evenings over, finished, done, and gone forever with only the sense of it all left here in his head. Now, a whole autumn, a white winter, a cool and greening spring to figure sums and totals of summer past. And if he should forget, the dandelion wine stood in the cellar, numbered huge for each and every day. He would go there often, stare straight into the sun until he could stare no more, then close his eyes and consider the burned spots, the fleeting scars left dancing on his warm eyelids; arranging, rearranging each fire and reflection until the pattern was clear…
So thinking, he slept.
And, sleeping, put an end to Summer, 1928.”
― Ray Bradbury, Dandelion Wine

 

The yearly ritual continues.

 

Writing’s Easy.  Selling is Hard.

As I mentioned a day or two ago, I’ve finally finished my story about the sniper.  Of course, it still needs a spell check and another read through for errors and any “infelicities” of style that I may find.  But for the most part I’ve brought it to a close.

But now comes the really hard part.  Self-publishing versus traditional publishing.  And for me it’s especially difficult because the story is unacceptably “right wing” from the point of view of anyone in the traditional publishing industry except for one or two houses like Baen Books who cater to stories from our side of the great political divide.

I have just begun doing my research on some kind of order of operations to maximize my chances to publish the book so that the largest number of people will hear about it.  And my level of knowledge of the whole publishing process is pretty darn close to absolute zero.  I’ve only reached out to one guy I know of who writes in the same general universe with me but I think I’ll have to feel my way around by reading and watching content that is meant to educate the public about trad publishing vs. self-publishing and then get a better handle on what writers on the right generally do.

So far all I’ve read makes the whole process seem incredibly slow and painful and chock full of interactions with gatekeepers and unsympathetic literary agents who will never return any of my correspondence but will dismiss me as a talentless hack.

But maybe I’m completely mistaken and instead I’ll be embraced by the publishing world as the next Cormac McCarthy and be showered with accolades and surrounded by business agents fighting one another to get me to sign book and movie deals.  Within months I’ll be quoted by millions of readers who will flood my website with messages of delight about my brilliant writing and demands that I “take their crowdfunding money” for my next writing effort.  The millions of dollars will pile up in Camera Girl’s sewing closet (she likes cash) and I will become a recluse and start wearing outlandish clothes to reflect my new status as a global phenomenon.  I can hear it now.  The crowds chanting at DragonCon, “photog, photog, photog!”

Okay good.  Now I’ve got that out of my system.  I’ll go back to finding out whether the “hybrid” publishers I’ve read about that cater to right and libertarian authors are legit or really the infamous “vanity press” scam artists that take all your money and ship a few boxes of print-on-demand paperbacks and tell you to, “Go market the damn things yourself!”

Well, I wanted to try writing a book.  Now I’ve done it and I better find out how to get other people to know it exists without spending a million dollars doing it.  And that’s another thing.  Now that AI can draw covers maybe I can save some money by using it.  Of course, I understand that I’ll anger all of the artistic community that does book covers for a living.  Hmmm.  Maybe I should find out what it costs.  There are already so many people mad at me in the world, adding to that number sounds like a bad idea.  Well, we’ll see.

The Library is Full of Them

As I mentioned in an earlier post Disney (and by extension Hollywood) realizes that they’ve alienated the male half of the human race.  And as I gleefully mentioned this is all their own fault and it’s hilarious that it’s a surprise for them.  And after torching two of the most valuable male-oriented intellectual properties (Star Wars and the Marvel Cinematic Universe), instead of trying to fix the problems and repair the damage to these brands they’ve decided to bury their losses and start from scratch with brand new franchises.

Well, you’ve got to admire their optimism.  Maybe they haven’t heard the old saying about the definition of insanity being doing the same thing over and over again and expecting a different result.  But it’s their money (or their stockholders anyway).

But in a sense, they’ve got it half right.  Half of their problem is that sequel after sequel has drained all the life out of their franchises.  So new stories and characters is a good direction to go in.  People like to be entertained and meeting new characters is part of that entertainment.  And even though there are only a few overarching plots to an adventure story it helps to change the names of the heroes, villains, magic rings, super-weapons and princesses from story to story.

So far, so good.  But now comes the tricky part.  Listen up Disney:

DON’T MAKE THE HERO A GIRL-BOSS.  THE GIRL IN THE STORY IS THE LOVE INTEREST OF THE HERO.  SHE IS THE REWARD FOR THE HERO SAVING THE DAY.  SHE MAY TAKE UP A BOW OR A DAGGER IN A PINCH BUT SHE’S NOT THERE TO SAVE THE HERO AND SHE’S NOT SUPPOSED TO BE IN CHARGE.

I hope I was clear there.  Use the traditional hero saga as the backbone of the story and find a writer and a director who can work with such a story in a creative and entertaining fashion and you will make billions of dollars.  Just as a for instance Joss Whedon directed the first Avengers movie.  It made $1.52 billion worldwide at the box office.  That’s a lot of money.  And part of the reason for that enormous sum is because Whedon knows how to make likable characters in a movie.  He blends humor, action and drama in the correct proportions and at the right moments.  In other words, he’s not a hack like all of the DEI directors that have bungled the last several years of your franchise flops.

Now, granted he is demanding and sometimes slightly abusive toward the “talent.”  But they’re getting paid millions of dollars to dress up in spandex and fool around in front of a green screen.  The least they could do is take a little hectoring from a prima donna director to earn those millions.  So anyway, my advice for Hollywood is to find the few creative talents out there; directors like Whedon and Christopher Nolan.  And purchase the film rights to books that millions of people love.  And don’t mess with the stories and characters.  Put them faithfully on the big screen and then instead of trying to recreate success with endless sequels move onto another story!  Did you know there is more than one book in the library?  There are several.

I know it’s a radical departure. But it’s just so crazy it just might work!

A Light Bulb Turns On at Disney

According to Variety magazine:

Disney’s Boy Trouble: Studio Seeks Original IP to Win Back Gen-Z Men Amid Marvel, Lucasfilm Struggles

Disney has realized that young men are tired of their girl-boss inhabited movies.  And now it’s a problem because Disney needs their money.

And I quote:

“Numerous studies show that Gen Z men in particular are a lonely, gaming-obsessed group who were hampered in their formative years by COVID-19 lockdowns — not the easiest segment to grasp.”

So even when their desperate to attract an audience they can’t help but mock and belittle men and boys.

Rather than rant on my own I’ll borrow the Critical Drinker’s rant.  He is much more amusing than I am.