If You Have Any Interest in the Dissident Right and What They Believe Read This.

Awhile back I linked to a post by Michael Anton in which he reviewed a self-published book called Bronze Age Mindset.  Well the author of that book was given a chance to address the content of the post over at Claremont’s American Mind webpage.  I’ve linked to it below.  If you are at all interested in the dissident community that was the on-line heart of Donald Trump’s support in 2016 then you may find this article very informative.  I did.  The pseudonymous author (Bronze Age Pervert) is extremely persuasive in laying out his case for the need, or rather, the unavoidable certainty of the collapse of the current liberal worldview.  Highly recommended read.

 

America’s Delusional Elite Is Done

 

 

Taibbi Mocks the Russophobes on the Left

Matt Taibbi is no fan of President Trump but he is willing to call BS when the Left talks crazy.  Here he points out that Hillary Clinton is talking nonsense when she labels Tulsi Gabbard a Russian Asset.  In fact he says that Hillary is nuts.  How can you not love that?  Then he talks about the rest of the Left’s supposed russophobia.  This is the third article from him I’ve enjoyed. Surprising.  Check it out.

 

Everyone Is a Russian Asset

Joker – A Science Fiction – Fantasy Movie Review

(Spoiler Alert- I do talk about a good amount of the plot.)

First of all, is this a fantasy movie?  Well, it takes place in a mythical place, Gotham City and I suppose it exists in the “DC Universe” which includes Superman and other superheroes so I guess that can’t be the real world so let’s say it’s fantasy.

And this is nominally the origin story for Batman’s nemesis the Joker.  But although Bruce Wayne makes a cameo appearance and his father is a somewhat important character it doesn’t feel like this is a comic book story.

I guess it’s a story about how you can be the wrong man, in the wrong place at the wrong time.  The time and place are Gotham City (think New York City in everything but name) around, approximately, the mid-nineteen-eighties, a time when the bull market on Wall Street contrasted with the crime and poverty within much of the city.  The contrast was between the opulence of the elite and the graffiti and garbage laden streets of the poorer areas.  Arthur Fleck (played by Joaquin Phoenix) is trying to make people smile, he’s a self-professed clown.  But he’s also a mentally unstable man who struggles to make a living in the cruel time and place that surrounds him.

Arthur lives with his invalid mother in a tiny apartment in a ramshackle building somewhere in Gotham City.  He is on seven different medications for his mental problems which in addition to clinical depression includes an uncontrollable urge to laugh at the most inappropriate times.

We see him trying to earn a living as a clown.  He is sent out by an agency to perform whatever entertainment or advertising assignments a clown could be used for.  At a store that is going out of business, he dances around on the sidewalk with a twirling sign that announces that everything must go at their sale.  A gang of teenagers rip the sign out of his hands and run away into traffic.  Arthur chases them in his clown costume and after an exhausting chase is ambushed in an alley by the gang and brutally beaten down.

The movie is a downward spiral with Arthur experiencing cruelty and disappointment from every direction, strangers, his social worker, his neighbors, his employer and fellow employees and even his mother.  The only relief he ever finds in the movie are either delusions that his mind manufactures or the elation he feels when he finally exacts revenge with a gun.

Once Arthur is completely defeated in his hope for a normal life, he formulates the idea that all his pain is not a tragedy but actually a comedy and his mission is to spread the joke to everyone he meets.  He becomes the Joker and exults in his new found purpose in life, to extract revenge on everyone he comes in contact with.  After that the movie is a kinetic chase to see if Arthur can reach the maximum audience for his grim comedy before the police catch up to him.  Eventually the alienated masses in Gotham City embrace his chaotic violence and burn the city down in a spasm of violence.

This is an endlessly bleak film.  There is absolutely no positive message that can be taken from it.  The negative message that might have a cautionary aspect is not to push desperate people all the way to the wall, because they may still have teeth.

I was speaking to some folks in my circle of acquaintances about the Joker movie.  One of them is one of the Deplorables and he was very enthusiastic about the movie.  He felt that the movie reflected the way the world treats people today.  For instance, the neglected condition of Arthur Fleck and the rundown condition of the city he lived in was emblematic of how the elites treat the everyday folk.

He keyed into the scene where Arthur manages to meet up with Thomas Wayne.  Arthur’s mother had worked for Wayne and Arthur wants to talk to the great man.  He goes to the gate outside Wayne Manor and using some magic props amuses young Bruce Wayne who happens to be nearby.  Alfred the butler intervenes and Arthur runs away.  In the next scene Arthur sneaks into a private showing of a Charlie Chaplin movie at a palatial theater that Thomas Wayne and the rest of the elite of Gotham City are privately viewing.

Arthur enters as the show is in progress.  There they were, the elite, in their tuxedos and gowns without a care in the world while outside the riff raff were protesting the neglect and rot that had descended on the city.  Arthur is charmed and exhilarated by the opulence and happiness he sees and expects that Thomas Wayne will welcome him with open arms.  Instead he is rejected by Wayne and told that his connection to the Wayne family is a delusion.  And just for the sake of irony vis-à-vis the Batman back story Thomas Wayne punches Arthur in the face and says that he will kill Arthur if he ever comes near his son Bruce again.

Without a doubt one of the themes of the movie is that the rich have abandoned their poor neighbors.  And in fact, the three men that push Arthur over the edge into homicide are rich young stockbrokers who feel no compunction about attacking a seemingly harmless man on a subway train.  But it should be remembered that Arthur is also attacked by some street hoodlums who obviously aren’t any kind of an affluent group.  Their underprivileged status hasn’t given them any sympathy for Arthur when they beat him savagely when he attempts to retrieve his stolen property from them.

My friend feels that the Joker represents a recipe for what is ahead as the downtrodden rise up and eat the rich.  Maybe he’s right.  Maybe there’s no other way but somehow that doesn’t feel like victory to me.  If the best outcome possible is burning the world down to the ground then excuse me if I’m not particularly enthused.  I have to imagine we’re not so completely powerless that the only way we can have our way is to form a gigantic mob and sharpen up the guillotine.

The orgy of rioting that erupts in reaction to Arthur’s televised insanity is not a victory for anything.  Instead of representing some kind of independence movement it’s more like a scene from the French Revolution, from the Great Terror.

Joker is a tour de force by Phoenix.  He must have lost an awful lot of weight to appear as emaciated as he is in the film and he wrings an agonizing performance out of his soul and onto the screen.  It is painful to watch and leaves you somber at its conclusion.  And there is no catharsis because right up to the end there is no sense that anything has been resolved.  The Joker is just waiting for his next chance to kill and destroy whatever he can.  This is a movie for those who have a taste for darkness.  It’s well made.  But anyone looking for happily ever after, stay home.

Star Trek: The Original Series – Complete Series Review – Season 1 Episode 1 – The Man Trap

The episode opens up with Kirk dictating a “Captain’s Log” stating that Spock is in temporary command of the Enterprise while Kirk, McCoy and a crewman are beaming down to the surface of some planet to perform routine physical examinations on a scientist, Professor Robert Crater and his wife, Nancy.  The only unusual circumstance is that Nancy is McCoy’s old girlfriend.  Alright, let’s stop right there.  The commanding officer of a large, powerful, highly strategic military vessel is leaving his ship to keep his chief medical officer company while he gives routine physical exams to apparent nobodies in the middle of nowhere?  Who runs Star Fleet anyway, the Keystone Cops?  Alright, onward.

In the next scene, back on the Enterprise, we are forced to witness an exchange between Communications Officer Uhura and First Officer Spock.  Uhura is bantering with Spock trying to get him to engage in small talk.  He vulcans out and Uhura asks him if he can complement her on her beauty or tell her about how beautiful the moon is on Vulcan.  When Spock tells her that Vulcan has no moon, she replies that she is not surprised at all.  Gack!

While walking toward the Craters’ home, Bones and Kirk trade banter about the awkwardness of Bones meeting up with his former lover in the presence of her husband.  The exchange is truly awful and appears to have been written by a fifteen-year-old at best.  I was waiting for one of them to say, “I know you are but what am I?”

When we meet Nancy, she appears to McCoy to be in her twenties as he remembers her.  To Kirk she appears to be a middle-aged woman.  To the crewman she appears to be a very attractive and flirtatious girl who lures him into a secluded location away from the others.  Suddenly the three men hear Nancy’s screams and run to find out the emergency.  They find her with the body of the crewman dead on the ground.  He has a fragment of a poison fruit in his mouth.  He also has strange round blotches on his face.  The woman claims that the crewman ate the fruit before she could warn him of its deadly character.  The captain reprimands the doctor for being more concerned with the woman’s emotional state than with ascertaining the cause of death of the crewman.  The two live and one dead crewman are beamed back aboard the Enterprise.

Back on the ship Bones completes a medical examination of the dead crewman and discovers that he did not eat the poison fruit.  After further testing he discovers that the dead man’s body has somehow been drained of all sodium chloride, salt.  The captain remembers that Crater had stated that they needed their stock of salt replenished.  Sensing that something was wrong, the captain and doctor return to the planet with an escort of two crewman to help investigate the strange death.  Kirk tells Crater that something on the planet is killing humans and that the Enterprise will evacuate the Craters until the danger is past.  Crater becomes angry and runs away.  While searching for him both crewmen are killed by Nancy but we see her turn into one of the crewmen and return to the ship with the rest of the landing party.  Okay, let’s stop here.  “Nancy” has now killed three crewmen without breaking a sweat and Kirk is still aimlessly beaming up and down from the planet and seems almost nonchalant about it.  Resume.

Fake crewman now stalks victims on the Enterprise.  His first target is Yeoman Janice Rand, a hot blonde babe who is carrying a tray of food to Lieutenant Sulu, but she also has a salt shaker on the tray and the creature wants to take it.  But she escapes into a crowd.  Finally, something to praise in this episode, a pretty girl in a tight-fitting dress.

The creature kills a few more crewmen on the ship so Kirk and Spock go down to the planet to capture Crater.  Crater stands them off with a phaser and Kirk and Spock decide to split up to encircle him.  And here we get the first example of William Shatner displaying his physical prowess.  While sneaking up behind Crater, Kirk dives into a pile of sand.  Instead of a special forces warrior he looked more like an otter.  It isn’t pretty.

Kirk and Spock capture Crater and he confesses that Nancy is not really his wife but a shape-shifting creature that needs salt to live.  The creature killed the real Nancy more than a year ago but he had spared it because it was the last of its kind like the American bison.

Kirk and Spock head back to the ship and now the search is on for the creature.  It has assumed the shape of Dr. McCoy and when it gets the chance it kills Crater and attempts to kill Spock but his Vulcan blood apparently doesn’t taste good to the creature.

In the finale the creature turns back into Nancy and goes to Dr. McCoy for protection.  Kirk comes to them with a phaser in one hand and salt tablets in the other to lure the creature into revealing itself to McCoy as a monster and not his old love.  But McCoy disarms the Captain and won’t shoot her even when she begins desalinating Kirk.  Now Shatner really gets to show his stuff.  The creature places it’s suction cup fingers on his face and Kirk emotes the crap out of his pain.  He gives of his best.

Luckily for Kirk, Spock shows up and proves to McCoy that the creature isn’t Nancy.  He interlaces his fingers and hammers Nancy in the face several times.  But instead of having her skull fractured by this Vulcan knuckle sandwich she grabs Spock and throws him across the room like a rag doll.  This finally registers with McCoy and he shoots the creature.  She then pretends to be Nancy again and McCoy after begging heaven’s forgiveness terminates the creature with a lethal phaser shot.  Once dead she resumes her actual shape, a sort of short, stocky, hairy creature with a sucker shaped mouth and suction cups for fingertips.

“The Man Trap” wouldn’t have been my choice as the introductory Star Trek episode.  It’s kind of odd.  But it’s interesting to see that certain roles and behaviors that we come to expect are already in place.  After the first crewman is killed Bones gets to make the inaugural, the primordial, “He’s dead Jim!”  Equally important, Uhura demonstrated just how annoying she can be.  We saw the importance of short tight dresses on Yeoman Janice Rand to add some interest for the adult male portion of the audience.  And finally, we got to see several of Jim Kirk’s signature moves.  His obliviousness in the face of obvious threats all around him.  His delight in rolling and frisking around in sand.  His embarrassing facial expressions when emoting pain or fear.  His jackassery when taunting his friends among the crew.

Even though this is the very first episode aired it actually is a fairly average example.  It is not particularly awful nor is it so bad that it comes off as hilarious, it’s just average.  I still haven’t figured out the details of my scoring for the various components of a Star Trek episode but this one will cleave pretty close to the middle.  I’ll add those in later but for now call it average.

 

Star Trek – The Original Series – Complete Series Review – Introduction

Coming hard on the heels of the conclusion of my marathon review of all one hundred fifty-six episodes of the Twilight Zone series I’ve decided to handle the Star Trek series in a decidedly different manner.  Instead of providing mostly a plot synopsis followed by a short critique of the show I’ll instead tackle each episode as it relates to the series as a whole.  For instance, Star Trek consists of the personalities of the main characters interacting in whatever plot is provided that week.  And those plots have components that can include action, drama, melodrama, romance and even comedy.  And over time the characters develop predictable behaviors.  What I intend to do is compare the characteristics of a particular episode with the typical or average portrayal of these characteristics in the series.

What I think this will allow is the maximum opportunity for mockery.  And let me be clear.  I am doing this to take potshots and make fun of the awful acting and bad scripts that makes up the bulk of Star Trek.  I watched Star Trek as a child and at the time I thought it was fantastic.  I have a permanent warm spot in my heart for the show but I also recognize how extremely awful a lot of it is.  And right at the center of this awfulness is William Shatner.  His patented brand of overacting is by turns hilariously bad and embarrassingly painful to watch.  I will rate the levels of bad and may have to invent a Shatner Scale to accomplish this.

But I want to acknowledge that Shatner is also very good at certain types of humor.  There are scenes in Star Trek where he is as amusing as anything that was on television at the time.  These are relatively brief and somewhat infrequent.  But when something is done well, I’ll celebrate it.  And there are other outbursts of good acting that occasionally intrude on the dreck.  I will definitely note those too.

So that’s fair warning for really devoted fans of the show.  I have no reverence for this show but I am fond of it.  I will mock it viciously but I will also point out the good stuff that also exists in it.  I will talk about how the show uses or abuses various science fiction tropes of the time.  I will rate the plots and discuss inconsistencies that annoy the nerd in me.  I will talk about the character development (such as it is) of the lead actors and of course I will delve into the strange and frightening study of William Shatner’s acting technique.  I intend to do one episode a week.  That will give enough time to lavish all the loving attention each episode deserves.

I know that I will learn a lot about bad television and I hope I provide a faithful portrait of one of the most influential and durable science fiction franchises around.  So, I watched the first episode and was surprised to learn that “The Man Trap” was the first televised episode.  I had assumed that “Where No Man Has Gone Before,” which I had understood was the second pilot, had aired first.  So here I’m learning new things about Star Trek right from the git go.

Now, I will boldly go where no sensible blogger has gone before.  Dun ta dun ta dun dun dun dun …. da dunnnn!

 

What Kind of a World Do We Live In Where Matt Taibbi Starts Making Sense?

Taibbi is a prog journalist but recently he’s shown that he’s one of the few progs who actually believes in objective reality.

https://taibbi.substack.com/p/were-in-a-permanent-coup

In this article he warns that when the intelligence agencies begin dictating who gets to be president then we are already living in a banana republic and revolution can’t be far behind.  Worth a read.

Colin Kaepernick’s Agent Can’t Figure Out Why his Client Hasn’t Been Signed

When I saw this headline,   Colin Kaepernick Agent, Increasingly Frustrated at NFL’s Snub, Sends Out Press Release

I thought it was a satire piece like in the Babylon Bee.

After reading it I knew it was real but because of that it’s much funnier than any satirical piece could be.  Imagine this.  Kaepernick torpedoes the NFL’s relationship with its most loyal fans, sues the league for malfeasance and wins millions and then his agent is increasingly frustrated that no one wants to hire him and start the cycle over again.  It’s pure comedy gold!

In order to set the record straight and counter the false narratives out there his agent sent out a press release.  Here are some of the best bits:

Has Colin been offered a job by an NFL team?
No, not a single team has offered Colin a job since the 2016 season, in which he began his peaceful protest.

Has Colin ever had a workout with an NFL team?
No, not a single team has brought Colin in for a workout. Seattle brought Colin in for a visit but did not work him out. Afterwards, Pete Carroll said Colin is a “starter in this league.” No other NFL team has interviewed or worked out Colin in the past 3 seasons, despite other false statements in the media to the contrary.

What about Colin being a “distraction” with the 49ers?
His coach, Chip Kelly, during the 2016 season said about Colin, “He is zero distraction.” In that same 2016 season, Colin also won the Len Eshmont Award, voted on by 49er players and given to the 49er who best exemplifies inspirational and courageous play.

 

Well I’m glad to hear he was zero distraction as he tanked the league’s ratings with his protest.  Anyway, Nike will drag old Colin out for at least a year or two more until everyone actually forgets who he is.  Then they’ll harass us with some new dumbass they find biting the hand that feeds him.  Hey maybe Colin can go to China and try his protest over there.  After all the Uighur people are being oppressed pretty awfully by the Chinese.  I’m sure the Chinese would be grateful to Colin for pointing this out to them.  They are a very reasonable people.  Just ask the Uighurs and the Tibetans.

 

 

Curtis Yarvin Has a New Pill for Us to Take, The Clear Pill

Mencius Moldbug (aka Curtis Yarvin) was the tech savant who got interested in the power structures of the modern world.  He is credited with borrowing the red pill/blue pill imagery from the “The Matrix” and using it as an analogy for waking up to how the world really is run.

In this new set of posts, over at Claremont Institute’s “the American Mind,” he describes, in his typically long, highly elaborate way, a thought experiment to try to get at the objective truth of how our society is actually controlled as opposed to the official version.

Yarvin is not an easy read.  His writing style is expansive.  It reminds me of a spider spinning a web that spirals out and out until you can’t even remember where you started.  But I find him extremely interesting.

 

The Clear Pill, Part 1 of 5: The Four-Stroke Regime

 

 

The Twilight Zone – Complete Series Review – Season 5 Episode 36 – The Bewitchin’ Pool

Sport and Jeb are the young children of Gil and Gloria Sharewood.  They live on a beautiful estate with a big house and a large in ground swimming pool.  But their prosperous parents dislike each other intensely and bicker constantly.  One day while their parents are fighting the children see a little boy with a Huckleberry Finn straw hat on his head appear in the swimming pool and tells them to follow him.

They swim down into the pool and end up somehow coming out into a swimming hole where they see a country cottage surrounded by a swarm of children playing happily together.  The boy they followed Whitt introduces them to Aunt T, an old lady who takes care of the children.  She gives them chores and acts as a loving grandmother to them.  She gets Sport and Jeb to frost a cake she’s making for the children and they are really happy to be in a happy love-filled environment.  But then Sport hears her mother worriedly calling to them and she tells Aunt T they have to back to their home because they and their parents love each other.  Aunt T agrees that a loving home is the best place for children.  They swim back into the pool and their parents are very angry with them for disappearing and punish them by sending them to bed without supper.

The next morning Sport is painting outside when her mother wants her to get her brother who has disappeared.  She says she has a big announcement and there won’t be any more fighting in the house.  Sport goes into the pool and finds her way back to Aunt T’s house where Jeb is happily helping out.  Sport tells Jeb that they have to go back and that things were going to be better without any more fighting.

When Jeb and Sport get back their parents tell them they’re getting divorced and the kids will have to pick who they want to live with.  Jeb and sport run back to the pool and their parents chase them and tell them to get out of the pool.  When they don’t resurface their father jumps in.  When he comes back up, he tells his wife that they aren’t in the pool.  She becomes hysterical crying for them to come back.

Jeb and Sport are happily frosting cakes with Aunt T when suddenly Sport hears her mother’s voice calling for them.  But she ignores it and they go back to their happy life at Aunt T’s.

This was the last episode to be televised in the Twilight Zone series.  Because of this, some technical problems they had with sound on the outdoors segments of the show caused major issues.  The actress who played Sport was not available to re-dub the sound and so a voice actress, June Foray had to be used to voice over Sport’s lines.  Foray was the voice of Rocket J. Squirrel in the Rocky and Bullwinkle cartoon series and her voice is noticeably different from the actress who played Sport.  This change is actually quite jarring for the listener.

Another incidental note for this episode has to do with the actress who played Sport (Mary Badham).  In this episode the sister and brother are named Sport and Jeb.  In a well-known movie that Mary had recently been in (To Kill a Mockingbird) the character she played was a sister named Scout with a brother named Jem.  A coincidence?  I think not!

This fantasy episode is addressing the topical problem of an increased divorce rate in America at the time.  Of course, compared to today it was an idyllic era for family life but modernity was already taking its toll on the sanctity of marriage and the family.  I see what Serling was saying in this episode and it is admirable.  Dramatically the story is simple but effective.  Even counting in the technical problems with the voice over I’ll call this a B+.

 

The Twilight Zone – Complete Series Review – Season 5 Episode 35 – The Fear

Charlotte Scott is a New York City fashion designer hiding out in the back country recovering from a nervous breakdown.  State Trooper Robert Franklin shows up at the door of her out of the way but opulently appointed cabin to follow up on a report from some townspeople that Miss Scott had said she had seen strange lights in the sky.

While being questioned by the officer Charlotte displays all the phrases and behaviors expected from a city snob when denigrating the country folk, she despises.  Robert calls her out on this rudeness and is about to leave when suddenly a blinding light appears outside the cabin and forces him to leave her in the cabin while he investigates.  When he returns, she apologizes for her rudeness and claims she is masking insecurity associated with her fear of the unknown after seeing the mysterious lights earlier.  Robert accepts her apology and tells her he’s pretty scared himself.  He tells her he thinks that the lights are associated with a UFO.

They discuss how to determine what is going on when suddenly Robert’s car drives by with no one at the wheel.  It ends up on its side and Robert determines that the car radio is dead.  Now they retreat back into the cabin with the aim of holing up until morning when it will seem safe to leave.  Charlotte hears noise on the roof but when Robert goes outside and climbs up, he doesn’t see anything.  But he discovers that his patrol car is back in its original position but with a set of fingerprints visible on the surface showing that the car had been moved back into position by being lifted by a giant’s hand.  Robert tells Charlotte that there was nothing on the roof but if it had wanted to it could have crushed the house flat.  He approximates the giant as being about 500 feet tall.

They sleep the rest of the night but in the morning, they decide to walk back to town.  They come upon a foot print of gigantic proportions.  While talking about the danger they face Charlotte panics and bolts down the path.  When she reaches the clearing suddenly, she sees a one-eyed alien about 500 feet tall.  She screams and Robert comes running up.  He tells her to run away and he’ll attempt to stop the alien with his service revolver.  She refuses and says she’ll stay with him.  He fires several shots at the monster and suddenly the two humans are practically blown off their feet by a powerful wind.  Eventually we see that the monster was actually a balloon and the wind was caused by the bullets puncturing and deflating the balloon.

Charlotte is confused about how all this happened but Robert sees a small flying saucer on the ground nearby.  Inside they see and hear the tiny space men radioing their home base for permission to flee the Earth before they are attacked by the giant humans.  They report that their plan to frighten the humans with the phony giant alien and tricks with the car have failed because the humans are fearless.  The space ship flies away.  And Robert expresses sympathy for the aliens and hopes on the next world they land that they are the giants instead of Lilliputians.  Charlotte worries about what will happen if the next aliens she encounters are real giants.  Robert proudly tells her that he believes she’ll spit in their eyes.

This is a pretty silly episode but the characters are likable and the story moves right along.  I think what I like about the story is that it reflects the conventional but very appealing scenario of the maiden in distress and the knight in shining armor willing to fight the dragon to protect her.  And as opposed to the modern upended trope of the independent woman Charlotte is grateful to Robert for his valor and protection.  Based on all that, this is a solid B episode.  And Hazel Court who plays Charlotte is actually quite attractive, so, that’s got to be worth at least half a point.  B+.