
Sony A7S with Voigtlander 10mm f\5.6 lens
All the Secrets of the Universe and Some Really Important Stuff Too!

A terrible thing can have good consequences. It can be a clarifying moment. An obvious example is the Japanese sneak attack on Pearl Harbor. The event was a human tragedy and a terrible blow to the United States militarily. It left the U.S. interests and people in the Philippines at the mercy of the Japanese armed forces. But it galvanized the country to such an extent that millions of young American men immediately enlisted in the armed forces and everyone else steeled themselves for the imminent war.
So, that’s the archetype. Now drop your sights ten levels down and observe a clarifying moment on a much smaller stage. Over the last couple of years, the left has been using the persistence of internet records to banish anyone who has ever said anything that is now politically incorrect. An example that comes to mind is the libertarian journalist Kevin Williamson who was hired and fired by the Atlantic over the course of a few hours because some left-wing trolls dug out his anti-abortion tweets and shamed the Atlantic into firing him. Of late, the right has been trying to use the same trick. Mike Cernovich produced a very large number of tweets by Hollywood director James Gunn that flippantly espoused pedophilic opinions. His employer, Disney, terminated him immediately. And most relevantly, The New York Times fired Quinn Norton, a white woman, back in February for having twitter comments that people thought were racist or anti-gay.
Now comes Sarah Jeong. She was just hired for seemingly the same job that Quinn Norton was fired from and the evidence of anti-white racism in Jeong’s Twitter feed is more than knee deep. In fact, it seems to be practically an obsession. A mountain of quotes has been circulating on this situation. The New York Times answered these criticisms by saying that Jeong was just responding in kind to racists and she will not be penalized because of it. So, it’s official. The New York times will fire white people if there is even a pretext for calling them biased but it will ignore even blatant anti-white racism by non-whites. For the average reader of this blog I don’t think any of this is a shock. Basically, it’s business as usual at “the Gray Lady.” But who it might shock are normies. They may have thought that we are all equal in front of the internet mob. They might have imagined that the New York Times would always prefer to avoid the appearance of harboring an openly racist employee. Well, if they’re paying any attention at all to the details of this case they will see that they were wrong and the New York Times didn’t. That should be a clarifying moment. The New York Times says it’s okay for a non-white journalist to openly express racial hatred against white people.
It occurs to me that the correct way to handle this is not to complain to the New York Times. They obviously don’t care. But how about their advertisers. Would for instance, a company like Disney respond to complaints from its customers by pulling ads from the New York Times? How about Walmart? Could they be persuaded to pull ads? Seems like a worthwhile thing to do. But at least it’s clear who the New York Times cares about and who it despises. Clarification noted.
“Socialist: A man suffering from an overwhelming conviction to believe what is not true.”
H. L. Mencken

Continuing on with the British films I’ll review “The Thirty Nine Steps.” This is another espionage tale where the civilian protagonist is swept up in a confusing web of events that he must navigate or be left holding the bag in a murder manhunt. Our hero is a Canadian visiting London on a work assignment who meets up with a femme fatale at a London music hall and quickly gets drawn into her attempt to prevent a spy ring from stealing vital British military secrets. When she ends up in his apartment with a large knife protruding from her back he flees the scene to attempt to clear himself by finding and foiling the espionage ring.
The coincidences, unlikely events and sheer dumb luck that fills the story line makes the suspension of disbelief out of the question. But Hitchcock replaces it with humor, human interest and a twisting turning plot line that comes full circle and provides the payoff. Along the way you meet a varied cast of characters each lovingly fleshed out by the dialog and script. One of my favorites is a milkman delivering to the hero’s building the morning he’s trying to escape from the scene of the murder. He tries to recruit the milkman to help him escape the scene of the murder but the deliveryman flat out refuses to believe that there’s been a murder and he’s trying to elude the killers. When the protagonist relents and claims that he’s just spent the night with a married woman and is trying to elude her husband the milkman immediately falls in with the plan and agrees to help without further complaint. The fleeing man is obviously a brother in arms to the apparently philandering milkman. Quite a lot of dialog is lavished on this completely ancillary plot device but it’s just this attention to detail that makes the picture memorable and interesting. And there are several of these types of vignettes sprinkled in the picture. And there’s a sort of love story although it does involve being handcuffed to a fleeing murder suspect and being gagged and even choked at one point. But in Hitchcock love will find a way.
The final twist of the story as I mentioned, circles round to the beginning of the story and is quite clever although there were clues if you were paying attention earlier. All in all, it is a very well put together plot.
Once again, we have an earlier British Hitchcock that equals or even exceeds the quality of the Hollywood era “classics” that Hitchcock is famous for. With actors that are complete unknowns to an American audience and immersed in the unfamiliar and idiosyncratic milieu of 1930s Britain, Hitchcock constructs an interesting and highly entertaining story out of a totally improbable premise.
I will dial back my praise with one caveat. For the younger readers who have been saturated from birth with high definition picture and sound quality, it may be a little off-putting to see an old black and white movie from the 1930s. This is a restored film where the worst of the sound and visual damage has been repaired. But it’s picture quality is not even close to 2018 standards. For those viewers of an older vintage this warning is of course unnecessary.
The Alt-Right, Dissident Right, whatever it’s called, is replacing the Establishment Conservatives as the legitimate voice of the non-progressive citizens of the United States. These are the people who voted for Donald Trump and until he was elected their point of view was almost completely unrepresented in political and journalistic circles.
But why are the old voices in the Republican Party and the Legacy Conservative Media falling by the wayside? That’s at least easy to see. It’s because they had no clue why Donald Trump was so popular. They couldn’t (or wouldn’t) see that they were the hapless tools of the Progressives. They truly were the stupid party or at least pretended to be.
So, I’ve been thinking about what is so different about the New Right. First of all, it would be inaccurate to suppose that this is a monolithic group. They disagree tremendously about many things but specifically and especially around what the outcome of their efforts will be. And undeniably the New Right is chock full of “characters.” Trying to list their defining characteristics I came up with this list:
Looking at all these factors, what it tells me about the New Right is that they aren’t fooled into thinking the Left are their fellow Americans. They won’t be co-opted by the Left-Wing Media or Institutions. They know the Left is their enemy.
What all this says to me is that they aren’t thinking about ideological definitions and logic chopping. They’ve realized that we can’t win this war by persuading our opponents of the superior logic or morality of our position. They realize that the only way to win a fight against power politics is by using power politics. And they’ve realized that the only way to beat identity politics is with identity politics. They’re thinking about strategy and tactics for beating the leftists at their own game.
Basically, they’re not stupid.
Will they continue to be successful? Nobody knows. But what is clear is that they are the only option that even might work. But unfortunately, their definition of success differs from mine. They mostly assume that the whole system will and should blow up. They’re much braver than I am or maybe they have much less to lose. But I’m not dumb enough to think that things will get better if we play nice with the Left. That’s what got us here in the first place so I’m following the path that the New Right is blazing. I don’t agree with everything being said. And as a I mentioned, unanimity doesn’t actually exist in the New Right but the general direction is clear enough. Donald Trump is our Northern Star and we will follow him as long as he can withstand the onslaught. If he falls then we’ll be waiting for the spark to ignite the powder keg. Because it’s long been primed.

“Of all the classes of men, I dislike the most those who make their livings by talking – actors, clergymen, politicians, pedagogues, and so on. …. It is almost impossible to imagine a talker who sticks to the facts. Carried away by the sound of his own voice and the applause from the groundlings, he makes inevitably the jump from logic to mere rhetoric.”
H. L. Mencken

“Every normal man must be tempted, at times, to spit on his hands, hoist the black flag, and begin slitting throats.”
H. L. Mencken