2024 Summer Movie Talk – Part 8

Super Hero Movies

I approach this category with great trepidation.  In the new millennium comic book movies have exploded into the only profitable movie type.  The billion-dollar box office totals for several of these films rival the money made by the Star Wars franchise at its height.

But the cinematic quality has varied drastically and of late social justice themes have poisoned several franchises and tanked the profits on several of these “blockbusters.”

In most cases the sequel moves (with a few important exceptions are usually weaker than an initial strong entry film.  The most notable exception is the “The Dark Knight.”  It is the middle movie of a trilogy but may be the best of the three.

Disney’s endless chapters in the MCU (Marvel Cinematic Universe) as they term their merging of the various Marvel super hero franchises (Iron Man, Captain America, Thor, Hulk, Black Widow, Avengers, Doctor Strange, Guardians of the Galaxy, Spiderman, etc., etc., etc.) are fairly hit and miss.  I’ve listed the ones I thought were relatively well done and entertaining.

I’ve listed the old Superman movie from the late seventies.  It was entertaining and featured a fair amount of comedy.

Batman has had several iterations.  I’ve listed the ones I liked.  Christopher Nolan’s Dark Knight trilogy is considered by some to be the best overall version by many, but who’s to say?

The last five films are stand alone stories that are notable in some way.

Warning:  Just because these are comic book movies doesn’t mean they are to be assumed safe for children.  For instance, Deadpool and Watchmen are specifically adult fare.

 

  1. SUPERMAN: THE MOVIE (1978)
  2. BATMAN (1989)
  3. BATMAN BEGINS (2005)
  4. THE DARK KNIGHT (2008)
  5. THE DARK KNIGHT RISES (2012)
  6. THE BATMAN (2022)
  7. IRON MAN (2008)
  8. CAPTAIN AMERICA: THE FIRST AVENGER (2011)
  9. CAPTAIN AMERICA: THE WINTER SOLDIER (2014)
  10. MARVEL’S THE AVENGERS (2012)
  11. AVENGERS: AGE OF ULTRON (2015)
  12. AVENGERS: INFINITY WAR (2018)
  13. AVENGERS: ENDGAME (2019)
  14. SPIDER-MAN (2002)
  15. GUARDIANS OF THE GALAXY (2014)
  16. DEADPOOL (2016)
  17. HELLBOY (2004)
  18. CONSTANTINE (2005)
  19. WATCHMEN (2009)

V FOR VENDETTA (2006)

If I left out one of your favorites or if you detest one of my listed films, feel free to speak up and make your opinions known in the comments below.

2024 Summer Movie Talk – Part 7

Fantasy

This category is a shambles.  I have arbitrarily excluded superhero movies, monster movies and animated films like Disney’s Pinocchio without any rationale other than I intend to make separate lists for those.  Also, these films run the gamut from children’s movies to adult fare.  And one movie; “Big Fish,” may not even qualify as a fantasy at all.

So, I apologize in advance for the idiosyncratic and incomplete nature of the list.  I’ve emboldened my personal favorites.

  1. THE WIZARD OF OZ (1939)
  2. THE THIEF OF BAGDAD (1940)
  3. THE SEVENTH SEAL (1957)
  4. JASON AND THE ARGONAUTS (1963)
  5. MARY POPPINS (1964)
  6. WILLY WONKA AND THE CHOCOLATE FACTORY (1971)
  7. TIME BANDITS (1981)
  8. CLASH OF THE TITANS (1981)
  9. EXCALIBUR (1981)
  10. CONAN THE BARBARIAN (1982)
  11. THE NEVERENDING STORY (1984)
  12. HIGHLANDER (1986)
  13. THE PRINCESS BRIDE (1987)
  14. THE ADVENTURES OF BARON MUNCHAUSEN (1989)
  15. SLEEPY HOLLOW (1999)
  16. THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001)
  17. THE LORD OF THE RINGS: THE TWO TOWERS (2002)
  18. THE LORD OF THE RINGS: THE RETURN OF THE KING (2003)
  19. BIG FISH (2003)
  20. THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE (2005)
  21. THE CHRONICLES OF NARNIA: PRINCE CASPIAN (2008)
  22. THE HOBBIT: AN UNEXPECTED JOURNEY (2012)
  23. THE HOBBIT: THE DESOLATION OF SMAUG (2013)

If I left out one of your favorites or if you detest one of my listed films, feel free to speak up and make your opinions known in the comments below.

2024 Summer Movie Talk – Part 1

When reality collapses under a landslide of madness:

  • POTUS exposed as a human vegetable
  • Cost of living now requires selling kidneys for gas money
  • Illegal aliens and homeless drug addicts now the two largest voting blocks in some blue states
  • Kamala Harris imagining herself as president unencumbered by anyone wanting to vote for her.
  • Morning Joe both extols Joe Biden as the sharpest he’s ever been and begs him to step aside to avoid defeat.

Well then, it’s time to take off the pundit cap and try to enjoy life a little.

I’ve always been partial to watching movies.  My tastes probably fall somewhere in the middle.  I’m definitely not part of the avant-garde by any means.  I’ve never enjoyed Cinéma verité and the various other European schools that abounded in the 1950s and 1960s.  They always just looked like low budget crap that someone made with a home movie camera and no money.  But by the same token I think that at least 80% of the output of Hollywood in its heyday was pretty poor stuff.

I totally believe that cinema is not a single subject.  There are several distinct things that get lumped together as movies.  Hopefully they all contain the characteristic that they entertain.  But beyond that I think one kind of movie makes you feel and another makes you think.  Now that is not to say that a movie that makes you think doesn’t also engage your emotions.  That would be odd in a movie created by humans.  But what I’m indicating is that many, even most movies don’t really make you think.  And that is not to say that only high-brow art-house movies can delve into the human condition.  Far from it.  Even someone as populist and popular as Frank Capra can capture a character or a moment that makes you think about the big questions.

So, I think I’ll divide my discussions about movies into two main categories; entertainment and enlightenment.  And let’s start with entertainment.  Because it is the summer and that is the season when we want to enjoy the beautiful weather and make believe that the world is a happy place where Joe Biden and Kamala Harris are just cartoon characters who dress in primary colors and get chased around by the Tasmanian Devil and eventually eaten.  So, let’s see.

Well, first things first, we’ll divide and conquer.  Let’s divide things into genres:

  • Science fiction
  • Fantasy
  • Action/Adventure
  • Comedy
  • Drama

Science Fiction

I’ll list what I think are among the best or the most popular or the most interesting sci-fi movies in approximately chronological order.  I’ve reviewed almost all of these movies so if you want my detailed opinion you can do a search on the site.

  1. Destination: Moon
  2. The Thing from Another World
  3. Them!
  4. Invasion of the Body Snatchers
  5. The Time Machine
  6. The Day the Earth Stood Still
  7. War of the Worlds
  8. Forbidden Planet
  9. 2001: A Space Odyssey
  10. Blade Runner
  11. Alien
  12. Terminator
  13. Starship Troopers
  14. Independence Day
  15. 12 Monkeys
  16. Jurassic Park
  17. The Matrix
  18. Contact
  19. Firefly
  20. Serenity
  21. The Martian
  22. Dune

 

Now this is just my list.  Your list will be different.  I left out Star Trek and Star Wars.  I consider Star Wars fantasy and I consider Star Trek mostly awful.  But the same could be said for several of the movies I put on my list.  I hope my list will inspire a million spirited comments.  Everyone has their favorites and their turkeys.  Unlike politics we can all have our opinions on sci-fi movies without fear of doing any damage.  Have at it.

Putting Up a Fight

I am a Tolkien fan and have been one since I was probably eleven.  The Hobbit, The Lord of the Rings, The Silmarillion, his lesser works, even his biography.  And I greatly respect the world-building he did in creating Middle Earth; the history, geography, the various non-human races and the tribes of men, even the religious underpinnings of his world.  I love his characters and their interplay with each other and the plot.

But I must be honest.  I find Frodo thoroughly annoying.  Sure, sure.  He carried the One Ring for the better part of a year and didn’t fail until at the very edge of the abyss.  And this after being poisoned by Shelob and frog-marched by orcs across the plains of Mordor.  Maybe that effort was heroic to an extent that we are supposed to revere it as an herculean effort for making it 99.9% of the way.  Maybe.

But that hobbit annoys the hell out of me.  Surely, I’m not the only one who has wondered, what if Frodo had been left behind and the ring had been given to Samwise Gamgee?  Maybe the whole thing could have been done in half the time.  Maybe on Sam’s less refined but sturdier shoulders there wouldn’t have been as much angst about the burden of the ring.  And one thing’s for sure.  Gollum would have been toast.  Sam would have put Sting through that homicidal proto-hobbit without further ado.  And that alone would have made the story shorter and less annoying.  Now you might say that without Gollum they wouldn’t have found their way in.  Well, in that case they hadn’t provided Frodo with enough information to get in.  So, put Aragorn and Sam together as the team.  Or Legolas and Sam together as the team.  Basically, anyone but Frodo.  I’ve heard that the dream team is Gandalf and an eagle but if we’re afraid that Gandalf would be too tempted by the Ring then just go with Sam and an eagle.

And if Sam had succeeded in destroying the ring he wouldn’t have needed to go across the sea to heal.  He would’ve gone right back to work clipping hedges at Bag End.  No fuss, no muss.  Sure, if Frodo had been left behind, Sam wouldn’t be inheriting Bag End because Frodo wouldn’t have to go to the Grey Havens.  Sam and Rosie would need to buy a starter-hole somewhere on Bagshot Row.  But the Gaffer surely had something socked away for Sam and the Cotton clan look like they take care of their own.

Now of course Tolkien had in mind that Frodo was the suffering servant of the Lord and Sam was sort of the batman or orderly for the more aristocratic Frodo.  This sort of synchs with Tolkien’s service in the First World War where an upper-class officer had a commoner for a batman.  And all of that is fine but I just wish Frodo had displayed a lot more pluck and grit than he did.

Would it have killed him to take down Shelob?  At least go down swinging.  Okay rant over.

Thoughts on Current SF&F in Cinema – Part 1

When I was much younger, I remember wondering if there would ever be a time when the state of the art in “film” would allow a decent version of the Lord of the Rings to be made.  When Ralph Bakshi’s cartoon over live action was made in 1978, I was quite surprised at how good it was.  And I hoped that he would continue the project to finish the complete story.  But he never did.  Maybe he didn’t make enough money or maybe he got bored.  And so, it would be another twenty years before anyone tried again.

Peter Jackson did a remarkable job both visually and artistically of capturing Tolkien’s story.  And I think he proved that we have reached a point where regardless of the unreal or fantastic nature of the story CGI can produce a convincing visual representation of that story on the screen.  And that was an important moment.  For a fan of science fiction and fantasy this is the promised land.

And yet, what have we got now?  For every film like Dune where the story faithfully reproduces a worthwhile piece of fiction, we get ten movies like “The Marvels” or “The Last Jedi” or “Madame Web” where the visuals are successful but the story and the acting are unwatchable.

Well, that’s reality.  The cultural and societal standards are pretty awful so even if some interesting topic like the Second Age of Middle Earth (Rings of Power) or Harry Seldon’s Psychohistory (Foundation) are being filmed chances are that the result will be terrible.

But the only good thing I can say is that the potential exists for a rogue force like Elon Musk to come along and fund an independent studio to produce some exciting projects.  So, eventually we will get good movies.  Eventually the profit motive will succeed.  Who knows we may be forced to watch Chinese or Hungarian movies in subtitles but it will come.  So, patience, patience.

And what might make a good project?  Well, based on what we know would sell, how about space opera that is a lot more interesting than the Star Wars universe?  How about a project to film the Lensman series?  A few updates to the technology might be needed and the chronology might need to be tweaked but then the story would be easily turned into a series of films.  It has likeable heroes, awful villains, interesting aliens and plenty of space battles.  And best of all, not a girl boss in sight.  Just classic square-jawed heroes saving the day and rescuing the damsel in distress.  I would guess that the Lensman saga would be easily as popular as Star Wars and in fact more so.

Now another popular film idea would be the Heinlein juveniles.  There are several good candidates.  As a first choice I’d go with, “Have Spacesuit Will Travel.”  It has all the requisite ingredients for a good young adult movie; human interest, suspense, adventure, pathos, humor and the resolution of a coming-of-age story.  As a second choice I’d recommend, “The Star Beast.”

It’s an interesting thing to reflect that a really satisfactory movie version of a Heinlein book has never been done.  The only one he ever had a hand in was Destination Moon.  And while technically there were interesting aspects to the production as a movie it was pretty cut and dry; more of a primer on rocket flight than work of fiction.  In terms of popularity, I guess Starship Troopers is the best of those produced, even though the director made it in the spirit of a mockery of the underlying philosophy of the book.  A faithful portrayal of Starship Troopers would be an amazing idea for a movie.

And rounding off my picks for Heinlein would be, “The Moon is a Harsh Mistress.”  I think this story would make an excellent film too. I’d especially enjoy seeing the rail gun attack on Earth on the big screen.  And I think the friendship between Manny and the artificial intelligence Mike would work great on the screen.

I’ll have to think of some other classic sf&f books that would make good movies.  If you can think of any you’d like to see made, leave them in the comments.

Sequential Horror

Hollywood seems incapable of making anything original and all the sequels and reboots they make suck mightily.  So, I have decided to step into the breach and provide the ultimate in sequel mashup awfulness.

Movie Treatment: Cosmic-Horror-Palooza

Rick Deckard is at home with his wife Rachael having breakfast before he heads off to work as head school crossing guard at the Philip K Dick Elementary School in Portland Oregon.  Rachael is pregnant with their first child and asks Rick to bring her some sweet gherkin pickles on his way home.  She chastises him briefly because this is the third time he’s forgotten.  He absorbs the abuse kisses her on the forehead and heads out the door while absently loading .45 shells into his revolver.

When he reaches the security office, he notices on the various video surveillance screens that a protest has set up shop in the intersection adjacent to the northwest corner of the school.  A mostly crossdressing mob of activists with signs that say REPLICANT-PHOBIA IS HATE were chanting and marching in one of the crosswalks.  This would not be an easy day.

Suddenly an energy bolt blazed across the screen and struck one of the extremely plus-sized blonds-wigged transwomen in spandex and left a visibly gaping hole through his body before collapsing onto the asphalt.  Several other energy bolts followed in quick succession wreaking havoc with the chant as deep bellows and hoarse screams erupted from the targeted activists.

Deckard bolted for the door and sprinted toward the crime scene.  As he approached, he could see that the attack was coming from a tree located fifty yards from the corner.  He approached warily, shielding himself from view with the side of the building and ending up very close to the base of the tree.  Peering carefully around the corner of the building he could see a shimmering patch of foliage that was the source of the deadly beams.  As he watched he could make out what looked like a humanoid form and aiming for the head he unloaded with his .45.

The shimmering patch fell to the ground and Deckard ran over to it.  What he saw there startled him.  A man shaped creature lay on the ground but the inhuman head had insectoid mandibles.  The .45 slugs hadn’t done the head any good but Deckard added a couple more through the cranium just to be sure.  Looking around on the ground he found a long rod with a blinking light at one end and what probably was a trigger near the other end.  Picking it up and sighting through the blinking light device he aimed at the tree and pushed the trigger.  A bright red bolt drilled a two-inch round hole precisely through the 36 inches of the tree trunk and elicited a respectful whistle from the impressed former blade runner.

Looking into the foreground he could see a shimmering area about twenty feet down the sidewalk.  Suddenly four of the humanoid creatures approached with their right arms raised in the universal sign of respect for a successful warrior’s victory.  They came bearing a large blue lawn dart which one of their comrades had claimed as his trophy over a human in a 1968 Cincinnati Ohio suburb.

But before they could bestow this trophy on Deckard, other creatures poured out of the dimensional portal that the four earlier beings had opened.  These creatures were decidedly unlike the first ones.  They were about eight feet tall with extremely elongated heads with two sets of jaws, one inside of the other.  They had long claws on the feet and hands and a long, pointed tail.  Deckard instinctively knew that the saliva dripping from the creatures’ jaws was molecular acid and that this wouldn’t end well.

About twenty of the creatures attacked the four earlier visitors and an enormous battle ensued.  The bug-jawed warriors put up a hell of a fight with their energy weapons and the lawn dart but there were just too many of the xenomorphs (Deckard somehow sensed this was what these other creatures should be called).  Seeing that the battle would soon be over Deckard called his office and ordered his team to lock down the school and call the authorities.  Then he sprinted over to the protest site to warn them away.

Unfortunately, the activists had repurposed the event into a day of rage against transphobic energy-beam wielding haters and they had begun turning over cars and torching them.  They had formed a kind of funeral pyre for their fallen comrades but it hadn’t really done a thorough job of consuming their bodies so a very questionable pile of remains remained.  Seeing Deckard running toward them carrying the energy weapon they assumed he was the killer and they charged toward him.  He stopped and looked around.  Behind him the remaining ten or so xenomorphs were coming up quickly in his direction.  With the two groups converging on his position imminently, he did what any clear-thinking individual would do.  He ran sideways and hoped for the best.

And that worked extraordinarily well for him.  But much less well for the angry mob that suddenly intersected with the xenomorphs.  It turns out xenomorphs are not transphobic.  In fact, it turns out they’re transphilic.  In fact, I think they even enjoyed eating the wigs.  It wasn’t pretty.

Deckard took the opportunity to sneak over to an entrance to the school and punch in the entry code and head for the security office.  When he arrived, his crew updated him on the current state of the “battle.”  The xenomorphs were somewhat leisurely feasting on the four warriors and the fifty some-odd rioters.  Deckard tried in his mind to come up with a strategy to hold off the xenomorphs until Space Marine troops could be summoned.  But nothing occurred to him.  He did remember that he had to get those gherkins for Rachael but that didn’t really seem to improve the situation.

But then a very odd thing happened on the screen.  One of the corpses of the warriors suddenly stood up and metamorphosed into something that was a combination of the xenomorph and a rioter.  It looked like a xenomorph wearing a yellow wig.  But it grew to five times the size of one of the xenomorphs and began eating the other xenomorphs.  And each time it ate one of them it got bigger.  The xenomorphs never ran away and kept fighting but one by one they were swallowed by the shape-shifting creature.  At one point a xenomorph managed to rip an arm off the shapeshifter and throw it to the ground.  The arm sprouted six spider like legs, a mouth full of teeth at the shoulder and proceeded to attack the xenomorph.  Within half an hour the battle was over and the shapeshifter and the walking biting arm coalesced into an amorphous mass of protoplasm.  After a short time, the blob flowed over to the school and covered it in a layer of pulsing goo.

Deckard watched in horror as all the doors began to slowly ooze rivulets of the creature.  He sent his crew to the doors and they used CO2 fire extinguishers to freeze the jelly as it attempted to enter the building.  Things were looking quite bleak as the extinguishers one by one were emptied of their frozen contents.  But suddenly the ooze retreated from the doors and the creature flowed off onto the nearby street and reformed into the shape of a yellow wigged transwoman complete with alarmingly overstretched spandex body suit.  The creature was apparently asleep.  As Deckard watched the sleeping form evaporated completely.  At that point he saw that there was a similarly sized shape on the ground about ten feet from where the sleeping creature had been.

Gathering his courage Deckard walked out of the building and approached the shape on the ground.  When he got near it, he saw that it was what looked like a giant seed pod.  And as he watched it burst open and slowly a living being pushed its way out.  When it had exited the pod, it was seen to be an identical blond wigged transwoman; spandex and all.  Deckard stood his ground, pointed the energy weapon at the creature and asked it to explain what had just happened.

The creature adjusted its costume, scratched at its beard and explained that its species sent spores throughout space that land on planets and produce seed pods that mimic other life forms and then replace them with their own individuals.  And slowly they replace all individuals of the local dominant species and thus take over that world.  However, because of all the various different cell types that were present in this individual’s new body, life on Earth was just too painful for it to continue and it begged Deckard to finish it off as a mercy killing.  And Deckard promptly obliged it using the alien energy rod.  At that point the creature evaporated into the air (except for the spandex suit and wig).

When the police finally showed up, they wanted to know what the hell was going on.  All that remained of the battle were the few burned out cars and the spandex suite and wig.  Deckard started to tell the whole story then thought better of it and just said there had been a protest that sort of got out of control and left it at that.  One of the officers asked him about the energy rod and he said it was a prop for a school play.  The police did a walk around and cited the school for a safety violation because of the empty fire extinguishers and Deckard had to fill out a lot of paperwork and give some of his staff a mental health week off to keep them from quitting.

He didn’t get home that night until ten thirty and when he walked in the door Rachael asked him how his day was.  He said it was okay.  But then she looked at him and said, “You forgot the gherkins!”

So, he turned around and headed off to the grocery store with his walking stick blinking along.  She said after him, “Men are so easily distracted.”

Actual Progress

Over the last decade or so Peter Thiel has made a point of claiming that other than computer automation, technological progress has been at a standstill.  And he’s essentially correct.  From about 1900 to 1960 we went from horse power to nuclear power.

From 1960 to 2020 we went from nuclear power to wind power.  This is not technological progress.  It’s surrender.

And this is mostly a psychological problem we’re facing.  We haven’t hit any quantum barrier that forbids us from improving almost every aspect of our technology.  Even the make-believe problems we create have solutions that are neglected by the dim-witted “technologists” that preside over our decline.  A good example is the farce called recycling.  Currently we are all forced to dutifully separate “recyclables” in a separate pail from the rest of our trash as if this was a magical process that allowed these paper and plastic waste products to somehow become usable materials.

But in reality, the majority of this material is landfilled along with the non-recyclable garbage that we collect in the other pail.  And the reason is simple.  Crude oil is a cheaper and better raw material for making plastic than plastic scrap.  Maybe in the far future when petroleum runs out, our landfills will become plastic mines that we’ll tap for a feed stream in our manufacturing process.

Of course, another thing it’s good for is as fuel.  Paper and plastic are mostly hydrogen and carbon and as such they make incredibly good combustion fuels.  Buring these materials in a garbage incinerator associated with a turbine generator would be the most efficient use of these waste materials.  But, you know, Gaia.

But let’s assume that at some point in the next twenty years, first world people are going to get tired of being forced into third world squalor.  At that point I’m guessing that the first direction selected for energy production will be nuclear fission steam turbine generation plants.  Sure, maybe they’ll have to pay lip service to global warming pieties.  Maybe they’ll even build solar powered carbon sequestration projects to please Gaia.  But at some point, people will demand to have the amenities they’ve become accustomed to; reliable electrical distribution and convenient transportation.  In the long run what the source of that power will be is yet to be determined.  My theory is that geothermal energy will supplement and maybe replace nuclear in the long run.

One thing I’m not sure of is what will be the fuel for transportation.  Many people have said that hydrogen is too hazardous.  Maybe they’re right.  It does tend to go boom when trapped in an enclosure.  Well, it’s cheaper and easier to make than octane but with unlimited electrical energy from something like widespread nuclear or geothermal I don’t see a problem with an octane synthesizing plant.  Carbon dioxide and water are available in endless supply so all that’s needed is cheap power.  And there’s a lot to be said for a really well-built internal combustion engine car.

But this is all just getting back to where we were in 1960.  What will real technological progress look like?  Ironically, I think that there will be an emphasis on Gaia!

I think quality of life innovation will be the future.  Research into the detrimental effects of all the chemicals that we add to our foods and come in contact with our bodies will begin shaping the products our industries produce.

And likewise with containers.  Maybe bottles will start being made of glass and metal again.  Some of the older materials were safer and newer alloys and other materials can be tested and whatever the healthiest choices can be substituted for things that may be harming us.

So better living through chemistry may become something more than just an empty slogan.

With all the talk of AI I’d be remiss if I didn’t mention the progress, we can expect from the ongoing computer automation revolution.  Eventually all automobiles will be subject to traffic control in densely crowded traffic.  Despite our strongest resistance, this will happen in many jurisdictions.  The nanny-state is just too strong in places like California and New York.  For many people this will be welcomed.  It will relieve them of the responsibility of driving.

Artificial intelligence will eventually make large scale industrial economic planning much more efficient.  Supply chain coordination for a whole network of companies producing a multitude of products will be optimized and trends and changes tracked and compensated for.  How this will effect capitalism remains to be seen.

Maybe the greatest use of AI will be in bioresearch and medicine.  The enormous complexity of living systems and the almost infinite number of chemicals that need to be tested for toxic and other detrimental effects cries out for the brute force that artificial intelligence can bring to bear on bioresearch and development.  I can see a future where the oncologist is a computer that scans the DNA of a cancer cell and chooses a custom antibody coded precisely to attach to and kill only the cancer cells and nothing else.

And the final area of progress is a sentimental one for me and one I’ll never see.  Mankind should send an unmanned probe to Proxima Centauri.  I guess HAL 9000 will be in charge of this mission.  It will require an enormous tank of water that will be used as rocket mass.  A fission reactor will be used to boil the water as a jet to provide acceleration.  Maybe it can get up to .3c and so the round trip will be something less than a century.  It can take readings and photos and see if there are any little green men there and come back and let us know.  Now that’s progress.

People’s Republic – A Book Review

Kurt Schlichter’s novel, “People’s Republic – A Novel” is an action-adventure story set in a near future where the United States has fractured into two separate countries.  The People’s Republic of North America encompasses the west coast and the Great Lakes and east coast down to about half of Virginia.  The remaining states are still called the United States of America.  There was at least some combat between the two groups of states but at the time of the story it has settled into a bickering of guerillas at the borders.

(Spoiler Alert – Skip down to last paragraph to avoid spoilers and read recommendation)

Now the story is not about the civil war or the current relations between the two countries.  Rather it is an adventure story about an undercover operation by a family to rescue a woman who foolishly defected to the People’s Republic.  The main protagonist is a former special forces soldier who earns his living by smuggling people across the closed border from the People’s Republic to the United States.

Together with the woman’s brother who is also a veteran they go on an odyssey to reach Los Angeles and rescue the girl and also carry back a data base full of the names of spies currently working in the United States.  Along the way we see the results of the radical progressive agenda in the People’s Republic and the growing discontent with the extreme economic hardships that exist there.

The book is liberally seasoned with fights, gun fights and escapes.  This is solidly in the action/adventure genre and provides a fast paced and well-written story.  There is a fair bit of progressive bashing built into the plot but being a progressive-basher myself I enjoyed it pretty consistently.  I would happily recommend this book to anyone on the right side of the political divide who enjoys action-adventure.  Progressives will definitely not enjoy how the Left is characterized.  Oh well.

Talk the Talk

Regular readers of this site know I tend to make fun of H P Lovecraft’s prose style.  In his better written stories, it has a quasi-nineteenth century sound to it.  But in some of his less ably written material it instead just sounds kind of overblown.  But recently I’ve been listening to a YouTube channel called Horror Babble by some guy called Ian Gordon who sounds a little like the actor who played Jay Peterman on Seinfeld.  He provides an accent that, I guess, is supposed to sound like something between 1920’s Oxbridge English and possibly early twentieth century Boston Brahmin.

After listening to a few of these recordings I’ve realized that this presentation makes these stories incalculably more entertaining.  Let me qualify this statement.  It doesn’t make the stories better horror stories.  But the presentation is just more fun.  I think the accent makes the ridiculousness of the stories seem intentional.  It’s camp.

And maybe it works because that’s more or less the “voice” that Lovecraft was hearing in his own head.  It’s always seemed to me that Lovecraft’s work was sort of an homage to Edgar Allan Poe.  And because Lovecraft lived far removed from the era when Poe’s prose was contemporary and because Poe was a consummately better writer Lovecraft’s language always seems stilted.   But with a spoken word interpreter somewhat bridging the gap with his theatrical reading it somehow works pretty well.

Now most of you probably already listen to audio-books.  The only ones I’ve ever listened to were Larry Correia’s Adventures of Tom Stranger with Adam Baldwin providing the voice talent.  And come to think of it the specific voice really does make a big difference in the enjoyment of that story too.

Well, anyway, this little epiphany has got me thinking about the voice that you hear when you write something.  I mean, unless you’re writing a character that’s more or less you, how do you hear that character or characters speaking.  What do they sound like?  Is it a regional accent?  And that’s kind of a big deal.  If all my characters sound exactly like me that might make it hard for my readers to see these characters as real people.  Going back and reading some of my dialog I would say that there are definitely differences in speech for the different characters.  And this is most noticeable for characters that differ in sex, age and generation.  So, I’m not worried that I have to reinvent all of my dialog.

But it does occur to me that maybe I’d like to add some characters that have very flamboyant speech patterns just to give the story some extra zing.  After all, even Shakespeare added dialect characters to make some of the scenes comical or memorable.  His dialect characters were usually Irish or Welsh or Scottish.  I guess I could throw in a Southie from Boston or a South Asian character for good measure.  But if I really want to get exotic, I’ll throw in a Millennial Social Justice Warrior.  Now that’s a foreign language that’ll take some practice.

An Entertaining Movie Review of “Independence Day”

There is a YouTube channel for a guy that calls himself “The Critical Drinker.”  He has some kind of Gaelic brogue whether it’s Irish or Scottish or fake.  And he pretends to be drunk in every review.  And he swears a blue streak so be warned in advance that his videos are not safe for work or home or anywhere that genteel ears are present.  But he is extremely funny and his criticism is often very accurate.  This review of Independence Day is well done and identifies why this ridiculous film is still so enjoyable despite being a ridiculous film.